August 2021 Latinx Releases

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ON-SALE AUGUST 1ST, 2021

 

DRILL TEAM DETERMINATION | Middle Grade

by Jake Maddox (Stone Arch Books)

Thirteen-year-old Aniyah comes from a long line of drill and step team members. Her mom and aunts all competed, so none of them understand why Aniyah doesn't want to continue the tradition. But Aniyah doesn't like attention or performing. Then Aniyah's friend, Stacy, convinces her to give the team a try. The team dances just for fun and doesn't compete, so there's no pressure. Aniyah discovers Stacy is right--it is kind of fun! But just when Aniyah is starting to get into the groove, the rules change. The team decides to enter a competition. Can Aniyah overcome her fears and get on board with competition, or will she have to step away from drill team?

 

ON-SALE AUGUST 3RD, 2021

 

CUANDO LOS ANGELES CANTAN (WHEN ANGELS SING SPANISH EDITION) | Picture Book

by Michael Mahin; illustrated by Jose Ramirez; translated by Alexis Romay (Atheneum Books for Young Readers)

Carlos Santana echaba de menos a su papá cuando este se iba. Echaba de menos el olor a jabón en su piel y la sonrisa en sus ojos, pero más que nada echaba de menos el sonido de su violín. Era un sonido que llenaba el mundo de magia y amor y sentimiento y curación. Era un sonido que hacía reales a los ángeles. Carlos también quería hacer reales a los ángeles. Así que comenzó a tocar música.

Carlos probó con el clarinete y con el violín, pero los ángeles no vinieron. Luego agarró la guitarra. Tomó el alma del blues y el cerebro del jazz y la energía del rock and roll y añadió el fuego lento de los tambores afrocubanos y el bamboleo con aroma de cilantro de la música con la que había crecido.

Había muchas bandas en San Francisco, pero ninguna tocaba de ese modo. ¿Carlos había encontrado por fin el sonido que hiciera reales a sus ángeles?

 

LIKE A LOVE SONG | Young Adult

by Gabriela Martins (Underlined)

Fake boyfriend. Real heartbreak?

Natalie is living her dream: topping the charts and setting records as a Brazilian pop star... until she's dumped spectacularly on live television. Not only is it humiliating--it could end her career.

Her PR team's desperate plan? A gorgeous yet oh-so-fake boyfriend. Nati reluctantly agrees, but William is not what she expected. She was hoping for a fierce bad boy--not a soft-hearted British indie film star. While she fights her way back to the top with a sweet and surprisingly swoon-worthy boy on her arm, she starts to fall for William--and realizes that maybe she's the biggest fake of them all. Can she reclaim her voice and her heart?

 
 

PAOLA SANTIAGO AND THE FOREST OF NIGHTMARES | Middle Grade

by Tehlor Kay Mejia (Rick Riordan Presents)

Six months after Paola Santiago confronted the legendary La Llorona, life is nothing like she'd expected it to be. She is barely speaking to her best friends, Dante and Emma, and what's worse, her mom has a totally annoying boyfriend. Even with her chupacabra puppy, Bruto, around, Pao can't escape the feeling that she's all alone in the world.

Pao has no one to tell that she's having nightmares again, this time set in a terrifying forest. Even more troubling? At their center is her estranged father, an enigma of a man she barely remembers. And when Dante's abuela falls mysteriously ill, it seems that the dad Pao never knew just might be the key to healing the eccentric old woman.

Pao's search for her father will send her far from home, where she will encounter new monsters and ghosts, a devastating betrayal, and finally, the forest of her nightmares. Will the truths her father has been hiding save the people Pao loves, or destroy them?

 

THE PRESIDENT AND THE FROG | Adult Fiction

by Carolina De Robertis (Knopf Publishing Group)

At his modest home on the edge of town, the former president of an unnamed Latin American country receives a journalist in his famed gardens to discuss his legacy and the dire circumstances that threaten democracy around the globe. Once known as the Poorest President in the World, his reputation is the stuff of myth: a former guerilla who was jailed for inciting revolution before becoming the face of justice, human rights, and selflessness for his nation. Now, as he talks to the journalist, he wonders if he should reveal the strange secret of his imprisonment: while held in brutal solitary confinement, he survived, in part, by discussing revolution, the quest for dignity, and what it means to love a country, with the only creature who ever spoke back--a loud-mouth frog.

 

A SONG OF FRUTAS | Picture Book

by Margarita Engle; illustrated by Sara Palacios (Atheneum Books for Young Readers)

When we visit mi abuelo, I help him sell
frutas, singing the names of each fruit
as we walk, our footsteps like drumbeats,
our hands like maracas, shaking...

The little girl loves visiting her grandfather in Cuba and singing his special songs to sell all kinds of fruit: mango, limón, naranja, piña, and more! Even when they're apart, grandfather and granddaughter can share rhymes between their countries like un abrazo--a hug--made of words carried on letters that soar across the distance like songbirds.

 

WISH UPON A STRAY | Middle Grade

by Yamile Saied Méndez (Scholastic Paperbacks)

María Emilia's life turns upside-down when she and her family immigrate from Argentina to the US. How can she make new friends when simply speaking English all day is exhausting?

Luckily, she has the company of a stray dog in the neighborhood, who happens to look and act just like her beloved pet cat back home. Eventually, it turns out the pup isn't a stray after all -- she belongs to María Emilia's new neighbor, Donovan. In order to spend more time with the dog (who totally isn't her reincarnated cat... right?), she agrees to sing in Donovan's band. But can Emilia find her new voice without losing herself?

 

ON-SALE AUGUST 10TH, 2021

 

BOOGIE BOOGIE, Y’ALL | Picture Book

by C. G. Esperanza (Katherine Tegen Books)

The city is alive with vibrant art in every corner of the parks, the shops, the trains. But most people are too busy to see it--or worse, choose to ignore it! When three children stop to marvel at the art around their community, they realize it's up to them to show everyone else how truly special it is when art and reality dance together so seamlessly.

Boogie boogie, y'all.
The city boogied all day.
Busy, busy, busy,
Till one kid stopped to say,
Woah, woah, woah!
Look at the art on the wall!

