Exclusive Cover Reveal: Child of the Flower-Song People by Gloria Amescua, illustrated by Duncan Tonatiuh

Cover art (c) Duncan Tonatiuh, Cover Designer Heather Kelly

Cover art (c) Duncan Tonatiuh, Cover Designer Heather Kelly

Latinx in Publishing is pleased to exclusively reveal the cover for CHILD OF THE FLOWER-SONG PEOPLE: LUZ JIMÉNEZ, DAUGHTER OF THE NAHUA written by Gloria Amescua, illustrated by Duncan Tonatiuh publishing August 17th from Abrams Books for Young Readers. Read on for the official book synopsis and to view the gorgeous cover!

 

From debut author Gloria Amescua and award-winning illustrator Duncan Tonatiuh, a lyrical biography of an indigenous Nahua woman from Mexico who taught and preserved her people's culture through modeling for famous artists.

She was Luz Jiménez,
child of the flower-song people,
the powerful Aztec,
who called themselves Nahua—
who lost their land but who did not disappear.


As a young Nahua girl in Mexico during the early 1900s, Luz learned how to grind corn in a metate, to twist yarn with her toes, and to weave on a loom. By the fire at night, she listened to stories of her community’s joys, suffering, and survival, and wove them into her heart.

But when the Mexican Revolution came to her village, Luz and her family were forced to flee and start a new life. In Mexico City, Luz became a model for painters, sculptors, and photographers such as Diego Rivera, Jean Charlot, and Tina Modotti. These artists were interested in showing the true face of Mexico and not a European version. Through her work, Luz found a way to preserve her people's culture by sharing her native language, stories, and traditions. Soon, scholars came to learn from her.

This moving, beautifully illustrated biography tells the remarkable story of how model and teacher Luz Jiménez became “the soul of Mexico”—a living link between the indigenous Nahua and the rest of the world. Through her deep pride in her roots and her unshakeable spirit, the world came to recognize the beauty and strength of her people.

The book includes an author’s note, timeline, glossary, and bibliography.

 
(c) Sam Bond Photography

(c) Sam Bond Photography

Gloria Amescua is an educator, poet, and children’s book writer. She was awarded Lee & Low’s New Voices Honor Award and was named a finalist for the Austin SCBWI Cynthia Leitich Smith Mentorship program. Native and current Austinite, Gloria received both her B.A. and M.Ed. degrees from the University of Texas at Austin. This is her first picture book.

 
(c) Eugenia Tinajero

(c) Eugenia Tinajero

Duncan Tonatiuh is an award-winning author-illustrator whose numerous accolades include the Sibert Medal, the Pura Belpré Award, and many Honors. He is both Mexican and American. His artwork is inspired by Pre-Columbian art, particularly that of the Mixtec codices. His aim is to create images and stories that honor the past, but that are relevant to people today, especially children. He grew up in and currently lives in San Miguel de Allende, México with his wife and children, but travels to the US often.

LxP Writers Mentorship Showcase: Angela Pico

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The Latinx in Publishing Writers Mentorship Showcase series features excerpts by our Class of 2020 mentees from the projects they’ve developed with the guidance of their mentors.

The LxP Writers Mentorship Program is an annual volunteer-based initiative that offers the opportunity for unpublished and/or unagented writers who identify as Latinx (mentees) to strengthen their craft, gain first-hand industry knowledge, and expand their professional connections through work with experienced published authors (mentors).

Below is an excerpt from one of our 2020 mentees in picture books, Angela Pico:


Making hot chocolate with Abuelita is a fiesta.

We melt the toasty, buttery bar, 

and a silky, rich and coffee-colored miel it becomes. 

It’s our special tradition.

“La tradición de nosotras,” Abuelita tells me, “tu y yo. 

 Cuando era pequeña  

mi abuelita me enseñó a hacer chocolate.” 

Knowing Abuelita’s grandma made hot chocolate with her 

makes me feel connected 

to all the abuelitas in my family.  

The abuelitas que hablaban español, 

who shared secretos and fortunes through chocolate, 

the velvelty, milky honey, 

that now Abuelita shares with me.

But this time in English too.  

Used with permission from author, copyright (c) Angela Pico 2020.


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Angela Pico was born in Bogotá, Colombia and grew up in western North Carolina.  She holds a BA in Romance Languages and Literatures from Pomona College, an MFA in Spanish Creative Writing from the University of Iowa, and is currently working on an MA in French Literature and Francophone Studies at the University of Iowa.  Angela currently lives in Iowa City, where she is a university instructor and a student. She teaches Latina/o/x Literature in the U.S. at the University of Iowa. She is passionate about writing for children and validating Latina/o/x voices.  She also writes poetry for adults.
https://www.angelapicowriter.com

February 2021 Latinx Releases

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February 1, 2021

THE GREATEST SUPERPOWER | Middle Grade

by Alex Sanchez (Capstone)

It’s the summer before high school, and thirteen-year-old Jorge Fuerte wants nothing more than to spend his days hanging out with his fellow comic-book-obsessed friends. But then everything changes. His parents announce they’re divorcing for a reason Jorge and his twin brother, Cesar, never saw coming—their larger-than-life dad comes out as transgender. Jorge struggles to understand the father he’s always admired, but Cesar refuses to have anything to do with him. As Jorge tries to find a way to stay true to the father he loves, a new girl moves into the neighborhood: cool, confident, quirky Zoey. She tames Jorge’s unruly terrier and enlists the terrier and Jorge in a dance routine for the back-to-school talent show. As the date of the show draws near, Jorge must face his fears and choose between being loyal to his brother or truthful about his family’s secret. Although he’s no superhero, Jorge already has the world’s greatest superpower—if he decides to use it.

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February 2, 2021

COUGAR CROSSING | Picture Book

by Meeg Pincus; Illus. by Alexander Vidal (Little, Brown for Young Readers)

P-22, the famed “Hollywood Cougar,” was born in a national park near Los Angeles, California. When it was time for him to leave home and stake a claim to his own territory, he embarked on a perilous journey—somehow crossing sixteen lanes of the world’s worst traffic—to make his home in LA’s Griffith Park, overlooking the famed Hollywood sign. But Griffith Park is a tiny territory for a mountain lion, and P-22’s life has been filled with struggles.

Residents of Los Angeles have embraced this brave cougar as their own and, along with the scientists monitoring P-22, raised money to build a wildlife bridge across Highway 101 to help cougars and other wildlife safely expand their territories and build new homes—ensuring their survival for years to come.

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FAT CHANCE, CHARLIE VEGA | Young Adult

by Crystal Maldonado (Holiday House)

Charlie Vega is a lot of things. Smart. Funny. Artistic. Ambitious. Fat.

People sometimes have a problem with that last one. Especially her mom. Charlie wants a good relationship with her body, but it's hard, and her mom leaving a billion weight loss shakes on her dresser doesn't help. The world and everyone in it have ideas about what she should look like: thinner, lighter, slimmer-faced, straighter-haired. Be smaller. Be whiter. Be quieter.

