Review: RIMA'S REBELLION

Rima’s Rebellion by Margarita Engle is a book written in verse that covers the women’s suffrage movement in Cuba during the early 1900s. This movement also includes ending the Adultery Law, which allowed men to kill unfaithful wives and daughters, along with their lovers. This sexist law, however, did not apply to men. In fact, it was typical for men to have mistresses. This is extremely harmful to the children, often mixed-race, who were born from these relationships. These children were not able to share their father’s surnames, which eliminated their inheritances and ability to receive any financial or emotional support. These children, along with their mothers, were often ostracized by society and shamed for their existence. 

 We follow Rima Marin who is one of these children. Her father is a wealthy man who has another daughter of his own through his marriage, whom he spoils and promises a bright future, while Rima’s mother and abuela are part of a feminist group called Las Mamibas that ride horses together and fight for women’s rights. There are many political movements in the book, such as the Women’s Congress that practice what it would be like for women to vote and discuss matters such as the Adultery Law. During this time, the then President, Gerardo Machado, did not believe women should have the right to vote and strongly advocated for the Adultery Law. However, he still participates in performative activism like pretending to support women’s rights to secure his presidency. Thankfully, a feminist, Ofelia, refuses to be silenced on women’s rights as well as the Adultery Law and spearheads a campaign to fight for their justice.

Rima also helps her half-sister through her relationship with a man of whom her father disapproves due to his class. Engle highlights the difficulty Rima experiences in helping her sister as she has the life that Rima deserves. Her father financially and emotionally supports her while he disregards Rima. However, Rima knows that women need to stand together to achieve gender equality. 

I absolutely devoured this book. Although short in length, the verses are beautifully written and extremely powerful. I learned so much about Cuban history and Engle did a great job mentioning the involvement of the United States. I would recommend this to anyone who is interested in women’s rights, especially in Cuba.


Mariana Felix-Kim (she/her) lives in Washington, D.C. with her lovely cat, Leo. When she is not working in the environmental science field, Mariana is constantly reading. Her favorite genres include non-fiction, thrillers, and contemporary romances. Mariana is half Mexican and half Korean. You can find her on Instagram: @mariana.reads.books

#SalaSundays with Monica Rodriguez

Latinx in Pub (LxP): What do you do?

Monica Rodriguez (MR): I'm a Junior Agent at Context Literary Agency! I am also the Director of Brand Management where I help Context authors with their brand, offer advice, and support their books throughout their writing career.

LxP: How did you get started?

MR: My agenting journey started in the query trenches. As a querying writer, I realized how my marketing skills really helped my querying process. As I was querying, I started to get curious about what it would be like to be an agent. I also realized there weren't enough Latinx agents out there. I wanted to use my marketing skills and my writing experience to find a way to open doors for others and create more seats at the table. Following my curiosity, I applied for an internship with Context Literary where I met Tamar Rydzinski, we later discussed a marketing position. I've been at Context for over six months now and I'm so glad I followed my curiosity. Along with my brand management role, I get to work with some of the kindest agents out there. The Context team has been super supportive and provides mentorship in a collaborative environment. I had a moment where I was listening to a writer talk about a poetry collection and visualized a potential career path for them and thought, wait a minute, is this it? Am I agenting? That's when I knew I was ready to open for queries and start my journey as an agent. I recently signed my first client, Jassyel Gomez who is a former LatinxInPublishing mentee! I'm super excited to help share her stories with the world.

LxP: What do you wish you knew before getting into the industry?

MR: I think as writers we often forget how many plates agents have to spin and that most agents still need a day job to survive financially. Being on the other side of things helped me understand timing and what goes into deciding what projects to represent. While there are so many wonderful stories out there that I may fall in love with, there's also an element of how I can make this book great and if I can sell it. Oftentimes, as writers we idolize the idea of getting an agent and forget that it is a business partnership as well. The reason why it takes so long for agents to get back to writers right away is because clients come first and it takes time to read, to make sure the project will be the right partnership. That being said, I wish I knew how much went into agenting before I started querying because now a rejection isn't something I worry about and I understand if it takes long, it actually might be a good thing. It's all about patience, right timing and working on your craft in the meantime.

LxP: What book are you currently working on or reading?

MR: I'm reading a couple of full manuscripts I've requested. Leisurely, I just finished reading Parable of The Sower by Octavia E. Butler and I'm about to start reading Portrait of a Thief by Grace D. Li, which I'm really looking forward to.

Monica Rodriguez is the Director of Brand Management at Context Literary Agency. She helps authors connect with partnerships that enhance their writing careers, supporting their books before and after they’ve hit the shelves. Her love for books can be traced back to elementary school, where the best days were spent attending book fairs and author readings. In addition to her brand management role, Monica is also a Junior Agent with a mission to help uplift underrepresented voices in publishing, specifically within the Latinx community. In children’s literature, she is actively looking for PB, MG, YA & Graphic Novels. She is also open to adult and non-fiction submissions. Check out her MSWL page for more.

LxP Writers Mentorship Showcase: Giselle Abreu

The Latinx in Publishing Writers Mentorship Showcase series features excerpts by our Class of 2021 mentees from the projects they’ve developed with the guidance of their mentors.

The LxP Writers Mentorship Program is an annual volunteer-based initiative that offers the opportunity for unpublished and/or unagented writers who identify as Latinx (mentees) to strengthen their craft, gain first-hand industry knowledge, and expand their professional connections through work with experienced published authors (mentors).

Below is an excerpt from one of our 2021 mentees, Giselle Abreu:


Chapter One

Mira goes MIA

I always thought hair should lose its volume thirty-thousand feet in the air. Something to do with pressure or whatever, I don’t know. 

“Ladies and gentlemen,” says a crackling voice from over the intercom. “We are now reaching our cruising altitude.”

Turns out I was wrong, because now I’m forty-thousand feet in the air (according to the announcement of our mumbling pilot) and not a single hair on my mop of a head is flatter. If anything, the curls have gained volume. But that’s probably from my sweat and not from the altitude. Knowing this is my first time on a plane taking me on my first trip to the Dominican Republic hasn’t helped the newly pubescent sweat glands. Oh, the joys of twelve-year-old life. 

Hanging upside down probably doesn’t help either. After I’d finished my free orange juice (thank you, flight attendant), and taken approximately 5,000 photos of clouds with my new polaroid (thank you, Mom), I realized nobody had probably ever taken photos of a plane’s interior ceiling. So, like a ninja, I flipped upside down while no one was watching, placing my head where my butt should be and feet where my head should be, all without kicking my sister more than a couple of times. 

Laila, my twenty-one-year-old sister/escort/butt-face, now gives me a glare, which upside down looks like a smile. The expression “turn that frown upside down” really does work then. 

“Mira,” she hisses my name. “¿Estas loca?” She raises her hand to smack me, but with my head (a common space for smacking) on the seat, she hesitates, then settles for my thigh. My thigh, a surprisingly thick place for the body of a twelve-year-old, absorbs the hit like a giant gummy bear. 

“Like that’s supposed to hurt,” I say with a roll of my eyes, even though she can’t see them.

