Exclusive Excerpt: The Rock Eaters

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We’re so excited for this May release: The Rock Eaters by Brenda Peynado!

Courtesy of Penguin Random House: The stories in THE ROCK EATERS take place in different worlds and dimensions: many are centered on Latinx communities in Florida, while others take place in a world comprised of virtual reality pods, or on an island where children eat rocks to avoid flying away from their home country.

The Dreamers: In a world where humans still sleep for a third of their lives, but instead do it all in one go and sleep for years as opposed to every night, a young girl prepares for prom while everyone around her drifts to sleep.

Scroll on for the chance to read “The Dreamers,” an excerpt from this brilliant Latinx read!

The Dreamers

In my ten p.m. class, I keep my eyes on the streetlamps outside, their buzzing lights over Bayview. I’ll never sleep, not for years, not for decades if I can help it. When I’m at my worst, eyes bloodshot, thoughts racing, I’ll excuse myself to the bathroom, slap my face, and pinch the insides of my arms. Sometimes when I’m studying I even tape my eyelids open. At the beach, I let the salt burn my eyes.

Prom is tonight, all of us soon to be twerking on the dance floor in dresses and tuxes. I’m running over the plan in my head: how I’m going to break my boyfriend, Joaquin, out of his glass sleeper coffin so he can come with me to prom.

At the desk in front of me, a girl from the track team bobs her head—not those small twitches all of us do, but a really slow descent, and then she jerks herself up. It looks like a dance move. Beside me another girl rolls a quarter between her fingers too fast to see, a blur of silver. A boy pulls his hair in frustration. My ex–best friend, Karina, sitting at the front of the classroom, is the only one relaxed, leaning back with her arm over her chair; she’s also the only one of us who’s ever slept. Sister Olivera drones on about quadratic equations at the blackboard. I look back to the streetlamps, the dark of the bay just beyond the basketball court. My heart pulses so fast I could dance to it.

But then my eyes skip back to the track girl, nodding her head lower. Right in front of me, BAM! Her head hits the desk and doesn’t rise again. She is facedown in her own drool.

Peynado is a writer willing to cross literary borders: magical realism, fable, parable, fiction, nonfiction—she erases those limiting storytelling parameters and her stories soar.
— Julia Alvarez, author of In the Time of the Butterflies and Afterlife

I don’t know what to do. What just happened? Sister Olivera doesn’t even notice. It’s Karina who sends the nun into hysterics and signs of the cross by raising her hand and saying, “Sister, she’s fallen asleep.”

The nuns are followers of Santa Acostara the Sleepless, the first person able to stay awake for her whole life. After forty-four years of wakefulness, she fell into a coma for twenty-two years. There was a vigil for every day of those sleeping years, everyone thinking she would wake up again, but in the end she just died in her sleep. They sainted her, celebrated her four decades of wakefulness, taught the importance of her example: sleep is weakness, and weakness is sin. Her following grew. But then other nuns and people outside the convent, people godless and unbelieving, started being able to stay awake for decades, live their whole lives before their final sleeps. Now, almost all of us do it, desperate to live every second of our youth. Still, the nuns—they cling to wakefulness like it’s a sacrament. Guard against the heavy eyelids, they say. It’s a sin to choose sleep before your time. You teens are especially vulnerable. We must pray for the sleepers’ souls.

And yet, some people—heretics, sinners, people from other religions or godless—still choose to go to sleep before their time.

Sister Olivera phones the office, and an announcement shudders over the speaker system. Grief counseling, by which they mean sin shaming, will be held in the chapel during next period.

We crowd into the chapel, and by some ill luck, I’m pushed into line behind Karina. When our elbows touch, my eyelids droop and I feel tired, so tired. I pinch the inside of my upper arm as I walk behind her. We’re told sleep is something we naturally resist in this day and age (except for teens, who, during puberty, start to feel both manic and drowsy). But if I’ve never fallen asleep, how do I know when I’m doing it until it’s already too late? Of course, the nuns can’t tell us anything, because they’ve never done it either, and they think keeping us in the dark is the best way to make sure we don’t try it. Which is why Karina, the traitor, is so popular now; she’s one of the only people our age who went to sleep early by choice and woke up in time to tell us about it.

Humans sleep about a third of their lives, but since Santa Acostara it’s almost always at the end, all in one go before we die. We live our youth and sleep away our old age. If we try, we can fall asleep early, but that sleep is still a third of our life span, and then we wake up and live out the time we have left. Like Karina. She fell asleep when she was ten and woke up when she was sixteen. The doctors say she has until she’s eighteen before her body craps out on her—not that they know what’s wrong yet; they’ve just done the math. It gives her an air of the doomed. But her sleep also made her popular. When she woke up, everyone flocked around her and wanted to know what dreaming was like. They crowded her in the halls and showed up at her house. They left invitations in her locker and candy on her desk. Never mind that I was the one who had defended her, and she’d closed her eyes because of them.

Before she slept, these same girls had teased Karina because of her hair, which poofed out in a half-mast afro. Girls in our class kept pulling it straight, asking, “How long is it really?” or getting their fists caught in it, yanking her head around. Boys called her Puffhead. One day in gym class, girls held her down on the basketball courts while boys patted her hair and stepped on it. I threw basketballs at them until they let her go, but the damage was done. She sobbed and wouldn’t come out of the locker room until everyone but me had left. We missed the bell.

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She had asked her father if she could switch schools, to move farther from the beach and the mean kids, but he just kept telling her to tough it out. He’s the town’s dreamcatcher, and he’d leave newspaper clippings on the table for her, sob stories about kids he’d picked up in his dreamcatcher van who’d let themselves fall asleep young. “When things get hard, you face them. You don’t run away,” he said, when she told him about the basketball court. He was white, and Karina often told me how he didn’t understand her. Her mother, afro–Puerto Rican, tried to console her: “Things may get better in a few years. Just wait until high school.” But then she got quiet and said, “I don’t know. Sometimes things get worse.”

I found Karina the day after, asleep. Tripped over her, actually, when I was running down the beach looking for her. The dunes rose up around her, and the cattails and grasses waved over her head. She had tucked herself into an old turtle’s nest. She was swaddled in sand, her halo of curly hair glittered with grit. Her smooth cheeks puffed in and out. She was dreaming, gasping and letting out whispering little breaths.

We were used to coming upon people sleeping in the dunes, a sleeper or the dreaming dead. Sometimes a bum curled up in a meadow, usually naked, their clothing and shoes stolen by the wakeful. They were rounded up by dreamcatchers, then claimed by loved ones or unclaimed and sent to a state facility. This was back when my parents were still together, and I made my dad call Karina’s to tell him where to find her. I never imagined it was her I’d have to give up.