But there's one person who's always in Charlie's corner: her best friend Amelia. Slim. Popular. Athletic. Totally dope. So when Charlie starts a tentative relationship with cute classmate Brian, the first worthwhile guy to notice her, everything is perfect until she learns one thing--he asked Amelia out first. So is she his second choice or what? Does he even really see her?

Because it's time people did.

A sensitive, funny, and painful coming-of-age story with a wry voice and tons of chisme, Fat Chance, Charlie Vega tackles our relationships to our parents, our bodies, our cultures, and ourselves.

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FLOOD CITY | Middle Grade

by Daniel José Older (Scholastic)

Welcome to Flood City, the last inhabitable place left above the waters that cover Earth. It's also the last battleground between the Chemical Barons, who once ruled the planet and now circle overhead in spaceships, desperate to return, and the Star Guard, who have controlled the city for decades.

Born and raised in Flood City, Max doesn't care about being part of either group. All he wants is to play his music with the city band, keep his sister from joining the Star Guard, and be noticed by his crush, the awesome drummer Djinna.

Meanwhile, Ato, a young Chemical Baron, has joined his crew for what was supposed to be a routine surveillance mission, only things go from bad to worse between unexplained iguanagull attacks and the discovery of deadly schemes. Ato's just trying to stay safe, keep his twin brother alive, and not hurt anyone. So when his commander prepares to wipe out Flood City completely, Ato must decide how far he'll go.

As Max's and Ato's paths collide, it changes everything. Because they might be able to stop a coming war. But can two enemies work together to save Earth?

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MUTED | Young Adult

by Tami Charles (Scholastic)

For seventeen-year-old Denver, music is everything. Writing, performing, and her ultimate goal: escaping her very small, very white hometown.

So Denver is more than ready on the day she and her best friends Dali and Shak sing their way into the orbit of the biggest R&B star in the world, Sean "Mercury" Ellis. Merc gives them everything: parties, perks, wild nights — plus hours and hours in the recording studio. Even the painful sacrifices and the lies the girls have to tell are all worth it.

Until they're not.

Denver begins to realize that she's trapped in Merc's world, struggling to hold on to her own voice. As the dream turns into a nightmare, she must make a choice: lose her big break, or get broken.

Inspired by true events, Muted is a fearless exploration of the dark side of the music industry, the business of exploitation, how a girl's dreams can be used against her — and what it takes to fight back.

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THE YEAR I FLEW AWAY | Middle Grade

by Marie Arnold (Versify)

It’s 1985 and ten-year-old Gabrielle is excited to be moving from Haiti to America. Unfortunately, her parents won’t be able to join her yet and she’ll be living in a place called Brooklyn, New York, with relatives she has never met. She promises her parents that she will behave, but life proves to be difficult in the United States, from learning the language to always feeling like she doesn’t fit in to being bullied. So when a witch offers her a chance to speak English perfectly and be “American,” she makes the deal. But soon she realizes how much she has given up by trying to fit in and, along with her two new friends (one of them a talking rat), takes on the witch in an epic battle to try to reverse the spell.

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February 16, 2021

WHERE WONDER GROWS | Picture Book

by Xelena González; Illus. by Adriana M. Garcia (Cinco Puntos Press)

Grandma knows that there is wondrous knowledge to be found everywhere you can think to look. She takes her girls to their special garden, and asks them to look over their collection of rocks, crystals, seashells, and meteorites to see what marvels they have to show. “They were here long before us and know so much more about our world than we ever will,” Grandma says. So they are called grandfathers. By taking a close look with an open mind, they see the strength of rocks shaped by volcanoes, the cleansing power of beautiful crystals, the oceans that housed their shells and shapes its environment, and the long journey meteorites took to find their way to them. Gathered together, Grandma and the girls let their surroundings spark their imaginations.

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February 23, 2021

LATINITAS: CELEBRATING 40 BIG DREAMERS | Middle Grade

by Julie Menéndez (Holt Books for Young Readers)

Discover how 40 influential Latinas became the women we celebrate today! In this collection of short biographies from all over Latin America and across the United States, Juliet Menéndez explores the first small steps that set the Latinitas off on their journeys. With gorgeous, hand-painted illustrations, Menéndez shines a spotlight on the power of childhood dreams.

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THE SEA-RINGED WORLD: SACRED STORIES OF THE AMERICAS | Middle Grade

by María García Esperón; Illus. by Amanda Mijangos (Levine Querido)

Fifteen thousand years before Europeans stepped foot in the Americas, people had already spread from tip to tip and coast to coast. Like all humans, these Native Americans sought to understand their place in the universe, the nature of their relationship with the divine, and the origin of the world into which their ancestors had emerged.

The answers lay in their sacred stories.

Author María García Esperón, illustrator Amanda Mijangos, and translator David Bowles have gifted us a treasure. Their talents have woven this collection of stories from nations and cultures across our two continents—the Sea-Ringed World, as the Aztecs called it—from the edge of Argentina all the way up to Alaska.

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THERE GOES PATTI MCGEE! | Picture Book

by Tootie Nienow; Illus. by Erika Medina (FSG Books for Young Readers)

Brought to life by Erika Medina's dynamic and joyful illustrations, There Goes Patti McGee! walks us through Patti first place win in the women's division of the 1964 National Skateboard Championship. She wowed the judges with with what would become her signature move--the rolling handstand. Inspiring and unapologetic, Patti McGee proves that anyone can skate.

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THRIVING IN THE FIGHT | Nonfiction

by Denise Padín Collazo (Berrett-Koehler Publishers)

Social justice work is more crucial than ever, but it can be physically and emotionally draining. Longtime activist Denise Collazo offers three keys to help Hispanic women keep their focus, morale, and energy high.

Doing the work of social change is hard. Waking up every day to take on the biggest challenges of our time can be overwhelming, and sometimes progress is hard to see. She understands that Latina and all women of color activists do their best work when they are thriving, not simply surviving.

Denise Padín Collazo has been there. She is the first Latina, the first woman of color, and the first woman period to raise a family and stay in the work of community organizing at Faith in Action, an international progressive network of 3,000 congregations and 2 million members. Drawing on her own experiences of triumph and failure, and those of other Latina activists, Collazo lays out three keys to thriving in the movement for social change: leading into your vision, living into the fullest version of yourself, and loving past negatives that hold you back. She also warns about the three signs that you may be surrendering: wishing for a future reality to emerge, wondering where your limits are, and waiting for permission and answers to come from others.

Using this framework, Collazo offers wise and compassionate advice on some of the most important leadership challenges facing Latina activists. She explains how you can integrate family and work, step out of the background and claim your leadership potential, confront anti-Blackness in your own culture, keep focused on your ultimate purpose, and raise the necessary resources to keep fighting for justice. This honest, practical, and inspirational book will help Latina activists to burn bright, not burn out.

