Author Interview: I'm Not Broken by Jesse Leon

I’m Not Broken is a vulnerable memoir of the life of author Jesse Leon, growing up as a Mexican American in San Diego, in the 1970s. Leon opens up about the challenges that he experienced in his childhood, which include sexual abuse, addiction, and prostitution. While Leon unravels his childhood, he also highlights the systemic changes that need to take place, in order to help victims in similar positions. Through all the hardships, Leon was able to find a community that helped him through his challenges and shaped him into a mentor, for others; he even achieved higher education at Harvard University. This memoir captures Leon’s strength, determination, and resiliency against all odds. 

Content warning: drug addiction, alcohol addiction, sexual abuse, prostitution, and suicide ideation.

This memoir captures Leon’s strength, determination, and resiliency against all odds.

I was able to interview Jesse Leon on behalf of Latinx In Publishing to discuss I'm Not Broken.

Mariana Felix-Kim (MFK): You were incredibly vulnerable in your memoir and shared multiple impactful stories. What made you decide that it was time to share your stories and how did you decide how vulnerable to be? 

Jesse Leon (JL): I believe my book, I’m Not Broken is extremely relevant to what's happening in America today, especially given the issues of substance abuse, addiction, mental health, immigration, sex trafficking, LGBTQ+, and racial justice. I wanted to share my journey, including my vulnerabilities, all of which led me to the steps of Harvard University, so that anyone who is experiencing or has experienced issues with anxiety, accessing mental health services, sex abuse, trauma, identity issues, and/or addiction - and who feel as alone as I once did - that they can identify and realize that they are not alone and find hope. That we can be successful as human beings and as professionals. We can move from surviving to thriving. And most importantly, that our traumas don't define us and that we can be triumphant. 

MFK: You overcame many challenges on your own and endured a lot of them in silence. It wasn't until the incident, with the new student, that you were able to open up to someone. It seemed beneficial when you opened up to Officer. In your opinion, what is the best way to offer support to someone who is suffering in silence? How can we make sure more kids have trustworthy adults?

JL: The best way to offer support for someone who is suffering in silence is to build a rapport based on being present, consistent, and communicating that we are here to listen without judgement. This helps build trust. Once someone does open up - listen intently to genuinely hear what they are saying, while allowing for pauses for others to finish their thoughts and to give them the opportunity to assess your reactions for safety. Building trust is key to getting people who have experienced trauma to grow from surviving to thriving.

MFK: A big theme in your memoir is the "otherness" BIPOC communities often feel. I was interested in how you highlighted that when you were working towards becoming sober this actually became a crutch for you.  You discuss the different experiences that Hope (a white woman) and you faced. The volleyball day seemed to be a turning point for you because you realized that Narcotics Anonymous (NA) values inclusion. Do you think there is a more effective way to intertwine inclusion in order for participants to feel included sooner or do you think this was part of the journey?

JL: I think this was just part of the journey, at least for me. I had a habit of always focusing on the differences and not the similarities I had with others, whether it was in recovery, in school, at Harvard, etc. Getting to know others on a human level based on similarities and not differences took practice, and with time, I was able to get better at it. This is why ice-breakers and team building activities focused on shared underlying values are important when trying to break down barriers - especially in the workplace. Being able to see the common humanity in each other is a great way to make sure everyone feels included.

 

MFK:  When you were attending your mandatory therapy sessions, you revealed that your therapist was aware of the challenges you were facing and did not help you logistically and emotionally. How can we improve our State Crime Victims Compensations? 

JL: I wish the State Crime Victims Compensations board provided information in multiple languages to me as a child and to my parents about our rights and where we could go if we needed help in finding a new therapist, encountered a negative situation with a therapist, and/or had a complaint. I believe the states should provide this resource in multiple languages and that therapists should be required to share this information with their clients at their first meeting, so that clients know where to go for help or to file a complaint if needed. And those concerns or complaints should be followed up confidentially and within a required timeframe. There should be a mechanism in place to follow up with clients to ensure that they are receiving quality access to mental health and if not, re-direct individuals to the appropriate gender affirming and multilingual care. Confidential follow-up, oversight, and accountability is key to improving outcomes for survivors and their families.