“Muévete antes que alguien te vea,” she says through gritted teeth, eyes darting around the inside of the plane. Her Spanish, fast and mumbled, reaches my ears at the pace of molasses (which, after hearing that expression for years actually made sense when I mixed molasses into jalao, a Dominican dessert cooked for Laila’s visit. That stuff is thicker than my thighs). But when it finally does reach me, I roll my eyes again. We’re the only people in our row, the aisle seat empty beside us, so why is she worried about who sees me?

There is another person on the row behind us who might be wondering why there are flip-flops in their face, but I solve that problem by folding my legs into a crisscross applesauce pose against the seat. “Happy?” I ask, gesturing to my legs. 

“No entiendo esa mujer que te está criando.” I assume her bad mouth comment is referring to our mother, who Laila only greeted with half-hearted hellos and side cheek kisses on her short half day trip to pick me up. Mom, raised on the idea that southern hospitality is something earned, is as sweet as the jalao she took two hours making for Laila. That is to say, pretty dang sweet. Morning snuggles, ear to ear smiles during school pick-ups, and high-pitched belly laughs accompany her wherever she goes. You would think after four years Laila would at least give her a hug. 

But then again, will I give Papi a hug?

I was eight years old when Papi decided to pack up his life in our South Charlotte home in North Carolina and move back to the Dominican Republic. I guess that’s what he did when he left the DR in the first place, but it still doesn’t make it fair. Laila, a whopping nine years older than me, was seventeen the summer he left. She was turning eighteen that September, and so Mom didn’t put up a fight when Laila declared she’d be leaving with him. 

And yeah, alright, I sort of get why Papi left. Coming to a country where you don’t speak the language, hopping from job to job for eighteen years, only visiting your family over video chat, that must suck. But Laila? What reason did she have to leave? 

“Mira, Mira,” she says, using a phrase Papi often used. Mira, the Spanish word for look, is pretty ironic when you get to know me. I’m never looking in the right place, so I’m constantly asked to look somewhere different, hence mira, Mira. “Déjate la locura,” Laila continues to lecture me, but I raise my hand, a signal for her to stop. 

“Just tell me whatever you want in English, you still speak that right?” 

Ok, it’s not that I don’t speak Spanish. I do. Really. Cross my heart and all that stuff. If you asked me to say something to you in Spanish (which a lot of people do), I could probably sound pretty convincing. Which I am because I speak Spanish. Remember? But not Papi’s Spanish. That left with him. 

My Spanish, hanging by a thread made of Univision soap operas, has suffered to say the least. Papi was the only one who spoke it to me. Though my mom, whose Spanish isn’t half bad, occasionally attempted to revive the tradition, it always felt weird. Spanish was me and Papi’s thing, not me and Mom’s. She’d only recently learned it after doing volunteer work for the Peace Corps or something like that. She met Papi right before she was set to leave. Mom probably didn’t expect to be speaking it the rest of her life, even if her only two daughters shared a Dominican dad. 

In the pause that follows I imagine Laila rolling her eyes, because, you know, hanging upside down and all it’s kind of hard to tell. “Abuela only speaks Spanish, remember? You’re going to have to speak it with her.” 

Right, Abuela. The reason I’m here in the first place.

It’s not like I never wondered what it was like in the DR. I always imagined the town where Papi grew up was some tropical fairy tale. A place where bachata played on the streets 24/7, like it used to at our house on Saturday mornings. Somewhere you could walk to the beach and spend all day on the sand just because you felt like it. At least, that’s how Papi described it. But it’s not like going there was ever in the cards. Flights and passports are expensive. According to Mom it was enough trouble getting Papi out here in the first place. So, for me, Papi’s home would always be a place in the story books. 

That is, until I discovered Papi’s town had a name. I mean, yeah, it probably always did, but it was the first I’d ever heard of it. 

Mom kept a bunch of stuff in the closet under the stairs, including a treasure trove of disposable cameras from the nineteenth century she’d never developed. Just having discovered my love of photography, I begged Mom to develop them with me, which she agreed to, if I could find a place that still did that kind of thing. Much to her chagrin, Walmart did, in this the year of our lord, 2015.

The first picture sitting in the white envelope was of my parents, both on a motorcycle. I recognized my mom, even if a little younger, from her familiar warm smile, her easily sunburned skin, and loose brown hair. Papi held the handlebars at the front, and only his eyes were visible as he wore a helmet, but they were just as bright as my mother’s, pulled into a smile. What a difference a few years could make. 

They sat in front of a big sign with white letters that read, AZUA. 

What was Azua?

When I asked my mom, she took the photo and a smile curled at the corners of her mouth. “Oh, I remember this day. We were visiting your father’s family, in his hometown, Azua.”

The way she pronounced it, with the z more like a swift s, unlocked something in me. 

Azua was where my dad grew up. 

And I wanted to see it.

At first it was only supposed to be a week, but when Abuela (a woman I’d only ever spoken to on the phone) found out it turned into a month. With some more prodding it became the whole summer. 

Mom kept telling me I didn’t have to go if I didn’t want to, that Abuela would get over it if I didn’t stay the whole time, and I’ll admit, the offer was tempting.  Everything was familiar about Mom’s waffles on Saturday mornings, fourth of July barbecue in Uncle Scott and Aunt Lizzie’s backyard, and every conversation together being an English one. 

But all of it was in North Carolina, where people sometimes thought I was adopted because my brown skin didn’t match my mom’s. A place where my very existence was a mystery.

So, I had to go. Have to go. Even if the only way to get there is on a boring airplane.

“My Spanish will do,” is all I tell Laila, crossing my arms. But she either doesn’t see my sass or acknowledge it, because she turns her head back to the phone in her lap. She’s supposed to be on airplane mode. 

Two can play at this game. I ignore the blood rushing to my head and reach for a pamphlet in the netted pocket on the seat in front of me, perfectly content to read upside down and disregard Laila’s existence.

I picked out a Dominican brochure, apparently. I flip through pages of advertisements about resort rates and timeshares, but admire the beach pictures, taking note of the photographers names in the tiniest of font sizes. Imagine having thousands—no, millions of people looking at your pictures immortalized on a magazine page, guiding their decision about whether or not to visit a place. That’s the power of a good picture. 

But eventually the blue skies and oceans are interrupted by a page about history. Dominican history to be exact. The title says, “Una Vista Al Pasado: El Museo Del Hombre Dominicano,” which takes me approximately three more seconds to understand as “A Look into the Past: The Museum of the Dominican Man”. See, I speak Spanish, remember? 

The spread advertises a museum in Santo Domingo about people who lived on the island a bajillion years ago, people called the Taino. I skim through boring entries about Columbus and his girly-named boats, but linger on words I don’t understand. 

Opia. Zemi. Boriken. 

Apparently, all are from the Taino language. Some are explained. Zemis were the gods they worshipped. Opia were what the Taino called spirits of the dead, and traveled the island by day in the form of bats. Imagine dying and waking up to find you have to live out the rest of your existence as a bat? Gross.

There are a few words I surprisingly recognize. Piragua. Juracan. 