Six years later, Karina walked into our two a.m. biology class like she hadn’t been gone a minute. I barely recognized her: her hair heavy and wavy, boobs bigger than mine, taller than anyone in our class. When I did realize who it was, I was so angry. She had abandoned me, and I thought she wouldn’t wake up until after I’d graduated college and gotten married and my kids were the age she’d been when she went down. I had already mourned her. And if she was awake now, it meant she was dying soon and I would have to mourn her again.

It was Joaquin who said, “Easy. The last thing she remembers is fourth grade.” He knew how much we’d meant to each other. He was the one who patted the desk next to mine. He was always going against what everyone expected of him, surprising me in the hallway with shells when he should have been in class, finding weird kitsch on eBay that I loved, laughing when I thought he was going to shout in frustration, saying the most random things that had us cracking up for days.

Soon Karina and I were having sleepovers again, Joaquin climbing in through the window after basketball practice. We showed her high school algebra, the bands and TV shows she’d missed, how to smoke, told her what things were expected of us now that we were older. I taught her how to flake on plans and how to ghost and how to drift away from someone without causing a fight. She still had the sad innocence of a child, hadn’t yet learned the defense mechanisms that we high schoolers had for dealing with grief and hurt. She was so earnest. Every time we showed her something new, she’d jump up and down and laugh. She squealed when we ordered our usual combination of coffee and fries at the diner. Joaquin and I took turns teaching her how to kiss, and she’d gasp every time, dig her fingers into our arms. I’d lie down on the floor holding her, with my fingers tangled in her hair, the ceiling spinning until it was time to go to school. It was like we were kids again, had gotten a do-over to promise everything, even better than before. We swore we would never believe in a god who would condemn us for how we loved or when we slept.

The three of us were inseparable. I wasn’t angry anymore that she’d left me; I was just happy she was back. I was as in love with her as with Joaquin. Out of the three of us, I was the protector, the one who would pull someone by the shirt if they cut in line, who would glare anyone down who made a crack about our threesome, who would keep her old bullies away. “It ended up true,” she said, “that sometimes you give things time and they get even better.” But there was the shadow of her short life. She told me she was afraid. Not of death, which she thought would be like dreaming, being pulled apart and into a new form; but of pain. The doctors couldn’t say what would kill her, not yet anyway. It could be a tumor or a lightning strike or a murder.

Then, Joaquin fell asleep a few months later, leaving us to figure out anew what we meant to each other. At first, Karina and I spent all our days and nights in the Denny’s that his parents owned, just to be near him where he slept in his glass coffin. When his mother brought in a prayer group to chant novenas for his great sin, surrounding him behind the hostess station on their knees, Karina and I talked loudly to drown them out in case their words would infect his dreams. Karina held my hand under the table, and just before daybreak we lay on the beach where she’d first gone to sleep, watching the turtles shamble out to the sea. I wept and I railed. Karina was quiet, but she opened her arms for me to curl against her in the sand. When we made each other come then, we were tender and quiet.

At first, I recounted memories about him like it was his funeral, things even Karina didn’t know. But the whispers at school about his sin were getting to me. Joaquin would have shrugged, or danced in front of them and given them a bow. But without him, it was up to me to make them treat him like a person.

Peynado probes the limits of reckoning with such dilemmas as otherness, loss, and love in her glorious debut
— Publishers Weekly

When I told Karina my plan to break him out for prom, wheel him in, and let everyone remember him, she lost it. She slammed down her coffee mug. She was sitting next to me because Joaquin always used to sit across from us. Coffee sloshed onto my lap. “You’re as bad as his parents, making him into a doll against his will. Parading him around. He’s sleeping.”

“What?” I said, grabbing napkins. “I’m defending him.”

“Don’t defend him,” she said. “Love him.” She pressed the napkins into my shorts, soaking up the coffee.

I wrung my hands. “He wanted us to come with him.”

“You know I can’t anymore. I’ve done all my sleep.”

I knew. How to choose between the two of them? One awake, one asleep. Joaquin got to have dream-versions of the two of us until he would come back and find Karina gone. “Well, he might wake up early, like you.”

“Oh, so you’re wishing him an early death?” She had learned to be whip-quick at pulling out truth from where it was hidden away.

“That’s not what I said.” I scooted away from her down the booth, but she caught my belt loops and pulled me back.

“You’re going to change so much in the decades it takes for him to wake up. You’ll go to college, have a career, go to my funeral. You won’t know what each other has been through. You don’t know what either of you are going to want.” She tucked my hair behind my ear, moved my chin with her fingertips so I would face her. “You were so different when I saw you again.”

I shrugged her off. Then it occurred to me. “He was always asking you about what it was like. Did you tell him it was a good idea?”

She shrugged. “He made his choice, and you have to let him lie. Don’t be selfish.”

I’m selfish?” I couldn’t believe her. I had thought we were a team. “Maybe I should join him.”

I could feel her studying me from the side, like when she was learning something new about the world. “Maybe you should,” she said. “Maybe then you’d understand.”

I waited in silence while she piled all the brown-wet napkins on our plate of fries.

She put a five on the table and walked out, brushing her fingertips against Joaquin’s glass on the way.

I stayed in that booth for hours, but she didn’t come back. At school, she sat in a new desk on the other side of the classroom, joined a cafeteria table full of the girls who’d bullied her and gave them her earnest smile, ignored me even when I blocked her path in the hallway. She stepped around me. She stopped returning my phone calls, started fucking other boys and girls from the basketball teams, ghosted me. The very things I had taught her how to do. I felt ten years old again. She was so good at it—betrayal.


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Brenda Peynado’s stories have won an O. Henry Award, a Pushcart Prize, the Chicago Tribune’s Nelson Algren Literary Award, selection for The Best American Science Fiction and Fantasy and The Best Small Fictions, a Dana Award, a Fulbright grant to the Dominican Republic, and other awards. Her fiction appears in The Georgia Review, The Sun (London), The Southern Review, The Kenyon Review, The Threepenny Review, Prairie Schooner, and more than forty other journals. She received her MFA at Florida State University and her PhD at the University of Cincinnati. She currently teaches in the MFA program at the University of Central Florida. This will be her first collection.

 

Sala Sundays with Tiffany Colón

Latinx in Publishing (LxP): What do you do?

Tiffany Colón (TC): I am an associate editor at Scholastic. 

 LxP: How did you get started?

TC: I actually started my career as an editorial assistant in non-fiction!  Business books to be more specific. It wasn’t exactly where I wanted to be, but it was what I could find at the time.

LxP: What do you wish you knew before getting into the industry?

