5 Latinx Authors are 2022 National Book Award Finalists

The National Book Foundation has announced the Finalists for the 2022 National Book Award for Young People’s Literature, Fiction, Nonfiction and Translated Literature.

There is a wonderfully diverse cast of authors on this year’s list, with titles that address issues such as gender and sexuality, racism and xenophobia, and self-esteem and self-acceptance.

5 of the finalists this year are Latinx!

Young People’s Literature

 
 

Sonora Reyes for The Lesbiana's Guide to Catholic School | Balzer + Bray

Fiction

 
 

Alejandro Varela for The Town of Babylon | Astra House

Nonfiction

 
 

Ingrid Rojas Contreras for The Man Who Could Move Clouds | Doubleday

Translated Literature

 
 

Mónica Ojeda for Jawbone | Coffee House Press

Translated Literature

 
 

Samanta Schweblin for Seven Empty Houses | Riverhead Books

Congratulations to all the finalists!

LxP Chat with Claudia Cardona & Caroline Bleeke from Our 2021 Work-In-Progress Fellowship

The Latinx in Publishing Inc. (LxP) Work-in-Progress (WiP) Fellowship Program is designed to help support and create opportunities for aspiring Latinx writers. Work-in-Progress Fellowship will support one Latinx writer (living in the United States including Puerto Rico) with a manuscript in the Fiction, Narrative Nonfiction, or Young Adult categories by pairing them with a Macmillan editor to help develop their manuscript over a 10-month period. The winner is selected by a panel of judges. Claudia Cardona was LxP’s 2021 Fellow.


Latinx in Publishing (LxP): Claudia, can you speak to what surprised you most as you went deeper and deeper into your own specific relationships with Ali and Caroline? 

Claudia Cardona (CC): As I grew to know Caroline Bleeke, I was pleased to discover how much we had in common as editors and shocked at little I knew about the publishing industry. Caroline graciously shared her experiences and knowledge from her editorial experiences. In every conversation we had, I grew a new branch of editorial knowledge. 

I figured the editorial grind was tough, but I didn’t realize how much work editors put into their manuscripts, during and after working hours. It gave me a new perspective on how much energy and care editors put into their clients’ work. It also showed me how much unpaid labor is expected in the literary world. 

Additionally, our conversations gave me more insight into the structural issues of the publishing world. Caroline and I had incredible conversations about these problems and our perspectives on these issues. Our conversations helped me imagine the type of editorial work I would like to do in Texas.

LxP: In my experience, there's some key element to the relationship between the editor and the writer that needs to be there in order for the process to really function or function as well as it can -- in your own mind, how would you describe that key element and how did you see it play out over the course of the fellowship, regarding your own work with each other one-on-one, or even what you observed about each other and then your own approach to the work having participated these past ten months in the fellowship?

CC: Through my experiences in and out of the fellowship, I feel like the key element of an editor-writer relationship is understanding and communication. Above all, editors should bring out the best version of a writer’s work. When Caroline spoke to me about working with past authors, she shared a similar sentiment. In her editorial process, Caroline notes questions about their writing choices and asks her authors these questions so that they can articulate what they are trying to accomplish. During my fellowship, I worked on my father’s poetry manuscript I plan to publish this summer. I got to try out this technique of asking questions so that he could articulate his poems, which led to great revisions. 


LxP: As writers, I feel like we all have a kind of preconceived notion about what the work of an editor is or might be before we actually work with an editor -- or maybe it's just this kind of mysterious cipher of a job and we don't have any ideas what an editor does outside of editing, and then, no idea what editing itself might actually mean. Ali and Caroline, can you talk a little about the kind of misconceptions people might have about the work you do as editors?

Caroline Bleeke (CB): From the outside, the job of an editor can seem very solitary – all reading and editing alone at a desk. And of course there is plenty of that. But my job is much more about building relationships and community. As an editor, I’m the conduit between my authors and all of the other people who will help bring their book into the world: publicity, marketing, art, design, sales, booksellers and librarians, etc. I’m trying to spread excitement and love for the books on my list, to matchmake between authors and readers. I was certainly surprised by how social my job turned out to be, and it’s one of my favorite parts of my work. 


LxP: Claudia, how did participating in the fellowship with your mentors maybe change the way you looked at and approached your own work, whether as writers or readers or editors? Do you find yourself thinking about the work differently than before? 

CC: In my editorial career, I always had the feeling that my editorial experiences were a neat side note in my resume but not anything comparable to the experiences of editors at “Big Five.” Although Caroline’s editorial journey is very different from mine, she always made me feel like an equal. She validated and encouraged me by reminding me that I have had abundant editorial experience. 

Now that I have a better idea of how the publishing world functions, I have a better idea of what I want to do with my own editorial career. Hearing Caroline articulate what she loves about being an editor helped me figure out why I want to do this work as well. Now I am constantly on the lookout for local poets who I would like to publish. Giving back to my community through publishing is the type of work I want to do.