Papi used to shout “PIRAGUA!” at the top of his lungs when he heard the ice cream truck meandering down the street. And Juracan…well that was just huracán with a J. Or in English…

Hurricane. 

Suddenly, the plane jolts. My head slides off the seat, hitting the floor, and my legs follow suit, crumpling in over myself. I don’t know where the magazine goes, but it goes flying.

Laila hisses at me, “¡Levántate!” and this time I don’t throw her any sass. I sit up to find the sky dark outside my window, and fat clumps of rain speeding past the glass. We’re not going to crash, I tell myself. Planes fly in storms all the time. But I still grip the armrests until my knuckles are white.

I crane my neck to see the flight attendant who’s surprisingly calm, still passing out orange juice. Who needs orange juice at a time like this, lady?!

But then I look to Laila, scrolling through her phone again, and then the other passengers, right as rain. Or bored as…mud? Either way, nobody is freaking out. 

I try to relax in my seat. We’re not going to crash. Planes fly in storms. We’re not going to crash. Planes fly in storms. 

A streak of lightning illuminates the cabin, followed by a loud BOOM of thunder. We bounce forcefully. The flight attendant’s orange juice splashes on the floor. She frantically pulls her cart back to the front. Not good.

“Passengers,” another voice says over the intercom. “For your safety please remain seated with your seatbelts securely fastened.”

I fumble for my strap, but before I can clamp it down we hit another harsh bump and my head nearly slams the air vents. Laila clicks the belt in place for me, muttering under her breath Spanish words that are too quiet for me to hear. 

“We’re not going to crash,” I say aloud. “Planes fly in storms. We’re not going to crash. Planes fly in storms.”

“Shut up!” Laila shouts at me, but her voice is muffled by another crash of thunder. 

Suddenly, the plane makes a violent jerk. All of the passengers’ heads whip to the side. The lights go out. And then my stomach drops. We must be falling. Someone is screaming. Maybe it’s me. I don’t know, because either way we’re going to crash! This plane does not fly in storms and we’re going to crash!

We’re going to crash! We’re going to crash! WE’RE GOING TO CRASH!!!

Click.

The lights turn back on. The screaming stops. The plane settles. Are we still going to crash?

“Ladies and gentlemen, we apologize for the electrical difficulties,” the intercom says again. “Please stay seated as we continue our flight.”

I let out a breath and slump into my seat. No, we’re not going to crash. I squint out my window to see the clouds lightening from gray to white, but find something else instead. 

Outside, amidst the rain and wind, not three feet from me, someone is standing on the wing of the plane.

I don’t have time to even gasp before they swing their head in my direction, as if sensing I’ve caught them. I don’t find the eyes of some creepy monster though, I find nothing. Nothing at all. BECAUSE THEY DON’T HAVE A FACE. 

No eyes, no mouth, no nose, nothing but flat gray skin. I must be seeing things. I rub my eyes but the faceless man doesn’t go away.

I turn to my sister. “Laila—do you see that?!”

“What?”

“There on the wing, something’s out there!”

I point to the window but she doesn’t turn her head. “Mira, shut up…”

“Just look there’s a—”

But when I look again, it’s gone. The person without a face is gone. 

“¡Conchale, Mira!” Laila says with a grunt of pain. I realize I’m gripping her arm, and my nails are digging into flesh under her sleeve.

I let go, saying, “But there was a man. On the wing of the plane. He didn’t have—”

“Have what?” Laila barks. 

The whole thing happened in a matter of five seconds, tops. Already the rain has turned to a drizzle and the sun is parting from the clouds. 

“Never mind,” I say quietly. 

“Thank you for your patience,” the flight attendant says. “We will begin our descent shortly.”

She continues on about temperatures and time zones, but I’m too stunned to listen. I swear I saw someone. But who?

Used with permission from the author, copyright (c) Giselle Abreu, 2021.


As a mixed Dominican American, Giselle Abreu loves stories about kids with multicultural backgrounds. Her work in progress follows a girl discovering her Dominican heritage through magical adventures inspired by Taino mythology. Giselle also holds a Bachelor in English Literature and has interned at Writers House under literary agents Victoria Doherty-Munro and Dan Lazar. She currently works at her local library, where she sometimes dresses up as a mermaid.

#SalaSundays with Cloud Delfina Cardona

Meet Cloud Delfina Cardona, one of our Emerging Writers and Publishing Fellows, who hosted #SalaSundays on our Instagram April 3rd!

Latinx in Pub (LxP): What do you do?

Cloud Delfina Cardona (CC): I am a high school English teacher. I am also an editor for Infrarrealista Review and a poet.

LxP: How did you get started?

CC: I started my editorial journal through zine making. In 2013, I co-founded Chifladazine with Laura Valdez, which was a zine focused on the voices of Latinas. We published artwork, poetry, nonfiction, and fiction. I fell in love with editing and self publishing through Chifladazine.

LxP: What do you wish you knew before getting into the industry?

CC: Although I don't have official experience in the editorial world, I do wish I knew how much unpaid labor there goes into the literary world. It is definitely a thankless job, but I feel very privileged to read and publish others' work.

LxP: What book are you currently working on or reading?

CC: I am currently editing Amapolasong, a chapbook by Jacinto Jesus Cardona. It is a chapbook by my father that Plancha Press is publishing this summer. It has been such a fulfilling and special experience for me. For leisure, I am reading the collected poems of Sonia Sanchez and White Girls by Hilton Als.

Cloud Delfina Cardona (she/they) is a poet born and raised in San Anto, Texas. She is the author of What Remains, winner of the 2020 Host Publications Chapbook Award. She is the co-founder of Infrarrealista Review, a literary journal for Texan writers. She currently teaches high school English on the south side of San Antonio.

LxP Writers Mentorship Showcase: Jassyel Gomez

The Latinx in Publishing Writers Mentorship Showcase series features excerpts by our Class of 2021 mentees from the projects they’ve developed with the guidance of their mentors.

The LxP Writers Mentorship Program is an annual volunteer-based initiative that offers the opportunity for unpublished and/or unagented writers who identify as Latinx (mentees) to strengthen their craft, gain first-hand industry knowledge, and expand their professional connections through work with experienced published authors (mentors).

Below is an excerpt from one of our 2021 mentees, Jassyel Gomez:


Reina raced up the library steps and pulled the handle of the heavy door. 

The moment she heard about the public library she HAD to see it for herself.  

“I can’t believe we haven’t been here before, Dad!” she said.

“Wow,” she whispered as she walked in. Feelings of wonder and amazement washed over her like a wave bringing treasure to land out from the sea.

Surrounded by the books she felt surrounded by possibilities. 

What new places would she visit?

Who would she meet?

What surprises did the books have waiting for her? 

At her school library she could stand on her tippy-toes to reach the highest shelf, but some of these shelves were so high they almost reached the ceiling.

“Look Dad!” Reina said after spotting one of her favorite books, “I LOVE this one. I read it at school. It’s about a girl who lives in a place called Paris.”

“Wow!” he said, “Paris is a long way from this small Texas town.” 

He looked into the distance trying to imagine that far away place. 