TC: I think this is true for most jobs, really. I wish I had known that so much of the job you learn as you go. You pick up bits and pieces of knowledge and skills that make you better. If you see a job that excites you, apply even if you don’t think you’re 100% qualified. 

LxP: What book are you currently working on or reading?

TC: I am currently reading and loving Don’t Ask Me Where I’m From by Jennifer De Leon.  


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Tiffany grew up reading books with her feet dangling off fire escapes in Bushwick, Brooklyn. She began her publishing career in adult nonfiction, where she quickly learned she needed a little more magic in her life. She started at Scholastic in 2016 working on the popular Geronimo Stilton property and the magic hasn’t stopped since. Her role has expanded to include other series and MG novels. You can find Tiffany walking her shar-pei, Clyde, doing nail art, or rewatching Buffy the Vampire Slayer.

Sala Sundays with Alex Borbolla

 Latinx in Publishing (LxP):What do you do?

Alex Borbolla (AB): I’m an Associate Editor at Atheneum Books for Young Readers, an imprint of Simon & Schuster. I work on everything from picture books through YA!

LxP: How did you get started? 

AB: I was one of those weird people who always knew what they wanted to do—it’s been my dream to be an editor since I was twelve years old! At the end of undergrad, I didn’t feel like I was done with school and wasn’t hearing back from any of the publishing jobs I was applying for, so I went to NYU to get my master’s in Publishing. And I actually got my first job in publishing after complimenting a classmate’s presentation—we got to talking, and she later asked me if I’d like a recommendation for a managing editorial assistant position at S&S in the children’s department. I accepted the job thinking I’d be happy in either man ed or editorial, but I figured out pretty quickly that twelve-year-old me was right; I wanted to be an editor. One of the publishers at S&S ended up being one of my professors, and I let him know my career goals. Luckily, he liked me enough to let me know when an editorial assistant position opened up in his department! I’ve been at Atheneum for five years now and I couldn’t think of a better career for myself.

LxP: What do you wish you knew before getting into the industry? 

AB: How social it is! I was definitely the kid who had dreams of reading by myself all day as a job, but publishing a book is a real collaborative effort and being an editor requires a lot of networking. Surprisingly, this is actually one of the parts I love most about my job and the industry! You’re working with so many passionate people and it really makes your day-to-day so much better. Publishing is not just a tough industry to break into, but a tough one to stay in—it can be very demanding (I often equate it to working lawyers’ hours for less than a quarter of the pay) and having a group of people who support and celebrate each other is integral.

LxP: What book are you currently working on or reading?

AB: I’m currently editing what I refer to as my “if Perks of Being a Wallflower were a dark comedy road trip” novel. It’s called Four for the Road by K.J. Reilly, coming Summer 2022! And I’ve been gushing over the final art for one of my graphics novels, Isla to Island by Alexis Castellanos. It’s about a girl growing up in Cuba at the start of Castro’s regime who is sent to the United States by her parents—it’s absolutely stunning!


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Alex joined Simon & Schuster in April 2015 as a managing editorial assistant but was drawn more to story editing than copyediting, so she moved down the hall the Atheneum in May 2016. When she’s not editing, Alex can be found spoiling her beagle Winnie, experimenting with new hobbies like embroidery and guitar, or having a breakdown about whatever new bae she’s trying. Alex describes her overall taste as “high concept plot meets high concept thought,” where commercial stories meet beautiful literary writing. She is drawn to picture books ranging from irreverent to heartfelt; middle grade that balances tough subjects with light, accessible narratives; and YA with a strong voice that has something to say. Alex earned a B.A. in English and Communications from Rollins College, and holds a M.S. in Publishing from NYU. Follow her on Twitter @Alex_Borbolla.

Exclusive Cover Reveal: Dinner on Domingos!

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Latinx in Publishing is excited to reveal the cover for Dinner on Domingos by Alexandra Katona and illustrated by Claudia Navarro! In this celebration of family and food, inspired by the author's own childhood, a Latinx girl who doesn't speak much Spanish searches for ways to connect with her abuelita. This beautiful #OwnVoices children’s book releases September 17th, 2021! Read below for a closer look at the ravishing cover and for words from Alexandra and Claudia!


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Alexandra Katona (AK): My debut picture book, Dinner on Domingos, is being published by Barefoot Books. It explores the connective power of food and family, but it also shows how a young Latinx girl who doesn't speak much Spanish connects with her abuelita. And while it’s about Sunday dinners at my abuelita's casa with my Ecuadorian family, I hope families from all backgrounds can identify with the beautiful chaos of a multigenerational gathering.

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AK: I love the beautiful color palette and the family huddled around the kitchen. I don't think it matters how much space you have in your home: everyone always hangs out in the kitchen. Food connects people, it always has. My favorite part of this cover is how the main character, Alejandra, and her abuelita are looking at each other. I think you instantly get the feeling that they have a wonderful bond.

Claudia Navarro (CN): This story brought me back to my own childhood Sundays, when the whole family came over to enjoy my mom's cooking and all the kids ran around the house having fun together.

Preorder Dinner on Domingos today! And don’t forget to follow Alexandra and Claudia for more exiting content!

 

May 2021 Most Anticipated Reads

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Gear up for summer reading with our picks for the most anticipated releases in May! Check out our list for the full list of May 2021 Latinx Releases and let us know which wonderful book you’re most excited for!

 

INDIVISIBLE | Young Adult

by Daniel Aleman (Hachette/Little, Brown BFYR)

Mateo Garcia and his younger sister, Sophie, have been taught to fear one word for as long as they can remember: deportation. Over the past few years, however, the fear that their undocumented immigrant parents could be sent back to Mexico has started to fade. Ma and Pa have been in the United States for so long, they have American-born children, and they’re hard workers and good neighbors. When Mateo returns from school one day to find that his parents have been taken by ICE, he realizes that his family’s worst nightmare has become a reality. With his parents’ fate and his own future hanging in the balance, Mateo must figure out who he is and what he is capable of, even as he’s forced to question what it means to be an American.

Daniel Aleman’s Indivisible is a remarkable story—both powerful in its explorations of immigration in America and deeply intimate in its portrait of a teen boy driven by his fierce, protective love for his parents and his sister.

 

WHAT WILL YOU BE?| Picture Book

by Yamile Saied Méndez; illustrated by Kate Alizadeh (HarperCollins)

“Méndez and Alizadeh create a balance between the abstract and concrete by letting the child imagine the future but with Abuela’s guidance and support. A sweet read to share with loved ones.” —Kirkus (starred review)

What will you be when you grow up?

A young girl dreams about all the endless possibilities, sparking a sense of wonder, curiosity, and growth. With her abuela’s loving guidance, she learns her potential is limitless.