 

HOW MOON FUENTEZ FELL IN LOVE WITH THE UNIVERSE | Young Adult

by Raquel Vasquez Gilliland (Simon & Schuster Books for Young Readers)

When her twin sister reaches social media stardom, Moon Fuentez accepts her fate as the ugly, unwanted sister hidden in the background, destined to be nothing more than her sister's camerawoman. But this summer, Moon also takes a job as the "merch girl" on a tour bus full of beautiful influencers and her fate begins to shift in the best way possible.

Most notable is her bunkmate and new nemesis, Santiago Phillips, who is grumpy, combative, and also the hottest guy Moon has ever seen.

Moon is certain she hates Santiago and that he hates her back. But as chance and destiny (and maybe, probably, close proximity) bring the two of them in each other's perpetual paths, Moon starts to wonder if that's really true. She even starts to question her destiny as the unnoticed, unloved wallflower she always thought she was.

Could this summer change Moon's life as she knows it?

 

ON-SALE AUGUST 17TH, 2021

 

13TH STREET #6: FIGHT WITH THE FREEZE-RAY FOWLS | Picture Book

by David Bowles; illustrated by Shane Clester (HarperCollins)

Cousins Malia, Dante, and Ivan must face off against the evil queen of 13th Street. But she has lots of monsters on her side, including birds that can freeze you with a look! Can the cousins defeat her and shut down 13th Street once and for all?

Each story in this hilarious and safely spooky series from award-winning author David Bowles is designed to set independent readers up for success.

 

BIG APPLE DIARIES | Middle Grade

by Alyssa Bermudez (Roaring Brook Press)

It's the year 2000 in New York City. For 12-year old Alyssa, this means splitting time between her Puerto Rican dad's apartment in Manhattan and her white mom's new place in Queens, navigating the trials and tribulations of middle school, and an epic crush on a new classmate. The only way to make sense of it all is to capture the highs and lows in doodles and hilarious comics in a diary.

Then life abruptly changes on September 11, 2001. After the Twin Towers fall and so many lives are lost, worries about gossip and boys feel distant and insignificant. Alyssa must find a new sense of self and purpose amidst all of the chaos, and find the strength to move forward with hope.

 

CAZADORA | Young Adult

by Romina Garber (Wednesday Books)

Werewolves. Witches. Romance. Resistance.

Enter a world straight out of Argentine folklore...

Following the events of Lobizona, Manu and her friends cross the mystical border into Kerana--a cursed realm in Argentina--searching for allies and a hiding place. As they chase down leads about the Coven--a mythical resistance manada that might not even exist--the Cazadores chase down leads about Manu, setting up traps to capture and arrest her.

Just as it seems the Cazadores have Manu and her friends cornered, the Coven answers their call for help. As Manu catches her breath among these non-conforming Septimus, she discovers they need a revolution as much as she does.

But is she the right one to lead them? After all, hybrids aren't just outlawed. They're feared and reviled. What happens when the Coven learns of Manu's dual heritage? Will they still protect her? Or will they betray her?

And after running this far, for this long--how much farther can Manu go before her feet get tired, and she stops to take a stand?

 

CHILD OF THE FLOWER-SONG PEOPLE: LUZ JIMÉNEZ, DAUGHTER OF THE NAHUA | Picture Books

by Gloria Amescua; illustrated by Duncan Tonatiuh (Abrams Books for Young Readers)

She was Luz Jiménez,
child of the flower-song people,
the powerful Aztec,
who called themselves Nahua—
who lost their land but who did not disappear.

As a young Nahua girl in Mexico during the early 1900s, Luz learned how to grind corn in a metate, to twist yarn with her toes, and to weave on a loom. By the fire at night, she listened to stories of her community’s joys, suffering, and survival, and wove them into her heart.

But when the Mexican Revolution came to her village, Luz and her family were forced to flee and start a new life. In Mexico City, Luz became a model for painters, sculptors, and photographers such as Diego Rivera, Jean Charlot, and Tina Modotti. These artists were interested in showing the true face of Mexico and not a European version. Through her work, Luz found a way to preserve her people's culture by sharing her native language, stories, and traditions. Soon, scholars came to learn from her.

 

DEFINITELY DOMINGUITA: ALL FOR ONE | Middle Grade

by Terry Catasus Jennings; illustrated by Fatima Anaya (Aladdin Paperbacks)

Dom, Pancho, Steph, and their noble steed, Rocco, are ready for their next adventure! When their beloved El Señor Fuentes asks Dom to run a very important errand--to put the order in at the local butcher shop for his daughter, Leni's, upcoming quinceañera--Dom is happy to help. But when Señor Fuentes discovers the order was never put in--and the food for the party has been sold to someone else--Dom takes a cue from The Three Musketeers to try and figure out what happened.

With the help of Pancho and Steph, Dom discovers the dastardly Bublassi brothers have big plans to sabotage Leni's party. Keeping in mind the famous motto All for One and One for All, Mundytown's own Three Musketeers are determined to make sure Leni has a party she'll remember for all the right reasons!

 

LIVING BEYOND BORDERS: GROWING UP MEXICAN IN AMERICA | Young Adult

edited by Margarita Longoria (Philomel Books)

In this mixed-media collection of short stories, personal essays, poetry, and comics, this celebrated group of authors share the borders they have crossed, the struggles they have pushed through, and the two cultures they continue to navigate as Mexican Americans. Living Beyond Borders is at once an eye-opening, heart-wrenching, and hopeful love letter from the Mexican American community to today's young readers.

 

ON-SALE AUGUST 24TH, 2021

 

MY TWO BORDER TOWNS | Picture Book

by David Bowles; illustrated by Erika Meza

Early one Saturday morning, a boy prepares for a trip to The Other Side/El Otro Lado. It's close--just down the street from his school--and it's a twin of where he lives. To get there, his father drives their truck along the Rio Grande and over a bridge, where they're greeted by a giant statue of an eagle. Their outings always include a meal at their favorite restaurant, a visit with Tío Mateo at his jewelry store, a cold treat from the paletero, and a pharmacy pickup. On their final and most important stop, they check in with friends seeking asylum and drop off much-needed supplies.