 

MFK: Z's frustration with difficult children came out when he was introduced to you. In your own work, have you experienced the frustration Z had of Latine children satisfying society's stereotype of not caring enough to stay in school? How have you handled it?

JL: Yes, I have, especially when engaged in youth leadership development, alternatives to incarceration programs, or when mentoring young adults. I've handled it by stopping, pausing, taking a deep breath and remembering how I would have liked to have been treated growing up. I realized through journaling and therapy that because of my trauma and my inability to find the words to adequately describe what I was feeling as a child, that too often my reasoning and my emotions were not in balance. My emotions would take over and I would have an overwhelmingly incomprehensible reaction to situations, which I believe occurs with many of our young people today, who sadly experience one of these moments at the most inopportune times and end up incarcerated or penalized. I like to use curious inquiry to truly understand where a person is coming from to help get their emotions and reasoning in balance to reach a successful outcome.

 

MFK: While attending NA, you mention your journey to get a sponsor. You were interested in asking a Latino man to become your sponsor but were encouraged to ask a Black man since "you already knew how to interact with Latinos". Do you think this decision was the right one? Do you encourage others to pick a sponsor from a different background? 

JL: There are many different suggestions on how to pick a sponsor - it just so happened that I came together with mine unexpectedly. He exemplified the saying that we use in NA, that it's not about "age, race, sexual identity, creed, religion, or lack of religion." It’s about finding the sponsor that teaches you to love and respect yourself. That helps make you whole and sets you up to thrive.

 

MFK: One of my favorite lines in your memoir is "And I felt it was my duty to speak to issues of race and inequality as things that need to be addressed up front and not be add-ons or second thoughts in the creation of public policy". I strongly resonated with this quote and completely agree that race and inequality tend to be a caveat or added later on. For people that might not be in the political or activism sphere, how can we be better allies to support this mission?

I hope that sharing my story will inspire others to promote inclusion, belonging, and understanding that allows people like me to be their authentic selves. I know that if everyone does their part, we can create a world where everyone feels like we can thrive and are not broken.


Jesse Leon is a social impact consultant to foundations and investors on ways to address issues of substance abuse/addiction, affordable housing, and mental health. He is a native English and Spanish speaker and fluent in Portuguese. He is an alum of UC Berkeley and Harvard and based in San Diego.


Mariana Felix-Kim (she/her) lives in Washington, D.C. with her lovely cat, Leo. When she is not working in the environmental science field, Mariana is constantly reading. Her favorite genres include non-fiction, thrillers, and contemporary romances. Mariana is half Mexican and half Korean. You can find her on Instagram: @mariana.reads.books

#SalaSundays with Alexandra Aceves

Alexandra Aceves hosted our Instagram on November 6th for our weekly #SalaSundays series. Below are a few questions that we asked Alexandra.

Latinx in Pub (LxP): What do you do?

Alexandra Aceves (AA): I'm an Associate Editor at Holiday House Publishing. My job has two distinct sets of responsibilities: on one hand, I'm acquiring and editing new books (primarily MG and YA novels and graphic novels) for the Holiday House list. On the other, I'm overseeing the expansion of Holiday House's Spanish language publishing program. This entails looking through our backlist for books that have translation potential, coordinating with translators on new Spanish editions, steering our upcoming Spanish books through the in-house routing process, researching Spanish publishing industry standards and best practices, and scouting submissions for potential new frontlist titles that we could also publish in Spanish.

LxP: How did you get started?

AA: I had a kind of circuitous path to my publishing career. I did a traditional publishing internship many years ago now and had such a terrible experience that I decided not to pursue publishing and went into academia instead. Eventually, I realized that my heart just wasn't in academia and that kidlit publishing was where I really wanted to be, so I pivoted back. My breakout job in the industry was as an editorial assistant at Junior Library Guild, where I learned the industry from the school and library perspective. And then about a year ago I left JLG for Holiday House--my first anniversary is coming up on November 15th!

LxP: What do you wish you knew before getting into the industry?