Yamile Saied Méndez’s powerful, lyrical text and Kate Alizadeh’s colorful, stunning art are a radiant celebration of family, love, and community.

A Spanish-language edition, ¿Qué Serás?, is also available.

 

MEET CUTE DIARY| Young Adult

by Emery Lee (HarperCollins/Quill Tree Books)

Noah Ramirez thinks he’s an expert on romance. He has to be for his popular blog, the Meet Cute Diary, a collection of trans happily ever afters. There’s just one problem—all the stories are fake. What started as the fantasies of a trans boy afraid to step out of the closet has grown into a beacon of hope for trans readers across the globe.

When a troll exposes the blog as fiction, Noah’s world unravels. The only way to save the Diary is to convince everyone that the stories are true, but he doesn’t have any proof. Then Drew walks into Noah’s life, and the pieces fall into place: Drew is willing to fake-date Noah to save the Diary. But when Noah’s feelings grow beyond their staged romance, he realizes that dating in real life isn’t quite the same as finding love on the page.

In this charming novel by Emery Lee, Noah will have to choose between following his own rules for love or discovering that the most romantic endings are the ones that go off script.

 

MANOS QUE BAILAN (DANCING HANDS SPANISH EDITION)| Picture Book

by Margarita Engle; illustrated by Rafael López; translated by Alexis Romay (S&S/Atheneum)

Ganador del premio Pura Belpré de ilustración

De niña, a Teresa Carreño le encantaba dejar que sus manos bailaran a lo largo de las hermosas teclas del piano. Si se sentía triste, la música le levantaba el ánimo y, cuando estaba feliz, el piano la ayudaba a compartir esa alegría. Pronto comenzó a escribir sus propias canciones y a tocar en grandes catedrales.

Entonces, una revolución en Venezuela hizo que su familia tuviera que huir a Estados Unidos. Teresa se sentía sola en este sitio desconocido en el que muy poca de la gente a quien conocía hablaba español. Y lo peor es que también había una guerra en su nuevo hogar: la Guerra Civil.

Aun así, Teresa siguió tocando y pronto adquirió fama de ser la talentosa niña del piano que podía tocar cualquier cosa, desde una canción folclórica hasta una sonata. Era tan famosa, de hecho, ¡que el presidente Abraham Lincoln quiso que fuera a tocar a la Casa Blanca! Sin embargo, con el país dividido por la guerra, ¿podría la música de Teresa traer consuelo a quienes más lo necesitaban?

 

ILLUSIONARY| Young Adult

by Zoraida Córdova (Hachette/Little, Brown BFYR)

Reeling from betrayal at the hands of the Whispers, Renata Convida is a girl on the run. With few options and fewer allies, she's reluctantly joined forces with none other than Prince Castian, her most infuriating and intriguing enemy. They're united by lofty goals: find the fabled Knife of Memory, kill the ruthless King Fernando, and bring peace to the nation. Together, Ren and Castian have a chance to save everything, if only they can set aside their complex and intense feelings for each other.

With the king's forces on their heels at every turn, their quest across Puerto Leones and beyond leaves little room for mistakes. But the greatest danger is within Ren. The Gray, her fortress of stolen memories, has begun to crumble, threatening her grip on reality. She'll have to control her magics—and her mind—to unlock her power and protect the Moria people once and for all.

For years, she was wielded as weapon. Now it's her time to fight back.

 

OJALÁ SUPIERAS (I WISH YOU KNEW SPANISH EDITION)| Picture Book

by Jackie Azúa Kramer; illustrated by Magdalena Mora (Macmillan/Roaring Brook)

Cuando el papá de Estrella tiene que irse
porque no nació aquí como ella,
Estrella lo extraña.

Ella desea que la gente supiera como le afecta.
En su casa. En la escuela.
Siempre.

Su escuela rodea un roble centenario,
y ese árbol es el lugar perfecto para compartir.

Algunos niños extrañan a su familia,
algunos niños tienen hambre,
algunos viven en refugios.

Pero nadie está solo si otros están dispuestos a escuchar.

Un cuento sobre la deportación, familias separadas, y la importancia de comunicad en momentos de incertidumbre.

 

Sala Sundays with Amanda Ramirez

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Latinx in Publishing (LxP): What do you do?

Amanda Ramirez (AR): I’m an associate editor at Simon & Schuster Books for Young Readers. I’m currently building my own solo list of authors while supporting the editorial director and a senior editor. I primarily work on middle grade, young adult, and graphic novel fiction.

 (LxP): How did you get started?

AR: I bounced around jobs for a while after I graduated college and was working at my local Barnes & Noble when a good friend from college told me about an editorial assistant position at S&S and, well… here I am!

LxP: What do you wish you knew before getting into the industry?

AR: I guess I wish I knew how much of my work I’d be expected to do outside of office hours. Just because the work day is over, doesn’t mean I’m done with an edit or a submission!

LxP: What book are you currently working on or reading?

AR: I’m currently working on several edits (shout out to Aaron H. Aceves and Briana McDonald!), but I’m hoping to get started on In Deeper Waters by F.T. Lukens. I’m especially looking forward to May the Best Man Win by Z.R. Ellor.


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Amanda Ramirez joined S&S BFYR in the summer of 2016. She is a host of GateCrashers, a pop-culture media podcast, and can usually be found playing video games, tending to her growing plant collection, or biking to her local Dunkin’. You can learn more about Amanda on Twitter or Instagram at @AmandaIsA_Ram.

 

Sala Sundays with Mara Delgado Sánchez

Latinx in Publishing (LxP): What do you do?

Mara Delgado Sánchez (MDS): I’m an assistant editor at St. Martin’s Publishing Group. I assist two editors in managing their lists and their administrative work, as well as meeting agents and read submissions to continue building my list.

LxP: How did you get started?

MDS: I landed an editorial internship in Entangled Publishing reading from the slush pile and advising for acquisition. In 2018, an editorial assistant position at Macmillan opened up and I interviewed at the recommendation of two friends. The rest is history.

LxP: What do you wish you knew before getting into the industry?

MDS: That we're a deadline-driven industry. The industry machine is constantly working on several books behind the scenes. Cover conference, acquisitions, contracts, editing, marketing and publicity, it’s all hands on deck within a publisher. It takes a book a whole year to go through the production pipeline, and while this is happening, there’s always something else happening for the book.

LxP: What book are you currently working on or reading?

