Exclusive Chapter Excerpt: Island Affair by Priscilla Oliveras, Out May 2020

Latinx in Publishing is pleased to exclusively reveal a chapter from Island Affair by Priscilla Oliveras, a perfect romantic Caribbean escape.

Sought-after social media influencer Sara Vance, in recovery from an eating disorder, is coming into her own, with a potential career expansion on the horizon. Despite the good news, her successful siblings (and their perfect spouses) have a way of making her feel like the odd one out. So, when her unreliable boyfriend is a no-show for a Florida family vacation, Sara recruits Luis Navarro—a firefighter paramedic and dive captain willing to play the part of her smitten fiancé . . .

Luis’s big Cuban familia has been in Key West for generations, and his quiet strength feeds off the island’s laidback style. Though guarded after a deep betrayal, he’ll always help someone in need—especially a spunky beauty with a surprising knowledge of Spanish curse words. Soon, he and Sara have memorized their “how we met” story and are immersed in family dinners, bike tours, private snorkeling trips . . . sharing secrets, and slow, melting kisses. But when it’s time for Sara to return home, will their fake relationship fade like the stunning sunset . . . or blossom into something beautiful? 

Priscilla Oliveras.png

Chapter 1

“Who the hell complains when their captain gives them time off? Oh, wait, you!”

Forced time off,” Luis Navarro grumbled. Not that his older brother gave a rip about the clarification.

Sure enough, Carlos responded with a caveman grunt as he shoveled more of their mami’s black beans and rice into his big mouth. Luis glared at his brother from his side of the black leather sofa squared off in front of the big-screen TV in the lounge area at the Key West airport fire station.

The only reason Luis had volunteered to bring his brother’s lunch while Carlos pulled his shift with the county fire station was because Luis had expected the bonehead to commiserate with him. Not side with the damn Captain, who’d dropped his bomb earlier this morning. Right after Luis had finished his shift downtown with the city fire department.

¡Coño! Didn’t anybody see that time away from the job and the distraction it offered was the last thing Luis needed right now? Damn wasn’t nearly a strong enough word for his frustration.

“I should be so lucky that my boss made someone switch their Kelly day this month to give me a full week away from here,” Carlos protested around a mouthful of food. 

“Will you pipe down? I don’t want people finding out about this.” Luis shot a pointed look through the open archway, past the high-top table in the eating area, and into the kitchen where an- other firefighter stood in front of the microwave heating up his own lunch. The guy normally worked at Station 17 up the Keys, so Luis didn’t know him well. No need for him to overhear Carlos and Luis’s conversation and spread the news from the city up through the county fire stations.

As the microwave hummed, the spicy scent of refried beans, onions, and bell pepper from a frozen burrito heating up filled the air. Luis scowled at his brother. The fact that Carlos, the ingrate, would have been stuck eating the same processed, frozen concoction if Luis hadn’t agreed to deliver their mamá’s freshly cooked meal upped the not-cool level of Carlos’s lack of empathy.

“What’s your problem?” Carlos complained.

Luis jutted his chin toward the dining-kitchen area where the sub had moved to the high-top table with his lunch. “I don’t want you fanning the trash-talk flames through the houses farther up the Overseas Highway.”

Carlos grunted again, though he reined in his caveman behavior by wiping his mouth with a paper towel instead of the back of his hand. “You think no one’s yammering about this already?”

Luis frowned.

“Right,” Carlos scoffed. “I guarantee you Soto’s been blabbing about what went down. You know him. Soto likes to kiss ass, trying to weasel his way into a Driver Engineer spot. Hell, I’d be surprised if he’s not telling people he and the Captain came up with the idea to swap your Kelly days. Ese tipo siempre está hablando mierda.

Luis huffed a pissed-off breath. Carlos was right. Soto was al- ways talking shit. Especially if it made him look better than some- one else.

No doubt the little prick was spinning some tale about him being such a team player that he actually offered to switch his extra day off this month. ‘Cuz he cared about helping his fellow fire- fighter decompress, “get his head on straight,” as the Captain referred to it, after the accident Luis had worked several weeks ago.

An accident that was far too similar to and equally as senseless as the one that had altered Luis’s life six years ago.

The idea of Soto using Luis’s situation to paint himself in a good-guy color when the prick was anything but a team player at the station grated on Luis’s already-stressed nerves.

His ire rising, Luis plopped back against the sofa cushion. He plunked his scruffy workbooks on the scarred wooden coffee table beside his brother’s, tugging on his jeans leg to adjust himself. This damn situation kept getting rosier and rosier.

Thankfully it was a quiet day at Key West’s small airport. A United flight had landed about fifteen minutes ago without incident. Another firefighter had ridden out to notch one of the five daily runway inspections, while another sat in the Watch Room listening to the control tower over the radio and keeping an eye on the runway. Carlos and the new guy rounded out the team of four manning this shift.

So far, Luis’s visit hadn’t panned out like he had anticipated. On top of Carlos brushing off the Captain’s edict, the ungrateful jerk had barely mumbled his thanks when Luis showed up to deliver the glass container from their mom. Even though it meant Luis re- tracing his route this morning to make the ten-mile drive back down to Key West from Big Coppitt.

After his shift, he’d swung by his parents’ house for the obligatory bi-weekly visual check-in, which under no uncertain circumstance could be lumped in with their weekly familia dinner. Luis had planned to make his morning visit short but sweet. Long enough to appease Mami’s need to keep visual tabs on her kids, de- spite the fact that all four of them were adults.

Ever the dutiful son, he’d reached Big Coppitt Key and passed the turn to his house on Emerald Drive, where solitude and his boat, Fired Up, awaited in the canal out back. Instead, he made the next left onto Diamond Drive, heading to his childhood home. Praying he’d be in and out before news of his forced time off reached his parents.

The last place Luis wanted to be was sitting in his mami’s kitchen, her henpecking him for details about what was new in his life. Not that he ever had anything special to report or that he’d want to keep secret. Except for today.

His mami possessed a something’s-wrong radar the likes of which the US government would kill to possess. If—more like when—she got wind that his captain had felt compelled to sideline him, her worry gene would kick into overdrive.

Even now, safe from her watchful eyes, Luis cringed at the thought. Few things were more intense than a Cuban mami hovering over her offspring, hell-bent on making things better for them. Whether they wanted her help or not. Case in point, the multiple ways she consistently worked in a plea for him to make true peace with his little brother, Enrique.