The Valor of Being You with FURIA by Yamile Saied Méndez

Yamile Saied Méndez’s YA debut, Furia, is an insightful and blazing exploration of a teen’s courage and determination to succeed against all obstacles, set in fútbol-fevered Rosario, Argentina. Camila Hassan is a seventeen-year old futbolista, eager to make it in the big leagues and have better career opportunities through a soccer scholarship that will allow her to study abroad in the United States. Striving away from past familial generations’ history with new possibilities, Camila is a fireball ready to take on the world. This page-turning novel is not only about soccer; it involves ambition, perseverance, friendship, love, selflessness, prejudice, toxic femininity, domestic violence, education, coming-of-age, socio-economic status, and female empowerment.

The reader immediately learns that Camila’s futbolista lifestyle is kept a secret from her family, because her parents have never supported her love for soccer, or her goal to play professionally as a woman. Her family expects Camila’s brother, Pablo, to get them out of their working-class status with his soccer playing, and, like many families in Camila’s country, believe that “soccer isn’t for decent women.” Her father goes so far as to assume, in a contemptuous manner, that she likes girls rather than boys because of her love for fútbol. Her mother strongly advocates for her to go to medical school instead. 

Credit: Algonquin Books

Credit: Algonquin Books

Initially, Camila is very judgmental of her mother’s actions—such as allowing her father to belittle her with comments about her physique—but eventually, she realizes her mother did the best she could with the resources she had. In a surprise twist, readers find out that Camila’s mother, in fact, once had the same passion for fútbol, but faced the same prejudice about it from Camila’s grandfather. This scenario examines the complexities of Latinx girlhood/womanhood, and shows how females who want to follow their dreams sometimes have to become even more resilient and unstoppable than past generations. Camila Hassan is an exemplary model of how young teens do not have to live with past familial generations’ noxious beliefs, and Furia insightfully shows the need for open-minded, understanding conversations between parents and their children.

As readers turn the pages, they may also find themselves engrossed with Camila Hassan and Diego Ferrari’s far-from-typical relationship. Diego, Camila’s childhood friend and long-time love interest, is now an international soccer player for the renowned team Juventus. He puts her at a crossroads between her career goals and love life, where she has to decide whether to prioritize her career or his. Saied Méndez eloquently shows many possible futures for young love, not only in Camila’s decisions about Diego, but through Camila’s parents’ relationship, and her brother Pablo’s relationship with his girlfriend, Marisol. The Las Musas author’s resolution for Diego and Camila is a pleasant surprise that readers won’t want to miss. It may be a necessary call to young readers that young love is not all it seems, and that it’s a disservice to let go of one’s career trajectory for someone else’s. 

Camila’s ambitious attempts to move forward are exciting to observe; along with playing soccer, she also starts her first job as an English tutor to gain more professional experience. Among the students is a little girl named Karen, whose hunger for knowledge is visible to Camila’s eyes. Camila knows that the only cure for that hunger is to feed it. She hopes that she can help Karen the way her soccer coach, Alicia, has helped her find her own agency. These sorts of examples of powerful, selfless female solidarity are something that readers could greatly benefit from seeing in more books.

Credit: Yvonne Tapia

Credit: Yvonne Tapia

Furia also touches on themes often thought to be “too difficult” for young readers, such as domestic violence. Camila and her family reach a breaking point when her father confronts all three of them—Camila, her mother, and her brother—telling them that he could have had a better life without them for many reasons. Camila realizes that she must break the cycle of abuse that has followed her female ancestors generation after generation: “[Camila’s father] lunged at [her mother], but Pablo and [Camila] both stepped in front of her. . . . whatever the consequences, [her] mom, Pablo, and [Camila] were breaking the cycle today” (308). This is the type of book that might help young readers speak up if they are living through something similar, and enlighten others that these types of situations do happen—allowing for important conversations in the classroom and beyond.

And of course, there are many great, thrilling soccer matches. Furia (“Fury” in English) is Camila’s futbolista name. Camila’s bravery and wit spark off the page as Méndez vividly describes how she runs to the park to make it to her soccer game on time, laces up her boots, and unleashes the part of her that comes alive only on the pitch, as she takes her position in the midfield and weaves through the line of defenders blocking her way to victory. Even though Camila is a shining star in her own right, the soccer scenes also demonstrate that it also takes a team to succeed. For schools, libraries, and parents, giving teens this book could help support those with sports aspirations, especially girls, and assure them that their dreams are possible—and readers are in for exceptional soccer fever in its pages.

Furia’s young protagonist, inspired by Méndez’s everyday observations of ambitious girls from limited backgrounds, is an underdog who dares to live her dream and triumphs. Camila’s “Furia” nickname speaks not only to her personality on the pitch, but to her fury against anything belittling, harsh, unjust, and harmful to society. This is a bold and rich novel, capable of making you feel quite chuffed with the ending. Any reader may see herself/himself/themselves in Camila Hassan’s story, no matter how big or small a moment it is. Kudos to the wonderful and courageous Own Voices author! Taking brave steps to shape her own present and future, Camila is a strong female leader that every generation needs on the page.


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Yvonne Tapia is a Mexican-American professional from East Harlem, New York. She earned a BA in Media Studies and Psychology from Hunter College. Additionally, she has worked in the educational and media fields through various outlets. With a long-term enthusiasm for children’s books, she has been involved at Housing Works Bookstore and Latinx in Publishing. She currently works on the Marketing and Publicity team at Levine Querido. Yvonne is excited and dedicated to engage book visibility in marginalized communities, welcoming all readers while making them feel seen and empowered. 

LxP Writers Mentorship Showcase: Gustavo Barahona-López

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The Latinx in Publishing Writers Mentorship Showcase series features excerpts by our Class of 2020 mentees from the projects they’ve developed with the guidance of their mentors.

The LxP Writers Mentorship Program is an annual volunteer-based initiative that offers the opportunity for unpublished and/or unagented writers who identify as Latinx (mentees) to strengthen their craft, gain first-hand industry knowledge, and expand their professional connections through work with experienced published authors (mentors).

Below is a piece from one of our 2020 mentees in adult poetry, Gustavo Barahona-López:


Quarantine Meditation

After Rona Luo

 

Close your eyes, feel the sensation, 

your clothes against your body.

I close my eyes and gift my nerve-

endings all of my attention.

Feel the sensation of the air

touching your skin.

My child envelops his toddler 

hand around my pinky.

Visualize a white light,

follow it through the forest.

My child pulls me away

saying Come, come.

Cross the river, you see your 

ancestor on the shoreline.

I glance at my face on Zoom,

see my past in my features.

Your ancestor gives you a gift:

an object, a hug, a few words.

My father gifts me his eyes,

I stare into our hazel irises.

Return to the forest, listen

to the leaves. What do you see?

My child climbs on me and 

stands upright on my thigh.

Arms ready themselves to catch

but my child does not waver.

Used with permission from the author, copyright (c) Gustavo Barahona-López 2020.


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Gustavo Barahona-López is a poet and educator from Richmond, California. In his writing, Barahona-López draws from his experience growing as the son of Mexican immigrants. His micro-chapbook 'Where Will the Children Play?' is part of the Ghost City Press 2020 Summer Series. Barahona-López's work can be found or is forthcoming in Iron Horse Literary Review, Puerto del Sol, The Acentos Review, Apogee Journal, Hayden’s Ferry Review, among other publications. Twitter: @TruthSinVerdad Website: https://linktr.ee/gustavobarahonalopez

LxP Writers Mentorship Showcase: Camille Corbett

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The Latinx in Publishing Writers Mentorship Showcase series features excerpts by our Class of 2020 mentees from the projects they’ve developed with the guidance of their mentors.