 

THEY CALL ME GÜERRO | Middle Grade

by David Bowles (Kokila)

They call him Güero because of his red hair, pale skin, and freckles. Sometimes people only go off of what they see. Like the Mexican boxer Canelo Álvarez, twelve-year-old Güero is puro mexicano. He feels at home on both sides of the river, speaking Spanish or English. Güero is also a reader, gamer, and musician who runs with a squad of misfits called Los Bobbys. Together, they joke around and talk about their expanding world, which now includes girls. (Don't cross Joanna--she's tough as nails.)

Güero faces the start of seventh grade with heart and smarts, his family's traditions, and his trusty accordion. And when life gets tough for this Mexican American border kid, he knows what to do: He writes poetry.

 

EL CAMPO | Picture Book

by Baptiste Paul (Northsouth Books)

Soccer fan or not, the call of The Field is irresistible.

"Vini! Come! The field calls!" cries a girl as she and her younger brother rouse their community--family, friends, and the local fruit vendor--for a pick-up soccer (futbol) game. Boys and girls, young and old, players and spectators come running--bringing balls, shoes, goals, and a love of the sport.

"Friends versus friends" teams are formed, the field is cleared of cows, and the game begins! But will a tropical rainstorm threaten their plans?

 

THE DEATH OF MY FATHER THE POPE | Adult Nonfiction

by Obed Silva (MCD)

Weaving between the preparations for his father's funeral and memories of life on both sides of the U.S.-Mexico border, Obed Silva chronicles his father's lifelong battle with alcoholism and the havoc it wreaked on his family. Silva and his mother had come north across the border to escape his father's violent, drunken rages. His father had followed and danced dangerously in and out of the family's life until he was arrested and deported back to Mexico, where he drank himself to death, one Carta Blanca at a time, at the age of forty-eight.

 

ON-SALE AUGUST 31ST, 2021

 

ALEJANDRIA FIGHTS BACK / ¡LA LUCHA DE ALEJANDRIA! | Picture Book

by Leticia Hernández-Linares; illustrated by Robert Liu-Trujillo (Feminist Press)

For nine-year-old Alejandria, home isn't just the apartment she shares with Mami and her abuela, Tita, but rather the whole neighborhood. Home is the bakery where Ms. Beatrice makes yummy picos; the sidewalk where Ms. Alicia sells flowers with her little dog, Duende; and the corner store with friendly Mr. Amir.

But lately the city has been changing, and rent prices are going up. Many people in el barrio are leaving because they can no longer afford their homes, and For Sale signs are popping up everywhere. Then the worst thing happens: Mami receives a letter saying they'll have to move out too.

Alejandria knows it isn't fair, but she's not about to give up and leave. Join Alejandria as she brings her community together to fight and save their neighborhood!

Para Alejandria de nueve años, el hogar no es sólo el apartamento que comparte con Mami y su abuela, Tita, sino más bien todo el barrio. El hogar es la panadería donde la Sra. Beatrice hace unos ricos picos; la vereda donde la Sra. Alicia vende flores con su perrito, Duende; y la pulpería con el amistoso Sr. Amir.

Pero últimamente la ciudad ha estado cambiando, y los precios de alquiler están subiendo. Muchas personas en el barrio se están yendo porque ya no pueden costear sus hogares, y letreros anunciando "Se Vende" están apareciendo por todos lados. Entonces ocurre lo peor: Mami recibe una carta diciendo que ellas también tendrán que mudarse.

Alejandria sabe que no es justo, pero no está dispuesta a darse por vencida e irse. ¡Únete a Alejandria mientras ella reúne a su comunidad para luchar y salvar su barrio!

 

BRAINS!: NOT JUST A ZOMBIE SNACK | Picture Book

by Stacy McAnulty; illustrated by Matthew Rivera (Henry Holt & Company)

Brains. 78% water, 100% delicious. A zombie chef who has sworn off eating brains salivates over this super powerful organ in this funny and fact-filled picture book. From learning about how the brain processes messages from our five senses, to learning why wrinkly human brains are so much more powerful than smooth mouse brains, this is a hilarious introduction to the organ that does it all. Rich with kid-friendly facts and beautifully brought to life by Matthew Rivera, this is a charming and irresistible picture book.

 

ONCE I WAS YOU | ADULT NONFICTION

by Maria Hinojosa (Atria Books)

In Once I Was You, Maria shares her intimate experience growing up Mexican American on the South Side of Chicago. She offers a personal and illuminating account of how the rhetoric around immigration has not only long informed American attitudes toward outsiders, but also sanctioned willful negligence and profiteering at the expense of our country's most vulnerable populations--charging us with the broken system we have today.

An urgent call to fellow Americans to open their eyes to the immigration crisis and understand that it affects us all, this honest and heartrending memoir paints a vivid portrait of how we got here and what it means to be a survivor, a feminist, a citizen, and a journalist who owns her voice while striving for the truth.

 

TOMATOES FOR NEELA | Picture Book

by Padma Lakshmi; illustrated by Juana Martinez-Neal (Viking Books for Young Readers)

Neela loves cooking with her amma and writing down the recipes in her notebook. It makes her feel closer to her paati who lives far away in India. On Saturdays, Neela and Amma go to the green market and today they are buying tomatoes to make Paati's famous sauce. But first, Neela needs to learn about all the different kinds of tomatoes they can pick from. And as Neela and Amma cook together, they find a way for Paati to share in both the love and the flavors of the day.

Sala Sundays with Edward Quiceno

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Latinx in Publishing (LxP): What do you do?

Edward Quiceno (EQ): I am part of the Scholastic Trade Marketing Team as the Assistant Marketing Manager for Klutz, a brand of craft kits.

LxP: How did you get started?

EQ: After I graduated with my bachelor’s I was struggling to find a job and with the help of my fraternity Lambda Upsilon Lambda, I was able to find out about this position and connect with someone from the Klutz team.

LxP: What do you wish you knew before getting into the industry?

EQ: I wish I understood money and finances better. While the work can be rewarding, the pay isn’t great and as the first person in my family with a Bachelors it was difficult to get on my feet.

LxP: What book are you currently working on or reading?

EQ: I’m currently reading all about love; new visions by bell hooks. I’m actually re-reading for the second time, I’m In a transitional place in my life and just gravitated toward this book.


