Sala Sundays with Alison Macke

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Latinx in Publishing (LxP): What do you do?

Alison Macke (AM): I'm the Senior Legal Compliance Associate at Macmillan Publishers. I work on promotions and data privacy compliance, which can be a lot of legalese but it means I get to work with every marketing department in the company, and I also work with people at every level of the company.

LxP: How did you get started?

AM: I used to work at a mid size law firm as a paralegal and was looking for a new job when I received a targeted email from LinkedIn which said I might be a good fit for an open role at Macmillan in the legal department. I almost didn’t apply because I was trying to pivot away from law since I knew I didn’t want to go to law school and didn’t want to get stuck being a paralegal. I think LinkedIn’s algorithm saw that my old job had the word compliance in the title and took it from there, but I always wanted to work in book publishing so I was excited and decided to just apply and see what happened, especially since I'd kind of written it off as an impossibility since I didn't have the right internships in college.

LxP: What do you wish you knew before getting into the industry?

AM: I wish I'd known more about the "behind the scenes" departments at publishing houses. Legal is definitely one of those departments, but there are truly so many people who bring a book to readers and not every part is as "exciting" as editorial or marketing or publicity who are quite forward facing by nature. If I’d known that, I wouldn’t have written it off! So thanks, LinkedIn!

LxP: What book are you currently working on or reading?

AM: My reading has been all over the place recently, but I'm in the middle of Just Us by Claudia Rankine and I'm also listening to Somebody's Daughter by Ashley C. Ford. Highly recommend both--Rankine's writing is just *chef's kiss* and Ford's writing and narration are a searing spotlight on her upbringing.


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Alison grew up in northern Illinois and now lives and works in NYC where she reads, writes, consumes art in pretty much any form, and is constantly on the lookout for baked goods or ice cream. She graduated with a B.S. in Linguistics and Psychology from Barnard College and has worked at Macmillan since 2017. Follow her on Twitter @alison_macke or on Instagram @ageekyreader.

 

June 2021 Latinx Releases

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Welcome to June! Here’s our list of June 2021 Latinx Releases which is filled with tons of exciting young adult and children’s literature! We love to feature a wide range of Latinx authors from adult to children’s, so be sure to submit to our New Books page so we can spotlight your amazing new reads! We hope you snag a few of these books below.

 

ON-SALE JUNE 1ST, 2021

 

THE COT IN THE LIVING ROOM | Picture Book

by Hilda Eunice Burgos; illustrated by Gaby D'Alessandro (Kokila/Penguin Random House)

Night after night, a young girl watches her mami set up a cot in the living room for guests in their Washington Heights apartment, like Raquel (who’s boring) and Edgardo (who gets crumbs everywhere). She resents that they get the entire living room with a view of the George Washington Bridge, while all she gets is a tiny bedroom with a view of her sister (who snores). Until one night when no one comes, and it’s finally her chance! But as it turns out, sleeping on the cot in the living room isn’t all she thought it would be.

With charming text by Hilda Eunice Burgos and whimsical illustrations by Gaby D’Alessandro, The Cot in the Living Room is a celebration of the ways a Dominican American community takes care of one another while showing young readers that sometimes the best way to be a better neighbor is by imagining how it feels to spend a night sleeping on someone else’s pillow.

 

MILES MORALES: SHOCK WAVES | Middle Grade

by Jason Reynolds; illustrated by Pablo Leon (Graphix/Scholastic)

Miles Morales is a normal school kid who happens to juggle school at Brooklyn Visions Academy while swinging through the streets of Brooklyn as Spider-Man. After a disastrous earthquake strikes his birthplace of Puerto Rico, Miles springs into action to help set up a fundraiser for the devastated island. But when a new student's father goes missing, Miles begins to make connections between the disappearance and a giant corporation sponsoring Mile's fundraiser. Who is behind the disappearance, and how does that relate to Spider-Man?

A true middle grade graphic novel that just happens to star one of Marvel's most popular characters, exciting new voice Justin A. Reynolds (Opposite of Always) creates a riveting story that will connect with new and well-versed comics readers alike.

 

PALETERO MAN| Picture Book

by Lucky Diaz; illustrated by Micah Player (HarperCollins)

Ring! Ring! Ring! Can you hear his call? Paletas for one! Paletas for all!

What’s the best way to cool off on a hot summer day? Run quick and find Paletero José!

Follow along with our narrator as he passes through his busy neighborhood in search of the Paletero Man. But when he finally catches up with him, our narrator’s pockets are empty. Oh no! What happened to his dinero? It will take the help of the entire community to get the tasty treat now.

Full of musicality, generosity, kindness, and ice pops, this book is sure to satisfy fans of Thank You, Omu! and Carmela Full of Wishes.

Includes Spanish words and phrases throughout, an author’s note from Lucky Diaz, and a link to a live version of the Lucky Band’s popular song that inspired the book.

 

THE RICE IN THE POT GOES ROUND AND ROUND| Picture Book

by Wendy Wan-Long Shang; illustrated by Lorian Tu (Orchard Books/Scholastic)

At the table where this family gathers, they share food, laughter, and, most of all, love. Readers of all ages are sure to enjoy slurping noodles, squishing tofu, and tapping chopsticks as they sing along to this familiar tune.

Rhythmic text and playful illustrations bring this heartwarming, mouthwatering story to life. Informative back matter includes a food glossary and etiquette guidelines that are sure to delight and engage young readers.

 

SHE PERSISTED: SONIA SOTOMAYOR| Middle Grade

by Meg Medina and Chelsea Clinton; illustrated by Alexandra Boiger and Gillian Flint (Penguin Random House)

In this chapter book biography by Meg Medina, the award-winning author of Merci Suarez Changes Gears and Mango, Abuela, and Me, readers learn about the amazing life of Sonia Sotomayor–and how she persisted.

Sonia Sotomayor is the first Latina Supreme Court Justice in the history of the United States, but her road there wasn’t easy. She overcame many challenges along the way, including a diagnosis of diabetes at age seven. But she didn’t let that stop her from achieving her dream and inspiring children all over the world to work hard and believe in themselves.

Complete with an introduction from Chelsea Clinton!

 

SIMONE BREAKS ALL THE RULES| Young Adult

by Debbie Riguad (Scholastic)

Simone Thibodeaux's life is sealed in a boy-proof container.

Her strict Haitian immigrant parents enforce no-dating rules and curfews, and send Simone to an all-girls school. As for prom? Simone is allowed to go on one condition: her parents will select her date (a boy from a nice Haitian immigrant family, obviously).

Simone is desperate to avoid the humiliation of the set up — especially since she's crushing on a boy she knows her parents wouldn't approve of. With senior year coming to a close, Simone makes a decision. She and her fellow late-bloomer friends will create a Senior Year Bucket List of all the things they haven't had a chance to do. On the list: kissing a boy, sneaking out of the house, skipping class (gasp!), and, oh yeah — choosing your own prom date.

But as the list takes on a life of its own, things get more complicated than Simone expected. She'll have to discover which rules are worth breaking, and which will save her from heartbreak.

 

TWINS VS. TRIPLETS #1: BACK-TO-SCHOOL BLITZ| Middle Grade

by Jennifer Torres; illustrated by Vanessa Flores (HarperCollins)

David can’t wait to go back to school and get far away from his trickster neighbors. But he’s in for a surprise when a set of equally prank-loving triplets move onto his block—and into his class!

Now the twins and triplets are battling for control of the playground and David is stuck in the middle. Can he end the prank war before recess gets cancelled for the whole year?

 

ON-SALE JUNE 8th, 2021

 

ARELI IS A DREAMER: A TRUE STORY BY ARELI MORALES, A DACA RECIPIENT| Picture Book

by Areli Morales; illustrated by Luisa Uribe (Penguin Random House)

When Areli was just a baby, her mama and papa moved from Mexico to New York with her brother, Alex, to make a better life for the family–and when she was in kindergarten, they sent for her, too.

Everything in New York was different. Gone were the Saturdays at Abuela’s house, filled with cousins and sunshine. Instead, things were busy and fast and noisy. Areli’s limited English came out wrong, and schoolmates accused her of being illegal. But with time, America became her home. And she saw it as a land of opportunity, where millions of immigrants who came before her paved their own paths. She knew she would, too.

This is a moving story–one that resonates with millions of immigrants who make up the fabric of our country–about one girl living in two worlds, a girl whose DACA application was eventually approved and who is now living her American dream.

The Deferred Action for Childhood Arrivals (DACA) is an immigration policy that has provided relief to thousands of undocumented children, referred to as “Dreamers,” who came to the United States as children and call this country home.

 

CURSE OF THE FORGOTTEN CITY: EMBLEM ISLAND 2| Middle Grade

by Alex Aster (Sourcebooks)

Tor is adjusting to life with the power of the Night Witch, especially with his best friends Engle and Melda by his side. But when a mysterious girl washes up on shore claiming a band of cursed pirates is on their way to Emblem Island, life changes fast.