The LxP Writers Mentorship Program is an annual volunteer-based initiative that offers the opportunity for unpublished and/or unagented writers who identify as Latinx (mentees) to strengthen their craft, gain first-hand industry knowledge, and expand their professional connections through work with experienced published authors (mentors).

Below is an excerpt from one of our 2020 mentees in adult fiction, Camille Corbett:


Marina

It was like a demon possessed my senses. Every smell, taste, touch, sight, and sound I encountered drew me to her. Even the gleaming ring on my finger seemed like bright green traffic light telling to go, go, go and soak in her presence.

I imagined her everywhere. I would make love to my husband as the rain crashed against our bedroom window and I would imagine each drop having previously cycled through Marina at some point in her lifetime. Through baths, face washing, swimming pools, even toilets. I desperately wanted her essence to pollute everything that I knew.

She was everywhere. Once, while I was making a late dinner she appeared in the form of a ponytail. As I was searching for the perfect pot, I found a mass of long black hair tied at the ends underneath my sink. It was hers. I still don’t know how she got in or knew that I would be looking there that day. But I didn’t care. I was happy that she thought of me enough to place herself in my life. The next day, she twirled around her apartment showing off her new pixie cut and told me to keep her ponytail for good luck.

I heard somewhere that during the Victorian age people put their loved one’s hair in lockets, or made rings out of their strands. At the time, I would have made a thousand woven bracelets of her ebony locks. However, I didn’t find out about hair being used as jewelry until she was gone and broken. Otherwise, my jewelry box would consist of nothing but a reminder that my heart was once ruled by a consuming obsession for someone who thought shame was a condition that one grew accustomed to.

One hot summer day, we decided to run away together. I was 19 and newly married and she was 26 and newly sober. We packed everything we thought we needed into our backpacks and stole our husbands’ credit cards and hitchhiked all the way from Savannah, Georgia, to Scottsdale, Arizona. I never thought we would ever make it that far. She did. I was young and conceited and I thought that a day wouldn’t pass without my entire family looking for me. Somehow she knew that wasn’t the case. No one came looking for her either. Eventually, we were bored of traveling so we turned around and went back home after living in a motel in Arizona for six weeks.

Being with Marina was like that. She would hype you up for an amazing adventure only to reveal to you some big ugly truth that you could have went all your days without knowing. After our cross-country adventure, my husband banned me from talking to her. He threatened to divorce me. And for a while, I agreed with him. But one day, while he was at work, her signature knock danced on my front door. A surge of joy and excitement went through me at once and I knew that I was trapped in her trance yet again.

She was there to make love to me. She said it had been too long. I agreed with her. But this time, I wanted everything to be on my terms.

“I don’t want you making a fool of me anymore,” I said to her, as her warm slim arms wrapped around my body.

“You know I never meant that to happen. I only wanted us to be happy together.

You know I love you too much to hurt you on purpose,” she whispered in my ear.

Her wet, plump mouth pressed against my pink, thin lips and our tongues slid and tangled and I could taste her insincerity. But I was lost in her smell. Oranges and cocoa butter wafted into my nose reminding me how close our bodies were and how long it had been. Two months. Two months of my husband’s scratchy beard and big rough hands.

Two months without her smooth, soft chest, crushing against my breasts.

I drew one last deep breath before I started drowning in the depths of her chaos, then plunged my hands down her pants. She twisted and turned and I kissed her and sucked every bit of passion I could draw from her.

When we finished, we lay hip to hip on my ugly brown carpet. Her tanned hand teased mine as we looked at the water-stained ceiling before us, contemplating our misfortune.

“We could still run away again. It’s not too late, “ she offered. But both of us were aware that the appeal of that route had perished.

“Yeah, or we could just keep seeing each other in private. I don’t want to jump into a big decision like that again,” I replied. In retrospect, I realize that I was a coward.

In that moment, I thought I was being terribly wise.

On my twentieth birthday, my husband, Sam told me he wanted a divorce. I was expecting a car. I thought it was odd how people can never really tell what you want.

Apparently, he had found someone else. Apparently, they went to that church he never failed to attend. I cried. I started throwing things I knew he worked hard for. Then I moved on to larger appliances. I lodged a golf club on the television. And stuck the toaster in the dishwasher and turned it on.

“Where am I supposed to go?” I screamed, as I slammed a hammer against our new microwave.

“I don’t care where you go. I’ve been patient. I put up with your erratic behavior. I just want to live a quiet life,” he whined.

But I won the argument in the end. He gave me another chance and I lived two years on tiptoes, occasionally gaining pleasure from a flat-footed romp with Marina while Sam was at work. I lived a double life. A part of me was dedicated to domestic perfection. I cooked, cleaned, I comforted, and I produced a child. However, the rest of me was shackled to the stolen moments I had with Marina. A few minutes of caresses left me with enough happiness for a week. Any longer, and I began to fall into a deep depression and annoyed Sam with my apathy.

Late at night, when my husband would snore and shake beside me, I imagined a life that Marina and I could share with no husbands or children. We could romp around the world and smell each other’s morning breath every single day. She was my little universe and I was her pet.

Finally, we grew sick of our secretive relationship. I longed for more than just our cheap daytime meetings tangled on my carpet. She longed for a life of her own. As she neared thirty, Marina became frightened that she had wasted her life in a cage. So we decided to run away and never return. For months we stole small amounts of cash from our husbands. Our evening meetings evolved from sweaty love making sessions to conversations over mugs of coffee on what we would do when we escaped.

We decided to move to California. We decided not to take our babies with us. We decided to never divorce our husbands. We decided to grow old together. I decided that she was the absolute love my life.

The morning before we were supposed to escape, Marina walked through my door with a big dark bruise splattered against her face.

“It’s nothing,” she exclaimed when I threatened to call the cops on her husband. But it was everything in my small world. I found that out after Marina finally confessed to me why her husband attacked her.

Marina’s husband was a drunk. And like most drunks, he had a very vile temper. So when he discovered a stash of cash tucked away in his wife’s books, he assumed she stole from him (which technically she did) and he slapped her around their tiny apartment until she told him what the money was for. We were found out. I knew by the end of the day our fantasy of a life together would be demolished and our lives would collapse. All of our glorious planning ruined by a drunken mechanic with a GED.

After Marina left I crawled into a ball on my couch and imagined all the horrible possibilities that could occur if Marina’s husband told Sam of our escape plan. I rolled myself into the closest I could be to invisible and sobbed. Marina: ruiner of my life, key to my joy. Sam was going to hate my guts. I thought of the past two years and the few flickers of his hatred that arose from me abandoning him with Marina previously. I knew this time he would never take me back. As the day progressed through my window, I kept expecting Sam to barge through the front door and throw me out of our home. But it never happened. He came home and everything was calm. He saw me rolled up on the couch with no dinner ready and our child still in its diaper from this morning and thought I was simply being difficult.