LxP: Now that you've almost completed the ten month fellowship program (or now that you've been working in your industry as long as you have), what advice would you give other writers who hadn't experienced work with an editor yet? -- whether about their own writing process, about the editing process and what it entails, about anything, really.

CC: As an editor and writer, I know how difficult it can be on both ends. Sending out submissions can feel so vulnerable and raw, so it is important to do research beforehand. Writers need to make sure they are sending work to editors who publish writers who they feel like their work is in conversation with. Additionally, working with an editor should be a collaborative experience. As writers, we can feel so connected to our work and it may be hard to embrace changes, but it is necessary to keep an open mind and trust the editor. 

CB: I think it’s crucial that editors and writers be on the same page from the very beginning about what their ultimate vision for the book is. An editor can have a tremendous amount of respect and admiration for a writer and still not be the right partner to help bring their work into the world. I always have preliminary phone calls with writers whose work I’m considering for acquisition to make sure our editorial ideas and goals align – and writers should be very candid in those conversations. Even when I work extensively with a writer on revisions, my notes are always to the end of helping an author realize their vision, rather than imposing my own, and that’s the most important aspect of an editor/writer relationship, for me.


Cloud Delfina Cardona (she/they) is a poet, artist, and educator from San Antonio, Texas. She is the author of What Remains, the 2020 Host Publications Chapbook Winner. She is the co-founder of Infrarrealista Review with Juania Sueños, an organization dedicated to publishing Texan writers. Her poetry can be found in wildness, Voices de la Luna, Apogee, Salt Hill, Wax 9, and more. Follow them at @mexistentialism for art and poems.

 

Caroline Bleeke (she/her), Executive Editor, publishes literary and upmarket fiction at Flatiron Books, with an emphasis on underrepresented voices, historical fiction, clever retellings, family sagas, coming-of-age stories, innovative structure and style, writing with a strong sense of place, and heart. Her authors include Angie Cruz, author of DOMINICANA and the forthcoming HOW NOT TO DROWN IN A GLASS OF WATER, and Saraciea J. Fennell, editor of WILD TONGUES CAN'T BE TAMED, as well as Nina LaCour, Charlotte McConaghy, Margarita Montimore, Melinda Moustakis, Neel Patel, Bushra Rehman, Jenny Tinghui Zhang, and many others. She began her career at Alfred A. Knopf, and holds a Master’s degree in Eighteenth-Century and Romantic Literature.

#SalaSundays with Irene Vázquez

Irene Vázquez hosted our Instagram on October 2nd for our weekly #SalaSundays series. Below are a few questions that we asked Irene.

Latinx in Pub (LxP): What do you do?

Irene Vázquez (IV): I'm an Assistant Editor and Publicist at Levine Querido

LxP: How did you get started?

IV: I was a freelance reader at LQ (reading manuscripts in French and Spanish), then an intern (with the support of the WNDB internship grant), then started full time in the Summer of 2021!

LxP: What do you wish you knew before getting into the industry?

IV: How many cool non-editorial jobs there are in publishing!

LxP: What book are you currently working on or reading?

IV: Currently working on THE QUEER GIRL IS GOING TO BE OKAY by Dale Walls (out in Fall '23).


Irene Vázquez is an Assistant Editor and Publicist at Levine Querido. Irene graduated from Yale with a BA in Ethnicity, Race, and Migration and English. Irene read Esperanza Rising so many times in elementary school that the cover started to tear and has been passionate about children’s books ever since. Outside of LQ, Irene is a poet and journalist who likes drinking coffee, watching Queen Sugar and reminding folks that the South has something to say.

8 Authors to Read This Hispanic Heritage Month

¡Feliz Hispanic Heritage Month a todos!

All year long, we here at Latinx in Publishing are committed to promoting literature by, for, and about Latinx people, but we find it especially important during this month. …. ….

Read on for our list of 8 authors that should be on your radar this Hispanic Heritage Month!

 

MAYRA SANTOS FEBRES | Puerto Rican

Our Lady of the Night


CARMEN RITA WONG | Dominican and Chinese

Why Didn’t You Tell Me


CARLOS YUSHIMITO | Peruvian and Japanese

Lessons for a Child Who Arrives Late


MIA SOSA | Brazilian and Puerto Rican

The Wedding Crasher


OLIVIA ABTAHI | Iranian and Argentinian

Perfectly Parvin


MARIE VIEUX-CHAUVET | Haitian

Love, Anger, Madness: A Haitian Triptych


REV. DR. ROBERT CHAO ROMERO | Chinese and Mexican

Brown Church: Five Centuries of Latina/O Social Justice, Theology, and Identity


NAIMA COSTER | Afro-Dominicana

What’s Mine and Yours

 

Review: A Ballad of Love and Glory by Reyna Grande

A Ballad of Love and Glory takes place in 1846. After Texas has been annexed, the US army begins to head south to start a war with Mexico over the Río Grande border. The novel follows Mexican army nurse, Ximena Salomé Benítez y Catalán and Irish soldier, John Riley. To honor the memory of her deceased husband, Ximena uses her skills in healing to tend to those injured in the war. After John Riley deserts the US Army, he forms a group within the Mexican Army called the Saint Patrick’s Battalion or El Batallón de San Patricio. As tensions rise between Mexico and the US, so does the love and passion between Ximena and John.