The girl, Gemma, is from an underwater city that was destroyed by the terrible Calavera pirates and she warns Tor they are now on their way to his home.

The trio of friends must come up with a plan to stop the pirates from getting an ancient relic that would give them the ability to control the high seas, while also protecting all they love from the new danger.

 

FIFTEEN HUNDRED MILES FROM THE SUN| Young Adult

by Jonny Garza Villa (Amazon Publishing)

Julián Luna has a plan for his life: Graduate. Get into UCLA. And have the chance to move away from Corpus Christi, Texas, and the suffocating expectations of others that have forced Jules into an inauthentic life.

Then in one reckless moment, with one impulsive tweet, his plans for a low-key nine months are thrown—literally—out the closet. The downside: the whole world knows, and Jules has to prepare for rejection. The upside: Jules now has the opportunity to be his real self.

Then Mat, a cute, empathetic Twitter crush from Los Angeles, slides into Jules’s DMs. Jules can tell him anything. Mat makes the world seem conquerable. But when Jules’s fears about coming out come true, the person he needs most is fifteen hundred miles away. Jules has to face them alone.

Jules accidentally propelled himself into the life he’s always dreamed of. And now that he’s in control of it, what he does next is up to him.

 

FIRE WITH FIRE| Young Adult

by Destiny Soria (HMH)

Raised to be fierce dragon slayers, two sisters end up on opposite sides of the impending war when one sister forms an unlikely, magical bond with a dragon in this standalone YA contemporary fantasy that's perfect for fans of Slayer and Sorcery of Thorns.

Dani and Eden Rivera were both born to kill dragons, but the sisters couldn't be more different. For Dani, dragon slaying takes a back seat to normal high school life, while Eden prioritizes training above everything else. Yet they both agree on one thing: it's kill or be killed where dragons are concerned.

Until Dani comes face-to-face with one and forges a rare and magical bond with him. As she gets to know Nox, she realizes that everything she thought she knew about dragons is wrong. With Dani lost to the dragons, Eden turns to mysterious and alluring sorcerers to help save her sister. Now on opposite sides of the conflict, each sister will do whatever it takes to save the other. But the two are playing with magic that is more dangerous than they know, and there is another, more powerful enemy waiting for them both in the shadows.

 

MOTH & BUTTERFLY: TA-DA!| Picture Book

by Dev Petty; illustrated by Ana Aranda (Penguin Random House)

Two caterpillar friends love what they have in common–lots of legs and a talent for chewing leaves into funny shapes. And when it’s time to build cocoons, they hang theirs side by side. “Happy metamorphosis,” says an older, more knowledgeable butterfly. And it is a happy metamorphosis indeed–for when the two emerge from their cocoons, they can fly! But so much else has changed–as one is now a moth, who flies by night, and the other is a butterfly, who flies by day. How will things work now? Fortunately some things never change–like true friends figuring out a way to be together, and happily flying into the sunset and sunrise.

 

ON-SALE JUNE 15th, 2021

 

THE MORE, THE MERRIER| Picture Book

by David Martin; illustrated by Raissa Figueroa (Penguin Random House)

Stepping high,
galumphing low,
leaping fast,
wiggling slow.

“I like your moves. But I’m not like you. So I’ll just do what I can do.” Some like to kick their feet and bend their knees to the music. Others prefer to slip and slide . . . or swoop down . . . or skip high and low! Whatever their style, children will be drawn by David Martin’s buoyant rhymes and Raissa Figueroa’s vibrant illustrations as Bear, Moose, Snake, and other forest animals dance to their own groove in a rhythmic celebration of individuality.

 

RAT FAIR| Picture Book

by Leah Rose Kessler; illustrated by Cleonique Hilsaca (Pow! Kids Books)

When a group of industrious, fun-loving rats find letters fallen from an Art Fair sign, they put the sign back together—with one small adjustment—and get to work creating a spectacular RAT FAIR. Their fair is ruined when humans sweep away everything the rats have created. Undaunted, the rats switch gears and start working on their very own Rat Art Fair. As they are wrapping up their first day of the Rat Art Fair, a human child who has been following their progress from the sidelines catches them red handed, and the rats must decide if they can trust the child. A nearly wordless tale about how misunderstandings can lead to wonderful creativity.

 

SMALL NAP, LITTLE DREAM| Picture Book

by Talia Aikens-Nuñez; illustrated by Natalia Colombo (Nancy Paulsen Books)

Young children are busy all day long–running and climbing, looking and laughing–and in the middle of a full day of fun, there’s nothing like taking a break for a small nap. This is the time of day to have a little dream–sueñito–that gives the afternoon some added sweetness.

Look at me RUN. Mis pies go fast!
Look at me READ. Mis ojos explore!

Kids will soon be chiming in with the Spanish words for their body parts, as they wind down and get ready for that refreshing nap. And they will love poring through the pages of toddlers at play in an imaginary multicolored world that is full of happiness, setting the stage for their dreams.

 

ZURI RAY TRIES BALLET| Picture Book

by Tami Charles; illustrated by Sharon Sordo (HarperCollins/Quill Tree Books)

Meet Zuri Ray. She’s always willing to go the extra mile for family and friends and is up for any challenge. At least, that was before her best friend, Jessie, asked her to join a ballet camp.

Now Zuri isn’t sure if she’s up for everything. While Jessie can’t wait to chassé and plié while wearing tight hair buns and frilly tutus, that doesn’t sound like Zuri at all! But she can’t let her friend down. Maybe classical ballet just needs a new spin . . .

 

Robust Perspectives, Mental Health, and Delightful Seasoning: ‘Somewhere Between Bitter and Sweet’ by Laekan Zea Kemp

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Success should (ideally) come down to what we want for ourselves. There are many factors that help shape what success looks like for us—cultural norms, socio-economic status, outside influences, and more—as female protagonist Penelope Prado shows us in Somewhere Between Bitter and Sweet by Laekan Zea Kemp. I had the pleasure of chatting with debut author, Laekan Zea Kemp, about her new young adult novel.

Credit:  Laekan Zea Kemp

Credit: Laekan Zea Kemp

It’s common knowledge that mental health is not always addressed during our road to success. In this story, there are many pieces of Laekan Zea Kemp. Pen’s mental health struggles mirror the mental health journey Laekan has been on since her late teens / early college years when her father was sick, her mother and Laekan weren’t getting along, and, “it felt like [her] entire world was falling apart.” The book’s male protagonist, Alejandro “Xander” Amaro, was inspired by the author’s former students. Laekan was an ESL teacher and most of her students were immigrants from Central and South America. The author states: “I’ve gotten to see up close what it’s like for them and their families to navigate our ridiculous immigration system. And yet through it all they are so resilient and so hopeful. I wanted to capture that in Xander’s character.” Not only do parents figures influence one’s success, educators are also on the frontlines of students’ professional well-being.

Adding to the importance of mental health in this read is how the conversation of family ties and culture take shape in literature. It’s widely known that multi-generational homes are very common among BIPOC communities in general. Kemp says, “it’s western culture that prizes individualism but in a Latinx household, [usually], the family works as a unit to reach common goals and one person’s success is shared among everyone.” The author adds that family is thus essential and everything else sort of orbits around that, so there is no separating Pen or Xander from those influences. Those bonds have a huge impact on the way Pen and Xander see themselves, because Latinx parents are not inconsequential—the family structure and the way it’s set up makes it almost impossible, Laekan declares. Pen indeed has her own point-of-view of what success looks like, even when her parents try to tell her otherwise and at the same time, it is precisely because of them that she has a specific career path in mind.

Parents figures play a key role to shape us as grow older, and it is typical for that parent-figure-child relationship “to evolve and be redefined.” Both protagonists experience this in the novel. Pen learns that “the part of her identity that attributes to her father, isn’t lost once he fires her” as soon as she reveals her secret to her family. Pen learns that “being removed from her father’s orbit doesn’t remove her from his heart.” Xander goes through a similar lesson where “he’s had a lot of years to make up stories about why his father left and never came back. In that time, over and over again, he blames himself. Until he learns that across miles, time and space, his father still loved him. Even when he couldn’t see it.” Ultimately, the writing process for Laekan Zea Kemp involved “writing authentically about [her] community and the things [they] believe and value like family, tradition, and legacy.” It’s crucial to keep in mind that the author is speaking about her own family values and the type of community she grew up in. Furthermore, Laekan states that, “the family members in this story are naturally helping to illuminate and develop the identities of both characters.” This applies to everyone worldwide, where a part of our identity is influenced by people we interact with.  