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My name is Edward Quiceno and I am a queer artist, marketer and branding professional. I was born in Fusagasugá, Colombia and came to the United States when I was 8 years old. Ever since I’ve been in New Jersey, where I earned my Bachelor’s degree in Women’s & Gender Studies and Visual Arts from Rutgers University in New Brunswick. I recently graduated with a Masters in Branding from the School of Visual Arts, looking to use the power of branding to interrogate social systems, reclaim my narrative, and uplift marginalized communities.

 

A Hopeful Look at Millennial Life: ‘Mona at Sea’ by Elizabeth Gonzalez James

CW: Self-harm, cutting

Image from Santa Fe Writers Project.

Image from Santa Fe Writers Project.

Mona at Sea by Elizabeth Gonzalez James is a debut novel that takes a look at life’s transitional stages during economic recessions. Taking place in Tucson, we are introduced to a young woman named Mona Mireles who faces adulthood as a recent college graduate during the 2008 economic crisis. A life of high GPAs, academic achievements, and trophies does little to prepare Mona as she learns that the company which has offered her a job in New York has closed its doors after filing for bankruptcy. All this is captured as a news reporter notices that Mona has shown up to the building with suitcases in hand as she has just arrived from Arizona. During this short viral interview, Mona is distraught and has consequently earned the nickname “Sad Millennial” online—a nickname that follows her as strangers ask for pictures during the most inconvenient times, and a painful reminder of a missed opportunity.

After applying to hundreds of jobs with no offer in sight, Mona decides to join a local support group for job seekers after her mother hints that she needs to find an apartment of her own. Life is not what Mona expected, and it becomes increasingly difficult as she closes herself off, not realizing that the pressure and frustration are causing her to push loved ones further away. Mona also has a secret that prevents her from becoming too close and vulnerable with others. This secret intensifies as she faces job scarcity, her parents’ dwindling marriage, dating, and the feeling of hopelessness as she navigates life after college. 

Mona at Sea reminds readers that the more we try to control life, the harder it is to see opportunities that can also lead us to great things — even if they don’t look like what we expected them to be. When things don’t go as planned, how do we continue to live a life that is still meaningful and fulfilling?  

Gonzalez James does a wonderful job of describing how recessions impact individuals, especially younger adults who are eager to dive into the fields they studied for. What stood out to me was the clear message that when life becomes heavy, allowing ourselves to open up to others can help us navigate life and find healthier coping strategies. This story is a powerful reminder of what can arise when we place too much of our identity with what we do for a living, and how we all mutually benefit when we honor our own definitions of success.   

 
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Ruddy Lopez lives in Inglewood, California, and attended California State University, Long Beach. She obtained a BA in English Literature and English Education and is a Fellow of the Los Angeles Review of Books Publishing Workshop. She is an educator who is transitioning to editing and publishing. In her spare time, Ruddy enjoys reading, writing poetry, and exploring what her city has to offer.

Sala Sundays with Monica Fernandez

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Latinx in Publishing (LxP): What do you do?

Monica Fernandez (MF): I'm the Media Manager at Red Hen Press, which means I'm in charge of all of the media and publicity for the books we publish and the company as a whole. This entails working with authors, sending out books for reviews, trying to secure media coverage, and managing our social media accounts (with the help of a team of interns in my department!)

LxP: How did you get started?

MF: I actually started off as a Marketing and Media intern myself in September 2017. I was nearing the tail end of my internship in February the following year when a position opened up, which I gratefully accepted! Before that, I had taken a Master's Degree course in Creative Writing and Publishing from City University in London, and was able to intern at an independent publishing company called Head of Zeus for six months before coming back home.

LxP: What do you wish you knew before getting into the industry?

MF: How much work it takes to plan book events! I wear a lot of hats at Red Hen, and so I also serve as the Event Coordinator. Coordinating events with authors and venues, and managing the publicity for it to ensure a good turnout, takes up a lot of my time and is probably the most stressful part of my job. I worked out a pretty good system for managing it all now, but when I first started out, I was drowning!

LxP: What book are you currently working on or reading?

MF: I'm making my way through a book called Kuwento: Lost Things, an anthology of new Philippine myths from Carayan Press, edited by Rachelle Cruz and Melissa Sipin. As a Filipino-American, I'm trying to find more literature written by Filipino authors, and this is a great book to start with! I'm also in the process of writing my own novel, but that's very early stages and who knows how long that could take!


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Monica Fernandez graduated from the University of California, Irvine cum laude with a BA in English with an emphasis on Creative Writing, and from City University London with a MA in Creative Writing and Publishing. She has had several short fiction and creative nonfiction pieces published in The Chaffey Review, Rind Literary Magazine, Scribendi, The Left Coast Review, Creepy Gnome, and Slush Pile Magazine’s Envy anthology. She is Filipino-American, a proud Hufflepuff, and a film and theatre enthusiast.

 

An Exclusive Interview with The Playwright's House Author, Dariel Suarez

Dariel Suarez was born in Havana, Cuba, and immigrated to the United States with his family in 1997. His debut story collection, A Kind of Solitude, received the 2017 Spokane Prize for Short Fiction and the 2019 International Latino Book Award for Best Collection of Short Stories. Dariel is an inaugural City of Boston Artist Fellow and Education Director at GrubStreet. His prose has appeared in numerous publications, including the Threepenny Review, Prairie Schooner, the Kenyon Review, and the Caribbean Writer, where he was awarded the First Lady Cecile de Jongh Literary Prize. Dariel earned his MFA in Fiction at Boston University and currently resides in the Boston area with his wife and daughter.

I met Dariel during my time as a Marketing and Media intern with Red Hen Press. His debut novel, The Playwright’s House, immediately caught my eye because of the mystery and enlightening look into life in Cuba during the Special Period. We had the wonderful opportunity to speak with one another about the inspirations for his novel, writing advice for young Latinx writers, and his passion for music.

Read on for an exclusive excerpt from The Playwright’s House and for an inside look at photos which inspired the setting of the novel!