No matter how many candles his mami lit after mass at St. Mary’s, praying for her middle and youngest sons to reach an understanding. That wasn’t going to happen. There were some things a man couldn’t get past. Not Luis anyway.

This morning, despite the ants-in-his pants sensation that had him as jittery as a rookie on his first call, Luis had tried to play things off, reassuring her with a casual, “Estoy bien,” when she asked how he was doing.

One look at her arched brow, right fist planted on her plump hip, and he knew she wasn’t buying his “I’m fine” routine. He’d realized right then and there, he needed to get out of her kitchen, outside her radar range, ASAP. Or he risked her interrogation.

Hell, he was too ramped up to discuss the reasons and potential ramifications of the Captain’s decision.

Too frustrated. Too . . .

The word scared filtered through Luis’s head like the devil had perched on his shoulder and whispered in his ear. Luis shook the evil antagonist off, ignoring the obnoxious voice and turning his ire on his brother.

Coño, ’mano, the only reason I volunteered to bring your sorry-butt lunch  was  ‘cuz  I thought  you’d  side  with me.  Not Turner. You can’t possibly think the Captain’s right!” Luis glared at Carlos, who stabbed a piece of amarillo with his fork, then shoved the sweet plantain in his mouth. “Would you quit stuffing your pie hole for a minute and help me figure out how to change Turner’s mind?”

“Maybe,” Carlos mumbled around his food. “I think—”

A Tone Out rang through the speakers, interrupting Carlos. The series of low- and high-pitched sounds signaling an emergency, distinct for each firehouse in the county and city, alerted those on duty in seconds which station should be on the move. Within a couple notes of the Tone Out, the firefighters were either continuing about their business, like Carlos and the others here, or racing for their vehicle.

The walkie-talkie hooked to Carlos’s belt squawked a message from Dispatch relaying information from a 911 call. The rescue unit from Stock Island, the key located immediately before the en- trance to Key West, was needed at a residence where someone was experiencing chest pain. Knowing how the Battalion Commander over there ran his station, Luis figured the truck would also head out in support of the ambulance.

Dispatch quieted down, but an uncomfortable sense of dread lingered over Luis. As it had after every Tone Out that had sounded over the past few weeks. Especially when the call from Dispatch involved a car accident. Just like—

Tension seized his chest. The knot in his gut, the need to lash out at someone, something, had him jittery and on edge. He clenched his jaw, burying the unwanted responses. This would pass. It always did. It had to.

Running a hand down his face, Luis wiped the sheen of sweat off his brow. A check of his watch told him he should get out of the way here. Carlos and the other three men would need to start their daily medical and fire training as well as the extra duties required by the FAA since they were located at the airport. Luis wasn’t getting any sympathy over the unfairness of his current dilemma anyway.

“You know what? Forget I said anything,” he grumbled. “I don’t know why I thought you’d understand.”

Lifting his feet off the coffee table, Luis pushed up to a stand. The weight of frustration pressed down on him, squashing his anger, leaving him irritatingly tired. Tired of people telling him how to cope. Tired of hearing that he should seek professional help or he’d never move on.

He didn’t need to sit down with a grief counselor. Forget having another chat with the fire department’s chaplain. The best therapy for him involved pulling shifts at the station. Losing himself in the 

rhythm of the day-to-day required duties and responsibilities. Fuel- ing his body with the occasional adrenaline rush.

Carlos should understand. The adrenaline was a big part of what drew them all to the job. That whoosh of pulse-jumping excitement when you pealed out of the station, ready to help someone in need.

Oye, come on. Don’t leave all pissed off.” Carlos set the glass container on the table as he stood. “I’m just saying, maybe some time out on your boat will do the trick. A little sun, fresh ocean air, dropping a line in the water. Yeah, that’s it! Go catch some fresh fish for us.” Carlos’s lips spread in a silly grin, his straight teeth a white flash against his deeply tanned face.

Luis gave his brother the finger on his way through the eat-in kitchen, heading toward the front entrance. Carlos followed, their boot heels thumping on the linoleum floor.

The other firefighter waved at Luis but didn’t look away from the baseball game on the small TV mounted on the wall above the table.

“Take the Fired Up out past the reef on the Atlantic. Troll for some mahi and bring home dinner,” Carlos persisted.

“I hope you get indigestion from wolfing down Mami’s food so damn fast,” Luis said over his shoulder as he pushed open the main door. Hot, humid air blasted him in the face. Early May and al- ready the intense summer sun beat down, threatening to bake tourists and locals alike.

“Bite your tongue,” Carlos complained. “Bite me!”

His brother barked out a laugh and jabbed Luis on the shoulder with a sharp punch. “Ohh, that mouth of yours. What would Mami say if she knew her quiet, saintly son talked like that.”

“Whatever.” Luis dodged Carlos’s second jab and stepped onto the landing. His brother followed him outside, but while Luis continued to the top of the concrete stairs leading to the parking area below the fire station, Carlos stayed behind.

“Hey, I know this isn’t what you want!” he called out. “Pero . . .Halfway down the stairs, Luis paused. “But what?”

He turned to find Carlos still on the landing, one hand wedged between the frame and the door so it wouldn’t close all the way while allowing them a bit of privacy.

They squinted at each  other for a few  heavy seconds. Luis watched his older brother weighing his words. Carlos’s jaw muscles worked as he chewed on whatever advice he contemplated offering. Advice Luis probably wouldn’t want to take. His brother’s easy grin from moments ago had been wiped away by the serious expression now blanketing his face. He stared back at Luis with the same pursed-lips scowl he used when his young sons misbehaved in a way that might cause harm.

“But maybe it’s time you took a step back from helping every- one else and . . . and thought about helping yourself.”

Across the tiny parking lot, on the other side of the chain-link security fence separating the public area from the runway and tar- mac, the prop plane that shuttled tourists to the Dry Tortugas for snorkeling trips cranked its engine. The loud, sputtering noise mimicked the discord pounding through Luis’s chest.

“There’s no need to. I’m fine,” he assured his brother. A refrain Luis had been repeating for years now. Whatever good it did. “I wish everyone else would get that through their heads.”

To Luis’s surprise, Carlos muttered an oath and moved to the top step. The fire station door clicked shut behind him. “Look, I get that you’re pissed about the way the Captain handled things. But you’ve been simmering like Mami’s old pressure cooker off and on for a while. That call a few weeks ago made it worse. I’m not saying you gotta fix things with Enrique, but—”

“Don’t go there,” Luis warned, an angry edge in his voice.