Photo credit: Yvonne Tapia; Bookmark and headband gift credit: Laekan Zea Kemp

Photo credit: Yvonne Tapia; Bookmark and headband gift credit: Laekan Zea Kemp

This brings us to another great detail about this novel—it is written in dual perspectives, which many readers love. Laekan confesses that she has always been drawn to dual points of view, especially in the Romance genre. For her, it’s “so much fun to know what both characters are thinking and feeling as they’re falling in love.” She also states that this novel has given her the opportunity to show multiple versions of the Latinx experience and specifically within the Mexican and Mexican-American communities. Through Pen, the author sheds light into the experience of a family member several generations removed from her family’s immigrant background; someone struggling with mental health issues, such as anxiety and depression; and, someone who uses food to show love to both herself and others.

On another note, Xander symbolizes a completely difference aspect of a possible experience as a Latinx individual. Laekan further tells us, “he’s an undocumented immigrant who spent half his life in Mexico and half his life in the U.S. He lives with his Abuelo, which is representative of so many multi-generational households.” As readers follow Xander, they will learn how he sees everyone else as connected to something, while he isn’t connected to anything (in his point-of-view). He observes the close-knit bond that the employees at the Nacho’s Tacos restaurant have, which helps emphasize the resilience of the people in their neighborhood. Laekan did not have an exact agenda writing two distinct protagonists, and she is hopeful that

“Their intersectional identities and distinct details that really ground them in their humanity will help readers from all kinds of backgrounds to be able to connect with them in some way. Especially young people who might be struggling with redefining those parent-child relationships or with that initial launch into adulthood when the world seems incredibly big and scary.”

Adding to the mental health theme is how speaking about mental health applies to the Latinx community. Kemp states, “I remember reading an article a few years ago that said that Latinas have the highest attempted suicide rates of any demographic. Those numbers may have changed since then, [and] they’re still incredibly jarring.” This is why “it’s so important for [her] to consistently explore mental health in [her] own work.” She knows what a difference it can make when you feel like someone else understands what you’re going through.

There are significant occurrences where language is proven to have so much power than is usually given credit for. When Pen faces her parents with her true professional goals, she is led towards a specific path. According to the author, even though Pen’s decision to say her truth separates her form the family restaurant, “she comes out the other side of that experience so much stronger.” Laekan eloquently states that, “ultimately, our souls crave honesty. All of us want to be able to tell the truth of who we are and to have that truth honored and celebrated.” 

Language is also proven essential through other characters and food. A good friend of Pen’s tells her that “to feed someone who’s hungry, it’s a gift.” Food helps reflect our cultural roots, and also helps us connect in many atmospheres—whether it’s a family gathering or professional matter. The Latinx community will also see itself reflected in mentions of roasted pepitas, el comal, cilantro, and other key nourishment items. As Laekan insightfully states, “for those of us who are Chicane and exist on the peripheries of our own culture, not born in our ancestral home, food is one of the ways that we stay connected to that power source.”

Credit: Yvonne Tapia

Credit: Yvonne Tapia

It is up to present and future generations to maintain the cultural foods our parents, grandparents, or guardians have given us. There are many ways to further feed people, aside from food. “You can feed the people you love through all sorts of things. Your time. Your encouragement. Your creativity. I’d love for readers to see how Pen uses her skills in the kitchen to care for her community and to be inspired to use their own gifts the same way,” Laekan tells me.

As we learn more about Pen’s family restaurant, we eventually get a very humorous and wild teenage hangout in the middle of the story. In the midst of that, Pen decides to cover up specific details about her best friend’s (Chloe), love life. There is fierce loyalty between them, that is also reflected in the other characters. Laekan further notes that “Pen choosing to stay [quiet] about Chloe’s private life is just another way [of showing] that she has Chloe’s back.” Laekan adds that, in her point-of-view, Latinx people love some good chisme but it’s never more important than protecting the people we care about. This YA novel does an excellent job in showing a side of the Latinx community where everyone is loyal to each other and always tries to help each other out rather than gossiping. Thus, this is another form of success for Pen, where she controls her grounds when facing outside influences.

There is an ultimate message that author Laekan Zea Kemp wants young readers to get out of Pen and Xander’s story. She hopes that people “see that the Mexican and Chicane community is beautiful”. Laekan additionally says,

“We are resilient, creative, powerful, loving, and proud. We take care of each other, fight for each other. We will keep fighting together whether those battles are internal & require us to break down stigmas and talk about our heartbreak, trauma, or those battles [that] are coming from the outside world & require us to stand tall, to raise our voices, to lock & march.” 

The author speaks with conviction as she shares that we deserve to take up space and follow our dreams. And with that, Laekan Zea Kemp is on her way to continue writing more unique stories featuring the Mexican, Mexican-American / Chicane experience.

For more updates on her latest works, follow author Laekan Zea Kemp on:

Twitter: @LaekanZeaKemp

Instagram: @LaekanZeaKemp

Website: http://www.laekanzeakemp.com/

You may use the hashtags #SomewhereBetweenBitterandSweet and #RedforPen. Enjoy!


Yvonne Tapia is a Mexican-American professional from East Harlem, New York. She earned a BA in Media Studies and Psychology from Hunter College. Additionally, she has worked in the educational and media fields through various outlets. With a long-term enthusiasm for children’s media, she has been involved at Housing Works Bookstore and Latinx in Publishing. She currently works on the Marketing and Publicity team at Levine Querido. Yvonne is excited about the power of storytelling, and to engage content awareness in underrepresented communities.

Celebrate AAPI Heritage Month with Latinx in Publishing!

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It’s the final days of National Asian, Asian American, and Pacific Islander Heritage Month! We’d like to honor the end of this celebratory month by featuring a few Asian Latinx creators we’ve rounded up from Twitter!

See the original tweets from Latinx in Publishing and our board chair, Saraciea Fennell, and be sure to check out our Bookshop for the complete list of books by Asian & AAPI Latinx creators!

 

Illustrators

Credit: CreativeMornings

Credit: CreativeMornings

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Wen Hsu | Taiwanese/Costa Rican

Wen Hsu is an award-winning Taiwanese-Costa Rican Illustrator working remotely in Hanoi.

Find her on Facebook and follow her blog.

Watch Wen Hsu’s presentation on CreativeMornings Hanoi about “Courage as an Illustrator” here.

 

KUAN YIN: THE PRINCESS WHO BECAME THE GODDESS OF COMPASSION | Picture Book

by Maya van der Meer; illustrated by Wen Hsu (Penguin Random House)

Miao Shan isn’t your typical princess. She likes to spend her time quietly meditating with the creatures of the forest or having adventures with dragons and tigers. Miao Shan’s heart is so full of love that her dream is to spread happiness throughout the land and help people endlessly. But her father has other plans for her–he intends to have her married and remain in the palace. With the help of her little sister Ling, Miao Shan escapes and begins her journey to discover the true meaning of compassion.

During their adventure, Ling and Miao Shan are eventually separated. Ling must overcome doubts, fears, and loneliness in order to realize what her sister had told her all along–that love is the greatest power in the world. After the sisters’ reunion, Miao Shan realizes her true calling as Kuan Yin, the goddess of compassion. A princess-adventure story like none other, this ancient Chinese tale of the world’s most beloved Buddhist hero is a story of sisterhood, strength, and following your own path.

 
Credit: Lorian Tu’s website.

Credit: Lorian Tu’s website.

 
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Lorian Tu | Chinese, Cuban, and Ashkenazi descent

Lorian Tu is a former art and special education teacher for elementary school kids, and currently a fulltime maker of kid-lit and kid-lit-art. A mom and an art teacher, her greatest inspiration comes from her sons and her students, as well as from her mixed-race, multi-ethnic childhood and adult life. She is the illustrator of Dress Like a Girl, written by Patricia Toht; May God Bless You and Keep You, written by Sarah Raymond Cunningham; and Stay Through the Storm, written by Joanna Rowland.

Find her here.

THE RICE IN THE POT GOES ROUND AND ROUND | Picture Book

by Wendy Wan-Long Shang; illustrated by Lorian Tu (Scholastic Book Clubs)

At the table where this family gathers, they share food, laughter, and, most of all, love. Readers of all ages are sure to enjoy slurping noodles, squishing tofu, and tapping chopsticks as they sing along to this familiar tune.

Rhythmic text and playful illustrations bring this heartwarming, mouthwatering story to life. Informative back matter includes a food glossary and etiquette guidelines that are sure to delight and engage young readers.

 
Credit: Saki Tanaka’s website.

Credit: Saki Tanaka’s website.

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Saki Tanaka | Japanese/Mexican

Saki Tanaka writes and illustrates children’s books in Brooklyn, New York.

"Being born in Japan to a Mexican mother and Japanese father might explain my fascination with multi-cultural identities and transitional experiences. I grew up moving around the globe, becoming “the new kid” every few years. Looking and sounding “different” was my normal. Sometimes this was fun… Sometimes it wasn’t.