 

exclusive excerpt

(from Chapter 6)

Serguey remembered their home taking on a lively atmosphere following the last session with the child psychologist, when Felipe told his sons they had to turn the page toward a new life, cherishing the positive memories of their mother. During weekends, instead of making good on a weekday promise of a trip to the beach or the zoo, Felipe hosted dinner parties for his colleagues. People acted out scenes from their favorite plays and made fun of the obtuse administrators at the cultural centers where they worked. Once in a while someone would bring an acoustic guitar and play Nueva Trova songs. Felipe, however, rarely let his boys be a part of the celebrations, which made the few times he allowed them to remain particularly notable. Serguey recalled the laughter, the smoke snaking up from the ashtrays, he and his brother dancing for the crowd. These moments had washed over the otherwise dull, solitary lives they led under their father’s supervision.

As with Felipe’s current predicament, he hadn’t wanted to involve his sons in his personal affairs. During their childhood, he had given them fleeting kisses on the head, dismissive sighs at their misbehavior, quick waves of the hand in the mornings. He had, very seldom, shown them books, paintings, played them music—Antoine de Saint-Exupéry’s The Little Prince, Picasso’s Guernica, Bola de Nieve’s “Ay Mama Inés”—but he never related them to their actual lives, never linked what he shared to their daily struggle of growing up motherless. It was as if he believed that exposing young boys to art would be curative and edifying on its own. He never discussed his own work, either, not in the dim light of their bedroom or the ash-ridden air engulfing his writing desk, intimate places where their young minds would have been perceptive, prone to remember. He reserved himself—the vulnerable Felipe, the thoughtful and authoritative Felipe—for his circle of artist friends, for the stage he directed. Serguey and Victor had spent their lives watching like intrigued spectators, wondering about this figure that was their father.

This excerpt is from The Playwright's House by Dariel Suarez (Red Hen Press 2021). Reprinted with permission from the publisher.

Photo credit: Dariel Suarez

 

Interview

Author Dariel Suarez

Author Dariel Suarez

Illianna Gonzalez-Soto (IGS): Dariel, do you mind telling me a little bit about your debut novel, The Playwright’s House (Red Hen Press, June 2021)? Who or what were your inspirations for this story which is fiction, but which may be partly based on your real life experiences in Cuba?

 Dariel Suarez (DS): I wanted to explore the complicated intersection between arts and politics in Cuba through the lends of a fractured family. It also felt important to highlight the reality for political prisoners on the island, and the nuances of contemporary life there. Some of the places and people are inspired by my own experiences growing up in Havana, but the vast majority of the book came from research and imagination.

IGS: State surveillance, freedom of artistic expression, estrangement, love, differences between class and wealth. These are some common themes present within The Playwright’s House. Can you speak more to how the characters reflect these themes within the novel?

 DS: Every character in the book is contending with both internal and external forces. A place like Cuba makes it very difficult to ignore the social, economic, and political reality of the country, as it constantly impacts most people. I also wanted to show the subtle differences in class and culture, to counteract the more stereotypical or monolithic thinking about the country for those who aren’t as familiar with it.

IGS: Jumping off the last question, it seems like love and estrangement are especially prevalent. The brothers, Serguey and Victor, begin the novel completely at odds. This is also true for their relationship with their father as well. Can you speak more about how the brother’s relationship with each other evolves throughout the novel? Why was their relationship as siblings central to pushing the plot forward?

 DS: The relationship between Serguey and Victor was the main engine for the novel as I wrote it. They have so much to contend with in their past—resentment, violence, jealousy—while trying to help their father. I feel like through their shared journey, they give themselves a chance at reconciliation and redemption, even if they don’t always see eye to eye.

IGS: The father is especially engaging as a character, if not only for his part as a playwright. Serguey seems especially opposite to the dramaturgist because of his career as a lawyer. Why were you drawn to center this story on the art form of theater as opposed to a painter, or a poet, a novelist, or a musician such as yourself?

 DS: Theater in a place like Cuba serves many functions: escapism, experimentation, cultural expression, and sometimes, subversion. It can be a way for artists to engage with some of their social and political frustrations they feel, but there’s always a risk when you do so there. For a renowned director to be arrested, it’s a very public event, harder for the government to hide. All of these things provide a strong platform on which to build a larger story and explore the different layers and staked of being an outspoken artist in Cuba.

IGS: There are also many supporting characters who aid the brothers in investigating the imprisonment of their playwright father. Ana (Serguey’s wife) and her family, the Catholic priest, Kiko (internet extraordinaire), a Santeria priestess, and Claudia (journalist and activist). What purpose do each of these roles play in portraying the realities of a Cuba that existed 20 years ago and which still may exist today?

DS: Having a broad cast of characters allowed me to delve into different areas of Cuban society and to present either opportunities or obstacles for Sergey, the protagonist. These characters gave the plot some energy and kept the story grounded in the inter-personal, despite the external forces at play. Moreover, I wanted to show some diversity in the Cuban experience, which often tends to be oversimplified or looked at through a singular lens.


IGS: What research went into creating your novel? Certainly this novel is based on a very key historical reality in Cuba, The Special Period, which existed until roughly twenty years ago. Along with the Castros, are there other specific figures which may have stood as inspirations for your work?

 DS: I wasn’t focusing on any one person’s life, but a lot of what takes place in the novel was inspired by research. There are numerous reported accounts of government oppression and abuse, of artists being arrested or forced into exile, of the Church being involved in assisting political prisoners, of independent journalists using social media and blogs to bring attention to what’s happening in Cuba. I wanted the freedom to explore and take the story where it needed to go, so my approach was grounded in compiling lots of information and examples, then infusing what felt most useful and earned by the narrative and characters.

IGS: You immigrated with your family to the United States when you were fourteen. Can you talk about what being between worlds (Cuba and the United States) was like as the author of a story primarily set in Cuba? What political or cultural similarities/differences do you see reflected within your work?

DS: Questions of identity are inevitable when you migrate permanently, especially after having had an entire childhood and early adolescence in a different country. Cuba is my birthplace, my native culture. Writing about it is a way to not just feel closer to it, but to interrogate my relationship with and perception of it as someone who no longer lives there. It’s also an opportunity to give voice to certain people and issues that writers on the island wouldn’t be able to do for political reasons.

IGS: I’ve read your LitHub article. Can you speak to how being a non-native English speaker impacted your career as a writer, especially when writing The Playwright’s House? Do you have advice for native Spanish speakers hoping to publish in a predominately American / English language landscape?