“Do you have a favorite book, Dad?”

In all the times they talked about what Reina was reading he’d never mentioned one and she couldn’t remember seeing him read one either. 

“I never read much growing up,” he said, letting out a deep sigh. “I wouldn’t even know where to start.”

“Don’t worry, Dad! I can help! We’re not leaving until we find a book for you!” she said, leading the way.

Used with permission from the author, copyright (c) Jassyel Gomez, 2021.


Having developed a love for reading and writing from an early age, Jassyel Gomez has sought to immerse herself in the world of literature in one way or another. She holds a B.A. in English and is a former high school English teacher. She is currently pursuing writing full-time and is focused on telling meaningful stories that reflect cultural pride and make readers feel seen. Jassyel’s stories are inspired by her experiences growing up in Eagle Pass, TX (a town on the US-Mexico border). She hopes her work will bring joy to children and grownups alike. You can follow her on IG & Twitter: @jassyelgomez

April 2022 Latinx Releases

On-Sale April 5th, 2022

 

THE WEDDING CRASHER by Mia Sosa | Adult Romance | 4/5/2022

Just weeks away from ditching DC for greener pastures, Solange Perreira is roped into helping her wedding planner cousin on a random couple’s big day. It’s an easy gig... until she stumbles upon a situation that convinces her the pair isn’t meant to be. What’s a true-blue romantic to do? Crash the wedding, of course. And ensure the unsuspecting groom doesn’t make the biggest mistake of his life.

Dean Chapman had his future all mapped out. He was about to check off “start a family” and on track to “make partner” when his modern day marriage of convenience went up in smoke. Then he learns he might not land an assignment that could be his ticket to a promotion unless he has a significant other and, in a moment of panic, Dean claims to be in love with the woman who crashed his wedding. Oops.

Now Dean has a whole new item on his to-do list: beg Solange to be his pretend girlfriend. Solange feels a tiny bit bad about ruining Dean’s wedding, so she agrees to play along. Yet as they fake-date their way around town, what started as a performance for Dean’s colleagues turns into a connection that neither he nor Solange can deny. Their entire romance is a sham... there’s no way these polar opposites could fall in love for real, right?

 

HEARTBREAK SYMPHONY by Laekan Zea Kemp | Young Adult| 4/5/2022

Aarón Medrano has been haunted by the onstage persona of his favorite musician ever since his mother passed away. He seems to know all of Aarón’s deepest fears, like that his brain doesn’t work the way it should and that’s why his brother and father seems to be pushing him away. He thinks his ticket out is a scholarship to the prestigious Acadia School of Music. That is, if he can avoid blowing his audition.

Mia Villanueva has a haunting of her own and it’s the only family heirloom her parents left her: doubt. It’s the reason she can’t overcome her stage fright or believe that her music is worth making. Even though her trumpet teacher tells her she has a gift, she’s not sure if she’ll ever figure out how to use it or if she’s even deserving of it in the first place.

When Aarón and Mia cross paths, Aarón sees a chance to get close to the girl he’s had a crush on for years and to finally feel connected to someone since losing his mother. Mia sees a chance to hold herself accountable by making them both face their fears, and hopefully make their dreams come true. But soon they’ll realize there’s something much scarier than getting up on stage—falling in love with a broken heart.

 

DOES MY BODY OFFEND YOU? by Mayra Cuevas & Maria Marquardt | Young Adult| 4/5/2022

A timely story of two teenagers who discover the power of friendship, feminism, and standing up for what you believe in, no matter where you come from. A collaboration between two gifted authors writing from alternating perspectives, this compelling novel shines with authenticity, courage, and humor. 

Malena Rosario is starting to believe that catastrophes come in threes. First, Hurricane María destroyed her home, taking her unbreakable spirit with it. Second, she and her mother are now stuck in Florida, which is nothing like her beloved Puerto Rico. And third, when she goes to school bra-less after a bad sunburn and is humiliated by the school administration into covering up, she feels like she has no choice but to comply.

Ruby McAllister has a reputation as her school's outspoken feminist rebel. But back in Seattle, she lived under her sister’s shadow. Now her sister is teaching in underprivileged communities, and she’s in a Florida high school, unsure of what to do with her future, or if she’s even capable making a difference in the world. So when Ruby notices the new girl is being forced to cover up her chest, she is not willing to keep quiet about it.

Neither Malena nor Ruby expected to be the leaders of the school's dress code rebellion. But the girls will have to face their own insecurities, biases, and privileges, and the ups and downs in their newfound friendship, if they want to stand up for their ideals and––ultimately––for themselves.

 

SCOUT’S HONOR by Lily Anderson | Young Adult| 4/5/2022

Sixteen-year-old Prudence Perry is a legacy Ladybird Scout, born to a family of hunters sworn to protect humans from mulligrubs—interdimensional parasites who feast on human emotions like sadness and anger. Masquerading as a prim and proper ladies' social organization, the Ladybirds brew poisons masked as teas and use knitting needles as daggers, at least until they graduate to axes and swords.

Three years ago, Prue’s best friend was killed during a hunt, so she kissed the Scouts goodbye, preferring the company of her punkish friends lovingly dubbed the Criminal Element much to her mother and Tía Lo’s disappointment. However, unable to move on from her guilt and trauma, Prue devises a risky plan to infiltrate the Ladybirds in order to swipe the Tea of Forgetting, a restricted tincture laced with a powerful amnesia spell.

But old monster-slaying habits die hard and Prue finds herself falling back into the fold, growing close with the junior scouts that she trains to fight the creatures she can’t face. When her town is hit with a mysterious wave of demons, Prue knows it’s time to confront the most powerful monster of all: her past.

 

On-Sale April 12th, 2022

HIGH SPIRITS by Camille Gomera-Tavarez | Adult Fiction| 3/8/2022

High Spirits is a collection of eleven interconnected short stories from the Dominican diaspora, from debut author Camille Gomera-Tavarez. It is a book centered on one extended family – the Beléns – across multiple generations.It is set in the fictional small town of Hidalpa – and Santo Domingo and Paterson and San Juan and Washington Heights too. It is told in a style both utterly real and distinctly magical – and its stories explore machismo, mental health, family, and identity. But most of all, High Spirits represents the first book from Camille Gomera-Tavarez, who takes her place as one of the most extraordinary new voices to emerge in years.

 

On-Sale April 19th, 2022

 

¡ÁNDALE, PRIETA!: A LOVE LETTER TO MY FAMILY by Yasmín Ramírez | Memoir| 4/19/2022

This beautifully open coming-of-age memoir by a Mexican American debut writer doubles as a love letter to the tough grandmother who raised her.

When I tell people who don't speak Spanish what prieta means--dark or the dark one--their eyes pop open and a small gasp escapes ... How do I tell them that now, even after the cruelty of children, Prieta means love? That each time Prieta fell from my grandmother's lips, I learned to love my dark skin.

No one calls me that anymore. I miss how her words sounded out loud.

My Ita called me Prieta. When she died, she took the name with her.

Anchored by the tough grandmother who taught her how to stand firm and throw a punch, debut author Yasmín Ramírez writes about the punches life has thrown at her non-traditional family of tough Mexican American women.