Ximena Salomé Benítez y Catalán is a gifted healer and has learned her skills from her grandmother, Nana Hortencia, a renowned curandera in the area. She lives on her ranch with her husband, Joaquín, but when the infamous Texas Rangers make their way onto her home, she is left a widow. This incident, on top of the impending war, sparks the drive for Ximena to be on the frontlines by using her healing skills to tend to patients, on both sides of the war. Upon meeting a new Irish soldier, Ximena begins an affair with him and finds a new reason to fight for the fate of her nation.

John Riley is a soldier for the US army but becomes frustrated with the mistreatment that he, along with his other Irish and European comrades, faces at the hands of the Yankees. When the final straw takes shape in the death of a good friend, he swims across the Río Grande to join ranks within the Mexican army. He quickly finds better treatment as well as better opportunities to rise in the ranks. When he does, he forms the Saint Patrick’s Battalion. Riley has a wife and son back in Ireland but begins an affair with the army nurse. After a number of taxing battles, he soon faces the greater consequences of this war.

Grande’s thorough research of the Mexican-American War, or the U.S. Intervention in Mexico, as Mexico calls it, brings forth a significant part of history that is often forgotten.

Grande’s thorough research of the Mexican-American War, or the U.S. Intervention in Mexico, as Mexico calls it, brings forth a significant part of history that is often forgotten. John Riley and his battalion are seen as traitors to Americans and as heroes to Mexico – to this day, they are praised as such in the country they fought for. Something I appreciate is that she includes the various texts that she read to learn more about this war and group. Like Grande, I did not learn about the Mexican-American War until taking my first Chicano/a/x history class. I have been drawn to the history of this battle and to the heroes in Saint Patrick’s Battalion, and I am happy to see that their history continues to live on. Vivan Los San Patricios! Erin Go Bragh!

Book content warnings: Murder, violence, sexual assault, NSFW


Reyna Grande was born in Mexico and arrived in the United States at a young age. She attended Pasadena City College, received her B.A. from the University of California, Santa Cruz, and an M.F.A. from Antioch University. She has been the recipient of various awards, appeared on many prestigious media outlets, and her books are part of reading selections in educational institutions across the country. To be awarded and praised for one’s writing while also being included in educational readings is an incredible feat. It is evident that Grande’s writing is a force to be reckoned with.

Melissa Gonzalez (she/her) is a UCLA graduate with a major in American Literature & Culture and a minor in Chicana/o & Central American Studies. She loves boba, horror movies, and reading. You can spot her in the fiction, horror/mystery/thriller, and young adult sections of bookstores. Though she is short, she feels as tall as her TBR pile. You can find Melissa on her book Instagram: @floralchapters

Latinx Authors on the 2022 National Book Awards Longlist

The National Book Foundation announced the Longlist for the 2022 National Book Award for Young People’s Literature, Fiction, Nonfiction and Translated Literature.

There is a wonderfully diverse cast of authors on this year’s list, with titles that address issues such as gender and sexuality, racism and xenophobia, and self-esteem and self-acceptance.

Many of the contenders for the awards this year are Latinx. Finalists will be announced on Tuesday, October 4, 2022.

 

Young People’s Literature

Sonora Reyes for The Lesbiana's Guide to Catholic School

 

Anna-Marie McLemore for Self-Made Boys: A Great Gatsby Remix.

 

Translated Literature

Mónica Ojeda for Jawbone

 

Samanta Schweblin for Seven Empty Houses

 

Nonfiction

Kelly Lytle Hernández for Bad Mexicans: Race, Empire, and Revolution in the Borderlands

 

Ingrid Rojas Contreras for The Man Who Could Move Clouds: A Memoir

Fiction

Marytza K. Rubio for Maria, Maria & Other Stories

 

Alejandro Varela for The Town of Babylon

Poetry

Rio Cortez for Golden Ax

Congratulations to all of the authors nominated!

Book Review: More Than You’ll Ever Know by Katie Gutierrez

A stunning portrait of human morality, More Than You’ll Ever Know by Katie Gutierrez is simultaneously a love letter and a critical analysis of the true crime genre. Set in 2017, Cassie, a struggling crime writer, learns of the story of Lore Rivera—a woman who in the mid-1980’s was secretly married to two men—until one husband murdered the other. Now an older woman living alone, Lore agrees to allow Cassie to write a book on Lore’s life with one rule: Cassie cannot ask Lore about the day Fabian killed Andres.

Gutierrez wonderfully captures the complexities of human morality, specifically in women. Cassie, Lore, and many of the other characters are multi-dimensional in their feelings of love and hate, selfishness and self-sacrifice. Cassie reflects the modern intricacy of the true crime genre, with her empathy towards Lore’s story often fighting against her exploitation of it. Each chapter switches back and forth from Cassie’s and Lore’s perspectives, with Lore’s point of view switching from present day to the past, beginning when she first met her second husband. The backdrop of the 1980’s Mexican Peso crisis fuels Lore’s situation, with the financial strain creating tension in her home life with her husband Fabian and their twin boys. Her job as an international banker has her traveling back and forth between Texas to Mexico City, where she meets and falls in love with a single father, Andres. The story plays out in tandem with Cassie and Lore’s interviews in 2017, as well as with Cassie’s struggle to open up with her fiancé, Duke, about her abusive childhood and strained relationship with her alcoholic father.