I aspire to tell stories that make outsiders feel good about being different, and unlock worlds for dreamers who want to belong. My hope is to create books that make future grown-ups question “why not” and “what if?” by celebrating the big and small wonders of our universe, and reveling in all kinds of gray areas where opposites embrace.

Find her here.

IF SUN COULD SPEAK | Picture Book

by Kourtney LaFavre; illustrated by Saki Tanaka (Clear Fork Publishing)

Sun is out to impress in this slightly egotistical first-person account that sheds light on the facts, history, and myths about its existence. Sun seeks to inspire readers to wonder and search for discoveries in this witty STEM-infused exploration of the center of our solar system.

 

amelia lau carling | chinese/guatemalan

Amelia Lau Carling was born and grew up in Guatemala, the youngest of six children of Chinese immigrants. Surrounded by family and customers in her parents’ general store, she learned about Chinese, Spanish, and Mayan cultures. After moving to the United States, she was inspired to write Mama and Papa Have a Store, her debut book, by her own children’s fascination with stories of her childhood. Carling now lives in Yonkers, New York.

MAMA AND PAPA HAVE A STORE | Picture Book

by Amelia Lau Carling; illustrated by Amelia Lau Carling (Lee & Low Books)

From the clip, clop of the milkman’s mule in the early morning to the clacking of her father’s abacus at night, a young girl brings us into her home, which is also her parents’ store. Located in Guatemala City, the store is filled with the colorful textures of cloth, threads, buttons, and things from her parents’ homeland in China. As people come and go throughout the day, the girl hears several languages—Spanish, Chinese, and Mayan.

The Mayans buy thread for weaving in colors such as “parrot green” and “mango yellow.” The girl’s parents talk about their hometown in China, from which they emigrated, fleeing a war, years ago. The girl and her brothers and sisters make up games to play on the rooftop terrace, on the sidewalk, and in the store. After supper the girl dances to celebrate her day.

Lyrical writing and delightful artwork will captivate both children and adults in this story drawn from the author/illustrator’s childhood memories.

 

Writers & Authors

 
Credit: Ryoki Inoue’s website.

Credit: Ryoki Inoue’s website.

Ryoki Inoue | Japanese/ Brazilian

“Brazilian author Ryoki Inoue holds the Guinness World Record for being the most prolific author with 1,075 books published under many pseudonyms.”

“In his opinion, the secret of the creative process is in 98% of sweat, 1% of talent and 1% of luck. Moreover, discipline and application are the motive that make him to be sit in front of his computer and don’t leave until the end of his new job…Nowadays, Ryoki Inoues’s objective is to produce a romance a year, two in maximum.”

You can find more about him here.

 
Credit: Helen Hesse & Transit Books

Credit: Helen Hesse & Transit Books

 

Carlos Yushimito | Peruvian/ Japanese

Carlos Yushimito was born in Lima, Peru, in 1977. He is the author of the story collections El mago, Las islas, Lecciones para un niño que llega tarde, and Los bosques tienen sus propias puertas. In 2008 he was chosen as one of the best young writers in Latin America by Casa de las Americas and the Centro Onelio Cardoso de Cuba; and in 2010, by Granta as one of the Best Young Spanish Language Novelists. He recently joined the University of California, Riverside, faculty after receiving a PhD from Brown University.

 

LESSONS FOR A CHILD WHO ARRIVES LATE | Adult Fiction

by Carlos Yushimito; translated by Valerie Miles (Transit Books)

A mascot for an electronics store dreams of making it in the drug world of Rio de Janeiro. A tin man ponders the mysteries of death as a heart starts to take charge of his limbs, while in a place not so far away a boy tries to play the piano like Margarita, the teacher’s cruel and beautiful niece. In stories filled with violence and tenderness, love and disconnection, Carlos Yushimito’s long-anticipated debut explores the subtle space of estrangement.

 
Credit: Marion Ettinger

Credit: Marion Ettinger

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Sigrid Nunez

Sigrid Nunez has published eight novels, including A Feather on the Breath of God, The Last of Her Kind, Salvation City, The Friend, and, most recently, What Are You Going Through. She is also the author of Sempre Susan: A Memoir of Susan Sontag. The Friend, a New York Times bestseller, won the 2018 National Book Award. You can find more here.

 

THE FRIEND | Adult Fiction

by Sigrid Nunez (Riverhead Books)

When a woman unexpectedly loses her lifelong best friend and mentor, she finds herself burdened with the unwanted dog he has left behind. Her own battle against grief is intensified by the mute suffering of the dog, a huge Great Dane traumatized by the inexplicable disappearance of its master, and by the threat of eviction: dogs are prohibited in her apartment building.

While others worry that grief has made her a victim of magical thinking, the woman refuses to be separated from the dog except for brief periods of time. Isolated from the rest of the world, increasingly obsessed with the dog’s care, determined to read its mind and fathom its heart, she comes dangerously close to unraveling. But while troubles abound, rich and surprising rewards lie in store for both of them.

Elegiac and searching, The Friend is both a meditation on loss and a celebration of human-canine devotion.

 
Credit: Olivia Abtahi website.

Credit: Olivia Abtahi website.

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olivia abtahi | iranian /argentinian

Olivia Abtahi is a writer and filmmakers based in Denver, Colorado. Born to an Iranian father and Argentinian mother, she is a mix of distinct cultures. Her debut novel, Perfectly Parvin, is set for Spring 2021 publication through Penguin's Putnam Books for Young Readers while her second book, TWIN FLAMES, will be available Fall 2021 from Tu Books. In her spare time Olivia enjoys binging music videos on YouTube, laughing so hard she can’t breathe, and hitting 10,000 steps on her FitBit.

https://www.oliviaabtahi.com/

PERFECTLY PARVIN | Young Adult Fiction

by Olivia Abtahi (Penguin Putnam Books for Young Readers)

Parvin Mohammadi has just been dumped—only days after receiving official girlfriend status. Not only is she heartbroken, she's humiliated. Enter high school heartthrob Matty Fumero, who just might be the smoking-hot cure to all her boy problems. If Parvin can get Matty to ask her to Homecoming, she's positive it will prove to herself and her ex that she's girlfriend material after all. There's just one problem: Matty is definitely too cool for bassoon-playing, frizzy-haired, Cheeto-eating Parvin. Since being herself hasn't worked for her in the past (see aforementioned dumping), she decides to start acting like the women in her favorite rom-coms. Those women aren't loud, they certainly don't cackle when they laugh, and they smile much more than they talk.

But Parvin discovers that being a rom-com dream girl is much harder than it looks. Also hard? The parent-mandated Farsi lessons. A confusing friendship with a boy who's definitely not supposed to like her. And hardest of all, the ramifications of the Muslim ban on her family in Iran. Suddenly, being herself has never been more important.

Olivia Abtahi's debut is as hilarious as it is heartfelt—a delightful tale where, amid the turmoil of high school friendships and crushes, being yourself is always the perfect way to be.

 
Credit: Emery Lee website.

Credit: Emery Lee website.

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Emery Lee

Emery Lee is a kidlit author, artist, and YouTuber hailing from a mixed-racial background. After graduating with a degree in creative writing, e’s gone on to author novels, short stories, and webcomics. When away from reading and writing, you’ll most likely find em engaged in art or snuggling cute dogs.

Find him here.

MEET CUTE DIARY | Young Adult Fiction

by Emery Lee (HarperCollins)

Noah Ramirez thinks he’s an expert on romance. He has to be for his popular blog, the Meet Cute Diary, a collection of trans happily ever afters. There’s just one problem—all the stories are fake. What started as the fantasies of a trans boy afraid to step out of the closet has grown into a beacon of hope for trans readers across the globe.

When a troll exposes the blog as fiction, Noah’s world unravels. The only way to save the Diary is to convince everyone that the stories are true, but he doesn’t have any proof. Then Drew walks into Noah’s life, and the pieces fall into place: Drew is willing to fake-date Noah to save the Diary. But when Noah’s feelings grow beyond their staged romance, he realizes that dating in real life isn’t quite the same as finding love on the page.

In this charming novel by Emery Lee, Noah will have to choose between following his own rules for love or discovering that the most romantic endings are the ones that go off script.

 
Credit: Words without Borders

Credit: Words without Borders

julia wong-kcomt | Chinese Peruvian

Julia Wong Kcomt was born into a Tusán (Chinese Peruvian) family in Chepén, Perú, in 1965. Her father was a well-known philanthropist in Macau who founded a project in 1995 to create public libraries in open spaces like parks and gardens. She traveled from an early age, and her perceptions of country borders, different cultures, and diversity in ethnicity and religion became a strong motivation to write.

Read “The Red Rooster” and “Inevitable Saint” here.

