In the opening of A Flicker of Hope: A Story of Migration, a girl named Lucía sits with her Papá on the steps of their home, surrounded by lush plants. Nearby, monarchs perch on the branches of a tree.
Humming Lucía’s favorite tune, her father tells her that songs soothe weeping hearts. Soon he will journey north. The monarch butterflies will, too.
Lucía asks her father if he will come back.
“Sí, mi amor,” he promises. “When the weather turns cold and the monarcas return, our winged ancestors will guide me home.”
Written by Cynthia Harmony and illustrated by Devon Holzwarth, A Flicker of Hope (out now from Viking Books for Young Readers) is a lovingly crafted story about a girl waiting for her father to return home to Mexico from his seasonal farm work far away. It’s also about the monarch butterflies and their journey, “miles and miles across rivers and mountains,” in search of milkweed blossoms. And at its heart, it’s a story about family, hope, and the bonds that tie us to nature. A Spanish version — Un Aleteo de Esperanza — is also out now.
Harmony masterfully captures a parallel between the story of Lucía’s father and that of the monarcas. Growing up, it was common for the Mexico City native to see monarch butterflies. Harmony remembers visits to the state of Michoacán, where she experienced the wonder of the monarchs. “There’s a common belief that butterflies are the souls of our ancestors visiting for a brief moment,” she shared.
The monarch butterflies were an element of the story when Harmony first began writing A Flicker of Hope. But initially there was no parallel structure tying their journey to that of Lucía’s father. During the revision process, the author and educational psychologist realized there needed to be. She felt the mirroring was critical to the story.
“That’s a really important part of the theme: We’re connected to nature and to each other, and we follow these patterns,” Harmony said. “That was the main theme and thread for me in the story: the connectedness. That’s why while I revised, I realized it was important to bring the monarch butterflies’ story and mirror it to the story of Papá and Lucía. They’re so small and delicate, but they’re strong and resilient – so it’s like a perfect symbol of hope.”
An added layer of meaning to the story is the community Lucía belongs to. She is a member of the Mazahuas, an Indigenous people of Mexico. In her author’s note, Harmony wrote about the Monarch Butterfly Biosphere Reserve, where millions of monarchs find shelter to hibernate during the winter months. She also mentioned the Mazahuas and how they believe the souls of their ancestors return in the shape of monarchs, “as the migration coincides with the Day of the Dead celebrations that take place on November 1 and 2.”
“There’s a common belief that butterflies are the souls of our ancestors visiting for a brief moment.”
Holzwarth’s illustrations for A Flicker of Hope feature Lucía and other members of this Indigenous community hand making baskets out of ocoxal leaves. Holzwarth said she researched the Mazahuas while determining her artistic approach to the illustrations for this book. Harmony also provided the picture book illustrator with information. The artist said she soon found herself on a rabbit hole search, trying to find photos of the community.
“I wanted to see, what's everyday life like? What do people do in the middle of the day?” Holzwarth recalled. “How do they make the crafts from pine needles? What season do they collect them?” The picture book illustrator grew up in Panama, and so she experienced seeing traditional cultures shifting over time in different ways.
Holzwarth used mixed media for the illustrations in A Flicker of Hope: they are a vivid blend of gouache, watercolor, colored pencil, crayon and digital finishing. She began with sketches on her iPad, the final versions of which were later transferred to paper. Holzwarth then worked out of the paper and introduced water media first.
She knew she wanted to focus on orange, which is a color that is found in different hues throughout the book, especially with respect to the monarch butterflies. “I like harmony, and so I go the left and right of orange: I can have reds and I can have yellows,” she said. “And then the opposite of orange is blue… Because they’re the most exciting things together. And so on the other side of blue, I will have some violet, and then a little bit of green. But I’ll keep it more of a blue-green.”
The result is a gorgeous color palette amid the characters – deep oranges and forest greens and blues. After painting, Holzwarth brought greater detail with colored pencils, or fine brushes with gouache.
The butterflies themselves were made from gouache, which the artist said is a bit thicker – with colored pencil on top. Throughout most of the book, they’re in motion. “They’re always moving to their place,” Holzwarth said. “They’re not in their nesting spot for that long.”
The illustrator said she hopes readers enjoy Lucía’s, especially those who miss family members or are waiting for something. “It’s waiting, it’s hoping, and then this joy right upon being rewarded with your patience,” Holzwarth said. “I think that would be probably what I hope that children see in the story.”
That much is clear: A Flicker of Hope also touches on a universal theme, which is a child’s longing for her parent. As she wrote, Harmony’s mind also turned to the Trump-era “zero tolerance” policy that was being enforced in Arizona, where she currently resides. She described that time as heartbreaking. “And I decided in that moment that this story had to be about the experience of children, and longing for their parents,” she said.
Lucía’s longing for her Papá is palpable. And it was an important part of the story for Harmony to demonstrate.
“I wanted what I saw growing up in Mexico to be seen and felt by the reader,” she said. “I think I do this with all my stories. Every time I write, I’m just hoping to contribute a little bit of understanding by sharing this point of view of people that have not been shown in books historically.”
And for children, Harmony hopes the message for them is that maybe they’re not so different from each other.
“All children, and everyone of us, longs to be close to our loved ones. That’s also what I was trying to convey – that maybe deep down in all of our journeys, we’ll always find love and hope.”
Amaris Castillo is an award-winning journalist, writer, and the creator of Bodega Stories, a series featuring real stories from the corner store. Her writing has appeared in La Galería Magazine, Aster(ix) Journal, Spanglish Voces, PALABRITAS, Dominican Moms Be Like… (part of the Dominican Writers Association’s #DWACuenticos chapbook series), and most recently Quislaona: A Dominican Fantasy Anthology and Sana, Sana: Latinx Pain and Radical Visions for Healing and Justice. Her short story, “El Don,” was a prize finalist for the 2022 Elizabeth Nunez Caribbean-American Writers’ Prize by the Brooklyn Caribbean Literary Festival. She is a proud member of Latinx in Publishing’s Writers Mentorship Class of 2023 and lives in Florida with her family.