MDS: I just got in revisions for Night of the Raven, Dawn of the Dove by Rati Mehrotra, a YA fantasy publishing on Fall 2022 from Wednesday Books, so I’m currently in the editorial cave! The book is set in an alternate medieval India, in which a queen’s bodyguard and bondswoman struggles against her unwitting role as a major pawn in the political games of a monster-filled land on the brink of war. Some behind the scenes goodness is happening for Reclaim the Stars, a YA scifi and fantasy anthology helmed by Latinx voices and edited by the wonderful Zoraida Córdova, so I’m excited for that as well! This one is coming out on February 15, 2022. And lastly, I’m also brainstorming with Andrea Hannah and her agent, Victoria Marini, about Where Darkness Blooms, a supernatural thriller about four girls stuck in a blood-thirsty town who are forced to reckon with the grim reality of what really happened the night their mothers slipped into the sunflower fields and never came back. This one is also coming in Fall 2022. Publishing employees work on multiple books at a time and that has never stopped being fascinating to me, even as I’m doing it. As for what I’m reading, I’m reading submissions and looking for the next book to fall in love with!


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Mara Delgado Sánchez is an assistant editor at St. Martin’s Publishing Group. She holds a BA in English, Literature from the University of Puerto Rico at Mayagüez and an MFA in Creative Writing from Rosemont College. She’s actively building her list and is a vocal advocate of marginalized voices. Character-driven stories, and the emotional nuance of relationships, are a particular favorite in any book she likes. In YA, her sweet spot is fantasy, especially from marginalized voices. I’m contemporary, she gravitates toward the light and fluffy, with characters living their best lives. Her taste in the adult market aligns with her YA taste. When not editing, Mara can be found hunting for the best udon bowl in New York City, playing video games, or working on her YA fantasy novel.

A Closer Look: Small Room, Big Dreams!

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Small Room, Big Dreams: The Journey of Julián and Joaquin Castro hit the shelves on May 4th, 2021! Read below to get a closer look inside this inspirational picture book written by Monica Brown and illustrated by Mirelle Ortega!

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An informative, inspirational picture book biography about twins Julián and Joaquin Castro, who rose from poverty to become leaders for positive change in America.

The story of political powerhouse twins Julián and Joaquin Castro began in the small room that they shared with their grandmother Victoriana in San Antonio, Texas. Victoriana crossed the border from Mexico into Texas as a six-year-old orphan, marking the start of the family’s American journey. Her daughter Rosie, Julián and Joaquin’s mom, was an activist who helped the barrio through local government.

The strong women in their family inspired the twins to get involved in politics. Julián and Joaquin have been working at the local, state, and national level—as a former presidential candidate, mayor and member of President Obama’s Cabinet, and a U.S. Congressman, respectively—to make the country a better place for everyone.

Acclaimed author Monica Brown and illustrator Mirelle Ortega depict the Castros’ political and personal accomplishments in this must-read picture book biography.

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Also available in a Spanish edition: Pequeña habitación, grandes sueños.


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MONICA BROWN, PhD, is the award-winning author of Frida Kahlo and Her Animalitos, Waiting for the Biblioburro/Esperando el Biblioburro, Marisol McDonald Doesn’t Match/Marisol McDonald no combina, and the Lola Levine chapter book series. Her books have garnered two Américas Awards, a Christopher Award, and the prestigious Rockefeller Fellowship on Chicano Cultural Literacy. She lives in Arizona with her family and teaches at Northern Arizona University. Find out more at www.monicabrown.net.

MIRELLE ORTEGA is an illustrator and concept artist currently living in California. She’s originally from the southeast of Mexico and has a passion for storytelling, sci-fi, film, TV, color, and culture. Mirelle has a BFA from the Tecnológico de Monterrey (Monterrey, Mexico) in digital art and 3D animation and an MFA from Academy of Art University in San Francisco. She is fluent in Spanish and English. Visit her online at www.mirelleortega.com.

 

May 2021 Latinx Releases

MAY 2021 LATINX RELEASES

 

ON-SALE MAY 1ST, 2021

 

RUN, LITTLE CHASKI: AN INKA TRAIL ADVENTURE | Picture Book

by Mariana Llanos; illustrated by Mariana Ruiz Johnson (Barefoot Books)

In this tale set in the ancient Inka empire, Little Chaski has a big job: he is the Inka King's newest royal messenger. But on his first day things quickly start to go awry. Will Little Chaski be able to deliver the royal message on time?

 

ON-SALE MAY 4TH, 2021

 

GOOSEBUMPS: SECRETS OF THE SWAMP | Middle Grade

by Marieke Nijkamp; illustrated by Yasmín Flores Montañez (IDW Publishing)

Reader beware, you’re in for a scare! The kid-friendly horror series returns with a spooky new graphic novel from New York Times bestselling YA author Marieke Nijkamp!

When twelve-year-old Blake is shipped away to stay with her weird aunt in Fever Swamp for the summer, she expects her weeks to be filled with video games, mosquito bites, and a whole lot of nothing. Instead, she finds herself in a spooky turf war between werewolves and wolf hunters! Blake’s never let anything–including her prosthetic hand–slow her down or stop her from crushing her opponents in a game of Lore Hunter, but real-life monsters on all sides take danger and fear to a whole new level, and Blake will need to use all of her gaming skills to escape.

Marieke Nijkamp was born and raised in the Netherlands. A lifelong student of stories, language, and ideas, she spends as much time in fictional worlds as she does the real world. She loves to travel, roll dice, and daydream. Marieke’s YA novels include: This Is Where It Ends, which follows four teens during the fifty-four minutes of a school shooting, and Before I Let Go, a haunting young adult murder mystery set during a cruel Alaskan winter. Additionally, Marieke is the editor of Unbroken, an anthology of 13 stories starring disabled teens, written by disabled authors. She’s the writer of The Oracle Code, a graphic novel from DC Books for Young Readers, with art by Manuel Preitano. Even If We Break, Marieke’s new YA novel, is available September 2020.

 

INDIVISIBLE | Young Adult

by Daniel Aleman (Hachette/Little, Brown BFYR)

Mateo Garcia and his younger sister, Sophie, have been taught to fear one word for as long as they can remember: deportation. Over the past few years, however, the fear that their undocumented immigrant parents could be sent back to Mexico has started to fade. Ma and Pa have been in the United States for so long, they have American-born children, and they’re hard workers and good neighbors. When Mateo returns from school one day to find that his parents have been taken by ICE, he realizes that his family’s worst nightmare has become a reality. With his parents’ fate and his own future hanging in the balance, Mateo must figure out who he is and what he is capable of, even as he’s forced to question what it means to be an American.

Daniel Aleman’s Indivisible is a remarkable story—both powerful in its explorations of immigration in America and deeply intimate in its portrait of a teen boy driven by his fierce, protective love for his parents and his sister.