A stunning portrait of human morality...

As Cassie, a true crime lover, is forced to contend with her one dimensional views of crime and morality–Lore pushes towards seeking closure for the tragedy that was brought upon by her decisions. While Lore’s story with Fabian and Andres shines as the novel’s major focus–Cassie’s storyline of her and Duke’s strained relationship often feels like the novel’s weak spot. Duke, the only character with a happy family background, feels the least fleshed out, more so than characters who appear less, yet are shown to be more complex individuals.

More Than You’ll Ever Know is filled with refreshingly human characters whose separate struggles seem unmatched on the surface yet are weaved seamlessly together through Gutierrez’s clean writing and intricate plotting. Beautiful and fast paced, the story culminates in a twist both shocking and achingly perfect.


Katie Gutierrez has an MFA from Texas State University, and her writing has appeared in Harper's Bazaar, The Washington Post, Longreads, Texas Monthly, and more. She was born and raised in Laredo, Texas, and now lives in San Antonio, with her husband and their two children. More Than You'll Ever Know is her first novel.

Nikkia Rivera is a writer living in Brooklyn, New York. She has previously been published in Thriller Magazine and Scarlet Leaf Magazine.

Exclusive Excerpt: Charlie Hernández & the Golden Dooms by Ryan Calejo

Inspired by Hispanic folklore, legends, and myths from the Iberian Peninsula and Central and South America, this third book in the Charlie Hernández series follows Charlie as he fights against an army of the dead.

After hitchhiking across Central and South America to rescue the Witch Queen and face off against La Mano Peluda, Charlie Hernández is pretty much grounded for life. But after all he's been through, some quiet time at home with his parents might be nice. Though it would be better if he didn't have to share his room with his obnoxiously perfect cousin Raúl, who's staying with them.

But quiet is hard to come by when you're the fifth and final morphling, and it's not long before death walks back into Charlie's life. Or at least, the dead do, starting with a mysterious young calaca who corners him at school, dropping cryptic hints about trouble brewing in the 305. With the League of Shadows focused on repairing fractured alliances and tracking gathering armies, this one's up to Charlie to solve.

Following the clues only leads to more questions, and not even teenage investigative journalist extraordinaire Violet Rey can figure out how a sudden rooster infestation, earthquakes, missing persons, and a pet-napping gang of lizard-men--whom Charlie doesn't recognize from any legend--are all connected. Most concerning of all is when they learn a map has been stolen that reveals the locations of the Golden Dooms, the twelve ancient calaca watchmen who form the magical barrier between the realms.

To stop the impending invasion, Charlie and Violet must outwit an ancient evil and unravel the most sinister of schemes. That is, unless they'd rather watch the Land of the Living get overrun by the dead.


Exclusive excerpt from Charlie Hernández & the Golden Dooms:

V and I stashed our bikes between the pair of big, stinky, rusted-out dumpsters at the corner, and then all three of us slipped into the trees, edging our way through saw grass and shadows until we were about twenty yards from the back of Pierre’s. A large green cargo truck with a canvas top and huge mud tires was backed up maybe five yards from the small loading bay door. The suspicious-looking dude we’d seen inside the shop was helping two other suspicious-looking dudes (these with a little less neck and a lot more hair) load something like boxes into the rear of the truck. Thick black cloths were draped over the boxes, which made it impossible to tell what they were or what was inside. The whole thing practically screamed ILLEGAL ACTIVITY UNDERWAY— AVERT YOUR EYES! 

“We have to get a closer look,” Violet whispered. And so we crouched in the tall grass, swatting at mosquitoes and moths, waiting for the three dudes to finish. 

When they finally did and had disappeared back into the store, we snuck up alongside the truck—on the opposite side—then quickly climbed into the back. The canvas curtains were so thick that they blocked out every scrap of moonlight, but Violet already had her phone out, the harsh white cone of her flashlight app illuminating the boxes we’d watched them load in. There were about ten of them, stacked two high and five deep. But the weirdest part? They seemed to be making the strangest sounds: I could just make out faint panting and sniffing, and some small, soft scratching sounds. 

“What do you think’s in ’em?” asked Raúl, sounding very much the part of a soon-to-be victim in some scary movie. 

“Let’s find out,” answered Violet, sounding like the very first victim. But when she lifted one of the covers, all we could do was gape. 

“A . . . golden retriever?” whispered Raúl, frowning. 

“And a Russian blue,” said V, peeking underneath another. 

So we peeked under maybe five or six more, and that was exactly what we kept finding: more dogs and cats. (Oh, and a hamster the size of a turkey.) 