Having spent years of her twenties feeling lost--working an intensely taxing retail job and turning to bars for comfort--the blow of her grandmother's death pushes Yasmín to unravel. So she comes home to El Paso, Texas, where people know how to spell her accented name and her mother helps her figure out what to do with her life. Once she finally starts pursuing her passion for writing, Yasmín processes her grief by telling the story of her Ita, a resilient matriarch who was far from the stereotypical domestic abuelita. Yasmín remembers watching boxing matches at a dive bar with her grandmother, Ita wistfully singing old Mexican classics, her mastectomy scar, and of course, her lesson on how to properly ball your fist for a good punch. Interviewing her mom and older sister, Yasmín learns even more about why her Ita was so tough--the abusive men, the toil of almostliterally back-breaking jobs, and the guilt of abortions that went against her culture.

Expertly blending the lyrical prose of a gifted author with the down-to-earthtone of a close friend, this debut memoir marks Ramírez as a talented new author to watch. Her honesty in self-reflection, especially about periods where she felt directionless, and her vivid depictions of a mother and grandmother who persevered through hard knocks, offers vulnerable solidarity to readers who've had hard knocks of their own.

 

On-Sale April 26th, 2022

 

PARADAIS by Fernanda Melchor | Adult Fiction | 4/26/2022

Inside a luxury housing complex, two misfit teenagers sneak around and get drunk. Franco Andrade, lonely, overweight, and addicted to porn, obsessively fantasizes about seducing his neighbor—an attractive married woman and mother—while Polo dreams about quitting his grueling job as a gardener within the gated community and fleeing his overbearing mother and their narco-controlled village. Each facing the impossibility of getting what he thinks he deserves, Franco and Polo hatch a mindless and macabre scheme.


Written in a chilling torrent of prose by one of our most thrilling new writers, Paradais explores the explosive fragility of Mexican society—with its racist, classist, hyperviolent tendencies—and how the myths, desires, and hardships of teenagers can tear life apart at the seams.

 

MARIA, MARIA by Marytza K. Rubio | Adult Fiction | 4/26/2022

“The first witch of the waters was born in Destruction. The moon named her Maria.”

Set against the tropics and megacities of the Americas, Maria, Maria takes inspiration from wild creatures, tarot, and the porous borders between life and death. Motivated by love and its inverse, grief, the characters who inhabit these stories negotiate boldly with nature to cast their desired ends. As the enigmatic community college professor in “Brujería for Beginners” reminds us: “There’s always a price for conjuring in darkness. You won’t always know what it is until payment is due.” This commitment drives the disturbingly faithful widow in “Tijuca,” who promises to bury her husband’s head in the rich dirt of the jungle, and the sisters in “Moksha,” who are tempted by a sleek obsidian dagger once held by a vampiric idol.

But magic isn’t limited to the women who wield it. As Rubio so brilliantly elucidates, animals are powerful magicians too. Subversive pigeons and hungry jaguars are called upon in “Tunnels,” and a lonely little girl runs free with a resurrected saber-toothed tiger in “Burial.” A colorful catalog of gallery exhibits from animals in therapy is featured in “Art Show,” including the Almost Philandering Fox, who longs after the red pelt of another, and the recently rehabilitated Paranoid Peacocks.

Brimming with sharp wit and ferocious female intuition, these stories bubble over into the titular novella, “Maria, Maria”―a tropigoth family drama set in a reimagined California rainforest that explores the legacies of three Marias, and possibly all Marias. Writing in prose so lush it threatens to creep off the page, Rubio emerges as an ineffable new voice in contemporary short fiction.

Review: RECLAIM THE STARS

Reclaim The Stars is a collection of fantasy and science fiction short stories by a variety of authors all from the Latin diaspora. This is beautifully edited by Zoraida Córdova. The book begins with a letter she wrote to the readers and I was hooked immediately. Córdova reminiscences about childhood memories of believing in many superstitions, such as the danger of crying attracting La Llorna. She explains that she will “often tell people that being Latina means that magic is inherently part of my existence,” and I couldn’t agree more. The introduction was beautifully written, and I felt connected to Córdova and the tone she set for these magical stories. 

I loved so many of these stories. After finishing each one, my jaw would drop or I would gasp because I needed to hear more about the world and the characters. There were so many times I wished that I could read an entire book based on one of the short stories. These stories cover many topics from the importance of family to family expectations to even climate change, with a sprinkle of magic or magical creatures. I personally have not read many fantasy or science fiction stories and these were a perfect introduction that made me enjoy the magic and root for the main characters. I also loved that a lot of the protagonists in this book are women and they are depicted as strong women who overcome problems. Most of the time, they were able to conquer their issues by reconnecting to their roots and remembering who they are. This was an admirable theme to read throughout the book. 

In addition, I enjoyed the range of stories and the fact that the book is divided into three parts: to the stars; the magical now; and other times, other realms. The title of the section is a teaser for the setting of the short stories within the section. I highly recommend this book to anyone who is craving the magic of the Latinx community and wishes to travel and meet many beloved magical characters. This was one of my most anticipated for 2022 and it did not disappoint!


Mariana Felix-Kim (she/her) lives in Washington, D.C. with her lovely cat, Leo. When she is not working in the environmental science field, Mariana is constantly reading. Her favorite genres include non-fiction, thrillers, and contemporary romances. Mariana is half Mexican and half Korean. You can find her on Instagram: @mariana.reads.books

LxP Writers Mentorship Showcase: Alexandra Castrillón Gómez

The Latinx in Publishing Writers Mentorship Showcase series features excerpts by our Class of 2021 mentees from the projects they’ve developed with the guidance of their mentors.

The LxP Writers Mentorship Program is an annual volunteer-based initiative that offers the opportunity for unpublished and/or unagented writers who identify as Latinx (mentees) to strengthen their craft, gain first-hand industry knowledge, and expand their professional connections through work with experienced published authors (mentors).

Below is an excerpt from one of our 2021 mentees, Alexandra Castrillón Gómez:


CÁ-LLA-TE 

Escucho el reloj en la pared marcando los segundos. Sí, es un reloj digital pero puedo escucharlo. Las vibraciones de su sistema electrónico. Los cambios en los leds para dar la hora. Camino despacio hacia la habitación. El cuerpo yace completamente quieto. Veo la cama y me parece más pequeña de lo que pensé. La sábana cae sobre su piel, que ya no necesita cobijo, formando ondulaciones que me hacen pensar en las dunas de un desierto. Una esquina de la tela se arrastra sobre el piso y me debato entre levantarla o no hacerlo. Igual ya está manchada por la sangre. Un poco de polvo no hará la diferencia.

Apago la luz de la mesa de noche. Es una lámpara sencilla, con una bombilla corriente, pero parece que fuera la creadora de todo el espacio. La enciendo: cama, sábana, sangre, muerta. La apago: nada. La enciendo: cama, sábana, sangre, muerta, mesa de noche, libro, gafas. La apago: nada. Podría quedarme en este juego hasta el amanecer, pero estoy cansado, ya quiero dormirme.