 

LA JOVEN AVIADORA (THE FLYING GIRL SPANISH EDITION)| Picture Book

by Margarita Engle; illustrated by Sara Palacios; translated by Teresa Mlawer (S&S/Atheneum)

¡Si ese hombre puede volar, yo también puedo!

En una animada calle en la encantadora ciudad de París, una joven llamada Aída miró hacia el cielo y se quedó maravillada ante la vista de un dirigible. ¡Cuánto le gustaría surcar el cielo de esa manera! El inventor del aparato, Alberto, la invitó a dar un paseo en su dirigible, pero Aída no quería viajar como pasajera. Ella quería ser el piloto.

Aída era apenas una adolescente, y ninguna mujer o joven había volado antes. Pero eso no la detuvo. Todo lo que ella necesitaba eran algunas clases y una oportunidad.

Con elocuentes palabras y expresivas ilustraciones, Margarita Engle y Sara Palacios nos narran la inspiradora historia de Aída de Acosta, la primera mujer que voló en una aeronave motorizada.

 

MANOS QUE BAILAN (DANCING HANDS SPANISH EDITION)| Picture Book

by Margarita Engle; illustrated by Rafael López; translated by Alexis Romay (S&S/Atheneum)

Ganador del premio Pura Belpré de ilustración

De niña, a Teresa Carreño le encantaba dejar que sus manos bailaran a lo largo de las hermosas teclas del piano. Si se sentía triste, la música le levantaba el ánimo y, cuando estaba feliz, el piano la ayudaba a compartir esa alegría. Pronto comenzó a escribir sus propias canciones y a tocar en grandes catedrales.

Entonces, una revolución en Venezuela hizo que su familia tuviera que huir a Estados Unidos. Teresa se sentía sola en este sitio desconocido en el que muy poca de la gente a quien conocía hablaba español. Y lo peor es que también había una guerra en su nuevo hogar: la Guerra Civil.

Aun así, Teresa siguió tocando y pronto adquirió fama de ser la talentosa niña del piano que podía tocar cualquier cosa, desde una canción folclórica hasta una sonata. Era tan famosa, de hecho, ¡que el presidente Abraham Lincoln quiso que fuera a tocar a la Casa Blanca! Sin embargo, con el país dividido por la guerra, ¿podría la música de Teresa traer consuelo a quienes más lo necesitaban?

 

MEET CUTE DIARY| Young Adult

by Emery Lee (HarperCollins/Quill Tree Books)

Noah Ramirez thinks he’s an expert on romance. He has to be for his popular blog, the Meet Cute Diary, a collection of trans happily ever afters. There’s just one problem—all the stories are fake. What started as the fantasies of a trans boy afraid to step out of the closet has grown into a beacon of hope for trans readers across the globe.

When a troll exposes the blog as fiction, Noah’s world unravels. The only way to save the Diary is to convince everyone that the stories are true, but he doesn’t have any proof. Then Drew walks into Noah’s life, and the pieces fall into place: Drew is willing to fake-date Noah to save the Diary. But when Noah’s feelings grow beyond their staged romance, he realizes that dating in real life isn’t quite the same as finding love on the page.

In this charming novel by Emery Lee, Noah will have to choose between following his own rules for love or discovering that the most romantic endings are the ones that go off script.

 

MERMAIDS ROCK #1: THE CORAL KINGDOM| Middle Grade

by Linda Chapman; illustrated by Mirelle Ortega (Tiger Tales)

Join Marina and her mermaid friends in the beautiful coral reef at Mermaids Rock! Whether they’re working together to help sea animals in danger or solving a mystery of the deep, the friends at Mermaids Rock will do anything to protect their ocean home and if there is a ripple of adventure they will find it!

 

MERMAIDS ROCK #2: THE FLOATING FOREST| Middle Grade

by Linda Chapman; illustrated by Mirelle Ortega (Tiger Tales)

Coralie is overjoyed when she visits a beautiful kelp forest with her pet dolphin, Dash. She meets adorable sea lions and otters, and she even finds a mysterious treasure map! After telling her friends about it, they're excited to help her search for the treasure. But when they arrive in the kelp forest, they find that it has been destroyed. Without the plants for protection, the animals that live there are in danger--and the friends must do everything they can to save the sea creatures before it's too late....

Join Coralie, Marina, and their mermaid friends in the beautiful coral reef at Mermaids Rock! Whether they're working together to help sea animals in danger or solving a mystery of the deep, the friends at Mermaids Rock will do anything to protect their ocean home and if there is a ripple of adventure they will find it!

 

SMALL ROOM, BIG DREAMS: THE JOURNEY OF JULIÁN AND JOAQUIN CASTRO| Picture Book

by Monica Brown; illustrated by Mirelle Ortega (HarperCollins/Quill Tree Books)

The story of political powerhouse twins Julián and Joaquin Castro began in the small room that they shared with their grandmother Victoriana in San Antonio, Texas. Victoriana crossed the border from Mexico into Texas as a six-year-old orphan, marking the start of the family’s American journey. Her daughter Rosie, Julián and Joaquin’s mom, was an activist who helped the barrio through local government.

The strong women in their family inspired the twins to get involved in politics. Julián and Joaquin have been working at the local, state, and national level—as a former presidential candidate, mayor and member of President Obama’s Cabinet, and a U.S. Congressman, respectively—to make the country a better place for everyone.

Acclaimed author Monica Brown and illustrator Mirelle Ortega depict the Castros’ political and personal accomplishments in this must-read picture book biography.

Also available in a Spanish edition: Pequeña habitación, grandes sueños.

 

STROLLERCOASTER| Picture Book

by Matt Ringler; illustrated by Raúl the Third & Elaine Bay (Hachette/Little, Brown BFYR)

Buckle up as a toddler's tantrum is cleverly averted when a loving dad transforms an everyday neighborhood stroll into an extraordinary adventure, reminding us that all you need to chase away a bad mood is love and a little bit of imagination.

Brought to brilliantly-colored, kinetic life by award-winning artists Raúl the Third and Elaine Bay, Strollercoaster sings with details of a diverse and vibrant urban neighborhood bursting with life, enhanced by Spanish words embedded in the art. It's the best ride in town!

 

WHAT WILL YOU BE?| Picture Book

by Yamile Saied Méndez; illustrated by Kate Alizadeh (HarperCollins)

“Méndez and Alizadeh create a balance between the abstract and concrete by letting the child imagine the future but with Abuela’s guidance and support. A sweet read to share with loved ones.” —Kirkus (starred review)

What will you be when you grow up?

A young girl dreams about all the endless possibilities, sparking a sense of wonder, curiosity, and growth. With her abuela’s loving guidance, she learns her potential is limitless.

Yamile Saied Méndez’s powerful, lyrical text and Kate Alizadeh’s colorful, stunning art are a radiant celebration of family, love, and community.