Raúl, his eyes all big and round and shiny, glanced up at me. “Can we keep one?” he whispered. 

What? No. Well—” I glanced at Violet. “Maybe?” 

“They’re not ours to keep,” she said. “Check it out. . . . They’re all wearing collars. They’re all somebody’s pets.” 

“But why would those guys have so many pets?” I rasped. I mean, I’m a huge animal lover and all. In fact, I’m part animal. But geez . . . 

“I don’t think they do,” Violet said. “Look at the collars again. All different owners.” 

She was right. In the glow of her phone, I could see five different tags, and all five had different addresses and different phone numbers. 

“So, what, then?” I said. “They’re a petnapping ring posing as an antique shop? These people are sick!” Honestly, that was the only thing that made any sense to me. The question was: What could any of this possibly have to do with Esperanza’s sister? 

Next thing, Violet was opening one of the cages. A cat’s. Its collar read Kitty Purry in swirling golden letters. 

The blue-furred kitty blinked and its eyes sparkled, and it purred appreciatively as Violet brought it out of the cold shadows of the cage.

“Hey, what are you doing?” I whispered, and Violet said, “I know this address. . . .” 

I shook my head. “Whose is it?” 

“Not sure, but I’m positive I’ve seen it before. Like, onehundo.” The cat purred again, louder this time. And now I watched Violet’s lips pull down into a frown. “Where’s Raúl?” she hissed. 

Huh?” I glanced left, right, left, spun all the way around, in fact—and realized my cousin had flat vanished on us. Like poof! “Where the heck did he go?”

Just then I heard a click. Somewhere close by, a door banged open. Then came the sound of voices. And then of footsteps—approaching footsteps! 

“Someone’s coming!” whispered Violet. “Go, go!” 

We hurried out the rear of the truck, climbing backward down the tailgate, and had barely started to turn around when we ran into something—or rather, someone

And, unfortunately, it wasn’t my cousin. . . . 

“Hello, snoopers,” a voice whispered by my ear.

I didn’t need to turn around. 

I recognized it. 

And I recognized it because I’d just heard it. 

Then Mr. Sospechoso—aka the suspicious weirdo from inside the shop—wrapped me up in his bulky arms, lifting me off my feet even as I kicked and twisted, trying to wiggle free. 

Next to me, one of the other goons we’d seen helping him grabbed Violet. She struggled and screamed, and the cat leapt from her arms with a loud meoooow! to scamper underneath the truck.

“VIOLET!” I shouted. Then, yanking one arm free, I twisted around, already rearing back to pop this petnapping punk square on the nose— 

Only what I saw when I finally got all the way around nearly made me swallow my tongue! (And a couple of teeth, too . . .) 

What I’d expected to see—duh—was a human face. But what I actually saw was something else entirely. Up close, the best (and kindest) way to describe it was humanish . . . except there was waaay more ish mixed in there than I was completely comfortable with. The skin on the sides of his face and under his chin was scaly, greenish, and bonedry, like a crocodile’s. His nose, which had just looked a little busted from across the shop, was, in fact, upturned, U-shaped, and rounded at the end, sort of like a shovel. A few long, crooked teeth (too big to be human, too sharp and serrated to be fake) stuck down over his lower lip, and I could hear this totally creepy, rattlesnake-like hiss rising from deep inside his throat. But the freakiest thing about him? No doubt about it, his eyes! They were greenish, yellowish, and black, with dark vertical slits for pupils. Those are the eyes of a reptile, I thought numbly. The eyes of a PREDATOR

Resisting the temptation to go all Little Red Riding Hood and shout, “GRANNY, WHAT FREAKY EYES YOU HAVE!” I swung my head around and saw that his buddy (the one who’d grabbed Violet) had the same weird skin and the same reptilian eyes! Call me thick, call me slow—call me whatever you wanna call me!—but it was slowly beginning to dawn on me that these guys weren’t exactly human . . .

Panic rose like a hot-air balloon in my throat. But not just because we were outmuscled, outarmed, and completely outsized. But because I didn’t have the slightest clue what the heck these things even were! When I was growing up, my abuelita had taught me hundreds, if not thousands, of myths from all over the Spanish- and Portuguese-speaking world. She’d taught me them in order to protect me, knowing that one day I’d probably run into a few. And it had worked, too. Her stories had saved my life more times than I’d ever admit. (Especially to my mom, because she freaks out about stuff like that . . .) But now, as I took a panicky nosedive into the ocean of my hippocampus, searching through murky memories for stories of croc people, of walking, talking alligator monsters, I came back up with a big fat nada burger. Nothing! Which of course begged the question: Had my grandma never heard of these things? Had she forgotten about them? Or—and maybe most concerning of all—had she not told me about them on purpose

“What are we gonna do with ’em?” asked one of the goons—er, croc things. ‘

“Exactly what Mr. C would want us to . . . ,” answered the croc thing currently squeezing me like his favorite stuffed teddy. “Make ’em disappear.”