 
Credit: UCLA website.

Credit: UCLA website.

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rev. dr. robert chao romero | Chinese mexican

Rev. Dr. Robert Chao Romero is "Asian-Latino," and has been a professor of Chicana/o Studies and Asian American Studies at UCLA since 2005.  He received his Ph.D. from UCLA in Latin American History and his Juris Doctor from U.C. Berkeley, and is also an attorney.  Romero has published 15 academic books and articles on issues of race, immigration, history, education, and religion, and received the Latina/o Studies book award from the international Latin American Studies Association. He is also an InterVarsity Press author.  Romero is a former Ford Foundation and U.C. President's Postdoctoral Fellow, as well as a recipient of the Louisville Institute's Sabbatical Grant for Researchers.  

Robert is an ordained pastor.  Together with his wife Erica, he is the co-founder of Jesus 4 Revolutionaries, a Christian ministry to activists, as well as the co-chair of the Matthew 25 Movement in Southern California.  

Find him here.

BROWN CHURCH | Nonfiction

by Roberto Chao Ramero (InterVarsity Press)

For five hundred years, Latina/o culture and identity have been shaped by their challenges to the religious, socio-economic, and political status quo, whether in opposition to Spanish colonialism, Latin American dictatorships, US imperialism in Central America, the oppression of farmworkers, or the current exploitation of undocumented immigrants. Christianity has played a significant role in that movement at every stage.

Robert Chao Romero, the son of a Mexican father and a Chinese immigrant mother, explores the history and theology of what he terms the "Brown Church." Romero considers how this movement has responded to these and other injustices throughout its history by appealing to the belief that God's vision for redemption includes not only heavenly promises but also the transformation of every aspect of our lives and the world. Walking through this history of activism and faith, readers will discover that Latina/o Christians have a heart after God's own.

 
Credit: Tony Tian-Ren Lin website.

Credit: Tony Tian-Ren Lin website.

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Tony Tian-ren lin | taiwanese/argentinian

Tony Tian-Ren Lin is the Program Director for the Leadership Development initiative at Trinity Church Wall Street and a Research Professor at New York Theological Seminary. He is a cultural sociologist whose scholarship focuses on the intersection of religion, immigration, race, and ethnicity. He is the author of Prosperity Gospel Latinos and Their American Dream (University of North Carolina Press, 2020)

Lin was born in Taiwan and grew up in Argentina…His work has been featured in The Atlantic MonthlyThe Washington PostLatinoUSAWNYC, and other venues.

Find his full bio here.

PROSPERITY GOSPEL LATINOS AND THEIR AMERICAN DREAM | Nonfiction

by Tony Tian-Ren Lin (University of North Carolina Press)

In this immersive ethnography, Tony Tian-Ren Lin explores the reasons that Latin American immigrants across the United States are increasingly drawn to Prosperity Gospel Pentecostalism, a strand of Protestantism gaining popularity around the world. Lin contends that Latinos embrace Prosperity Gospel, which teaches that believers may achieve both divine salvation and worldly success, because it helps them account for the contradictions of their lives as immigrants. Weaving together his informants’ firsthand accounts of their religious experiences and everyday lives, Lin offers poignant insight into how they see their faith transforming them both as individuals and as communities.

The theology fuses salvation with material goods so that as these immigrants pursue spiritual rewards they are also, perhaps paradoxically, striving for the American dream. But after all, Lin observes, prosperity is the gospel of the American dream. In this way, while becoming better Prosperity Gospel Pentecostals they are also adopting traditional white American norms. Yet this is not a story of smooth assimilation as most of these immigrants must deal with the immensity of the broader cultural and political resistance to their actually becoming Americans. Rather, Prosperity Gospel Pentecostalism gives Latinos the logic and understanding of themselves as those who belong in this country yet remain perpetual outsiders.

 
Credit: Mekita Rivas website.

Credit: Mekita Rivas website.

Mekita Rivas

Mekita Rivas “is a multicultural freelance journalist and creative consultant based in Washington, D.C. I am currently the senior fashion writer at Bustle, and am available for commissions and assignments with other outlets. I primarily cover culture, style, and politics through the lens of gender, race, and ethnicity. My writing has been published in The New York Times, The Washington Post, Vogue, Cosmopolitan, InStyle, Architectural Digest, Food & Wine, Wine Enthusiast, Glamour, Brides, Refinery29, Teen Vogue, Self, and others.”

Find her here.

 

Daniel Zarazua | Taiwanese/Mexican

Daniel Zarazura is the founder of Pochino Press whose mission is “to publish works that illuminate stories, which originate in the intersections where hybrid cultures not only meet, but form a new sensibility.” Find them here.

HEI REN, HEI REN |Non fiction

by Daniel Zarazura (Pochino Press)

HEI REN, HEI REN is a preview of Daniel D. Zarazua's book "Taiwan is My Home", a look at the life of Black and Latino residents in Taiwan. He draws upon his family history to inform his work, including being born in Taipei to Chicano and Taiwanese parents. Follow more of Daniel D. Zarazua's work on www.facebook.com/taiwanismyhome

 
Credit: ASU website.

Credit: ASU website.

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Rudy p. guevarra jr.

Rudy P. Guevarra Jr. is associate professor and honors faculty of Asian Pacific American studies in the School of Social Transformation, and affiliate faculty in the School of Transborder Studies at Arizona State University… 

Guevarra is the author of "Becoming Mexipino: Multiethnic Identities and Communities in San Diego" (Rutgers University Press, 2012). His work has also appeared in the Journal of Asian American Studies, The Asian American Literary Review and the Journal of San Diego History. His current book project is "Aloha Compadre: Latina/os in Hawai'i, 1832-2010" (Rutgers University Press, forthcoming). Guevarra is also currently developing an interactive digital website called the Latino Pacific Archive (LPA) with Professor Alexandrina Agloro (Worcester Polytechnic Institute).  

Guevarra received an Early Career Award from the Association for Asian American Studies in 2014 and was a Junior Faculty Fellow for the American Association of Hispanics in Higher Education in 2008. 

BECOMING MEXIPINO | Non fiction

by Rudy P. Guevarra Jr. (Rutgers University Press)

Becoming Mexipino is a social-historical interpretation of two ethnic groups, one Mexican, the other Filipino, whose paths led both groups to San Diego, California. Rudy Guevarra traces the earliest interactions of both groups with Spanish colonialism to illustrate how these historical ties and cultural bonds laid the foundation for what would become close interethnic relationships and communities in twentieth-century San Diego as well as in other locales throughout California and the Pacific West Coast.

Through racially restrictive covenants and other forms of discrimination, both groups, regardless of their differences, were confined to segregated living spaces along with African Americans, other Asian groups, and a few European immigrant clusters. Within these urban multiracial spaces, Mexicans and Filipinos coalesced to build a world of their own through family and kin networks, shared cultural practices, social organizations, and music and other forms of entertainment. They occupied the same living spaces, attended the same Catholic churches, and worked together creating labor cultures that reinforced their ties, often fostering marriages. Mexipino children, living simultaneously in two cultures, have forged a new identity for themselves.  Their lives are the lens through which these two communities are examined, revealing the ways in which Mexicans and Filipinos interacted over generations to produce this distinct and instructive multiethnic experience. Using archival sources, oral histories, newspapers, and personal collections and photographs, Guevarra defines the niche that this particular group carved out for itself.

 
Credit: Bianca Wang-Polendo Instagram.

Credit: Bianca Wang-Polendo Instagram.

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Bianca Wang-Polendo

Bianca Wang-Polendo spent much of her childhood and adolescent years reading fantasy novels. From writing short, incomplete scribbles as an elementary school student to writing retellings of fairy tales during middle and high school, she now is hoping to use fantasy to explore themes relevant to current world trends. She wants her work to especially speak to those who may be underrepresented in media.

In her free time, she is probably scrolling through memes, watching Asian dramas, playing piano, or cuddling with her Shiba Inu. Bianca also enjoys learning foreign languages and traveling internationally. She graduated from MIT with a degree in mathematics and a minor in economics.

Between Demons and Deities is her first book.

Find her here.

BETWEEN DEMONS AND DEITIES | Young Adult Fiction

by Bianca Wang-Polendo. (New Degree Press)

After waking up from a coma two years ago, half-Atonacan, half-Wei fire mage Esmeralda has struggled with lost memories. Since then, Esme has led a quiet life in Atonaco with her best friend, a spirit mage named Dacio. Everything begins to fall apart the day that Dacio is arrested for a crime that they couldn't possibly have committed-the attempted murder of the emperor of Wei.

With the help of Dacio's mysterious friend, Esme embarks on a quest to prove Dacio's innocence. However, things are not as they seem, for ominous and powerful beings lurk in the shadows. As she begins to piece together the mystery of her past, she stumbles upon a sinister plan that threatens the fate of the mortal realm.