AA: I was really not prepared for how much negotiating goes down--across the industry in general, and in editorial specifically. Like, negotiating a book deal with an agent, negotiating over a P&L at an acquisition meeting...I am not a natural haggler and have been kind of dismayed to learn what a big part of my job it is! It's definitely the only aspect of what I do that I don't enjoy, and I always dread having to go through that process to acquire a manuscript I love and want for my list. But passion for and belief in the manuscript gets me through every time. Plus, everyone I've worked with is so nice, and everyone knows it's just business; the issue is really just me being in my head about it.

LxP: What book are you currently working on or reading?

AA: I would love to talk about the books I'm working on right now because I'm incredibly excited about them, but I can't because none of my acquisitions have been announced yet! I did just wrap up editing the Spanish edition of Crystal Maldonado's No Filter and Other Lies, which was such a fun project. And my current non-work read is The Town of Babylon by Alejandro Varela, which is devastatingly lovely.


Alexandra Aceves is a Latine writer and editor originally from Mexico City and currently based in Brooklyn. She works as an associate editor at Holiday House, where she oversees the expansion of the Holiday House Spanish language publishing program while also acquiring YA and middle grade fiction and elementary STEM nonfiction for Holiday House's English language list. Alex is looking for fresh-feeling contemporary realism, soft-genre fiction that draws from non-European traditions, and research-grounded historical fiction with an unusual setting. She is passionate about supporting marginalized creators and is actively seeking stories by and about people typically excluded from representation in children’s literature, particularly stories from the LGBTQ+ and Latine communities. Alex was the 2015 Honor winner of Lee & Low's New Visions Award for previously unpublished YA fiction writers whose work centers characters from marginalized communities; her debut novel is forthcoming from Lee & Low's Tu Books imprint.

Review: Pilar Ramirez and the Escape from Zafa by Julian Randall

Pilar Ramirez and the Escape from Zafa is about Pilar Ramirez, a spunky 12-year-old Dominicana from Chicago. She is an aspiring documentary filmmaker working on a project about the disappearances under a Dominican dictator. Specifically, to uncover the mysterious disappearance of her mother’s cousin, Natasha. When she hears of a professor who studies these disappearances, Pilar wastes no time. Upon entering the office and rummaging through files, she falls into a blank page and enters the magical island of Zafa. Pilar teams up with ciguapas and galipotes in their fight against the Dominican boogeyman, El Cuco, to free those who are trapped in prison – including Natasha.

Found Family is a very common fantasy trope and Randall perfectly executes it. With Pilar and the citizens of Zafa all teaming up for this life-changing event that is causing them such grief, it ultimately brings them together like a family. Pilar and one of the ciguapas begin to form a sisterly bond while she views the galipotes as matriarchs. Even an elusive and legendary Bruja grows a bond with Pilar, especially with their sarcastic quips. The people of Zafa all welcome the 12-year-old to visit them and view her as one of their own merely hours and days of knowing her. Their shared experience bonded them together and, ultimately, gave them the power to defeat El Cuco. Well, that and if you take in Pilar’s badass fighting and secret witch powers into account.

Loss and grief are prominent themes throughout the novel. Something I took from the novel was that even if you’re human or a magical or mythical creature, these emotions can take quite a toll on you. However, everyone’s hope that they will emerge victorious in this war is just as strong. Pilar has experienced loss in many forms and every adult and child in Zafa has had to pay a heavy price in the form of losing someone they love or their own livelihood. They have more in common than they think and this similarity is what bands them together to become stronger and come out victorious in this vicious war.

Randall intended for the novel to be written . . . with the intention to feel represented by a voice and to further uncover what it means to be Dominican.

While reading about Pilar swinging through vines and learning how to harness her witch powers, it was heartwarming to hear how Randall intended for the novel to be written. It was with the intention to feel represented by a voice and to further uncover what it means to be Dominican. Also, Pilar’s story doesn’t end here as Pilar Ramirez and the Curse of San Zenon will be released in February 2023. 


Julian Randall is a Living Queer Black poet from Chicago. Since receiving his MFA in poetry from Ole Miss, Julian’s essays have been featured in The Atlantic, Vibe Magazine, Los Angeles Review of Books, and many more. His writings have led him to receive multiple recognitions and fellowships from Cave Canem, CantoMundo, Callaloo, BOAAT, and the Watering Hole. Refuse: Poems was his 2018 debut poetry book back; and as of March 2022, he released a debut children’s novel. Randall has shown time and time again that his recent works are only scratching the surface of his dynamic novels that are to come.