Podría dormir al lado de la muerta. Imaginar que respira, que de su cuerpo sale algo de calor. Soñar, tal vez, que me habla, que me acaricia, que me besa, que lame mi sexo erecto, que la toco y es tibia, que está húmeda, que la penetro y que ambos disfrutamos.

Estoy muy cansado.

Regreso a la cocina y dejo el vaso de vodka ya vacío como uno más de todos los trastes sucios del lavaplatos. Hay un trapo sucio que ha sido lavado y manchado miles de veces. La estufa parece del siglo pasado. Veo un trozo de pan en una canasta y puedo percibirlo duro y rancio.

Decido acostarme en el sofá.

Apago la luz de la cocina y todo desaparece. Como hace un rato desaparecieron la lámpara, las gafas, el libro, la mesa de noche, la muerta, la sangre, la sábana y la cama.

Ojalá pudiera apagar así mi cerebro.

Sacarme todos estos sonidos, olores, sabores, sensaciones, recuerdos, pensamientos y gritos.

Los gritos.

Los gritos de ella pude apagarlos.

Pensé que sería más difícil.

La desperté en medio de la noche.

Le pedí que se callara.

«¿Qué dices?, ¡si no he hablado!» Me respondió a los gritos. Volvió a dormir. Volvió a gritar.

«¡Cállate!, no puedo dormir».

Tres veces de lo mismo y a la cuarta ya no la desperté.

Caminé a la cocina. Abrí el cajón. Revisé todas las opciones. La escuché gritar, desde la habitación, a oscuras, acostada, en la cama, cubierta por la sábana, con la mesa de noche en la que había un libro, unas gafas y una lámpara.

Tomé un cuchillo, imaginé cómo se sentiría cortarle la lengua, las cuerdas vocales, la garganta, los pulmones, todo eso que necesita un cuerpo para gritar.

Caminé despacio, sabiendo dónde estaba cada cosa en el espacio, midiendo mi respiración, mis propios gritos.

Le puse el cuchillo en el cuello, sentí su respiración húmeda, le corté la garganta, sentí la sangre saliendo a pulsos, mientras que ella intentaba decir algo, ahogándose, agarrándome cada vez con menos fuerza, gritando.

Hasta que ya no pudo hacerlo más.

Escucho el reloj en la pared marcando los segundos. Y ahora, mientras intento dormir, la escucho a ella, que vuelve a empezar a gritar.

Used with permission from the author, copyright (c) Alexandra Castrillón Gómez, 2021.


Alexandra Castrillón Gómez, was born in Colombia. She is the author of Me muero por vivir, honored by the 2021 International Latino Book Awards as the Spanish-language silver medalist for the Isabel Allende Most Inspirational Fiction Award. She also published Detrás de mi nombre and Entre redes. The latter is a project she worked on with her mentor, Luis Alejandro Ordóñez. Alexandra is a member of the Hispanic Heritage Organization, and is currently working on her 4th novel.

Website: https://www.alexandracastrillon.com/

Instagram: https://www.instagram.com/acastrillon/

LxP Writers Mentorship Showcase: P.B. Nieto

The Latinx in Publishing Writers Mentorship Showcase series features excerpts by our Class of 2021 mentees from the projects they’ve developed with the guidance of their mentors.

The LxP Writers Mentorship Program is an annual volunteer-based initiative that offers the opportunity for unpublished and/or unagented writers who identify as Latinx (mentees) to strengthen their craft, gain first-hand industry knowledge, and expand their professional connections through work with experienced published authors (mentors).

Below is an excerpt from one of our 2021 mentees, P.B. Nieto:


MEN IN HIGH PLACES

June, 2007

Liliana: The trial

In the midst of this trial, where the world seems to be collapsing around me, I am trying to make sense of it all. But it is too much. The sordid testimonies, the vicious prosecutors, and worse than all, I feel the public eye, searing into our backs. The vultures roam near the ground and enjoy our fall from grace a little too much. They lustfully lick their lips with anticipation of the endless potential of this scandal. Bastards.

How could this have happened? How could someone so powerless take everything from us? We had handed her the string that she pulled on until it unraveled us completely. It is hard for me to understand.

So I've decided to start at the beginning, from the first memories I have of her.

I guess the first thing that I recall is that she never seemed improper, not even as a child. Her hair was always neatly tucked into a bun or effortlessly falling to her shoulders. For that, I envied her. For the rest, of course, I didn't. Her shabby shoes, the way she looked down at the floor sometimes when people were speaking straight at her...it was hard not to feel a glimmer of pity. She would wrap her books in a transparent wrap at the beginning of the year because she would rent them instead of buying them. In the swarm of ponytails and matching blue skirts, she would get lost, practically disappear from notice, as if blending into the environment came easily to her - as if she had always been there. She hadn't, of course, but this was something I constantly need to remind myself of.

Almost a cultural institution, our school had survived all the upheavals of a young Latin American democracy. Nearly 100 years old - almost as old as the capital city - it had lived through wars, revolutions, dictatorships, democracies, and dictatorships again. It had started in the early 1910s as a finishing school for young girls from rich families - ones that expected their daughters to be interesting companions to rich men. Sending girls to school seemed like a luxury that promised modernity - the kind of thing that Americans or Europeans would do. And so, these modern men sent their daughters to school, and those women sent their daughters to the same school, and so on. Over the years, not even the leftists' revolutionary governments ever messed with the school (don't their members also need interesting wives?).

Most of us in school had played together as babies. Our mothers ate lunch at the Country Club while we dabbled around as toddlers. We took kindergarten photos in front of the large school building. She appeared somehow in second grade, once the groups and allegiances were formed between little girls. She meshed with the few other middle-class girls - being neither light enough nor dark enough to be set in a particular group.

Back then, I didn't know - or care enough- where she came from. Some city in one of the provinces, possibly in the mountains, probably a mining camp - like all the white children coming from that part of the country. I never once saw her parents - not in a PTA meeting nor in a school event. Then again, maybe I did, and they just blended into the background, like her. I remember an older woman, dark-skinned and braided hair like our nannies and maids. She picked her up from school and told the teacher she was her grandmother. We all stared in silence before breaking up in giggles. The next day we chanted that her grandmother was a maid. Yes, we were awful, but in all fairness, we used words no different than the ones our mothers did. I remember being with her in a carpool once, and an old lady with braids and woolen skirts who was asking money in a street light stop almost ran into our car. "Fucking India," the mother yelled at her. We giggled at hearing a mother curse. The class clown, leaned close to her and said: "India, like your grandmother." She just looked out the window and did not say a word nor move an inch.

The truth is, none of us knew much about her until the turn of the century, the year 2000 when all the ugliness went down. She was involved in a sordid little affair that constituted her 15 minutes of notoriety. After that, she disappeared from our sights and seemingly from the face of the earth. Quite honestly, after all that, I doubted we would see more of her. And we wouldn't have if it weren't for Rafael.