ISLAND AFFAIR by Priscilla Oliveras.jpg

Carlos held up a hand, stalling Luis’s argument. “I’m not. That’s between you two. I am saying, you were dealt a raw deal back then. Sure, we handle things our own way. The thing is, as much as you’d like to think so, you can’t save everyone. But shit, you’re not even trying to save yourself.”

His brother’s plea slammed into Luis like a battering ram to the chest. It caught him by surprise, but not enough to shake his re- solve.

“That’s because I don’t need saving.”

He simply needed to keep his mind busy, distracted. That’s what kept unwanted memories and thoughts at bay.

Carlos let out an exasperated huff as he rolled his eyes. “You’ve got a week off, use it to figure out how you can get out of your rut. 

Hell, surprise us all by shaking things up a little. It’ll do you good, my saintly brother.”

Hands on his hips, Luis squinted up at Carlos, shocked by his unexpected, unsolicited advice.

Rut? What the hell?

“I have no idea where this unnecessary pep talk is coming from.

Like I said, I’m fi—”

“Fine. Yeah, I heard you,” Carlos interrupted. “I’ve been hear- ing you for years now. I’m just . . .”

Raising an arm to wave off his brother, Luis hurried down the last few stairs. “Okay, okay! I’m off to ‘shake things up.’ I’ll catch you later. Don’t pull a muscle climbing into your truck to inspect those runways. I know how demanding that can be on your old- man body!”

“Bite me!” Carlos yelled back, his typical laughter back in his voice. Seconds later, Luis heard the station door slam shut.

Chuckling at his brother’s goodbye, he pulled his Ray-Bans from his T-shirt collar and slipped them on. He crossed the shaded area underneath the fire station to his dark blue Ford F-150 King Ranch pickup, parked in a spot next to the south end of the airport near the baggage claim area.

Shake things up. Get out of your rut.

Carlos’s words taunted Luis with their infantile “I dare you” undertone. He blew out an irritated breath, then pushed the conversation aside when his attention was drawn to a group of rowdy college-aged kids piling into a taxi van nearby. Voices raised, they excitedly discussed barhopping plans while snapping selfies with their cell phones. Behind them, two middle-aged couples dressed in shorts and matching tropical button-ups awaited the next avail- able taxi.

Luis fished his keys out of his front jeans pocket and watched passengers streaming out of the building. Some wearily dragging rolling suitcases. Most clutching cameras, island maps, sun hats, or some type of beach paraphernalia, their expressions bright with expectation.

So many people scrimped and saved for ages dreaming of visit- ing his hometown. They traveled for miles, vacationed for days, brought money to local businesses, then left. Poor souls.

He remained among the lucky ones who called Key West home.

Always had. Always would. A Conch through and through.

The highs and lows of his life had taken place here, or some- where within the stretch of Keys linked by the Overseas Highway. One of those lows, and the difficult aftermath it caused, had nearly pushed him to leave. Take a better-paying job at a firehouse on the mainland.

But no. His familia was here, had been for three generations. Even Enrique, the younger brother he now kept at a slight distance but would never shut out. Familia was familia. Good, bad, or indifferent. Their parents had tried to instill that loyalty in them. Unlike Enrique, if there was one thing Luis took seriously, it was his responsibilities.

Luis reached his truck at the same time a beat-up beach cruiser sedan pulled out of the passenger pickup lane. Its engine revved, then backfired. The shotgun sound startled Luis, along with several passengers who ducked for cover. His keys slid from his fingers, clanking onto the asphalt near the rear driver’s side tire.

He bent down to pick them up, more of his brother’s words echoing in his head. It’s time you took a step back from helping everyone else.

Screw that. Helping was in Luis’s DNA. It’s what led him to graduate high school having already earned his EMT certification so he could immediately enroll in fire college in Ocala. Then straight onto a shift with the city.

No, what he needed was to find a way to kill the next seven days. If not, he’d go out of his mind, reliving the accident his truck had responded to several weeks ago. Consumed by the painful memories of another grim car crash the recent one had unearthed.

“What do you mean you’re not coming? You promised!”

A woman’s harried voice grew louder, her footsteps crunching in the gravel edging the airport sidewalk and the fire station park- ing lot. Crouched down behind his King Ranch pickup, Luis spot- ted a dainty pair of gold sandals and orange-painted toenails standing in front of his vehicle.

“Ric, you were supposed to be arriving thirty minutes from now.” Several beats passed, punctuated by one sandaled foot tap- tap-tapping on the gravel. “Unbelievable. You can’t possibly leave 

me stranded like this. My parents are expecting both of us, and you know things have been tough for my mother. I just don’t see how you could . . . uh-uh, this has been on our calendars for . . . you gave your word, that’s why I’m upset. How could you do this?”

The mounting agitation punctuating the end of the woman’s question snagged Luis’s attention, even if her apparent distress al- ready hadn’t. He moved to stand, let her know the privacy she’d probably sought by stepping away from the other passengers hadn’t been achieved. His left knee creaked in protest, and he put a hand on his bumper for support.

Blond head ducked down, cell phone pressed to one ear and a finger plugging the other, the woman faced the building, her back to Luis. A pale peach tube dress draped her slim figure. Cinched at her waist, the material skimmed her slender hips, falling to play peekaboo with a set of shapely calves.

“I was counting on you this week. I’ve already admitted how uneasy it can be for me spending time with my family. They’re expecting . . . I’m not prepared to do this without . . . because you promised, that’s why.”

Whatever she heard on the other end of the line apparently didn’t make her happy. She shook her head vigorously, blond waves sway- ing along the top of her pale shoulders. Hopefully she’d packed plenty of sunscreen. If not, her fair skin would burn under the in- tense Key West sun.

Luis edged closer to the front of his truck, intent on getting her attention, stop her from inadvertently revealing more personal in- formation. Maybe offer her some assistance or local information if needed.

“Save the excuses. They don’t matter. This trip is supposed to help boost my mom’s morale after her chemo. Not cause more stress. You can’t . . . No, I just should have known better than to count on you,” she told whoever it was who seemed to have stood her up. “Whatever, Ric! We’re done! ¡Vete pa’l carajo!

She jabbed her thumb at the tiny screen to disconnect the call,

frustration dripping from her throaty groan.

Surprised by the blunt “go to hell” spoken in flawless Spanish, Luis was caught off guard when the woman spun on her heel to face him.

“Oh!” she gasped, eyes wide as she stumbled back a couple steps.

“I didn’t mean to scare you.” He held up his hands, palms facing her to signal he meant no harm. “I was getting in my vehicle but couldn’t help noticing your distress. You okay?”