Between Demons and Deities features the magic and freedom of friendship and self-acceptance in the face of adversity and murky secrets.

 

Tania Chen (Eliot c.) | chinese-mexican

Tania Chen is a Chinese-Mexican writer who is on the lookout for anything weird and speculative. They write to explore horror and where it can be found in this modern day and age. When they're not exploring the mortifying ordeal of being known, they are aggressively cheerleading other writers to finish their WIPs. Tania can be found screaming on twitter @archistratego under their pen name, Eliot C.

 

Sloan Asakura

Sloan Asakura (she/he/they) is a poet and memoirist originally from Los Angeles, who has recently returned home after journeys in the Pacific Northwest. Having graduated from Western Washington University with a BA in English Creative Writing and Linguistics minor, Sloan spends most of their time working under the thumb of the capitalist machine. Their hobbies include cooking, gardening, and collecting moths. Their work has been published in Jeopardy Magazine, Rigorous, The Mantle, Rogue Agent, and O:JA&L. They are the editor-in-chief of mawth.

Find them here.

Read her works here and here.

 

Exclusive Excerpt: The Rock Eaters

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We’re so excited for this May release: The Rock Eaters by Brenda Peynado!

Courtesy of Penguin Random House: The stories in THE ROCK EATERS take place in different worlds and dimensions: many are centered on Latinx communities in Florida, while others take place in a world comprised of virtual reality pods, or on an island where children eat rocks to avoid flying away from their home country.

The Dreamers: In a world where humans still sleep for a third of their lives, but instead do it all in one go and sleep for years as opposed to every night, a young girl prepares for prom while everyone around her drifts to sleep.

Scroll on for the chance to read “The Dreamers,” an excerpt from this brilliant Latinx read!

The Dreamers

In my ten p.m. class, I keep my eyes on the streetlamps outside, their buzzing lights over Bayview. I’ll never sleep, not for years, not for decades if I can help it. When I’m at my worst, eyes bloodshot, thoughts racing, I’ll excuse myself to the bathroom, slap my face, and pinch the insides of my arms. Sometimes when I’m studying I even tape my eyelids open. At the beach, I let the salt burn my eyes.

Prom is tonight, all of us soon to be twerking on the dance floor in dresses and tuxes. I’m running over the plan in my head: how I’m going to break my boyfriend, Joaquin, out of his glass sleeper coffin so he can come with me to prom.

At the desk in front of me, a girl from the track team bobs her head—not those small twitches all of us do, but a really slow descent, and then she jerks herself up. It looks like a dance move. Beside me another girl rolls a quarter between her fingers too fast to see, a blur of silver. A boy pulls his hair in frustration. My ex–best friend, Karina, sitting at the front of the classroom, is the only one relaxed, leaning back with her arm over her chair; she’s also the only one of us who’s ever slept. Sister Olivera drones on about quadratic equations at the blackboard. I look back to the streetlamps, the dark of the bay just beyond the basketball court. My heart pulses so fast I could dance to it.

But then my eyes skip back to the track girl, nodding her head lower. Right in front of me, BAM! Her head hits the desk and doesn’t rise again. She is facedown in her own drool.

Peynado is a writer willing to cross literary borders: magical realism, fable, parable, fiction, nonfiction—she erases those limiting storytelling parameters and her stories soar.
— Julia Alvarez, author of In the Time of the Butterflies and Afterlife

I don’t know what to do. What just happened? Sister Olivera doesn’t even notice. It’s Karina who sends the nun into hysterics and signs of the cross by raising her hand and saying, “Sister, she’s fallen asleep.”

The nuns are followers of Santa Acostara the Sleepless, the first person able to stay awake for her whole life. After forty-four years of wakefulness, she fell into a coma for twenty-two years. There was a vigil for every day of those sleeping years, everyone thinking she would wake up again, but in the end she just died in her sleep. They sainted her, celebrated her four decades of wakefulness, taught the importance of her example: sleep is weakness, and weakness is sin. Her following grew. But then other nuns and people outside the convent, people godless and unbelieving, started being able to stay awake for decades, live their whole lives before their final sleeps. Now, almost all of us do it, desperate to live every second of our youth. Still, the nuns—they cling to wakefulness like it’s a sacrament. Guard against the heavy eyelids, they say. It’s a sin to choose sleep before your time. You teens are especially vulnerable. We must pray for the sleepers’ souls.

And yet, some people—heretics, sinners, people from other religions or godless—still choose to go to sleep before their time.

Sister Olivera phones the office, and an announcement shudders over the speaker system. Grief counseling, by which they mean sin shaming, will be held in the chapel during next period.

We crowd into the chapel, and by some ill luck, I’m pushed into line behind Karina. When our elbows touch, my eyelids droop and I feel tired, so tired. I pinch the inside of my upper arm as I walk behind her. We’re told sleep is something we naturally resist in this day and age (except for teens, who, during puberty, start to feel both manic and drowsy). But if I’ve never fallen asleep, how do I know when I’m doing it until it’s already too late? Of course, the nuns can’t tell us anything, because they’ve never done it either, and they think keeping us in the dark is the best way to make sure we don’t try it. Which is why Karina, the traitor, is so popular now; she’s one of the only people our age who went to sleep early by choice and woke up in time to tell us about it.

Humans sleep about a third of their lives, but since Santa Acostara it’s almost always at the end, all in one go before we die. We live our youth and sleep away our old age. If we try, we can fall asleep early, but that sleep is still a third of our life span, and then we wake up and live out the time we have left. Like Karina. She fell asleep when she was ten and woke up when she was sixteen. The doctors say she has until she’s eighteen before her body craps out on her—not that they know what’s wrong yet; they’ve just done the math. It gives her an air of the doomed. But her sleep also made her popular. When she woke up, everyone flocked around her and wanted to know what dreaming was like. They crowded her in the halls and showed up at her house. They left invitations in her locker and candy on her desk. Never mind that I was the one who had defended her, and she’d closed her eyes because of them.

Before she slept, these same girls had teased Karina because of her hair, which poofed out in a half-mast afro. Girls in our class kept pulling it straight, asking, “How long is it really?” or getting their fists caught in it, yanking her head around. Boys called her Puffhead. One day in gym class, girls held her down on the basketball courts while boys patted her hair and stepped on it. I threw basketballs at them until they let her go, but the damage was done. She sobbed and wouldn’t come out of the locker room until everyone but me had left. We missed the bell.

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She had asked her father if she could switch schools, to move farther from the beach and the mean kids, but he just kept telling her to tough it out. He’s the town’s dreamcatcher, and he’d leave newspaper clippings on the table for her, sob stories about kids he’d picked up in his dreamcatcher van who’d let themselves fall asleep young. “When things get hard, you face them. You don’t run away,” he said, when she told him about the basketball court. He was white, and Karina often told me how he didn’t understand her. Her mother, afro–Puerto Rican, tried to console her: “Things may get better in a few years. Just wait until high school.” But then she got quiet and said, “I don’t know. Sometimes things get worse.”

I found Karina the day after, asleep. Tripped over her, actually, when I was running down the beach looking for her. The dunes rose up around her, and the cattails and grasses waved over her head. She had tucked herself into an old turtle’s nest. She was swaddled in sand, her halo of curly hair glittered with grit. Her smooth cheeks puffed in and out. She was dreaming, gasping and letting out whispering little breaths.

We were used to coming upon people sleeping in the dunes, a sleeper or the dreaming dead. Sometimes a bum curled up in a meadow, usually naked, their clothing and shoes stolen by the wakeful. They were rounded up by dreamcatchers, then claimed by loved ones or unclaimed and sent to a state facility. This was back when my parents were still together, and I made my dad call Karina’s to tell him where to find her. I never imagined it was her I’d have to give up.

Six years later, Karina walked into our two a.m. biology class like she hadn’t been gone a minute. I barely recognized her: her hair heavy and wavy, boobs bigger than mine, taller than anyone in our class. When I did realize who it was, I was so angry. She had abandoned me, and I thought she wouldn’t wake up until after I’d graduated college and gotten married and my kids were the age she’d been when she went down. I had already mourned her. And if she was awake now, it meant she was dying soon and I would have to mourn her again.

It was Joaquin who said, “Easy. The last thing she remembers is fourth grade.” He knew how much we’d meant to each other. He was the one who patted the desk next to mine. He was always going against what everyone expected of him, surprising me in the hallway with shells when he should have been in class, finding weird kitsch on eBay that I loved, laughing when I thought he was going to shout in frustration, saying the most random things that had us cracking up for days.