 DS: I don’t know if I’m in a position to give advice, since individual experiences tend to vary, especially with something as complex as language. I’ll say that, for me, becoming clear on my intended audience, how I define cultural authenticity in my work, and my use of language has been a long road. My recommendation would be to read as widely as possible, especially when it comes to contemporary international literature. That was life-changing for me, because it helped clarify my own artistic sensibility and approach, and resist some of the more harmful (e.g. culturally myopic) feedback I received in the U.S.

IGS: You're not only an insanely talented writer, but a musician as well. How do the two artforms inform each other? What advice would metalhead Dariel Suarez say to writer extraordinaire Dariel Suarez? Is there a song, album, or playlist that is quintessentially The Playwright’s House?

Metalhead Dariel Suarez

Metalhead Dariel Suarez

DS: Haha! Metalhead Dariel would definitely not call writer Dariel “extraordinaire.” Music taught me to be patient and to treat art as a craft. If you don’t put in the time with an instrument, it will show. The only way to get better is through dedicated—and sometimes grueling—practice. Music also taught me to collaborate, to be open-minded, to explore in search of something better and not settle for the first idea (a nice melody or riff is something to build on, not the final product). Teaching myself to play guitar was literally painful. My fingers bled, my hand and arm muscles hurt. All those metaphors people love to throw around about how hard writing can be feel quite real with music. So by the time I decided to become a writer, I wasn’t looking for shortcuts or going after some romanticized version of the art-form. I was ready to put in the work. 

IGS: You serve as the Educational Director with GrubStreet. What final advice or tips do you have for aspiring Latinx writers with a hope to publish their works?

DS: Seek out your community. You don’t have to go at it alone. Read as widely as possible, and by that I mean in terms of country, identity, lived experience, style, time period. Consume art with a critical eye and put into your tool box that which speaks to your own sensibility and interests the most. Don’t let others define you as a writer or tell you what you should ultimately write, or for whom. Go after the questions, people, and places you’re intrigued about. Trust that all you need is dedication and persistence, especially in the face of obstacles or failure. Those who push forward are the ones who break through.


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To stay updated with Dariel Suarez, follow him here:

Twitter: https://twitter.com/DarielSuarez1

Website: https://darielsuarez.com/

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Illianna Gonzalez-Soto graduated from Earlham College in 2020, where she served as an editor for The Crucible. She obtained a BA in English and a minor in creative writing. She currently lives in San Diego, CA where she serves as a Media & Marketing intern at Red Hen Press and Latinx in Publishing. You can follow her on Twitter (@Annalilli15) and Instagram (@librosconillianna).

 

Sala Sundays with Lizette Serrano

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Latinx in Publishing (LxP): What do you do?

Lizette Serrano (LS): Through a number of multiple opportunities, I advocate and champion Scholastic book creators to reach book keepers around the world. This includes activating special events, national conferences, generating marketing campaigns, creating promotional materials and so many other awesome stuff to amplify our author’s work.

LxP: How did you get started?

LS: Growing up in the Bronx, books were my best friends and a safe harbor to keep me steady. This love of words manifested and drove me to major in English and decided I wanted to be a writer. That dream took a turn when I started interning in publishing. As a marketing assistant at Scholastic, I was invited to read a manuscript over the weekend and provide a review for a book called Harry Potter and the Sorcerer’s Stone. The rest, my friends, is a long career of memorable moments and achievements that still challenge me to reach new heights every year.

LxP: What do you wish you knew before getting into the industry?

LS: Earlier in my career, I wish I was directed on how to get involved with mentorship and programs that support aspiring publishing professionals. I’m incredibly grateful for the work and space Latinx in Publishing and others have created for our emerging leaders in the publishing community.

LxP: What book are you currently working on or reading?

LS: I’m always reading future acquisitions for building marketing plans 6-12 months ahead of publication. I just gobbled up THE WITCHLINGS by Claribel Ortega (Spring 2022), every page offers something enjoyable. This special book gave me goosebumps with anticipation that it’s going to picked up by many readers and do great things. And we’re going to do our absolute best to make sure of it!


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Lizette Serrano is the VP of Educational Marketing at Scholastic. For over 20 years, she’s been living her dream job championing authors and their books to readers of all ages. She is also the co-founder of the Power of Story initiative which aims to create a hub of resources to direct educators, booksellers and caregivers on how to build an equitable bookshelf. She is currently serving as a board member for ALAN, USBBY and ECAR and is the Scholastic Summer Reading Ambassador for 2021.

 

Exclusive Sneak Peek of Acclaimed Poet Elisabet Velasquez's debut, WHEN WE MAKE IT

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Latinx in Publishing is pleased to exclusively reveal an excerpt from When We Make It by debut author and critically acclaimed poet Elisabet Velasquez.

An unforgettable young adult debut novel-in-verse that redefines what it means to “make it,” touching on themes of mental illness, sexual assault, food insecurity and gentrification, in the Nuyorican literary tradition of Nicholasa Mohr and the work of contemporary writer Elizabeth Acevedo.

Sarai is a first-generation Puerto Rican eighth grader who can see with clarity the truth, pain, and beauty of the world both inside and outside her Bushwick apartment. Together with her older sister Estrella, she navigates the strain of family traumas and the systemic pressures of toxic masculinity and housing insecurity in a rapidly gentrifying Brooklyn. Sarai questions the society around her, her Boricua identity, and the life she lives with determination and an open heart, learning to celebrate herself in a way that she has been denied.

When We Make It is a love letter to girls who were taught to believe they would not make it at all. The verse is evocative and insightful, and readers are sure to be swept into Sarai’s world and rooting for her long after they close the book.

Read on for an exclusive excerpt of When We Make It by Elisabet Vasquez!

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Lucky

In Bushwick, the reporters double park

to shoot the latest crime scene & then bounce

 

quick before their news vans get tagged up.

The teachers find their car radios missing

 

and blame the worst student they have.

Pero, the teachers and the reporters, they get to leave.

 

Back to their “good” neighborhoods

with boring-ass walls and vehicles

 

they don’t have to piece back together like a puzzle.