Hands pressed to her chest, the woman bit her full lower lip and nodded. The worry pinching her brow and darkening her deep ocean-water-colored eyes told him differently. Her gaze dropped to the KWFD emblem on his gray T-shirt before coming back up to meet his. Straightening her shoulders, she dragged her rolling bag in between them, like the silver hard-sided suitcase was a buffer offering protection.

Not that she needed protection from him.

“My name’s Luis. Luis Navarro. I’m with the Key West Fire Department.” He held out his right hand to shake at the same time he jerked his left thumb over his shoulder at the elevated building be- hind him. “I was just visiting my brother, a firefighter with the county, here at the airport.”

The woman leaned to the side and rose up on her toes. Chin jut- ting up in the air, she craned her slender neck to look over his shoulder in the direction he pointed. Her oversized reddish-brown leather tote slid down her arm until its strap snagged in the crook of her elbow.

“Fire department, huh?” she murmured.

“Yeah, with the city. Finished my shift this morning; now I’m off for a few days.” Whether he wanted to be or not.

She lowered back onto her heels, eyeing him with guarded interest. One corner of her mouth hitched in a cute little half frown as she seemed to weigh her options.

Finally, she clasped his hand with her own. Strong, slender fingers wrapped around his in a firm shake. Her smooth palm nestled against his, cool and soft, and Luis found himself loath to let go.

“Hello, Luis Navarro, local firefighter. I’m Sara Vance, tourist.” “Nice to meet you, Sara Vance, tourist.”

His teasing response earned him a husky chuckle paired with a full-blown grin that rounded Sara’s cheeks and sucker-punched him in the gut. She slid her hand from his to heft her big purse back onto her shoulder.

“Wow, talk about impressive service. I haven’t even called nine- one-one and a rescue squad has arrived. Not that I need saving or anything. Because I don’t.” Her confidence nearly convinced him, but he caught the flash of worry washing over her face before it whisked away like a tiny wave on the beach’s shore.

“You sure about that?” he asked.

“Um, yeah. I just need to, uh . . .” The humid breeze blew her blond tresses against her cheek, and she tucked them behind her ear with a crooked finger. “Reevaluate a few things, I guess. Yeah, that’s all.”

Her voice trailed off uncertainly.

Luis cocked his head, thinking about the conversation she’d just had with some guy who, by all indications, seemed like an absolute loser if he was dumb enough to leave her high and dry in the Keys. Sara glanced down at the phone clutched in her left fist. Her short, manicured nails, painted the same orange as her toes, were a stark contrast to the shiny black case. The name “Ric” flashed across the screen, signaling an incoming call. Lips pinched with anger, she pressed the side button to ignore the call, then dropped

her cell in her shoulder bag.

Fascinated by her resolve to jettison this Ric guy when doing so seemed to put her in some kind of pickle, Luis waited for her next move.

Chin tucked into her chest, she rubbed at her forehead, as if the reevaluating she mentioned caused her pain.

When several moments ticked by without a word from her, he stepped backward toward his truck, his helping-hand instinct telling him to do the opposite. “Well then, if you’re all good, I’ll head out.”

He turned away, craning his neck to catch one last glimpse of her slender figure over his shoulder. She gazed down at the gravel scattered at their feet, her brow puckered, her bottom lip caught between her teeth once again. Far too often he’d seen a similar look of devastation on a person’s face when he responded to a call. Loss, uncertainty. Their mind scrambling to make sense of the situation.

“Good luck and welcome to the island,” he called to her.

The soft click of his automatic door lock made her flinch. Her chin shot up.

“Wait!” Indecision and desperation swam in the depths of Sara’s blue-green eyes. “I’m not. Not good, I mean. Actually, I’m more like . . .” Her voice drifted off as she jabbed her fingers through her hair in obvious frustration. “More like in a mess, actually.”

She winced as if the admission hurt.

Intrigued, Luis lifted his sunglasses to the top of his head, meet- ing her gaze.

Sara swallowed, took another deep breath, then squared her shoulders, like a rookie set to answer her first alarm. “Everything’s a wreck, and I’m about to disappoint my parents. Again. If your offer is serious, I could really use your help.”

And just like that, Luis knew his first day of forced time off was definitely about to get interesting and maybe help him “shake things up.” 



Used with permission from Zebra Books, an imprint of Kensington Publishers. Copyright (c) Priscilla Oliveras, 2020.


Priscilla Oliveras is a USA Today bestselling author and 2018 RWA® RITA® double finalist who writes contemporary romance with a Latinx flavor. Proud of her Puerto Rican-Mexican heritage, she strives to bring authenticity to her novels by sharing her Latinx culture with readers. She and her work have earned praise from the Washington Post, New York Times, Entertainment Weekly, Publishers Weekly, and Booklist, amongst others. Priscilla earned her MFA in Writing Popular Fiction from Seton Hill University and currently serves as adjunct faculty in the program and teaches the online class “Romance Writing” for ed2go. While she’s a devotee of the romance genre, Priscilla is also a sports fan, beach lover, and Zumba aficionado, who often practices the art of napping in her backyard hammock.

To follow along on her fun-filled and hectic life, visit her on the web at https://prisoliveras.com/books/, on Facebook at www.facebook.com/prisoliveras, or on Twitter and Instagram via @prisoliveras.

Carolina de Robertis Delves into the Lives of Queer Uruguayan Women in Her New Novel ‘Cantoras’

0B1FC5A4-D554-48FB-9285-95F3B1C932AC.jpg

In an NPR interview, Carolina de Robertis asks, in regard to the writing of Cantoras, "How do you live radiantly in a time and place where the world seems bent on your erasure?" Of course, the question is dependent on its context. In the novel, we read about a particular repressive era in Uruguayan history at the height of its military dictatorship with its kidnappings, tortures, and killings. The dictatorship lasted twelve years, from 1973 to 1985. The marginalized among us may draw comparisons to the repressive state of our nation's affairs and ask ourselves that same question in our respective contexts. And, in doing so, we may find a bit of hope in this novel. Following the stories of five queer women who found kinship on a remote beach, we witness progress that seemed so improbable, it seemed impossible.

cantoras cover.jpg

Cantoras is a slow-burner novel in the best way. If we're gathering five different queer women on a South American beach, I want to spend time with them. The book’s narrative style switches between character perspectives, which means it switches tone, as no woman is alike another. Flaca, often regarded as the leader of the group, brings Romina, Anita, Paz, and Malena together for a beach trip as a reprieve from the oppressive city where everyone is on edge under the dictatorship. Tentatively, they reveal themselves to each other as cantoras, the term women would use at the time to signal queerness. The identity binds them together in Polonio. There, they can be themselves with their chosen family – y con bikini. It sounds like paradise. One of the most beautiful things in this book (besides, in what is a unanimous vote, La Venus) is the way they make a home for themselves, however small. They just need a place, and the significance of "place" in its meanings across time and space is demonstrated in a novel that spans across decades.

de Robertis bases the novel on things that actually took place, found through her research and friendships with older queer Uruguayan women. Knowing this is both heart wrenching and inspirational; often real progress costs us. de Robertis shows us this by developing queer women protagonists of different ages, from different social classes, with different familial circumstances, all affected by the homophobia and misogyny rampant in the culture, but having each of them challenge their oppression in their own way. A valuable and unforgettable read, Cantoras is a book you’ll keep returning to.