Soon Karina and I were having sleepovers again, Joaquin climbing in through the window after basketball practice. We showed her high school algebra, the bands and TV shows she’d missed, how to smoke, told her what things were expected of us now that we were older. I taught her how to flake on plans and how to ghost and how to drift away from someone without causing a fight. She still had the sad innocence of a child, hadn’t yet learned the defense mechanisms that we high schoolers had for dealing with grief and hurt. She was so earnest. Every time we showed her something new, she’d jump up and down and laugh. She squealed when we ordered our usual combination of coffee and fries at the diner. Joaquin and I took turns teaching her how to kiss, and she’d gasp every time, dig her fingers into our arms. I’d lie down on the floor holding her, with my fingers tangled in her hair, the ceiling spinning until it was time to go to school. It was like we were kids again, had gotten a do-over to promise everything, even better than before. We swore we would never believe in a god who would condemn us for how we loved or when we slept.

The three of us were inseparable. I wasn’t angry anymore that she’d left me; I was just happy she was back. I was as in love with her as with Joaquin. Out of the three of us, I was the protector, the one who would pull someone by the shirt if they cut in line, who would glare anyone down who made a crack about our threesome, who would keep her old bullies away. “It ended up true,” she said, “that sometimes you give things time and they get even better.” But there was the shadow of her short life. She told me she was afraid. Not of death, which she thought would be like dreaming, being pulled apart and into a new form; but of pain. The doctors couldn’t say what would kill her, not yet anyway. It could be a tumor or a lightning strike or a murder.

Then, Joaquin fell asleep a few months later, leaving us to figure out anew what we meant to each other. At first, Karina and I spent all our days and nights in the Denny’s that his parents owned, just to be near him where he slept in his glass coffin. When his mother brought in a prayer group to chant novenas for his great sin, surrounding him behind the hostess station on their knees, Karina and I talked loudly to drown them out in case their words would infect his dreams. Karina held my hand under the table, and just before daybreak we lay on the beach where she’d first gone to sleep, watching the turtles shamble out to the sea. I wept and I railed. Karina was quiet, but she opened her arms for me to curl against her in the sand. When we made each other come then, we were tender and quiet.

At first, I recounted memories about him like it was his funeral, things even Karina didn’t know. But the whispers at school about his sin were getting to me. Joaquin would have shrugged, or danced in front of them and given them a bow. But without him, it was up to me to make them treat him like a person.

Peynado probes the limits of reckoning with such dilemmas as otherness, loss, and love in her glorious debut
— Publishers Weekly

When I told Karina my plan to break him out for prom, wheel him in, and let everyone remember him, she lost it. She slammed down her coffee mug. She was sitting next to me because Joaquin always used to sit across from us. Coffee sloshed onto my lap. “You’re as bad as his parents, making him into a doll against his will. Parading him around. He’s sleeping.”

“What?” I said, grabbing napkins. “I’m defending him.”

“Don’t defend him,” she said. “Love him.” She pressed the napkins into my shorts, soaking up the coffee.

I wrung my hands. “He wanted us to come with him.”

“You know I can’t anymore. I’ve done all my sleep.”

I knew. How to choose between the two of them? One awake, one asleep. Joaquin got to have dream-versions of the two of us until he would come back and find Karina gone. “Well, he might wake up early, like you.”

“Oh, so you’re wishing him an early death?” She had learned to be whip-quick at pulling out truth from where it was hidden away.

“That’s not what I said.” I scooted away from her down the booth, but she caught my belt loops and pulled me back.

“You’re going to change so much in the decades it takes for him to wake up. You’ll go to college, have a career, go to my funeral. You won’t know what each other has been through. You don’t know what either of you are going to want.” She tucked my hair behind my ear, moved my chin with her fingertips so I would face her. “You were so different when I saw you again.”

I shrugged her off. Then it occurred to me. “He was always asking you about what it was like. Did you tell him it was a good idea?”

She shrugged. “He made his choice, and you have to let him lie. Don’t be selfish.”

I’m selfish?” I couldn’t believe her. I had thought we were a team. “Maybe I should join him.”

I could feel her studying me from the side, like when she was learning something new about the world. “Maybe you should,” she said. “Maybe then you’d understand.”

I waited in silence while she piled all the brown-wet napkins on our plate of fries.

She put a five on the table and walked out, brushing her fingertips against Joaquin’s glass on the way.

I stayed in that booth for hours, but she didn’t come back. At school, she sat in a new desk on the other side of the classroom, joined a cafeteria table full of the girls who’d bullied her and gave them her earnest smile, ignored me even when I blocked her path in the hallway. She stepped around me. She stopped returning my phone calls, started fucking other boys and girls from the basketball teams, ghosted me. The very things I had taught her how to do. I felt ten years old again. She was so good at it—betrayal.


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Brenda Peynado’s stories have won an O. Henry Award, a Pushcart Prize, the Chicago Tribune’s Nelson Algren Literary Award, selection for The Best American Science Fiction and Fantasy and The Best Small Fictions, a Dana Award, a Fulbright grant to the Dominican Republic, and other awards. Her fiction appears in The Georgia Review, The Sun (London), The Southern Review, The Kenyon Review, The Threepenny Review, Prairie Schooner, and more than forty other journals. She received her MFA at Florida State University and her PhD at the University of Cincinnati. She currently teaches in the MFA program at the University of Central Florida. This will be her first collection.

 

Sala Sundays with Tiffany Colón

Latinx in Publishing (LxP): What do you do?

Tiffany Colón (TC): I am an associate editor at Scholastic. 

 LxP: How did you get started?

TC: I actually started my career as an editorial assistant in non-fiction!  Business books to be more specific. It wasn’t exactly where I wanted to be, but it was what I could find at the time.

LxP: What do you wish you knew before getting into the industry?

TC: I think this is true for most jobs, really. I wish I had known that so much of the job you learn as you go. You pick up bits and pieces of knowledge and skills that make you better. If you see a job that excites you, apply even if you don’t think you’re 100% qualified. 

LxP: What book are you currently working on or reading?

TC: I am currently reading and loving Don’t Ask Me Where I’m From by Jennifer De Leon.  


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Tiffany grew up reading books with her feet dangling off fire escapes in Bushwick, Brooklyn. She began her publishing career in adult nonfiction, where she quickly learned she needed a little more magic in her life. She started at Scholastic in 2016 working on the popular Geronimo Stilton property and the magic hasn’t stopped since. Her role has expanded to include other series and MG novels. You can find Tiffany walking her shar-pei, Clyde, doing nail art, or rewatching Buffy the Vampire Slayer.

Sala Sundays with Alex Borbolla

 Latinx in Publishing (LxP):What do you do?

Alex Borbolla (AB): I’m an Associate Editor at Atheneum Books for Young Readers, an imprint of Simon & Schuster. I work on everything from picture books through YA!

LxP: How did you get started? 

AB: I was one of those weird people who always knew what they wanted to do—it’s been my dream to be an editor since I was twelve years old! At the end of undergrad, I didn’t feel like I was done with school and wasn’t hearing back from any of the publishing jobs I was applying for, so I went to NYU to get my master’s in Publishing. And I actually got my first job in publishing after complimenting a classmate’s presentation—we got to talking, and she later asked me if I’d like a recommendation for a managing editorial assistant position at S&S in the children’s department. I accepted the job thinking I’d be happy in either man ed or editorial, but I figured out pretty quickly that twelve-year-old me was right; I wanted to be an editor. One of the publishers at S&S ended up being one of my professors, and I let him know my career goals. Luckily, he liked me enough to let me know when an editorial assistant position opened up in his department! I’ve been at Atheneum for five years now and I couldn’t think of a better career for myself.

LxP: What do you wish you knew before getting into the industry? 

AB: How social it is! I was definitely the kid who had dreams of reading by myself all day as a job, but publishing a book is a real collaborative effort and being an editor requires a lot of networking. Surprisingly, this is actually one of the parts I love most about my job and the industry! You’re working with so many passionate people and it really makes your day-to-day so much better. Publishing is not just a tough industry to break into, but a tough one to stay in—it can be very demanding (I often equate it to working lawyers’ hours for less than a quarter of the pay) and having a group of people who support and celebrate each other is integral.

LxP: What book are you currently working on or reading?

AB: I’m currently editing what I refer to as my “if Perks of Being a Wallflower were a dark comedy road trip” novel. It’s called Four for the Road by K.J. Reilly, coming Summer 2022! And I’ve been gushing over the final art for one of my graphics novels, Isla to Island by Alexis Castellanos. It’s about a girl growing up in Cuba at the start of Castro’s regime who is sent to the United States by her parents—it’s absolutely stunning!


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Alex joined Simon & Schuster in April 2015 as a managing editorial assistant but was drawn more to story editing than copyediting, so she moved down the hall the Atheneum in May 2016. When she’s not editing, Alex can be found spoiling her beagle Winnie, experimenting with new hobbies like embroidery and guitar, or having a breakdown about whatever new bae she’s trying. Alex describes her overall taste as “high concept plot meets high concept thought,” where commercial stories meet beautiful literary writing. She is drawn to picture books ranging from irreverent to heartfelt; middle grade that balances tough subjects with light, accessible narratives; and YA with a strong voice that has something to say. Alex earned a B.A. in English and Communications from Rollins College, and holds a M.S. in Publishing from NYU. Follow her on Twitter @Alex_Borbolla.