The next morning I discovered why my life remained in its standard mediocre state. I turned on my television to see Marina’s face plastered on the news. My Marina, my lover, my obsession, was a murderer. When Marina left my home, she snapped. She went back to her cramped apartment and waited for her husband, with a shiny new knife in her hand. According to one of her neighbors, her husband barely got through the door before she charged at him and stabbed and stabbed and slashed him into death. When the police got to the scene, a blood-soaked Marina was in the woods near her apartment building letting a stray dog lick her gory hands.

She went to jail and I remained in mine. Marina never revealed our plans during the trial. I would glean the news religiously for some lesbian motive to appear on the screen. But one never did. I am still not certain if I should feel relieved or hurt. She pleads insanity. Everyone agreed she wasn’t sane. Everyone sympathized that her husband was a drunk and that they were poor and knew that she was wild.

My escape stash became useless. At first, I continued contributing to my escape, despite Marina. But then I realized I didn’t have any reason to leave other than to be with her. Her arrest revealed that my love for her was the only interesting thing about me.

Without her, I was just another dissatisfied housewife with no good reason to leave their husband.

I never visit her. I don’t think she would want to see me. I really think she would still want me to view her as the perfect creature I fell in love with. In a way, she still is. I don’t have the guts to do what she did. She knew it too. She knew I was inferior. I only wish I was there to hold after she killed him. Or even run away with her right then and not care if we got caught because we were together. I think what I’m most angry about is the fact that she never gave me the option to help her. She just assumed that she needed to take on the world by herself. All that planning we did for nothing.

After Sam found out what Marina did, he looked at me different. Like, I might do the same to him. I want to. I would. But what good would that do? Sometimes when I’m lonely, I smell a sweater she lent me. I press my nose against it and it’s like she’s there, holding me and laughing. But after a while, I always get angry. I should probably wash that sweater. Maybe then she’ll stop haunting me. Marina, terror of my dreams.

Used with permission from the author, copyright (c) Camille Corbett 2020.


Camille Corbett

Camille Corbett

Camille Corbett is an Atlanta native and a queer-identifying, first-generation Jamaican. She is a graduate of University of Alabama and a Fulbright Scholar. She was raised by her Jamaican immigrant mother and her Southern father who is a former NFL player turned motivational speaker. She has traveled to over 18 countries and speaks 3 languages (English, Spanish, Turkish). As part of her Fulbright Grant, she spent a year teaching English at Abant Izzet University in a small town in Turkey. She is currently staffed on the upcoming Jamie Foxx series, DAD, STOP EMBARASSING ME, for Netflix, and has recently written episodes for the Quibi series BREF. Previously, she was the TA for the NBC fellowship Writers on the Verge and Writers' Assistant on ON MY BLOCK. Prior to that, she was a Researcher for THE HOTEL THERESA film; BORN TO FAIL, a TV show in development at Gunpowder & Sky; and THE TERROR for AMC. She’s currently a student at Groundlings and UCB. You can find her tweeting about her exes @TheWittyGirl.

January 2021 Latinx Releases

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January 5, 2021

THE ANTI-RACIST WRITING WORKSHOP: HOW TO DECOLONIZE THE CREATIVE CLASSROOM | Nonfiction

by Felicia Rose Chavez (Haymarket Books)

The Anti-Racist Writing Workshop is a call to create healthy, sustainable, and empowering classroom communities. Award-winning educator Felicia Rose Chavez exposes the invisible politics of power and privilege that have silenced writers of color for far too long. It’s more urgent than ever that we consciously work against traditions of dominance in the classroom, but what specific actions can we take to achieve authentically inclusive communities?

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GOLDIE VANCE: THE HOCUS-POCUS HOAX | Middle Grade

by Lilliam Rivera (Little, Brown for Young Readers)

Marigold "Goldie" Vance lives and works at the Crossed Palms Resort Hotel in Florida with a whole slew of characters: her dad, Art, the manager of the joint; Cheryl Lebeaux, the concierge and Goldie's best friend; and Walter Tooey, the hired hotel detective. Her mom, Sylvie, works nearby at the Mermaid Club.


Prepare to be amazed by Goldie's second middle-grade adventure! The Crossed Palms is hosting the first ever League of Magical Arts Convention, bringing the world's most renowned and emerging magicians to the resort, including an overeager part-time magician and detective named Derek Von Thurston. When some of the magic starts to go awry, Goldie -- and Derek -- are on the case! Can Goldie uncover the saboteur before the final act goes live?

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ONE OF THE GOOD ONES | Young Adult

by Maika Moulite and Maritza Moulite (Inkyard Press)

When teen social activist and history buff Kezi Smith is killed under mysterious circumstances after attending a social justice rally, her devastated sister Happi and their family are left reeling in the aftermath. As Kezi becomes another immortalized victim in the fight against police brutality, Happi begins to question the idealized way her sister is remembered. Perfect. Angelic.

One of the good ones.

Even as the phrase rings wrong in her mind—why are only certain people deemed worthy to be missed?—Happi and her sister Genny embark on a journey to honor Kezi in their own way, using an heirloom copy of The Negro Motorist Green Book as their guide. But there’s a twist to Kezi’s story that no one could’ve ever expected—one that will change everything all over again.

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SHAKING UP THE HOUSE | Middle Grade

by Yamile Saied Méndez (HarperCollins)

Ingrid and Winnie López have lived at 1600 Pennsylvania Avenue for eight years, but their friends Skylar and Zora Williams—the new first daughters—are about to move into the White House with their mom, the president-elect. What the Williamses don’t know is that incoming presidents’ families are often pranked by the folks they’re replacing, and Ingrid and Winnie take that tradition very seriously.

But when the four girls get wrapped up in an ever-escalating exchange of practical jokes and things spiral out of control, can they avoid an international incident? Or will their battle go down in American history and ruin their friendship forever?

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A SLED FOR GABO | Picture Book

by Emma Otheguy; Illus. by Ana Ramírez González (Atheneum Books for Young Readers)

On the day it snows, Gabo sees kids tugging sleds up the hill, then coasting down, whooping all the while. Gabo wishes he could join them, but his hat is too small, and he doesn’t have boots or a sled.

But he does have warm and welcoming neighbors in his new town who help him solve the problem in the sweetest way possible!

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STELLA’S STELLAR HAIR | Picture Book

by Yesenia Moises (Imprint)

It’s the day of the Big Star Little Gala, and Stella's hair just isn't acting right! What’s a girl to do?

Simple! Just hop on her hoverboard, visit each of her fabulous aunties across the solar system, and find the perfect hairdo along the way.

Stella’s Stellar Hair celebrates the joy of self-empowerment, shows off our solar system, and beautifully illustrates a variety of hairstyles from the African diaspora. Backmatter provides more information about each style and each planet.

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IT’S ALL LOVE | Nonfiction

by Jenna Ortega (Random House Books for Young Readers)

This collection from actress Jenna Ortega is filled with Jenna's own original quotes and affirmations, alongside intimate, personal stories about growing up Latina in Hollywood, working through depression, falling in—and out of—love, losing close family members, and so much more.