Andrea Morales pic.jpeg

Andrea Morales is a daughter of Guatemalan immigrants and from Los Angeles. She graduated from the University of Southern California with a B.A. in English Literature and a minor in Psychology. She now works at Macmillan Publishers as a Junior Contracts Associate for the adult trade division. Her book reviews and recommendations can be found on Instagram at @nastymuchachitareads and she lurks on Twitter as @nastymuchachita.

5 Latinx Books To Read If You’re A Romance Newbie

Guest Blog Post_.png

Everyone should be reading romance. Yes, everyone. Romance novels are smart, sexy, feminist, inclusive, and uplifting. And guess what, mi gente? You can find Latinx representation in them, too. But if you’re a new romance reader, where do you start? There are so many possibilities. Do you enjoy historicals? Well, Lydia San Andres has you covered. She writes historical romances set on a fictional island that shares the customs and traditions of its neighbors in the Spanish Caribbean. Do you crave action? Try Diana Muñoz Stewart, a romantic suspense author who weaves contemporary social justice topics into her fast-paced novels. What about a story that reads like the telenovela of your wildest dreams? Angelina M. Lopez’s Lush Money may be just what you’re looking for. And if you’re overwhelmed by the choices, let me be your romance reading concierge and share my recommendations for the 5 Latinx books to read if you’re a romance newbie.

[Full disclosure: I know and love all of these authors. But even if I didn’t know them, I’d tell you to start with their books.]

 
American Dreamer updated.jpg
 
Delicious Complication.jpg
 
His Perfect Partner updated.jpg
 
Stripped Cover.jpg
 
Take the Lead cover.jpg

American Dreamer by Adriana Herrera

The first book in Herrera’s Dreamers series, American Dreamer recounts the love story between Nesto Vasquez, an Afro-Caribbean food truck owner trying to make his mark in Upstate New York, and Jude Fuller, a sweet and earnest librarian whose quiet world is about to change forever. Herrera doesn’t shy away from weighty topics: the flaws of the so-called American Dream; racial prejudice; and the pain of being rejected by your family because of who you are. Against this backdrop, the romance remains front and center. Herrera’s authorial voice is pitch perfect, and I’m so glad she’s joined the steadily growing list of Latinx authors writing in the genre. One warning, though: Do not read this book on an empty stomach; the food descriptions will make you hungry.

 

Delicious Complication by Sabrina Sol

Known as the chica who loves love, Sol writes sexy stories that feature Latina heroines. Delicious Complication is the second book in her Delicious Desires series and my favorite of the three. Why? Because it also features one of my favorite tropes: fake dating. Brandon Montoya wants to convince his sick mother to come to Los Angeles for cancer treatment, so his plan is to lure her with the promise of meeting his (fake) fiancée, Daisy Robles. Do Brandon and Daisy catch feelings. Of course they do—it’s a romance. Do readers get to enjoy one of the hottest shower scenes I’ve ever read? Yes, indeed. One other thing: Sol has a short story in Best Women’s Erotica of the Year, Volume 5, and it is not to be missed. It’s a sexy “just one night” story with a twist, and the heroine is the first Latinx President of the United States. Need I say more?

 

His Perfect Partner by Priscilla Oliveras

If you're looking for a heartwarming novel that will make you smile, laugh, cry, and happy-sigh, this is it. Tomás is a single dad with only two concerns: his career and his daughter. Yasmine has dreams of making it big as professional dancer someday. Would an affair between a single dad and his daughter’s dance teacher make sense, especially given said dance teacher is unlikely to settle down? Absolutely not. But the heart knows what it wants, doesn’t it? Yasmin and Tomás’s love story is a slow-burn that beautifully highlights the importance of family in Latinx culture and the way our dreams can evolve over time. Critics agree it’s a must-read: This sweet contemporary debut received starred reviews from Publishers Weekly and Booklist!

 

Stripped by Zoey Castile

Each of the books in Castile’s Happy Endings series, set in the world of adult entertainment, is a little bit sweet and a whole lotta sexy. Plus, the characters feel like real people, ones we know and love, and their troubles resonate because we’ve all experienced them in some form or another: helplessness, guilt, a sense of inadequacy, among others. But in these stories, love truly does conquer all. You can’t go wrong with any of them, but start at the beginning: Sexy, funny, and heartfelt, Robyn and Fallon’s story in Stripped will make you want to glom the rest. Just be prepared for the Thong Song earworm; you won’t be able to avoid it.

 

Take the Lead by Alexis Daria

Take a broody (read: reluctant) reality-television star, put him on a Dancing With the Stars-type show with a sexy and determined partner, and watch the sparks fly. The first book in Daria’s Dance Off series, Take the Lead was named one of the best romances of 2017 by both Entertainment Weekly and The Washington Post. Stone and Gina’s chemistry leaps off the pages, and Daria’s reality-television world feels, well, real. Add Gina’s concern that she’ll be stereotyped as a “sexy Latina” on the show and you have a story with grit, humor, passion, and heart.    

So there you have it: your Latinx romance starter pack. Happy reading, everyone!


Mia Sosa Author Photo.jpg

* Mia Sosa writes funny, flirty, and moderately dirty contemporary romances that celebrate our multicultural world. Book Riot included her debut, Unbuttoning the CEO, in its list of 100 Must-Read Romantic Comedies, and Booklist recently called her “the new go-to author for fans of sassy and sexy contemporary romances.” Mia’s trade paperback debut, The Worst Best Man (Avon, Feb. 4), is a February 2020 LibraryReads selection and one of Amazon’s Best Books of the Month in romance.