Rafa, my little brother, was always a little fuck. I think it's because Mother never breastfed him. She never breastfed me either, but I didn't have these latent Eudipous tendencies he did. I saw Mother for what she was, a nervous frivolous woman filled with anxieties that boredom created. A small stomach roll peeping out in a picture from over her jeans could send her into severe angst and weeks of diet. The maid getting a new radio would make her spiral into counting the loose change in every room in the household, as she was suddenly sure she was stealing. I sensed this, smelled it when I was little, and kept her at a safe distance. I didn't want to drink her milk (not that she offered, she knew she didn't want saggy boobs since her first pregnancy) or anything else from her, for that matter. I sensed that it would be toxic, that something in her was dangerous, frail, and contagious.

But serious little Rafael saw Mother as a beautiful unachievable creature, waving bye to him in a frock and constantly too tired to bother with him in the mornings. He wanted nothing more than to climb in her bed and stroke her pretty yellow hair. She sometimes entertained his longings, but it didn't last. She would get bored and call the maid. He would get angry and kick the maid in the shins. Mama would just shake her face and move on.

Rafael had always wanted to be a politician; we knew it since he was a little and made himself grandiose. He was - and is - an idiot, yet he spoke so confidently that he impressed his teachers, who always gave him glowing course reviews. They looked past how slimy and seething he could be and perhaps pitted him for being scrawny and getting bullied at times by the larger, fatter kids, and overlooked how he turned to bully the kids that were even smaller than him. He got even worse after he went to camp with the Opus Dei, who scouted what they called 'the young leaders of tomorrow.' Only rich little white boys, of course. They were accurate in that sense. They took them to spiritual retreats where god knows what nonsense they fed into them, but Rafa returned each time with a cross hanging around his neck and a bigger attitude of being god's gift to this earth, sent here to save this country Cholos and Indios.  

But Rafa could never fool Father, who saw through his weakness. Father brought him back to earth in a second. "Did you enjoy your Christian cabro camp?" Yes, Father was convinced the Opus Dei wanted to turn all little boys into fags, and more than once, he threatened to send Rafa to a military school where the Cholos would beat him bloody.

I think that Father always knew Rafa's weakness would not only be annoying but also dangerous. I think he sensed that he was a weak link in the chain that held us all together and in place. And now, in retrospect, I know he was right.

Used with permission from the author, copyright (c) P.B. Nieto 2021


P.B. Nieto grew up in Lima, Peru, and has been writing stories since she can remember. She is a behavioral researcher and works on gender-based violence prevention. She is a mentee in the Class of 2021 Latinx in Publishing Writers Mentorship Program. Her manuscript novel Men in High Places, is the product of six months of research in the archives of Peruvian museums and memorial centers. She lives in Brooklyn with her husband and rescue pup.

18 Black Latinx Authors to Keep on Your Radar

 

Mia Sosa, author of The Worst Best Man

Named one of the Best Romances of 2020 by EW, Cosmo, OprahMag, Buzzfeed, Insider, and NPR! 

Mia Sosa delivers a sassy, steamy #ownvoices enemies-to-lovers novel, perfect for fans of Jasmine Guillory, Helen Hoang, and Sally Thorne!

A wedding planner left at the altar? Yeah, the irony isn’t lost on Carolina Santos, either. But despite that embarrassing blip from her past, Lina’s offered an opportunity that could change her life. There’s just one hitch… she has to collaborate with the best (make that worst) man from her own failed nuptials. 

Marketing expert Max Hartley is determined to make his mark with a coveted hotel client looking to expand its brand. Then he learns he’ll be working with his brother’s whip-smart, stunning—absolutely off-limits—ex-fiancée. And she loathes him. 

If they can nail their presentation without killing each other, they’ll both come out ahead. Except Max has been public enemy number one ever since he encouraged his brother to jilt the bride, and Lina’s ready to dish out a little payback of her own. 

Soon Lina and Max discover animosity may not be the only emotion creating sparks between them. Still, this star-crossed couple can never be more than temporary playmates because Lina isn’t interested in falling in love and Max refuses to play runner-up to his brother ever again...

 

Aya de Leon, author of Side Chick Nation

Fed up with her married Miami boyfriend, savvy Dulce has no problem stealing his drug-dealer stash and fleeing to her family in the Caribbean. But when she gets bored in rural Santo Domingo, she escapes on a sugar daddy adventure to Puerto Rico. Her new life is one endless party, until she's caught in Hurricane Maria—and witnesses the brutal collision of colonization and climate change, as well as the international vultures who plunder the tragedy for a financial killing, making shady use of relief funds to devastate the island even more. Broke, traumatized, and stranded, Dulce’s only chance to get back to New York may be a sexy, crusading journalist who’s been pursuing her. But is she hustling him or falling for him?

Meanwhile, New York-based mastermind thief Marisol already has her hands full fleecing a ruthless CEO who’s stealing her family’s land in Puerto Rico, while trying to get her relatives out alive after the hurricane. An extra member in her crew could be game-changing, but she’s wary of Dulce’s unpredictability and reputation for drama. Still, Dulce’s determination to get justice draws Marisol in, along with her formidable Lower East Side Women’s Health Clinic’s heist squad. But their race-against-the-clock plan is soon complicated by powerful men who turn deadly when ex-side chicks step out of the shadows and demand to call the shots . . .

 

Sulma Arzu Brown, author of Bad Hair Does Not Exist

Bad Hair Does Not Exist!/"Pelo Malo No Existe!" - is a book with an anti-bullying message that reinforces respect for individualism. Hispanic and Black children are exposed to the divisive and bullying term, "bad hair," within their own communities.
The term "bad hair" or "pelo malo" is used to describe hair that is usually of curlier texture or of a thick and coarse density. This is irresponsible and often contributes to a child's low self-esteem, dividing both communities and families. The book's purpose is to empower all children by giving them alternate terms to describe their hair, and teaching them the importance of respecting one another's differences.

 

Ariana Brown, Author of We Are Owed

We Are Owed. is the debut poetry collection of Ariana Brown, exploring Black relationality in Mexican and Mexican American spaces. Through poems about the author's childhood in Texas and a trip to Mexico as an adult, Brown interrogates the accepted origin stories of Mexican identity. We Are Owed asks the reader to develop a Black consciousness by rejecting U.S., Chicano, and Mexican nationalism and confronting anti-Black erasure and empire-building. As Brown searches for other Black kin in the same spaces through which she moves, her experiences of Blackness are placed in conversation with the histories of formerly enslaved Africans in Texas and Mexico. Esteban Dorantes, Gaspar Yanga, and the author's Black family members and friends populate the book as a protective and guiding force, building the "we" evoked in the title and linking Brown to all other African-descended peoples living in what Saidiya Hartman calls "the afterlife of slavery."

 

Jamie Figueroa, author of Brother, Sister, Mother

In the tourist town of Ciudad de Tres Hermanas, in the aftermath of their mother's passing, two siblings spend a final weekend together in their childhood home. Seeing her brother, Rafa, careening toward a place of no return, Rufina devises a bet: if they can make enough money performing for privileged tourists in the plaza over the course of the weekend to afford a plane ticket out, Rafa must commit to living. If not, Rufina will make her peace with Rafa's own plan for the future, however terrifying it may be.