Exclusive Cover Reveal: Dinner on Domingos!

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Latinx in Publishing is excited to reveal the cover for Dinner on Domingos by Alexandra Katona and illustrated by Claudia Navarro! In this celebration of family and food, inspired by the author's own childhood, a Latinx girl who doesn't speak much Spanish searches for ways to connect with her abuelita. This beautiful #OwnVoices children’s book releases September 17th, 2021! Read below for a closer look at the ravishing cover and for words from Alexandra and Claudia!


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Alexandra Katona (AK): My debut picture book, Dinner on Domingos, is being published by Barefoot Books. It explores the connective power of food and family, but it also shows how a young Latinx girl who doesn't speak much Spanish connects with her abuelita. And while it’s about Sunday dinners at my abuelita's casa with my Ecuadorian family, I hope families from all backgrounds can identify with the beautiful chaos of a multigenerational gathering.

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AK: I love the beautiful color palette and the family huddled around the kitchen. I don't think it matters how much space you have in your home: everyone always hangs out in the kitchen. Food connects people, it always has. My favorite part of this cover is how the main character, Alejandra, and her abuelita are looking at each other. I think you instantly get the feeling that they have a wonderful bond.

Claudia Navarro (CN): This story brought me back to my own childhood Sundays, when the whole family came over to enjoy my mom's cooking and all the kids ran around the house having fun together.

Preorder Dinner on Domingos today! And don’t forget to follow Alexandra and Claudia for more exiting content!

 

May 2021 Most Anticipated Reads

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Gear up for summer reading with our picks for the most anticipated releases in May! Check out our list for the full list of May 2021 Latinx Releases and let us know which wonderful book you’re most excited for!

 

INDIVISIBLE | Young Adult

by Daniel Aleman (Hachette/Little, Brown BFYR)

Mateo Garcia and his younger sister, Sophie, have been taught to fear one word for as long as they can remember: deportation. Over the past few years, however, the fear that their undocumented immigrant parents could be sent back to Mexico has started to fade. Ma and Pa have been in the United States for so long, they have American-born children, and they’re hard workers and good neighbors. When Mateo returns from school one day to find that his parents have been taken by ICE, he realizes that his family’s worst nightmare has become a reality. With his parents’ fate and his own future hanging in the balance, Mateo must figure out who he is and what he is capable of, even as he’s forced to question what it means to be an American.

Daniel Aleman’s Indivisible is a remarkable story—both powerful in its explorations of immigration in America and deeply intimate in its portrait of a teen boy driven by his fierce, protective love for his parents and his sister.

 

WHAT WILL YOU BE?| Picture Book

by Yamile Saied Méndez; illustrated by Kate Alizadeh (HarperCollins)

“Méndez and Alizadeh create a balance between the abstract and concrete by letting the child imagine the future but with Abuela’s guidance and support. A sweet read to share with loved ones.” —Kirkus (starred review)

What will you be when you grow up?

A young girl dreams about all the endless possibilities, sparking a sense of wonder, curiosity, and growth. With her abuela’s loving guidance, she learns her potential is limitless.

Yamile Saied Méndez’s powerful, lyrical text and Kate Alizadeh’s colorful, stunning art are a radiant celebration of family, love, and community.

A Spanish-language edition, ¿Qué Serás?, is also available.

 

MEET CUTE DIARY| Young Adult

by Emery Lee (HarperCollins/Quill Tree Books)

Noah Ramirez thinks he’s an expert on romance. He has to be for his popular blog, the Meet Cute Diary, a collection of trans happily ever afters. There’s just one problem—all the stories are fake. What started as the fantasies of a trans boy afraid to step out of the closet has grown into a beacon of hope for trans readers across the globe.

When a troll exposes the blog as fiction, Noah’s world unravels. The only way to save the Diary is to convince everyone that the stories are true, but he doesn’t have any proof. Then Drew walks into Noah’s life, and the pieces fall into place: Drew is willing to fake-date Noah to save the Diary. But when Noah’s feelings grow beyond their staged romance, he realizes that dating in real life isn’t quite the same as finding love on the page.

In this charming novel by Emery Lee, Noah will have to choose between following his own rules for love or discovering that the most romantic endings are the ones that go off script.

 

MANOS QUE BAILAN (DANCING HANDS SPANISH EDITION)| Picture Book

by Margarita Engle; illustrated by Rafael López; translated by Alexis Romay (S&S/Atheneum)

Ganador del premio Pura Belpré de ilustración

De niña, a Teresa Carreño le encantaba dejar que sus manos bailaran a lo largo de las hermosas teclas del piano. Si se sentía triste, la música le levantaba el ánimo y, cuando estaba feliz, el piano la ayudaba a compartir esa alegría. Pronto comenzó a escribir sus propias canciones y a tocar en grandes catedrales.

Entonces, una revolución en Venezuela hizo que su familia tuviera que huir a Estados Unidos. Teresa se sentía sola en este sitio desconocido en el que muy poca de la gente a quien conocía hablaba español. Y lo peor es que también había una guerra en su nuevo hogar: la Guerra Civil.

Aun así, Teresa siguió tocando y pronto adquirió fama de ser la talentosa niña del piano que podía tocar cualquier cosa, desde una canción folclórica hasta una sonata. Era tan famosa, de hecho, ¡que el presidente Abraham Lincoln quiso que fuera a tocar a la Casa Blanca! Sin embargo, con el país dividido por la guerra, ¿podría la música de Teresa traer consuelo a quienes más lo necesitaban?

 

ILLUSIONARY| Young Adult

by Zoraida Córdova (Hachette/Little, Brown BFYR)

Reeling from betrayal at the hands of the Whispers, Renata Convida is a girl on the run. With few options and fewer allies, she's reluctantly joined forces with none other than Prince Castian, her most infuriating and intriguing enemy. They're united by lofty goals: find the fabled Knife of Memory, kill the ruthless King Fernando, and bring peace to the nation. Together, Ren and Castian have a chance to save everything, if only they can set aside their complex and intense feelings for each other.

With the king's forces on their heels at every turn, their quest across Puerto Leones and beyond leaves little room for mistakes. But the greatest danger is within Ren. The Gray, her fortress of stolen memories, has begun to crumble, threatening her grip on reality. She'll have to control her magics—and her mind—to unlock her power and protect the Moria people once and for all.

For years, she was wielded as weapon. Now it's her time to fight back.

 

OJALÁ SUPIERAS (I WISH YOU KNEW SPANISH EDITION)| Picture Book

by Jackie Azúa Kramer; illustrated by Magdalena Mora (Macmillan/Roaring Brook)

Cuando el papá de Estrella tiene que irse
porque no nació aquí como ella,
Estrella lo extraña.

Ella desea que la gente supiera como le afecta.
En su casa. En la escuela.
Siempre.

Su escuela rodea un roble centenario,
y ese árbol es el lugar perfecto para compartir.

Algunos niños extrañan a su familia,
algunos niños tienen hambre,
algunos viven en refugios.

Pero nadie está solo si otros están dispuestos a escuchar.

Un cuento sobre la deportación, familias separadas, y la importancia de comunicad en momentos de incertidumbre.

 

Sala Sundays with Amanda Ramirez

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Latinx in Publishing (LxP): What do you do?

Amanda Ramirez (AR): I’m an associate editor at Simon & Schuster Books for Young Readers. I’m currently building my own solo list of authors while supporting the editorial director and a senior editor. I primarily work on middle grade, young adult, and graphic novel fiction.

 (LxP): How did you get started?

AR: I bounced around jobs for a while after I graduated college and was working at my local Barnes & Noble when a good friend from college told me about an editorial assistant position at S&S and, well… here I am!

LxP: What do you wish you knew before getting into the industry?

AR: I guess I wish I knew how much of my work I’d be expected to do outside of office hours. Just because the work day is over, doesn’t mean I’m done with an edit or a submission!

LxP: What book are you currently working on or reading?

AR: I’m currently working on several edits (shout out to Aaron H. Aceves and Briana McDonald!), but I’m hoping to get started on In Deeper Waters by F.T. Lukens. I’m especially looking forward to May the Best Man Win by Z.R. Ellor.


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Amanda Ramirez joined S&S BFYR in the summer of 2016. She is a host of GateCrashers, a pop-culture media podcast, and can usually be found playing video games, tending to her growing plant collection, or biking to her local Dunkin’. You can learn more about Amanda on Twitter or Instagram at @AmandaIsA_Ram.