'The Worst Best Man' Is Mia Sosa's Best Romance Novel Yet!

The Worst Best Man.png

Picture this: You’re about to get married when your fiancé’s brother steps into your bridal suite to inform you the wedding is off and that it’s also his fault. This is the situation Carolina Santos, who goes by Lina, finds herself in. Fast forward three years and she’s totally over her ex-fiancé, Andrew Hartley, and his meddling brother, Max. Now, she’s got other issues to deal with.

Lina’s about to lose the office space she uses for her wedding planning business when she receives a surprise job offer from Rebecca Cartwright, the CEO of a hotel. There are just a few problems. One, it’s not exactly a job offer, it’s more of a job test and, two, Lina will have to work with a person from the marketing firm that assists the hotel to prove she’s the right person for the job. To Lina’s surprise that person is none other than Max. And Andrew will be working with the person Lina is competing against for the job. To make matters even more awkward, rather than tell Rebecca that Andrew is her ex, Lina pretends she’s never seen Andrew or Max before in her life. Oops!

the worst best man.jpg

Now trapped in a lie, Lina and Max are forced to work together because they both want to win this job from Rebecca. And though Lina still hates Max for the role he played in ending her marriage before it even began, Max refuses to let her push him away. Instead, through pranks and unexpected honesty, Lina eventually begins to thaw towards Max and Max begins to wonder if maybe Lina was with the wrong brother all those years ago. However, with so much messy history and a job on the line, are Lina and Max really willing to risk everything for a shot at love together?

The Worst Best Man is a funny and heartfelt story about a woman who’s biggest fear is being “too emotional," opening herself up to a man who will happily wipe away her tears, judgment free. Filled with Afro-Brazilian culture, fun quips, amazing food, and a steamy romance that’ll make you believe love can conquer anything, Mia Sosa has written a novel that you won’t be able to put down.


headshot.jpg

Zakiya Jamal is a second generation Cuban American living in Brooklyn. She received her B.A. in English from Georgetown University and her MFA in Creative Writing with a concentration in Writing for Children and Young Adults from The New School. She currently works at Scholastic as the Social Media Manager. You can follow her on Twitter at @ZakiyaJamal. 

Exclusive First Look at Mark Oshiro's Each of Us a Desert Out Fall 2020

Latinx in Publishing is pleased to exclusively reveal the cover for Mark Oshiro’s forthcoming YA fantasy EACH OF US A DESERT publishing September 15th from Tor Teen, an imprint of Tom Doherty Associates/Macmillan Publishers. Read on to view the gorgeous cover and read an excerpt from their eagerly anticipated sophomore book!

Mark Oshiro.png

From award-winning author Mark Oshiro comes a powerful coming-of-age fantasy novel about finding home and falling in love amidst the dangers of a desert where stories come to life.

Xochitl is destined to wander the desert alone, speaking her troubled village's stories into its arid winds. Her only companions are the blessed stars above and enigmatic lines of poetry magically strewn across dusty dunes.

Her one desire: to share her heart with a kindred spirit.

One night, Xo's wish is granted—in the form of Emilia, the cold and beautiful daughter of the town's murderous conqueror. But when the two set out on a magical journey across the desert, they find their hearts could be a match... if only they can survive the nightmare-like terrors that arise when the sun goes down.

Fresh off of Anger Is a Gift'‘s smashing success, Oshiro branches out into a fantastical direction with their new YA speculative novel, Each of Us a Desert available for pre-order now!

Tor Teen / Tom Doherty Associates, cover artist, Jenna Stempel-Lobell

Tor Teen / Tom Doherty Associates, cover artist, Jenna Stempel-Lobell

Read an exclusive excerpt of Each of Us a Desert below!

Rogelio called my name. It drifted in our home like a wind, like a lost calf bleating for its mother, and I bolted upright from the floor. He called it out again, and I cast a glance down at Raúl, who slept soundlessly on the ground. As he always did. Nothing ever seemed to wake him, and I sent up a silent prayer to You, thankful that he would not have to hear this.

Mamá and Papá were asleep, too, not far from us, and Papá’s soft snoring filled the room. Mamá rustled in her sleeping roll, and I sneaked out while I could. She was the lightest sleeper of them all, but that night, I was thankful she did not wake. I pushed aside the burlap curtain that crossed over our doorway, and he swayed there, his arms drooping at his side, and my name slipped off his tongue again, jumbled together.

“Xochitl.”

I stepped out to Rogelio and reached forward, intending to direct him away from our door, but the smell hit me. I choked. Tesgüino, his favorite.

Despite how drunk he was, he still saw me shrink away from him. “Lo siento, Xochitl,” he said. “Pero te necesito. He hecho algo terrible.”

He slurred all of it, the words coated in alcohol and regret. It was always the same with Rogelio: the sadness. The numbness he sought in drink. The begging. Even if I hadn’t been a cuentista, I would still know his secrets. He wore them on his clothing, on his breath, on his face.

I shook my head. “Now, Rogelio? Do I have to now? It’s the middle of the night.”

“I won’t make it to morning,” he said, and then his eyes focused on me. They were glassy in the bright starlight, and dust clung to the tracks of his tears, roadmaps of misery and loss.

He knew. Everyone did. Your body told you when your lies, your secrets, the terrible things you had done, were about to take form in our world. Las pesadillas, we called them. Night terrors made real.

I glanced behind him, and there they were. Five men shrouded in the shadows, each of them with their arms outstretched. They were not in solid form, as if the darkness itself had conjured up these beings. At the ends of their arms, blood dripped to the ground from stumps. Someone had taken their hands.

They moved closer.

I stepped back again, shuddered.

It was time.

I was taught that, too. That if a cuentista did not take a story, las pesadillas would gain power, would lash out, would harm others.

So I couldn’t wait any longer.

I reached down and grabbed one of Rogelio’s sweaty hands. “Ven conmigo,” I said, and I directed him behind our home. He shuffled along, and if I had not held his hand, I am certain he would have gotten lost walking those few feet. I guided him toward the firepit in the back, still warm from the tortillas we had made, and had Rogelio sit on a rough cobija placed next to it. He didn’t sit so much as collapse on the spot, and then he started humming. I didn’t recognize the melody, and then he lifted his hands up as if he held his guitar, and he started playing, and it was one of the saddest things I’d ever seen.

I pitied him. So I sat across from Rogelio, and I took his hands, and I asked him to tell me his story.

As I did, they surrounded around our home.

Shuffled toward me, their feet dragging on the ground.