Ryan Calejo is the author of the Charlie Hernández series. He was born and raised in south Florida, where he graduated from the University of Miami with a BA. He teaches swimming to elementary school students, chess to middle school students, and writing to high school students. Having been born into a family of immigrants and growing up in the so-called “Capital of Latin America,” Ryan knows the importance of diversity in our communities and is passionate about writing books that children of all ethnicities can relate to.

Latinx Titles for Back To School

Back-to-school season means new backpacks, new classes, and, most importantly, new reading lists! Scroll on to see books for all age groups penned by Latine authors, and consider adding them to your back-to-school shopping list!

 

Preschool & Elementary

Pablo's Tree by Pat Mora

A multi-generational story that follows young Pablo on his birthday as he anticipates seeing how his abuelito (grandfather) has decorated a tree planted on the day Pablo was adopted.

Each year on his birthday, a young Mexican American boy looks forward to seeing how his grandfather has decorated the tree he planted on the day the boy was adopted. A charming story about a sweet tradition a boy and his grandfather share.

"Lang's clever cut-paper collages fill each page like a photo album with picture after picture of a family history that sparkles with love and a sense of belonging."--Booklist

 

Areli Is a Dreamer by Areli Morales, illustrated by Luisa Uribe

When Areli was just a baby, her mama and papa moved from Mexico to New York with her brother, Alex, to make a better life for the family--and when she was in kindergarten, they sent for her, too.

Everything in New York was different. Gone were the Saturdays at Abuela's house, filled with cousins and sunshine. Instead, things were busy and fast and noisy. Areli's limited English came out wrong, and schoolmates accused her of being illegal. But with time, America became her home. And she saw it as a land of opportunity, where millions of immigrants who came before her paved their own paths. She knew she would, too.

This is a moving story--one that resonates with millions of immigrants who make up the fabric of our country--about one girl living in two worlds, a girl whose DACA application was eventually approved and who is now living her American dream.

 

Across the Bay by Carlos Aponte

Author-illustrator Carlos Aponte takes readers on a journey to the heart of Puerto Rico in this enchanting picture book set in Old San Juan.

“A lively and honest story about filling voids and exploring what defines a family--as well as a love letter to a childhood home.”--Horn Book

Carlitos lives in a happy home with his mother, his abuela, and Coco the cat. Life in his hometown is cozy as can be, but the call of the capital city pulls Carlitos across the bay in search of his father. Jolly pirag eros, mischievous cats, and costumed musicians color this tale of love, family, and the true meaning of home.

 

Just Ask! by Sonia Sotomayor, illustrated by Rafael Lopez

Feeling different, especially as a kid, can be tough. But in the same way that different types of plants and flowers make a garden more beautiful and enjoyable, different types of people make our world more vibrant and wonderful.

In Just Ask, United States Supreme Court Justice Sonia Sotomayor celebrates the different abilities kids (and people of all ages) have. Using her own experience as a child who was diagnosed with diabetes, Justice Sotomayor writes about children with all sorts of challenges--and looks at the special powers those kids have as well. As the kids work together to build a community garden, asking questions of each other along the way, this book encourages readers to do the same: When we come across someone who is different from us but we're not sure why, all we have to do is Just Ask.

Middle School

Bravo!: Poems about Amazing Hispanics by Margarita Engle, illustrated by Rafael López

Musician, botanist, baseball player, pilot--the Latinos featured in Bravo!, by author Margarita Engle and illustrator Rafael López, come from many different countries and from many different backgrounds.

Celebrate their accomplishments and their contributions to a collective history and a community that continues to evolve and thrive today!

Biographical poems include: Aida de Acosta, Arnold Rojas, Baruj Benacerraf, César Chávez, Fabiola Cabeza de Baca, Félix Varela, George Meléndez, José Martí, Juan de Miralles, Juana Briones, Julia de Burgos, Louis Agassiz Fuertes, Paulina Pedroso, Pura Belpré, Roberto Clemente, Tito Puente, Ynes Mexia, Tomás Rivera.

 

Stef Soto, Taco Queen by Jennifer Torres

A heartwarming and charming debut novel about family, friends, and finding your voice all wrapped up in a warm tortilla.

Estefania Stef Soto is itching to shake off the onion-and-cilantro embrace of Tia Perla, her family's taco truck. She wants nothing more than for Papi to get a normal job and for Tia Perla to be a distant memory. Then maybe everyone at school will stop seeing her as the Taco Queen.

But when her family's livelihood is threatened, and it looks like her wish will finally come true, Stef surprises everyone (including herself) by becoming the truck's unlikely champion. In this fun and heartfelt novel, Stef will discover what matters most and ultimately embrace an identity that even includes old Tia Perla.

 

Lola Levine Is Not Mean! By Monica Brown 

Lola Levine likes writing in her diario, sipping her mom's cafe con leche, eating her dad's matzo ball soup, and playing soccer with her team, the Orange Smoothies. So what if she doesn't always fit in?

Lola is fierce on the field, but when a soccer game during recess gets too competitive, she accidentally hurts her classmate Juan Gomez. Now everyone is calling her Mean Lola Levine! Lola feels terrible, but with the help of her family, her super best friend, Josh Blot, and a little pencil power, she just might be able to turn it all around.