Jenna has had to balance her acting career, her private life, and public expectations from a young age, and she’s learned that the only way to get through it all is to wake up every morning and affirm her commitment to herself, her faith, her mental health, and her family. In this honest and moving debut, she shares openly and intimately what it means to live this life of self-appreciation.

Jenna's vulnerability will remind readers that there’s power within us all and we are not alone in our struggles.

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January 12, 2021

JUMP AT THE SUN | Picture Book

by Alicia D. Williams; Illus. by Jacqueline Alcántara (Atheneum/Caitlyn Dlouhy Books)

Zora was a girl who hankered for tales like bees for honey. Now, her mama always told her that if she wanted something, “to jump at de sun”, because even though you might not land quite that high, at least you’d get off the ground. So Zora jumped from place to place, from the porch of the general store where she listened to folktales, to Howard University, to Harlem. And everywhere she jumped, she shined sunlight on the tales most people hadn’t been bothered to listen to until Zora. The tales no one had written down until Zora. Tales on a whole culture of literature overlooked…until Zora. Until Zora jumped.

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MY LITTLE GOLDEN BOOK ABOUT FRIDA KAHLO | Picture Book

by Silvia López; Illus. by Elisa Chavarri (Golden Books)

This Little Golden Book captures the essence of Frida Kahlo for the youngest readers. From overcoming illness, to being one of only a handful of girls at her school in Mexico, to having her paintings hanging in museums, this is an inspiring read for future trailblazers and their parents! Features informative text and colorful illustrations inspired by Frida's own artwork.

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STELLA DÍAZ DREAMS BIG | Chapter Book

by Angela Dominguez (Roaring Brook)

In Stella Díaz Dreams Big, by award-winning author and illustrator Angela Dominguez, how will Stella fare when the waters get rough?

Stella is happy as a clam in fourth grade. She's the president of the Sea Musketeers conservation club, she starts taking swim lessons, and she joins a new art club at school. But as her schedule fills up, school gets harder, too. Suddenly the tides have turned, and she is way too busy!

Stella will be in an ocean of trouble if she can't keep her head above water. But with her trusty Sea Musketeers by her side, she hops to make her big dreams come true!

Based on the author's experiences growing up Mexican-American, this infectiously charming character comes to life through relatable storytelling including simple Spanish vocabulary and adorable black-and-white art.

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WATCH ME | Picture Book

by Doyin Richards; Illus. by Joe Cepeda (Feiwel & Friends)

Joe came to America from Africa when he was young. He worked hard in school, made friends, and embraced his new home. Like so many immigrants before and after him, Joe succeeded when many thought he would fail.

In telling the story of how his father came to America, Doyin Richards tells the story of many immigrants, and opens the experience up to readers of all backgrounds. Here is a moving and empowering story of how many different people, from different places, make us great. Acclaimed artist Joe Cepeda brings the story to life with beautiful paintings, full of heart.

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January 19, 2021

THIRTY DIRTY TALKS WEIRD LOVE | Young Adult

by Alessandra Narváez Varela (Cinco Puntos Press)

Out of nowhere, a lady comes up to Anamaria and says she’s her, from the future. But Anamaria’s thirteen, she knows better than to talk to a stranger. Girls need to be careful, especially in Ciudad Juárez, Mexico—it’s the 90’s and fear is overtaking her beloved city as cases of kidnapped girls and women become alarmingly common. This thirty-year-old “future” lady doesn’t seem to be dangerous but she won’t stop bothering her, switching between cheesy Hallmark advice about being kind to yourself, and some mysterious talk about saving a girl.

Anamaria definitely doesn’t need any saving, she’s doing just fine. She works hard at her strict, grade-obsessed middle school—so hard that she hardly gets any sleep; so hard that the stress makes her snap not just at mean girls but even her own (few) friends; so hard that when she does sleep she dreams about dying—but she just wants to do the best she can so she can grow up to be successful. Maybe Thirty’s right, maybe she’s not supposed to be so exhausted with her life, but how can she ask for help when her city is mourning the much bigger tragedy of its stolen girls?

This thought-provoking, moving verse novel will lead adult and young adult readers alike to vital discussions on important topics—like dealing with depression and how to recognize this in yourself and others—through the accessible voice of a thirteen-year-old girl.

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A THOUSAND WHITE BUTTERFLIES | Picture Book

by Jessica Betancourt-Perez & Karen Lynn Williams; Illus. by Gina Maldonado (Charlesbridge)

Isabella has recently arrived from Colombia with her mother and abuela. She misses Papa, who is still in South America. It's her first day of school, her make-new-friends day, but when classes are canceled because of too much snow, Isabella misses warm, green, Colombia more than ever. Then Isabella meets Katie and finds out that making friends in the cold is easier than she thought!

ICYMI: A Live Reading by LxP's 2020 Mentees

The Latinx in Publishing Writers Mentorship Program is a volunteer-based initiative that offers the opportunity for unpublished and/or unagented writers who identify as Latinx (mentees) to strengthen their craft, gain first-hand industry knowledge, and expand their professional connections through work with experienced published authors (mentors).

In case you missed it, LxP streamed a live reading on November 18th, 2020, with several members of our inaugural class of mentees. They have been working hard during a very tough year for everyone, with incredible results. Agents and publishers, take note! You can view the reading here:

Here’s the line-up in order—

  • 1:30—Intro + reading by Julianne Aguilar

  • 12:10—Intro + reading by Ofelia Montelongo

  • 27:20—Intro + reading by Camille Corbett

  • 36:10—Intro + reading by Yesenia Flores-Diaz

  • 47:00—Intro + reading by Brigid Martin

  • 52:45—Intro + reading by Angela Pico

  • 1:06:15—Intro + reading by Gustavo Barahona-López

  • 1:14:10—Intro + reading by Brenda Miller

  • 1:26:38—Intro + reading by Aline Mello

We at Latinx in Publishing are so proud to have been able to connect these talented writers with their mentors, and are looking forward to their future writing careers. Pa’lante!

Female Empowerment, Fútbol, and Ripple Effects: Yamile Saied Méndez on her YA Debut, FURIA

Author Yamile Saied Méndez has scored a spectacular GOAL! with her energetic and dynamic young adult debut novel, Furia (Algonquin, 2020). Set in Argentina, this story is about a fierce, rising soccer star who must defy everything in her way—even her budding love story—to do what she believes is right. Furia’s distinctive protagonist, Camila Hassan, will take you on a nonstop, engrossing journey that will leave you wanting more, as she secretly applies to study abroad, gets her first job, and circumvents narrow and unhealthy parental expectations. Latinx in Publishing member Yvonne Tapia interviewed Méndez about the new book.



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YVONNE TAPIA: It’s great to get the chance to speak to you, Yamile! I was thrilled to have Furia join my library. I enjoyed reading it for so many reasons. Who/What inspired you to create Camila?