Closer, closer.

I started because I had to. They were almost upon me—and these pesadillas looked furious.

This is what I think happened. I don’t actually know. I gave it back to You, as I had always done, so I like to imagine what happened as I performed my duty.

He put his hands out, palm down.

I put mine out, palm up.

I placed mine underneath his. I took in a deep breath, and I closed my eyes, opened my heart and my stomach.

He stared at me, and then he opened, too. His story was a deluge from his mouth, and as he spoke, they entered my chest. I gasped at first; that first rush was always the hardest to deal with. Even if I gave You these stories back, I had a sort of memory within my bones of that surge, the passage of truth from one body to another. I had learned long ago how to adjust and settle into the wave of the story, and I guided Rogelio, pulling it out, weaving it into my own body.

“Tell me why you are sad, Rogelio,” I said.

“I miss them,” he said, and despite that he towered over me even as we sat there, he shrank. He became tinier, a shriveled man drained by his resentment and longing. “They never should have left me.”

I bristled. We did this every time. “Why did they leave you?”

There. The story flowed out; Rogelio told me everything. He shared the jealousy, the quiet terror, and the violence. He told me about how he had regretted the money he spent, the gamble he took, the look on the faces of his friends once they realized what he had done with their wages. They simply left one day, and he had begged Marisol to tell him where they’d gone, and she rejected him every time.

So he went to Manolito’s. Bought his favorite bottle. Again. It washed over his memories and shame, eroded the sharp edges.

“I shouldn’t do this,” he said. “Solís expects better of me. Of all of us.”

I had it now. With one last tug, I devoured Rogelio’s honesty, and the story became mine. It swam within me: regret struggling to surface in a sea of self-hatred.

“Gracias,” I told him, and when I opened my eyes, the ritual complete, he was standing above me. He wiped at his mouth, then walked away, leaving me with his regret and guilt.

I had done my duty. What other need did he have for me?

As Rogelio’s story filled my body, it jostled for space. It stretched between bones and organs, and I pushed the pain and discomfort down, down, farther away from my heart. I stood and wobbled, trying to separate my own sadness and loneliness from Rogelio’s. They were so similar, and it haunted me every time. You let me keep that part of the memory; the ritual left me confused, bewildered, uncertain where I ended and where the story began.

I peeked in on Raúl one more time. Still asleep. Same with my parents. If any of them had heard us, they gave no indication.

So I walked. I turned to the north, guided by the glowing estrella that hung over the distant montañas, and I let You take me where I needed to go. I opened myself to the earth. I climbed up the other side of a gully, and the earth spoke to me. So I let it pull me to the ground, the dirt biting into my knees and my palms, brief reminders that I was a guest in this body, that at any moment, You could take me away.

His story came out of me in great big heaves, and the refuse poured out of my mouth, sharp and thick on my tongue, and it spilled onto the waiting earth, filling the cracks and seeping deep within. I expunged it all, spat it out at the end, tasted its bitterness. I always remembered that flavor; it lingered beyond the ritual every time. On its way back home, back to You, the truth reached out and tried to take me with it, the shame needling my body, Rogelio’s terror my own. I had to fight it; the stories were so desperate to find something to cling to, someone to bond with.

I gave You his story, and You took it back. When the last drop of it fell to the dust, I stood up and it dissipated. Washed away. There was a feeling that remained as the memory floated off. A sadness. Regret. They were fleeting, like something that had happened to me so long ago that I could not recall the fuzzy details.

Then they were gone.

It was the same each time. I wiped the bitterness from my lips, then turned back toward home, the starlight casting me in a glow of purpose. I made the sign to complete the ritual. See the truth; believe the truth. But I could not remember Rogelio’s story no matter how hard I tried. It was what I was supposed to do, and it provided safety to Your gente. They could trust me with their secrets because I could not share them. They were always returned to you, and I was left aimless, purposeless as my mind struggled to remember who I was.

I collapsed alongside Raúl, much as Rogelio had behind our home, and I curled up on my sleeping roll. The ritual drained me of my energy and of my memory of the story. It would take hours for me to recover, and then . . .

Well, I would do it all over again. Inevitably, it would be only a day or two until someone else needed me, and then I would consume their truth, expel the bitterness into the desert, and forget.

I was Your cuentista, Solís.

I did my best.

I promise.

***

This is the story that I was told, Solís. Long before Tía Inez gave me her power when I was eight years old, I learned what You had done and what You had asked of us.

You punished us, Solís. Long ago, You became furious with what we had done to Your world. Greed. War. Terror. Jealousy. Strife. You punished us with fire—La Quema, as we came to call it—and You scorched it all. You burned every bit of it, determined to wipe us away. My ancestors buried themselves in the dirt, though, and when fire and devastation rained down on the land that would become Empalme, they felt the heat itching to rip the skin and meat from their bones.

But they survived.

They came aboveground, out from their homes beneath the ash and the destruction, to discover that the earth was blackened, that everything they’d known was gone.

Never again, You told them, Your voice booming over the flattened landscapes, the arid remains. You must never disrespect my creation.

This is the story I was told of how las cuentistas were born; You gave some of us the ability to devour the truth of others, and You warned us. We would all know if someone had harmed another, if they had kept their truth from You. The longer one of us went without a cuentista, the worse our pesadillas became. And so we were cast out into the world to ingest what others had done wrong, then return it to You, to the eternal desert. We were spread far and wide, forcing las aldeas to form, each of them around a cuentista. When that cuentista died, a new one would be granted the same power, just as I had been when Tía Inez died and chose me.

We cuentistas were exempt, too. No one took our stories. We did not manifest pesadillas.

We were alone.

I never questioned any of it, Solís. And why should I have? I had never met another cuentista besides Tía Inez; I had never truly ventured beyond Empalme; I had no reason to question anything.

I am telling You this, Solís, because maybe You’ll understand. Maybe You will have mercy on me. Because even before all of this happened, before I had to flee Empalme, I knew something was wrong. Why did I not have to tell You the truth? Why were my secrets my own, and why had they never become one of those terrible pesadillas? Why did You not punish Julio and his men, who stole our water from us every day?

I would say that I am sorry, Solís, but I had to.

I had to leave.

Used with permission from Tor Teen, an imprint of Tom Doherty Associates; a trade division of Macmillan Publishers. Copyright (c) Mark Oshiro, 2020.