In this first book in a series, young readers will be inspired by Lola's big heart and creative spirit as she learns to navigate the second grade in true Lola style!

 

Freddie Ramos and the Meteorite by Jacqueline Jules

When Freddie and Mr. Vaslov see something fall from the sky, Freddie learns it could be a meteorite. He's determined to find it! Will Freddie find the rock from outer space before someone else does?

 

Sal and Gabi Break the Universe by Carlos Hernandez

What would you do if you had the power to reach through time and space and retrieve anything you want, including your mother, who is no longer living (in this universe, anyway)?

When Sal Vidon meets Gabi Real for the first time, it isn't under the best of circumstances. Sal is in the principal's office for the third time in three days, and it's still the first week of school. Gabi, student council president and editor of the school paper, is there to support her friend Yasmany, who just picked a fight with Sal. She is determined to prove that somehow, Sal planted a raw chicken in Yasmany's locker, even though nobody saw him do it and the bloody poultry has since mysteriously disappeared.

Sal prides himself on being an excellent magician, but for this sleight of hand, he relied on a talent no one would guess . . . except maybe Gabi, whose sharp eyes never miss a trick. When Gabi learns that he's capable of conjuring things much bigger than a chicken--including his dead mother--and she takes it all in stride, Sal knows that she is someone he can work with. There's only one slight problem: their manipulation of time and space could put the entire universe at risk.

 

Esperanza Rising by Pam Muñoz Ryan

Esperanza thought she'd always live a privileged life on her family's ranch in Mexico. She'd always have fancy dresses, a beautiful home filled with servants, and Mama, Papa, and Abuelita to care for her. But a sudden tragedy forces Esperanza and Mama to flee to California and settle in a Mexican farm labor camp. Esperanza isn't ready for the hard work, financial struggles brought on by the Great Depression, or lack of acceptance she now faces. When Mama gets sick and a strike for better working conditions threatens to uproot their new life, Esperanza must find a way to rise above her difficult circumstances-because Mama's life, and her own, depend on it.

 

The House on Mango Street by Sandra Cisneros

The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Told in a series of vignettes-sometimes heartbreaking, sometimes deeply joyous-Sandra Cisneros' masterpiece is a classic story of childhood and self-discovery. Few other books in our time have touched so many readers. 

 

Lupe Wong Won't Dance by Donna Barba Higuera 

Lupe Wong is going to be the first female pitcher in the Major Leagues.

She’s also championed causes her whole young life. Some worthy…like expanding the options for race on school tests beyond just a few bubbles. And some not so much…like complaining to the BBC about the length between Doctor Who seasons.

Lupe needs an A in all her classes in order to meet her favorite pitcher, Fu Li Hernandez, who’s Chinacan/Mexinese just like her. So when the horror that is square dancing rears its head in gym? Obviously she’s not gonna let that slide.

 

High school

I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez

Perfect Mexican daughters do not go away to college. And they do not move out of their parents' house after high school graduation. Perfect Mexican daughters never abandon their family.

But Julia is not your perfect Mexican daughter. That was Olga's role.

Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed.

But it's not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend, Lorena, and her first love (first everything), Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister's story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?

 

Like Water for Chocolate by Laura Esquivel

This classic love story takes place on the De la Garza ranch, as the tyrannical owner, Mama Elena, chops onions at the kitchen table in her final days of pregnancy. While still in her mother's womb, her daughter to be weeps so violently she causes an early labor, and little Tita slips out amid the spices and fixings for noodle soup. This early encounter with food soon becomes a way of life, and Tita grows up to be a master chef, using cooking to express herself and sharing recipes with readers along the way.

 

The Poet X by Elizabeth Acevado

Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.

But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers--especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.

With Mami's determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school's slam poetry club, she doesn't know how she could ever attend without her mami finding out. But she still can't stop thinking about performing her poems.

Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.

 

The New David Espinoza by Fred Aceves

David Espinoza is tired of being messed with. When a video of him getting knocked down by a bully's slap goes viral at the end of junior year, David vows to use the summer to bulk up-- do what it takes to become a man--and wow everyone when school starts again the fall.

Soon David is spending all his time and money at Iron Life, a nearby gym that's full of bodybuilders. Frustrated with his slow progress, his life eventually becomes all about his muscle gains. As it says on the Iron Life wall, What does not kill me makes me stronger.

As David falls into the dark side of the bodybuilding world, pursuing his ideal body at all costs, he'll have to grapple with the fact that it could actually cost him everything.

 

College

How The Garcia Girls Lost Their Accents by Julia Alvarez 

Uprooted from their family home in the Dominican Republic, the four Garcia sisters - Carla, Sandra, Yolanda, and Sofia - arrive in New York City in 1960 to find a life far different from the genteel existence of maids, manicures, and extended family they left behind. What they have lost - and what they find - is revealed in the fifteen interconnected stories that make up this exquisite novel from one of the premier novelists of our time.