YAMILE SAIED MÉNDEZ: Thank you! I’m so glad to hear that. Overall, watching so many girls in real life helped inspire me to write Camila Hassan as she is. I currently live in Utah and it is a place with a lot of Latinx communities. I see that there are so many girls who are eager to take advantage of the opportunities available to them and [have a] hunger for success. You often hear about “the arrogance of youth” and yet it is up to us to help empower the life within them. One of the greatest ways to empower them is to transfer that hope into books. 

What was the writing process like for Furia? What was it like for you to incorporate soccer with female empowerment?

The writing process for Furia was very long, it took me a long time to develop Camila’s character and I’m glad it did because as I developed her, I also needed time to mature as a writer. I love writing YA fiction because you get to nurture your main character into maturity. When I started writing Furia, I was complimented about its style, but was told that there wasn’t a company that would acquire a book about a girl who’s living in a country other than the United States and was passionate about soccer. However, I kept writing and while there were necessary pains to write it out, it has been very rewarding. I’m so happy to see that the book has resonated with people from all backgrounds.

We immediately read how harshly Camila’s family react to her dream of being a futbolista (female soccer player). Her father doesn’t believe fútbol is for women and even says he thinks she might be a lesbian, as if that’s a bad thing, because of her love for the sport. Her mother also doesn’t believe fútbol is something lady-like. What was behind your decision to have the story start out this way?

It all goes back to how I saw this topic arise time after time in my Latinx community [and to this day it still does]. Girls don’t get the support needed in sports. In my family, there wasn’t much support for girls who played soccer, and not because they were cruel people, as we sometimes saw in Furia, but because they were more willing to invest in something that would be, according to them, more beneficial to my career. Field hockey was more acceptable while soccer equated with masculinity. A young girl playing soccer is still considered a little bit taboo in some communities. 

You’re absolutely right. While I was growing up, it was usually the boys who played soccer, and while girls played soccer as well, it wasn’t often when there would be an all-girls soccer match. 

Exactly! I’ve had the chance to talk to U.S. national women’s soccer player Amy Rodriguez, and she’s the only Cuban-descendant woman on the team. In a recent study I read, it’s been reported that 50% of girls quit sports by the time they hit puberty. Girls still have an urgent need for access to mentors. This goes back to what I stated earlier about parents encouraging the extracurricular activities they think are best for their daughters. If my parents were going to pay for something extracurricular, they would rather pay for music or [secondary language] lessons rather than soccer. I hope this book will encourage girls that there are people out there willing to be their mentors and guide them in their dream career the best way possible, the same way Coach Alicia does everything she can to help Camila succeed. 

Did you face toxic femininity while growing up? If so, how does it relate to Camila’s story?

Oh yes. One major point I wanted to make with Furia is when we, as women, may [often be] pitted against each other in a variety of ways, it doesn’t help any of us in the long run. We need to be there for each other and remain fully supportive. For example, in this story we have Camila’s mother, Isabel, who tells Camila not to eat too much or she will gain weight. This brings up the thought: how many times, in the name of love, will women tear each other down? These types of comments are not healthy and it’s an ongoing issue. Additionally, Camila herself is judgmental about women close to her, such as her mother and her brother’s girlfriend, Marisol. I decided to turn that around with soccer. Soccer is a team sport. You need 11 people on the pitch and they all depend on one another. Without her all-female team, Camila wouldn’t have had a chance to play in the big leagues. Camila had a strong role model in her coach. It was important to me for Camila to not forget the power and beauty of working together.

Among the most intense scenes was the domestic violence – physical and verbal – that perpetuated from Camila’s father to his entire family, and influenced how Camila’s mother and her brother, Pablo, treated her. Could you tell us more about that, and what you wanted readers to take from seeing Camila’s harmful environment?

While it is a tough situation, I wanted to point out that it takes courage to speak up and sometimes it is a team effort that can help put an end to a harmful pattern of abuse. Ultimately, Camila, along with her brother and mother, [have to] stand up together to put an end to it. I want readers to know that they are never alone. While it can be hard to ask for help, know that there are people willing to assist you and never feel ashamed to talk about it if you’re going through a situation like that. 

When educators/librarians discuss the domestic violence themes with young readers, whether it’s during an English class or a book club, how would you like for them to go about it?

I want them to treat it with respect. I believe that we all engage in some form of toxic behavior at least once in our lives. Misogynistic messages [and actions] change all the time and nobody is exempt from this. It’s important to recognize when we mess up and learn from these mistakes. It’s essential to have these types of scenarios discussed in classrooms and libraries so young readers are aware about them as early as possible. 

[SPOILER ALERT] You really highlight how different fútbol is for young boys and girls in Latinx communities, particularly in Argentina for this book. Diego, Camila’s love interest, has become an international fútbol celebrity. Amid the most significant scenes is when Camila tells Diego that she will not accompany him on the rest of his soccer tournaments, because she is going to follow her own dreams. How did this scene come about? Did you always know it would turn out this way for them?

Absolutely, I always knew. Diego is the biggest foil of the story because his romance with Camila didn’t happen at the right time. While it’s mentioned that he has sacrificed things to get to where he is today, he still doesn’t understand that Camila’s path is even harder. If Camila had decided to go with Diego, their relationship wouldn’t have worked out. Camila Hassan broke the family tradition that’s been going on for generations – Camila chose herself. Now, that didn’t mean she doesn’t love Diego, because she does. She had to learn to avoid putting herself in the same position other women in her family have put themselves in – choosing love over their own professional growth first. 

Financial [independence] is so important. It’s unfortunate that some people, like Camila’s mother, have a harder time having financial freedom and tend to stay with their partner out of necessity to survive, even if their relationship has turned into something harmful. There are so many resources out there for young people to learn about and apply to, because it is always possible to prosper. For a relationship to succeed, I strongly believe both people have to be satisfied with what they have professionally.

Young people are usually bombarded with media that have them thinking they have to find the love of their life at a very young age, particularly in their teen years. There needs to be more representation of young people flourishing professionally first. 

Oh yes, I remember how past soap operas tended to show lower-class protagonists “getting out” by marrying a rich guy. Sometimes it would be the other way around, where a poor guy married a rich woman. 

Precisely! We need to continue striving away from that. 

That relates to our next question: Camila becomes aware of the example she’s setting for Karen, a young girl who looks up to her, when Karen asks her if she will move overseas with Diego. Would you say that her relationship with Karen influences Camila in her determination to pursue her soccer goals?

I really enjoyed writing Karen’s character. Even though Camila didn’t want to be a role model, she is! As Camila notices how much Karen looks up to her, she realizes that she doesn’t want to give the impression that success is all about being with the love of your life. I also wrote Marisol, Pablo’s girlfriend, as the opposite of Camila on purpose. Marisol is the alternate universe version of Camila. Readers may remember how judgmental Camila is of her. But once Camila analyzes her own actions, she stops being so judgmental towards Marisol. . . . I would love to write about Karen and Marisol as the protagonists of their own stories. 

As an author and mother, what message do you hope parent figures will take from reading Furia

I hope parent figures will realize that young people have dreams that are so big, [and] the best we can do is to encourage and support them. This story is not only for girls and women, it is also for boys and men. I would like for boys and men to read Furia and see how strong and powerful women are. 