A Spanish-language edition, ¿Qué Serás?, is also available.

 

ON-SALE MAY 11TH, 2021

 

ILLUSIONARY| Young Adult

by Zoraida Córdova (Hachette/Little, Brown BFYR)

Reeling from betrayal at the hands of the Whispers, Renata Convida is a girl on the run. With few options and fewer allies, she's reluctantly joined forces with none other than Prince Castian, her most infuriating and intriguing enemy. They're united by lofty goals: find the fabled Knife of Memory, kill the ruthless King Fernando, and bring peace to the nation. Together, Ren and Castian have a chance to save everything, if only they can set aside their complex and intense feelings for each other.

With the king's forces on their heels at every turn, their quest across Puerto Leones and beyond leaves little room for mistakes. But the greatest danger is within Ren. The Gray, her fortress of stolen memories, has begun to crumble, threatening her grip on reality. She'll have to control her magics—and her mind—to unlock her power and protect the Moria people once and for all.

For years, she was wielded as weapon. Now it's her time to fight back.

 

ON-SALE MAY 18TH, 2021

 

ON THE HOOK| Young Adult

by Francisco X. Stork (Scholastic Kids)

Hector has always minded his own business, working hard to make his way to a better life someday. He's the chess team champion, helps the family with his job at the grocery, and teaches his little sister to shoot hoops overhand.

Until Joey singles him out. Joey, whose older brother, Chavo, is head of the Discípulos gang, tells Hector that he's going to kill him: maybe not today, or tomorrow, but someday. And Hector, frozen with fear, does nothing. From that day forward, Hector's death is hanging over his head every time he leaves the house. He tries to fade into the shadows - to drop off Joey's radar - to become no one.

But when a fight between Chavo and Hector's brother Fili escalates, Hector is left with no choice but to take a stand.

The violent confrontation will take Hector places he never expected, including a reform school where he has to live side-by-side with his enemy, Joey. It's up to Hector to choose whether he's going to lose himself to revenge or get back to the hard work of living.

 

PERFECTLY PARVIN| Young Adult

by Olivia Abtahi (Penguin Random House/Putnam BFYR)

Parvin Mohammadi has just been dumped–only days after receiving official girlfriend status. Not only is she heartbroken, she’s humiliated. Enter high school heartthrob Matty Fumero, who just might be the smoking-hot cure to all her boy problems. If Parvin can get Matty to ask her to Homecoming, she’s positive it will prove to herself and her ex that she’s girlfriend material after all. There’s just one problem: Matty is definitely too cool for bassoon-playing, frizzy-haired, Cheeto-eating Parvin. Since being herself hasn’t worked for her in the past (see aforementioned dumping), she decides to start acting like the women in her favorite rom-coms. Those women aren’t loud, they certainly don’t cackle when they laugh, and they smile much more than they talk.

But Parvin discovers that being a rom-com dream girl is much harder than it looks. Also hard? The parent-mandated Farsi lessons. A confusing friendship with a boy who’s definitely not supposed to like her. And hardest of all, the ramifications of the Muslim ban on her family in Iran. Suddenly, being herself has never been more important.

Olivia Abtahi’s debut is as hilarious as it is heartfelt–a delightful tale where, amid the turmoil of high school friendships and crushes, being yourself is always the perfect way to be.

 

ON-SALE MAY 25TH, 2021

 

I WISH YOU KNEW| Picture Book

by Jackie Azúa Kramer; illustrated by Magdalena Mora (Macmillan/Roaring Brook)

When Estrella’s father has to leave because

he wasn’t born here, like her,

She misses him.

And she wishes people knew the way it affects her.

At home. At school.

Always.

But a school wrapped around a hundred-year-old oak tree is the perfect place to share and listen.

Some kids miss family,
Some kids are hungry,
Some kids live in shelters.

But nobody is alone.


A story about deportation, divided families, and the importance of community in the midst of uncertainty.

 

OJALÁ SUPIERAS (I WISH YOU KNEW SPANISH EDITION)| Picture Book

by Jackie Azúa Kramer; illustrated by Magdalena Mora (Macmillan/Roaring Brook)

Cuando el papá de Estrella tiene que irse
porque no nació aquí como ella,
Estrella lo extraña.

Ella desea que la gente supiera como le afecta.
En su casa. En la escuela.
Siempre.

Su escuela rodea un roble centenario,
y ese árbol es el lugar perfecto para compartir.

Algunos niños extrañan a su familia,
algunos niños tienen hambre,
algunos viven en refugios.

Pero nadie está solo si otros están dispuestos a escuchar.

Un cuento sobre la deportación, familias separadas, y la importancia de comunicad en momentos de incertidumbre.

 

ON-SALE MAY 31st, 2021

 

MAXY SURVIVES THE HURRICANE/ MAXY SOBREVIVE EL HURICÁN | Picture Book

by Ricia Anne Chansky & Yarelis Marcial Acevedo; illustrated by Olga Barinova (Arte Público/Piñata Books)

Maxy is a happy puppy who lives with Clarita and her family in a house filled with laughter and music on the island of Puerto Rico. On sunny days, Clarita and Maxy go to the park or on adventures under the flamboyant tree. On rainy days, they stay inside and play games or read books.

But one day, Maxy sees everyone rushing around, putting things in boxes. Someone say, “María is coming!” That night, Hurricane María roared ashore; there was thunder, lightning and lots of rain. Maxy was terrified! Finally, the power went out and the house and everything around it was completely dark. The next day when they went outside, they saw destroyed homes, flooded roads and knocked-down trees—including their beloved flamboyant! There was no electricity for a long time, and everyone had to stand in long lines for food, gas and even water to drink.

Eventually, power is restored and Maxy thinks everything is going to be okay. Until one day, the clouds start to gather and he hears thunder and whistling winds. Trembling and whining, he races under the bed! Eventually, and with the help of loved ones, Maxy—like many children who go through natural disasters—learns to overcome his fear and appreciate the benefits of rain.

 

RAULITO: THE FIRST LATINO GOVERNOR OF ARIZONA/ EL PRIMER GOBERNADOR LATINO DE ARIZONA | Picture Book

by Roni Capin Rivera-Ashford (Arte Público/Piñata Books)

As a boy growing up in Arizona in the 1920s and 1930s, Raulito experienced discrimination on a regular basis. He wasn’t allowed to ride the bus to school with his Anglo friends, so he walked four miles each way, every day. He couldn’t swim in the local pool with everyone else because Mexicans could only swim on Saturdays, the day before it was closed for cleaning. And like other Spanish-speaking children, he was regularly hit for speaking his native language at school.

