Many tragic stories show their characters fighting to save hope. They suffer throughout their journey in a failed attempt to achieve happiness. Although labeled a tragedy, Karina Sainz Borgo’s novel does something unexpected: starting the story with complete hopelessness. If characters have lost all hope, what is left in their journey? The answer lies in Sainz Borgo’s slow-burning narrative that describes a world so hostile that there’s No Place to Bury the Dead.
The reader follows Angustias Romero’s journey through her eyes as she leaves the eastern mountains of an unnamed Latin American country with her husband and newborn twins to reach Mezquite. Right on the first few pages, readers learn two important things: a plague that attacks memory has spread throughout the country, which is why they left their home, and the twins die during their migration. Carrying her sons’ bodies in two shoeboxes, Angustias and her husband arrive at their destination wishing to find a place to bury their children. Meanwhile, the tension between them keeps growing as her husband becomes victim of the plague.
In Mezquite, she hears about Visitación Salazar, a woman who buries people for free in an illegal cemetery people call “The Third Country.” After finally giving her children a place to eternally rest, her husband disappears; therefore, from the beginning of the story, our main character has lost everything that is dear to her. A grieving Angustias decides to become Visitación’s assistant so she could stay near her sons’ grave, but life in Mezquite can prove dangerous since the place is ruled by landowner Alcides Abundio and “the irregulars,” a mercenary group. They both reign a godless kingdom through unmeasured violence and corruption, a kingdom of death and desperation.
“ ...the narrative accelerates in such a way that it is impossible to put the book down until you reach its ending.”
The narration is detailed yet distant. Angustias remains observant but desensitized to the horrors she witnesses, a coldness that can only be felt by those who have lost everything like she did. Still, the reader gets a good sense of the aridness of this place and its people. Sainz Borgo’s use of nature and rich descriptive language set the overall mood of the novel, making the reader feel the dread her characters are experiencing. Each chapter ends with a powerful image that portrays Angustias’s state of mind and sets the tone for the next one.
The novel moves slowly because the focus isn’t the plot, but the atmosphere that the author so carefully crafted. However, near the end, unexpected tragedy after tragedy follows Angustias and the people of Mezquite, mimicking how life can change within minutes. With this, the narrative accelerates in such a way that it is impossible to put the book down until you reach its ending. Although the setting remains cruel and eerie, subtle changes in Angustias’s narration make readers wonder if there is space for hope in such a somber world.
In this novel, Sainz Borgo greatly portrays grief and hopelessness, giving us a main character who has lost everything at the beginning of the story. What can be left for someone who has given up all hope already? No Place to Bury the Dead shows what comes after losing it all, making it a painful yet necessary read.
Roxanna Cardenas Colmenares is a Venezuelan writer living in New York City who loves to consume, study, and create art. She explores multiple genres in her writing, with a special interest in horror and sci-fi, while working on her B.A. in English with a Creative Writing concentration.
Her work has made her a two-time recipient of the James Tolan Student Writing Award for her critical essays analyzing movies. She has also won The Henry Roth Award in Fiction, The Esther Unger Poetry Prize, and The Allan Danzig Memorial Award in Victorian Literature.
In her free time, she likes to watch movies, dance, and draw doodles that she hopes to be brave enough to share one day.