They’ll have a nice dinner with their predictable family

 

and talk about their wack-ass day in Bushwick

& somebody will say: You’re lucky you don’t live there.

 

Someone else will echo: Imagine?!

& they think they can imagine because fear

 

got them believing they know what it means to be safe.

I mean, it’s one thing to feel danger.

 

& maybe it’s another thing

to work in it.

 

& maybe it’s another thing altogether

to live with it.

 

But it’s something else completely

to be the thing everyone is afraid of.

 

We Ain’t Afraid

Estrella says:

We ain’t afraid of nothing.

We ain’t afraid of nothing.

We ain’t afraid of nothing.

 

I say:

Some days though,

shit is scary.

Not gonna front

like shit ain’t scary.

 

Estrella says:

Damn, yo, what’s so scary?

That’s just Corner Boy Jesus and his friends.

 

I say:

Shit. That’s 5-0. Ayo!

They’re creeping around the corner.

I tell Estrella & the corner boys to run. Run!

 

Estrella & the corner boys say:

Run? We ain’t running.

Snitch? We ain’t snitching.

 

Estrella says:

Yo, chill, we’ll be aight.

Yo, chill, we’ll be okay.

& even when we not

we are. You know what I mean?

 

& I know exactly what she means

’cause it’s just like being afraid.

Even when we not we are.

Even when we not we are.

But I don’t say that.

 

Nah.

 

I don’t say that.

 

Neighbors

Bushwick is full of hip-hop & salsa.

 Cuchifritos & soul food.

 Nail & hair salons.

 Bootleg CD vendors & tamale ladies on the corner.

 We are all the same in our difference.

 No matter how we got to be neighbors here

 We all know we lived somewhere else first.

 I know this because on the occasion that

 Our eyes lock for more than a moment

 Our mouths ask each other the same question.

 Where you from? Like nice to meet you.

 Where you from? Like what block?

 Where you from? Like what country?

 Where you from? Like what God?

 Where you from? Like where you been?

 Where you from? Like where you going?

 Where you from? Like who you missing?

 Where you from? Like why you here?

 Where you from? Like have you gone back?

 Where you from? Like what did you leave behind?

 

Pronunciation

We can tell who is from the neighborhood
and who isn’t by the way they pronounce
street names. We pronounce Graham Avenue
not like the cracker (GRAM) but like if
the first half of the word got stuck in your mouth
and you had to breathe out to let out the second
(GRAA-HAM). Some people say we are saying
it wrong but they are just jealous our accents
want every letter to be heard because isn’t that the worst
thing? To exist so plainly in sight and still be ignored.

Used with permission from Penguin Young Readers, an imprint of Penguin Random House. Copyright (c) Elisabet Velasquez, 2021.


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Elisabet Velasquez is a Boricua writer born in Bushwick, Brooklyn. Her work has been featured in Muzzle Magazine, Winter Tangerine, Latina Magazine, We Are Mitú, Tidal and more. She is a 2017 Poets House fellow and the 2017 winner of the Button Poetry Video Contest. Her work is featured in Martín Espada’s anthology What Saves Us: Poems of Empathy and Outrage in the Age of Trump. Elisabet lives in Jersey City, New Jersey, and When We Make It is her debut novel.

 

Sala Sundays with Stefanie Sanchez von Borstel

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Latinx in Publishing (LxP): What do you do?

Stefanie Sanchez von Borstel (SSVB): I am a literary agent, co-founder of Full Circle Literary, and author/artist advocate. I represent picture books, middle grade, and nonfiction books.

LxP: How did you get started?

SSVB: Growing up I spent hours in public libraries. My dad would take us every weekend and free afternoons. I probably read every book at the San Pedro Library in San Antonio --I loved books, but had no idea how books were published!

In high school and college, I had tons of internships/jobs at a library, a museum bookstore, an arts nonprofit, a film talent agency, and finally in editorial at a small press (now part of Penguin) that published humor/novelty books like MadLibs. Next, I worked at Harcourt in trade marketing/publicity for 8 years and then for an author’s attorney/literary agent. In 2005, I co-founded Full Circle Literary with Lilly Ghahremani. I love working with book creators, and as an agent it’s great to be able to work with many different people at publishing houses (editorial, design, contracts, marketing/publicity, sales, rights).

LxP: Do you have any tips for those who are getting into the industry?

SSVB: If you’re thinking about working in publishing, try working at a library, bookstore, community center, museum, magazine/online media, or anywhere you’ll be around writers, artists, storytellers. Try lots of different things to see what resonates with you.

I didn’t take the typical path to a career in publishing by moving to NYC or enrolling in an expensive publishing course. I made my own path into publishing with hands-on experience--looking for any opportunity around books that I could find in Texas and California! I’m deeply committed to discovering and developing Latinx, BIPOC and underrepresented writers so that young readers everywhere, no matter where they live or who they are, find themselves in the books they read.

LxP: What book are you currently working on or reading?

SSVB: Just back from a family vacation in Texas I picked up a copy of LOTERIA REMEDIOS by Xelena Gonzalez, it’s a collection of affirmations inspired by Loteria and came packaged with the game so it was perfect for summer traveling!

I also love reading middle grade with my son, right now we’re reading A WISH IN THE DARK by Christina Soontornvat. Also reading an advance copy of WHEN THE WORLD TURNED UPSIDE DOWN by K. Ibura (coming Nov 2021) and a submission starring Esperanza Mae Windbornee.


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Stefanie Sanchez von Borstel is co-founder of Full Circle Literary, an entrepreneur, and mom with 25+ years of experience in trade book publishing. Prior to agenting, she worked in editorial, publicity and trade marketing with Penguin and Harcourt Children’s Books. She enjoys tapping her publicity and marketing background to champion writers and artists. Stefanie represents children’s books from toddler to teen, and select adult nonfiction.

 

July 2021 Latinx Most Anticipated Reads

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With a new month comes new books! It’s starting to get warmer which means reading on the beach with your favorite book and a cool drink in hand. Scroll below for our list of the most anticipated Latinx reads for the month of July and get one to read at the beach (or at home under air conditioning)! Check here for our full list of July 2021 Latinx Releases.