Just as it is a feature of the immigrant experience to always look back, the novel begins with thirty-nine-year-old Yolanda's return to the island and moves magically backward in time to the final days before the exile that is to transform the sisters' lives. Along the way we witness their headlong plunge into the American mainstream. Although the girls try to distance themselves from their island life by ironing their hair, forgetting their Spanish, and meeting boys unchaperoned, they remain forever caught between the old world and the new. With bright humor and rare insight, Julia Alvarez vividly evokes the tensions and joys of belonging to two distinct cultures in a novel that is utterly authentic and full of irrepressible spirit.

 

Almost a Woman: A Memoir by Esmeralda Santiago

Following the enchanting story recounted in When I Was Puerto Rican of the author's emergence from the barrios of Brooklyn to the prestigious Performing Arts High School in Manhattan, Esmeralda Santiago delivers the tale of her young adulthood, where she continually strives to find a balance between becoming American and staying Puerto Rican. While translating for her mother Mami at the welfare office in the morning, starring as Cleopatra at New York's prestigious Performing Arts High School in the afternoons, and dancing salsa all night, she begins to defy her mother's protective rules, only to find that independence brings new dangers and dilemmas.

 

The Alchemist by Paulo Coelho

Combining magic, mysticism, wisdom and wonder into an inspiring tale of self-discovery, The Alchemist has become a modern classic, selling millions of copies around the world and transforming the lives of countless readers across generations.

Paulo Coelho's masterpiece tells the mystical story of Santiago, an Andalusian shepherd boy who yearns to travel in search of a worldly treasure. His quest will lead him to riches far different--and far more satisfying--than he ever imagined. Santiago's journey teaches us about the essential wisdom of listening to our hearts, of recognizing opportunity and learning to read the omens strewn along life's path, and, most importantly, to follow our dreams.

 

One Hundred Years of Solitude by Gabriel Garcia Marquez

One of the most influential literary works of our time, One Hundred Years of Solitude remains a dazzling and original achievement by the masterful Gabriel Garcia Marquez, winner of the Nobel Prize in Literature.

One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendiá family. Inventive, amusing, magnetic, sad and alive with unforgettable men and women--brimming with truth, compassion, and a lyrical magic that strikes the soul--this novel is a masterpiece in the art of fiction.


Most Anticipated September 2022 Releases

Fall is finally just around the corner and with it some great reads. From retellings to The Parent Trap level antics, there is something for everyone being released this month from Latine authors. Here are the four books I am most looking forward to. 


Self-Made Boys: A Great Gatsby Remix by Anna-Marie McLemore | On sale September 6, 2022 

Ever since The Great Gatsby became public domain at the end of 2020, there has been an influx of retellings of the dazzling 1920s classic. None of which have grabbed my attention quite like this one. Nicolás Caraveo, a 17-year-old transgender boy from Wisconsin travels to New York for the summer to establish himself as a young professional to set up his life as a man. When he arrives, he sees his cousin Daisy has erased her Latine heritage to pass as a white woman and befriends Jay Gatsby, a trans man who wants nothing more than to reconnect with Daisy. And is Nick developing feelings for Gatsby?!  Blending the themes of the original, with Latine culture and queerness, this has been one of my most anticipated books of the year!

 

The Sunbearer Trials by Aiden Thomas | On sale September 6, 2022

Ever since reading his debut novel Cemetery Boys, I have been obsessed with everything Thomas releases and I doubt this one will be any different. The first book in The Sunbearer Duology, combines Mexican fantasy with teens competing in a fight to the death for glory and honor. And in true Aiden Thomas fashion, the characters are queer, complex, and just a little (okay.. A lot) flawed. Comped to “Percy Jackson meets Hunger Games”, this book is poised to be the next YA obsession. 

 

Meet Me Halfway by Anika Fajardo | On Sale September 13, 2022

I love seeing middle-grade novels and immediately saying, “younger me would have loved this!” then remembering that I can still read it and love it as an adult! In a Parent Trap-esque adventure, Mattie and Mercedes discover that they have the same Columbian father that neither of them has ever met. While the two are polar opposites (and don’t really like each other), they must work together to find this elusive shared dad. This sounds like a perfect coming-of-age story and just look at the cover! Beautiful!

 

How Not To Drown In A Glass of Water by Angie Cruz | On sale September 13, 2022

Critically acclaimed for her 2019 novel Dominicana, Cruz is back with another strong female character we can’t help but root for. The story of late 50s, recently laid-off Cara Romero is told through her conversations with her job counselor. Over the course of their twelve sessions, Cara recounts her tempestuous love affairs, her alternately biting and loving relationships with her neighbor Lulu and her sister Angela, her struggles with debt, gentrification, and loss, and, eventually, what really happened between her and her estranged son, Fernando. I can’t wait to read these conversations that Kirkus Reviews said were “A poignant portrait of one fallible, wise woman and a corner of one of New York’s most vibrant immigrant communities.”


Sabrina Moorer (she/her) is a senior at Towson University double majoring in English and Mass Communications. Even though she works at the library, she still spends all her free time there, searching for the next 5-star read to obsess over.