M

MARK OSHIRO is the Hugo-nominated writer of the online Mark Does Stuff universe (Mark Reads and Mark Watches), where they analyze book and TV series. Their debut novel, Anger Is a Gift, was a recipient of the Schneider Family Book Award for 2019. Their lifelong goal is to pet every dog in the world. Please visit them online at www.MarkOshiro.com and follow them on social @MarkDoesStuff

Sylvia Zéleny is a True Contemporary Voice to Be Heard on the US Mexican Border

IMG_5983.jpg

“Sylvia Zéleny makes her claim as one of the true contemporary voices to be heard on the US Mexican border. Her powerful stories are not to be missed and will hold canon for many young readers looking to identify with text for and by their own culture.” — Chelsea Villareal, member of Latinx in Publishing. 

What defines us? What makes us into the people that way we are? The Everything I Have Lost is a beautifully sublime story of a young girl coming of age en la frontera. By writing in her diary, Julia unveils her firsthand account of what it's like not knowing what’s going on around her in a city where everything is out of her control. She can only watch and document as her world gets smaller under the escalating violence in her hometown, Ciudad Juárez. 

Her experiences are broken and divided across the Rio Grande. As she has roots in both Juárez and El Paso, she vacillates under the complexities of her own identification. She so deeply loves her home, her favorite restaurants, and her family, together in Juárez. There is a connection to her community, a connection that author Sylvia Zéleny elegantly conveys through the distinctive houses in Julia’s hometown neighborhood. 

Julia is a child when her family loses everything, just like the rest of the families on her block. It seems like a miracle from above when, out of nowhere, they move into a new comfortable house, have a car, and want for nothing. Her father has a new job but she isn’t allowed to ask any questions. She’s thankful but in the dark. But as long as she has her family, she’s content, as content as most young girls can be on the verge of thirteen. 

As she ages into a young woman, she confronts her childhood innocence with a bravely that few of us are lucky enough to conjure. She wants to know where her father’s been when he comes home all beat up and why her friends at school keep telling her that he’s up to no good, a bad guy. She’s stuck between her right to a happy family and the realities of the tumultuous climate around her.

Born in El Paso, her family frequently visits her tia, bisabuela, and prima across the bridge. Escaping the violence of a diminishing city, only to be bombarded with a culture similar to but not her own. El Paso serves as a reminder of what can be for all young girls like Julia as well as a memory of what has been in her home of Juárez. Julia is a pillar of strength, not to be undermined or undervalued, in an environment unsuitable for children, any children. 

Expertly woven in Zéleny’s The Everything I Have Lost, the modern identity of young people experiencing random acts of violence, wherever they may be, are not appropriately represented in our mainstream culture. Julia has a voice and it is powerful and eye opening, especially to readers unfamiliar with the day to day life on the border. For the two cities, El Paso and Juárez, cannot be separated. As Zéleny writes, “These cities, you can never separate them, there will always be a bridge.” Let us look to Julia as we move forward into hopeful progress. Building and respecting bridges across both rivers and cultures. 

The Everything I Have Lost.jpg

Chelsea Profile pic.jpeg

Chelsea Villareal is a Children’s Media Strategist and Brand Marketing Manager from Portland, Oregon – Hey Cascadians! She holds a BUPA in Political Science & Media Studies from Portland State University, attended the NYU Summer Publishing Institute and is currently enrolled in her Masters at Columbia University. She works on the Brand Marketing team at Penguin Young Readers and lives in Brooklyn with her partner and two crazy, lazy feline beasts.

Nona Fernández's SPACE INVADERS is an Abstract Dive into the Pinochet Regime

National Book Award Nominee for Translated Literature 2019. Image by Andrea Morales.

National Book Award Nominee for Translated Literature 2019. Image by Andrea Morales.

SPACE INVADERS by Nona Fernández, at about one hundred pages, is a slim little book translated from its original Spanish. Where it seems to lack in pages, the novella dispels underestimations with its packing of emotions and tension during the violent Pinochet regime. Augusto Pinochet came into power after the coup in 1973, backed by the United States government, which overthrew the elected socialist, Salvador Allende, the military dictatorship lasting until 1990. Pinochet was responsible for kidnappings and executions of people who posed any inconvenience or resistance to his rule, numbering in the thousands. Torturings were at numbers even higher than that, more than three times as much. It was a violent and precarious time in Chile. What does this look like to a child?

Told from the perspectives of a group of kids, we read about their dreams and musings. They are kids being kids; some with crushes on each other, some enjoy playing video games. Eventually, things get odd ─ particularly with Estrella, whose father is a government officer who has a wooden prosthetic hand he removes when he gets home from work. He would drive his daughter to school in the mornings, but soon stops doing so and it becomes the task of her "Uncle," a man who works with Estrella’s father. Each friend remembers something different about her: her letters, her hair, her kisses. SPACE INVADERS is difficult to read this with any childlike innocence because you know something is fundamentally wrong, even if you don’t know what that something is. There is confusion, and with confusion there is fear. The lack of concrete answers makes this fear all the more palpable, as does the inability to openly talk about it. Some of the kids' families are political activists, upending their relationships. Because we revisit this time through memory, with emotion filling us in, it may seem as if we cannot rely on these children. I think the opposite is truer: the feelings that permeated this time are a testament to the dictatorship's tormenting violence.

Fernández writes SPACE INVADERS in fragments, invoking uncertainty and disjointedness. Memories that dissolve into dreams further question reality, and it's quite masterfully done in such little space. And that, too ─ the title, the name of the video game the kids play by shooting guns, makes me think of the way brutality occupies space, whether physical or temporal. Nominated for the National Book Award for Translated Literature 2019, this novella from Graywolf Press is a must-read.


Andrea Morales pic.jpeg

Andrea Morales is a daughter of Guatemalan immigrants and from Los Angeles. She graduated from the University of Southern California with a B.A. in English Literature and a minor in Psychology. She now works at Macmillan Publishers as a Junior Contracts Associate for the adult trade division. Her book reviews and recommendations can be found on Instagram at @nastymuchachitareads and she lurks on Twitter as @nastymuchachita.

We Stand With #DignidadLiteraria

Dignidad.png

Latinx in Publishing stands with the creators of the #DignidadLiteraria movement and their call for change in the publishing industry.

As Latinx professionals in publishing, we believe we have the right to tell our own stories, and we believe in the power of literature to shape the story of Latinidad in the United States.

We are thrilled to see Macmillan commit to making substantial changes after their meeting with Dignidad Literaria leaders on February 3rd. We hope that these changes will include hiring more Latinxs across departments, from editorial to marketing to sales, and recruiting Latinxs to serve in management positions.