This inspirational bilingual “flip” book for intermediate readers recounts the life story of Raúl H. Castro, who was elected the first Mexican-American governor of Arizona in 1974. Fondly known as Raulito, he was one of eleven children born in the Mexican state of Sonora. His family moved to Pirtleville, Arizona, in 1918 when he was two years old. His family was poor, and their financial situation worsened when his father, a miner, died of lung disease ten years later at the age of 42.

In spite of the many obstacles he encountered, including racism and poverty, Raulito grew up to be a teacher, attorney, judge, diplomat and ultimately the first—and only—Latino governor of Arizona from 1975-1977. He also served as the US Ambassador to El Salvador from 1964-1968, to Bolivia from 1968-1969 and to Argentina from 1977-1980. This eye-opening biography will acquaint young readers with the difficulties Mexican Americans encountered in obtaining basic rights such as access to education and jobs and will motivate them to persevere in spite of difficulties.

 

UN TREN LLAMADO ESPERANZA/ A TRAIN CALLED HOPE | Picture Book

by Mario Bencastro; illustrated by Robert Casilla (Arte Público/Piñata Books)

In this poignant bilingual picture book, a boy remembers his first present, “a little train crossing / the mountain of my pillow / over a valley on my bed.” There’s even a girl who looks like his sister waving happily from the window!

Years later, after his parents have gone far away in search of work and a better future, the boy rides in a real train to join his family. This one is loaded with hundreds of children traveling alone, just like him. There are frightening strangers, others along the way who want to jump on and, scariest of all, a boy who almost falls off the roof because he can’t stay awake any longer.

When the train finally arrives at its destination, everyone jumps off and the boy begs “the moon to shine, / to light up the border” so he can cross and find his mother. This moving, poetic story by award-winning Salvadoran author Mario Bencastro touches on the difficult journey north many Central American children make in hopes of finding their parents and a better life.

 

Dancing in Life’s Stages: ‘Merci Suárez Can’t Dance’ by Meg Medina

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Growing up requires constant change, as author Meg Medina demonstrates it in Merci Suárez Can’t Dance. This middle-grade book is the second installment in the Merci Suárez verse, following Cuban-American Merci Suárez as she cruises through the seventh grade. Mercedes “Merci” Suárez is a young girl who is trying to keep everything as it’s always been within her family and friends—from tía Inés’s routine at the bakery to her friendship trio with Hannah and Lena. This moving middle-grade novel is not only about life’s inevitable change; it invites young readers to explore business smarts, love, selflessness, cultural education, socio-economic status, confidence, and standing up for oneself. Everything changes for Merci Suárez and she must learn to dance to the changing beat of growth.

Taking place in South Florida, Merci begins seventh grade assigned as a business manager to the school store, The Ram Depot, with new student, Wilson Bellevue. They’re expected to work together as a team to “hone their business and math skills and get real-world experience”, according to Miss McDaniels. Merci immediately demonstrates superb sales and critical-thinking skills, necessary in business. Merci’s abilities have the potential to motivate young readers to learn more about the professional world at a deeper level, outside of their regular classes. “Fix your mistakes in style. Two-for-one erasers! Wile supplies last! (See? An eraser would have helped!),” Merci writes on a sign for the store with the commerce goal to sell erasers for her school.

Credit: Yvonne Tapia

Credit: Yvonne Tapia

Initially, Merci is hesitant to work alongside a seventh grade boy, considering her distasteful experience with “annoying jokes about farting” and similar shenanigans from other male peers. However, when she starts feeling shy and embarrassed about anything that has to do with Wilson Bellevue, Merci begins to wonder why that is so. While her reactions to people’s comments on their relationship may not show her best character, young readers will be satisfied with this (possible) realistic context about discovering young love.

Mercedes may be family-dedicated and a hard-working student, but sometimes that can be overwhelming for her when her family members pull her in different directions simultaneously. Besides her schoolwork, Merci is expected to help take care of her twin cousins, Axel and Tomás, who are as energetic as kids can be, while emotionally affected by her grandfather’s Alzheimer’s, and, processing her tía Inés’s new love life. But when Merci tries to find out more about her tía’s personal life, they tell her not to get involved. To this, Merci thinks, “People ask me private stuff all the time. What I want to be. If I have a boyfriend. Nobody seems to mind their invasion of my privacy.” Moreover, when she sees that her older brother, Roli, is different to how she remembers him before he went to college, Merci says, “Nobody is the way they’re supposed to be.” Medina offers a deep and pragmatic view about what many emerging young adults are anticipated to handle, that may often be overlooked.

Credit: Candlewick Press

Credit: Candlewick Press

The author expertly encourages themes of self-confidence through Merci’s school rival, Edna Santos, and dancing. In Merci’s point-of-view, Edna is her total opposite; Edna knows French and attends ballet lessons, while Merci helps her father figure out job bids and write ad copy, and certainly can’t dance. She also makes Merci feel as if her best friend, Hannah, would rather hang out with Edna with each passing day. Edna does her fair share of verbal bullying as she tries to boss Merci around. As young readers rotate pages, they’ll encounter a poignant scenario—Edna and Merci are paired as science lab partners, and when Edna tries to verbally put her down, Merci must be willing to use the power within her to stand up for herself.

Merci’s determined attempts to avoid dancing are humorously engaging. Dancing is first tied to Merci’s lifestyle when the school’s famous Valentine’s Day Heart Ball takes place, and Merci is not having it, she says, “It’s like smearing cod liver oil all over my favorite candy bar. I can’t get past it.” Yet, she is ironically invited by Edna to participate in an unexpected way. Later on, her tía Inés decides to open up her own Latin dance school, and Merci is challenged to help it be a success. Merci’s narration, filled with humor and sass, will make the journey enjoyable and illuminating for young readers.

Meg Medina delivers an authentic middle-grade experience on every level—from school’s demands to family events—that young readers can relate to. Merci Suárez Can’t Dance is a stellar sequel that welcomes readers to embrace change, and shows them how to find their own dancing beat. This is an essential read for young students and their families, and should have a place in each classroom, library, bookstore, and personal shelf.

For more updates on her latest works, follow author Meg Medina on:

Twitter: @Meg_Medina

Instagram: @megmedinabooks

Website: http://www.megmedina.com/


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Yvonne Tapia is a Mexican-American professional from East Harlem, New York. She earned a BA in Media Studies and Psychology from Hunter College. Additionally, she has worked in the educational and media fields through various outlets. With a long-term enthusiasm for children’s media, she has been involved at Housing Works Bookstore and Latinx in Publishing. She currently works on the Marketing and Publicity team at Levine Querido. Yvonne is excited about the power of storytelling, and to engage content awareness in underrepresented communities.