What advice would you give to young readers who are currently – like Camila – studying abroad? What do you wish all young readers to take from Camila’s story?

To never forget where they come from. In Camila’s case, while my country is currently going through a horrible financial situation, it’s okay for Camila to take a break and enjoy herself. I wish for young readers in a similar situation to enjoy the dream because they fought hard for it. Also, remember to help others and be grateful for what you have so far. 

Always be authentic and true to yourself, and do what you think is right. I wish for young readers to remember that we are part of a link of people before us, and what will come after is up to us. Camila realizes that her mother did the best she could with the tools she was given. Thus, Camila stops being so judgmental of her mother and finds a way to help her. The decisions we make when we’re young are important, but that doesn’t mean that [you have to be shackled by them] going forward. Also, remember that everything we do ripples. 

Can we expect to read more about Camila in the future?

I would love to continue writing about Camila in the future. I’m always brainstorming what Camila would do in certain situations that are presently happening in the world. I’m currently working on my second YA novel set in Argentina – that is all I can say for now on that matter! 

And finally, I found myself jamming to Furia’s rock-on playlist! Was it your idea to create a playlist for Camila Hassan? 

It was actually Algonquin who asked me for a playlist. I created two, actually – one that inspired me to write the book and another one that Camila would listen to before a game! If readers would like to know Diego’s personality better in a song, listen to “Notte di febbraio – Nek” [laughs]. 

Haha, thanks for sharing! It’d be interesting to hear whether readers’ perspective on Diego changes, once they’ve listened to it! 

For readers, here are the Furia Playlists:

Author Picks Playlist: https://open.spotify.com/playlist/6R0PBTZZlHOWT22FeOKg4u 

Camila Hassan Pregame Playlist: https://open.spotify.com/playlist/18BqMFVQaIrUkYagGZ0lRE  

Happy reading/listening!


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Yamile (sha-MEE-lay) Saied Méndez is a fútbol-obsessed Argentine-American who loves meteor showers, summer, astrology, and pizza. She lives in Utah with her Puerto Rican husband and their five kids, two adorable dogs, and one majestic cat. An inaugural Walter Dean Myers Grant recipient, she’s also a graduate of Voices of Our Nations (VONA) and the Vermont College of Fine Arts MFA Writing for Children’s and Young Adult program. She’s a PB, MG, and YA author. Yamile is also part of Las Musas, the first collective of women and nonbinary Latinx MG and YA authors. She’s represented by Linda Camacho at Gallt & Zacker Literary.

For more updates on her latest works, follow Yamile Saied Méndez on:

Twitter: @YamileSMendez

Instagram: @YamileSMendez

Website: https://yamilesmendez.com/books 

 
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Yvonne Tapia is a Mexican-American professional from East Harlem, New York. She earned a BA in Media Studies and Psychology from Hunter College. Additionally, she has worked in the educational and media fields through various outlets. With a long-term enthusiasm for children’s books, she has been involved at Housing Works Bookstore and Latinx in Publishing. She currently works on the Marketing and Publicity team at Levine Querido. Yvonne is excited and dedicated to engage book visibility in marginalized communities, welcoming all readers while making them feel seen and empowered. 

LxP Writers Mentorship Showcase: Brigid Martin

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The Latinx in Publishing Writers Mentorship Showcase series features excerpts by our Class of 2020 mentees from the projects they’ve developed with the guidance of their mentors.

The LxP Writers Mentorship Program is an annual volunteer-based initiative that offers the opportunity for unpublished and/or unagented writers who identify as Latinx (mentees) to strengthen their craft, gain first-hand industry knowledge, and expand their professional connections through work with experienced published authors (mentors).

Below is an excerpt from one of our 2020 mentees in children’s books, Brigid Martin:


The first night in a new place is always the hardest. The visions swirled rapidly around Magaly’s mind before twisting and turning sour like someone who is on the verge of having a nightmare.

There was an unsustainable silence followed by a loud clamoring that night. The startling noise woke Magaly from her unsettled dreams, and she found herself frozen in place in her unfamiliar bed. The hollow clanking of pots and pans rattled in her grandmother’s kitchen like a raccoon terrorizing a garbage can, which could confirm her earlier theory about what destroyed the neighborhood. But this was not a raccoon, nor was the sound coming from anywhere outside of the house, so the verdict on the raccoon theory was still out.

Magaly lay wide awake in her bed until the sounds subsided.

There is a comfort that comes from hiding under the blanket, despite it not being able to afford any actual protection. And Magaly did just that. She pulled the covers over her face as the heat of her breath filled the air beneath the sheets and lulled her to sleep. She had to remind herself that she was in a strange new place. There were bound to be unfamiliar sounds, and her grandmother was right down the hall, after all. This temporary reassurance was good enough for her to not think about it any further, and she drifted back to sleep.

By the morning, Magaly had almost forgotten about the sounds that woke her in the middle of the night. Her alarm had woken her up at 7:10, which meant she had a short amount of time to get herself ready to meet her grandmother’s deadline. After spending five minutes getting dressed in the least wrinkled outfit that she had available, Magaly headed downstairs to have breakfast.

It was hard for her to differentiate between dreams and reality these days. Magaly’s life had been filled with a series of un-pleasantries and misfortunes, all leading her to this—she was living in a mossy house with her grandmother and was enrolled at The Kellogg Academy, a prestigious and expensive school that she never really heard of before, but was sure she wouldn’t like. She could never feel comfortable around rich kids. At least she didn’t think she could.

Magaly realized that she was doing that thing again where she would get lost in her own thoughts and forget that she had stopped moving. She was standing at the foot of the stairs by the kitchen entrance when she heard her grandmother’s voice.

“Sit down, daaarling,” her grandmother said in a tone Magaly had only ever heard in an old film. Her grandmother making tostada cubana, pressing buttered bread into a frying pan. At least that was familiar. “You are right on time.” Magaly sat down at the distressed and blackened kitchen table that didn’t even have faint evidence that it was ever clean.

Once the bread was crispy, Magaly’s grandmother plated them at the table along with a sprinkle of sugar. The smell was inviting, but when Magaly saw what was set in front of her, she immediately lost her appetite. Based on the color and odd smell that was beginning to penetrate through the sugar coating, it was very possible that the toast her grandmother just served her was as moldy—it shared the same greenish hue that her new bedroom possessed.

Magaly shrugged and took a bite regardless, so that she wouldn’t seem rude, and just hoped for the best—but the bread didn’t taste much like anything, which Magaly felt was probably a good thing.

Everything is a little questionable when you look close enough, she told herself.

Used with permission from the author, copyright (c) Brigid Martin 2020.


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Brigid Martin currently works in Mass Market Sales at Scholastic, fulfilling her goal of working in an industry that promotes educational and diverse content for children! With several years of publishing experience at companies such as Scholastic, Perseus Books Group and Disney Publishing Worldwide, she's had the privilege of reading and promoting the works of many talented authors throughout her career. As the granddaughter of a Cuban immigrant, she recently had the opportunity to participate in the Latinx in Publishing mentorship program, as well as The Highlights Foundation’s LatinX Writers Symposium.