 

THE MUSE SQUAD: THE MYSTERY OF THE TENTH | Middle Grade

by Chantel Acevedo (Balzer + Bray)

Callie Martinez-Silva is finally getting the hang of this whole goddess within thing. Six months after learning she was one of the nine muses of ancient myth, she and the other junior muses are ready for new adventures. Except first Callie has to go to New York City for the summer to visit her dad, stepmom, and new baby brother.

Then the muses get startling news: an unprecedented tenth muse has been awakened somewhere in Queens, putting Callie in the perfect position to help find her. And she’ll have help—thanks to a runaway mold problem in London, Muse Headquarters is moving to the New York Hall of Science.

But balancing missions and family-mandated arts camp proves difficult for Callie, especially once mysterious messages from spiders (yikes!) begin to weave a tale of ancient injustice involving Callie’s campmate Ari.

 

SING WITH ME: THE STORY OF SELENA QUINTANILLA | Picture Book

by Diana López; illustrated by Teresa Martinez (Dial Books)

From a very early age, young Selena knew how to connect with people and bring them together with music. Sing with Me follows Selena's rise to stardom, from front-lining her family's band at rodeos and quinceañeras to performing in front of tens of thousands at the Houston Astrodome. Young readers will be empowered by Selena's dedication--learning Spanish as a teenager, designing her own clothes, and traveling around the country with her family--sharing her pride in her Mexican-American roots and her love of music and fashion with the world.

 

ALL THESE WARRIORS | Young Adult

by Amy Tintera (Houghton Milton)

When the world was crumbling, seventeen-year-old Clara fought back. She escaped her abusive home and joined Team Seven, a monster fighting squad of runaways and misfits formed to combat the scrabs terrorizing the planet. And after nearly dying in Paris, Clara and Team Seven discovered the sinister truth behind the scrab invasion. Scrabs aren't just mindless monsters set on destruction. They're being trained and weaponized by MDG, a private security firm hired by the government.

Now Clara and the rest of Team Seven have made it their mission to expose MDG. But no one said fighting for the truth would be easy. And as Clara and Team Seven find themselves at the center of a global conspiracy, they must face their biggest threat yet: their own demons.

 

BELLA’S RECIPIE FOR SUCCESS | Picture Book

by Ana Siqueira; illustrated by Geraldine Rodríguez (Beaming Books)

If at first you don't succeed, try, try again.

Bella wants to find out what she's good at. But she quits everything she (barely) tries because she's a disaster at it. Her somersaults are like clumsy jirafas rolling downhill, her piano playing like elephant feet. When she decides to learn how to bake with her wise old abuela, her first attempt at dulce de leche frosting looks like scaly cocodrilo skin. She must learn it's okay to try again or she won't be good at anything. Peppered with Spanish vocabulary and set in an intergenerational Latinx home, Bella's Recipe for Success will show all kids the value of practicing to learn a new skill, and that it's okay to make mistakes along the way.

Review: Lost in the Never Woods

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A distinct retelling of the original story of a boy who never wants to grow up by J.M. Barrie, Lost in the Never Woods by Aiden Thomas is a mysterious tale filled with the seemingly familiar characters we know and love. Set in Astoria, Oregon (perhaps a similar walking ground for Thomas themself, who now lives in Portland), Peter Pan makes his reappearance in Wendy’s imagination— or so she believes. 


It’s been five years since the fateful day when Wendy and her younger brothers disappear in the woods behind their home. Sorrow fills the Darling family when Wendy returns to her parents after a period of being missing and her brothers do not. Unable to recall what happened to her or her brothers, Wendy and her parents must now relive the guilt, grief, and separation that continues to affect their small family when children begin to go missing in their small town. 


A car crash into a mysterious figure leaves Wendy shaken as she meets the boy from the stories she’s told in her childhood. It’s Peter Pan, but is it really? Older now, Peter must wrestle with his own shadows— figuratively and literally. He’s come in search of Wendy, the only one who can help him sew his shadow back on and hopefully save Neverland. Along their quest to find his shadow, Wendy and Peter respark their connection from Wendy’s childhood. Together, they confront the Never Woods and learn that growing up comes with hardship, tragedy, and grief, but that it doesn’t have to lose the wonder of their youth.  

Credit: Illianna Gonzalez-Soto

Credit: Illianna Gonzalez-Soto

Entirely different from Cemetery Boys, Thomas still adds hints of Latinx flair within Lost in the Never Woods. Wendy’s best friend Jordan is Latinx, though that fact is not central to the storyline. What is prevalent, however, is Jordan’s steadfast support for her friend. Her encouragement of Wendy’s dream to be a pediatrician is a reassuring force when everything else in Wendy’s life is out of sorts. Both 18 with college on the horizon, Wendy and Jordan prove that their friendship can outlast their hardships. 

This is the perfect retelling which completely reimagines the classic tale of Peter Pan. Thomas makes the story their own with mysterious twists, dark secrets, and painful truths. This is the perfect tale for learning to cope with grief. Touching upon the psychological effects of tragedy and death, we see a very real and very adult version of Peter Pan as Wendy Darling moves through anxiety, depression, grief, and recovery. Though the story deals with adult topics, the adolescence of Peter and Wendy gives a key perspective for any teen who may also be dealing with similar issues. 

Mixed with playfulness and wonder, we see that growing up may not be so bad if you continue to have faith, trust, and just a little bit of pixie dust.


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Aiden Thomas is a trans, Latinx, New York Times bestselling author of young adult novels. They received an MFA in Creative Writing from Mills College. Originally from Oakland, California, they now make their home in Portland, OR. Aiden is notorious for not being able to guess the endings of books and movies, and organizes their bookshelves by color.

To stay updated with their latest works, follow them here:

Twitter: https://twitter.com/aidenschmaiden

Instagram: https://www.instagram.com/aidenschmaiden/

TikTok: https://www.tiktok.com/@aidenschmaiden?

Website: https://www.aiden-thomas.com/

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Illianna Gonzalez-Soto graduated from Earlham College in 2020, where she served as an editor for The Crucible. She obtained a BA in English and a minor in creative writing. She currently lives in San Diego, CA where she serves as a Media & Marketing intern at Red Hen Press and Latinx in Publishing. You can follow her on Twitter (@Annalilli15) and Instagram (@librosconillianna).