As the siblings reckon with generational and ancestral trauma, set against the indignities of present-day prejudice, other strange hauntings begin to stalk these pages: their mother's ghost kicks her heels against the walls; Rufina's vanished child creeps into her arms at night; and above all this, watching over the siblings, a genderless, flea-bitten angel remains hell-bent on saving what can be saved.

 

Eric Velasquez, author of Octopus Stew

The octopus Grandma is cooking has grown to titanic proportions. “¡Tenga cuidado!” Ramsey shouts. “Be careful!” But it’s too late. The octopus traps Grandma! Ramsey must use both art and intellect to free his beloved abuela.

Then the story takes a surprising twist. And it can be read two ways. Open the fold-out pages to find Ramsey telling a story to his family. Keep the pages folded, and Ramsey’s octopus adventure is real.

This beautifully illustrated picture book, drawn from the author’s childhood memories, celebrates creativity, heroism, family, grandmothers, grandsons, Puerto Rican food, Latinx culture and more.

With an author’s note and the Velasquez family recipe for Octopus Stew! Now also available in Spanish!

 

Aja Monet, author of My Mother Was a Freedom Fighter

My Mother Was a Freedom Fighter is poet Aja Monet’s ode to mothers, daughters, and sisters—the tiny gods who fight to change the world.

Textured with the sights and sounds of growing up in East New York in the nineties, to school on the South Side of Chicago, all the way to the olive groves of Palestine, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy.

 

Circe Moskowitz, author of Good Mourning

Circe Moskowitz writes science fiction, fantasy and horror. She is the author of Good Mourning and the editor of No Harm Done. Her work has also appeared in the anthology Reclaim the Stars. She currently lives in Kentucky.

Good Mourning: Coming Fall 2024 from Penguin Random House.

Pitched as Schitt's Creek meets HGTV, Black vampire Theo trades in the city and her coven for a quiet, New England inn only to find it more rundown than advertised. After (accidentally!) murdering the current owner, Theo places herself in charge and ends up falling in(n) love: with running a bed and breakfast . . . and with Ronnie, the handywoman, who knows Theo's vampiric secret.

 

Denise Adusei, author of Cesaria Wears No Shoes

Denise Rosario Adusei grew up in Rio de Janeiro, Brazil, making forts, climbing trees, and playing soccer. When she's not writing children's books, she serves as a professional imagineer for preschoolers in Harlem. Her debut picture book, Cesaria Wears No Shoes. is set for publication in spring 2023. In addition to writing children's books, Denise serves as the founding director of a Harlem-based preschool. As a founding member of both #BlackCreatorsInKidlit and #LatinxPitch, Denise is committed to increasing diverse representation in children's literature.

Cesaria Wears No Shoes is coming in 2023

 

Maya Motayne, author of Nocturna

The first in a sweeping and epic debut fantasy trilogy—set in a stunning Latinx-inspired world—about a face-changing thief and a risk-taking prince who must team up to defeat a powerful evil they accidentally unleashed. Perfect for fans of Tomi Adeyemi and Leigh Bardugo.

 

Jasminne Mendez, author of Josefina’s Habichuelas

Young Josefina gives up sweets for Lent and then learns how to make her Dominican family’s traditional Easter dessert.

 

Hilda Eunice Burgos, author of The Cot in the Living Room

Night after night, a young girl watches her mami set up a cot in the living room for guests in their Washington Heights apartment, like Raquel (who’s boring) and Edgardo (who gets crumbs everywhere). She resents that they get the entire living room with a view of the George Washington Bridge, while all she gets is a tiny bedroom with a view of her sister (who snores). Until one night when no one comes, and it’s finally her chance! But as it turns out, sleeping on the cot in the living room isn’t all she thought it would be.

 

Alyssa Reynoso Morris, author of Plátanos are Love

Alex Borbolla at Atheneum has acquired world rights to Plátanos are Love by debut author Alyssa Reynoso-Morris, illustrated by Mariyah Rahman, a picture book about a young girl who learns the cultural significance of plantains while cooking alongside her abuela. Publication is scheduled for Spring 23. Kaitlyn Sanchez at Context Literary Agency represented the author, and Christy Ewers at The CAT Agency represented the illustrator.

Plátanos are Love coming 2023

 

Lorraine Avila, author of Malcriada & Other Stories

In the middle of the Caribbean Sea, aboard an illegal voyage from the Dominican Republic to Puerto Rico, a twelve year old learns her name; a former cacao farmer finds a constellation on his lover’s thighs; best friends become strangers and find the essence of themselves in the face of deception; an old man exchanges his homeland for a New York City bodega storefront; preteen boys grapple with authority; female cousins come to terms with their first shared sexual experience; an alcoholic woman finds serenity at the bottom of the sea; feminism is deconstructed by opposing views; on the back of a motorcycle, self awareness is found; and a woman discovers that healing is a series of choices.

 

Darrel Alejandro Holnes, author of Stepmotherland

Winner of the Andrés Montoya Poetry Prize, Stepmotherland, Darrel Alejandro Holnes’s first full-length collection, is filled with poems that chronicle and question identity, family, and allegiance. This Central American love song is in constant motion as it takes us on a lyrical and sometimes narrative journey from Panamá to the USA and beyond. The driving force behind Holnes’s work is a pursuit for a new home, and as he searches, he takes the reader on a wild ride through the most pressing political issues of our time and the most intimate and transformative personal experiences of his life. Exploring a complex range of emotions, this collection is a celebration of the discovery of America, the discovery of self, and the ways they may be one and the same.

 

Naima Coster, author of What’s Mine and Yours

A community in the Piedmont of North Carolina rises in outrage as a county initiative draws students from the largely Black east side of town into predominantly white high schools on the west. For two students, Gee and Noelle, the integration sets off a chain of events that will tie their two families together in unexpected ways over the next twenty years.

 

Elizabeth Acevedo, author of Inheritance: A Visual Poem

In her most famous spoken-word poem, author of the Pura Belpré-winning novel-in-verse The Poet X Elizabeth Acevedo embraces all the complexities of Black hair and Afro-Latinidad—the history, pain, pride, and powerful love of that inheritance.

 

Saraciea J. Fennell, Editor of Wild Tongues Can’t Be Tamed

In Wild Tongues Can’t Be Tamed, writers from across the Latinx diaspora interrogate the different myths and stereotypes about this rich and diverse community. From immigration to sexuality, music to language, and more, these personal essays and poems are essential additions to the cultural conversation, sure to inspire hope and spark dialogue.

The bestselling and award-winning contributors include Elizabeth Acevedo, Cristina Arreola, Ingrid Rojas Contreras, Naima Coster, Natasha Diaz, Khalil Haywood, Zakiya Jamal, Janel Martinez, Jasminne Mendez, Meg Medina, Mark Oshiro, Julian Randall, Lilliam Rivera, and Ibi Zoboi.

 

Illianna Gonzalez-Soto lives in San Diego, CA with her dog Fluffers and her ever-growing #tbr pile. She currently works with Scholastic as a Marketing Assistant. You can follow her on Twitter (@Annalilli15) and Instagram (@librosconillianna).