Melissa Gonzalez (she/her) is a UCLA graduate with a major in American Literature & Culture and a minor in Chicana/o & Central American Studies. She loves boba, horror movies, and reading. You can spot her in the fiction, horror/mystery/thriller, and young adult sections of bookstores. Though she is short, she feels as tall as her TBR pile. You can find Melissa on her book Instagram: @floralchapters

Review and Author Q & A: Skeletina and The In-Between World by Susie Jaramillo

Skeletina and The In-Between World by Susie Jaramillo is a story about overcoming fears and finding comfort in moments of sadness. It takes place in the in-between world, where monsters, creatures and ghosts are friendly and the dead and living can come together.

Skeletina is a little girl who lives in the in-between world and loves to visit her friends, whom are filled with wise words and are lots of fun. Her favorite friends are the children who visit the in-between world; who she is able to help confront their fears and find the peace that they need, when they miss a loved one that has passed.

Throughout the pages of this book, both kids and adults will find powerful words surrounded by beautiful illustrations. The story is a reminder that anything is possible, when we believe in ourselves.

I had the opportunity to ask Susi Jaramillo a few questions about Skeletina and The In-Between World. She spoke about her childhood and the inspiration for the story, her creative influences and about future projects.

Tiffany Gonzalez (TG): What inspired you to write Skeletina and The In-Between World?

Susie Jaramillo (SJ): As a child, I suffered from intense nightmares until one night, I figured out that if you manage to let go as you dream and not fight the nightmares, they dissipate. Now, I’m a mom and my daughter also suffers from intense nightmares. I thought, wouldn’t it be cool if there were a little girl, who lived in the in-between world, who could help kids like my daughter deal with their nightmares? And, I imagined this little girl to be like my alter-ego: Funny, friendly, irreverent, and knowledgeable about all things in the in-between world!

TG: I loved how each character in the story held a message to push through fears, uncertainty and worries. Señor Tic Toc and his message of possibility resonated with me the most, which is your favorite character or message from the story?

SJ: My favorite character would have to be Spider Grandma. Both of my grandmothers did so much with their hands. They were constantly making, crafting, cooking, and crocheting. It’s a big part of the culture. In general, Latin culture is very crafty, we love to make things - and we like our little espresso cups too!

TG: Could you talk a bit about culture and how it is represented in this story? I see a lot of elements of El Día De Los Muertos, which derives from Mexico and their homage to deceased loved ones.

SJ: I love to draw and I’ve had this world in my head for a long time. Skeletina has Calavera markings on her face because it’s a shorthand way to show that she’s from the in-between world. She’s not like the kids that visit her in their dreams. She’s from another time completely which makes it more magical. I’m a huge admirer of the work of Jose Posada and I wanted to marry his sensibility with that of Tim Burton and Edward Gorey - both artists I loved growing up. There’s also quite a bit of MC Escher to Skeletina’s world as space and time function in a completely different way. It’s a vibrant place with lots of nostalgic details and hopefully the humor and the energy of the place comes through.

TG: The lessons in the story very much apply to adults as well, was that something you intended to do?

SJ: Yes! Most of us don’t realize that we are having the same nightmares, and these all come from similar experiences. With the Skeletina books, I’ve distilled a given nightmare into the work of a particular monster who can be easily diffused, once you get the hang of what it responds to. The trick is to remember that NOTHING can hurt you in the in-between world. You are truly in control of everything, and once you crack that - amazing things can happen. This definitely applies to both kids and adults alike.

TG: Do you have advice for parents with children who have nightmares frequently?

SJ: My best advice is to talk to your children about their dreams and see if you can get at what’s bothering them. If they can identify this and talk about it, chances are the bad dreams will go away. Empathize with them, and make sure they know you believe them. See if you can come up together with the way the dream should end. That will help children go back to sleep with confidence.

TG: Can we expect to see more of Skeletina and The In-Between World? Any other projects on the horizon that we can expect?

SJ: Skeletina will continue to help kids, one nightmare at a time! With our next book, we will take a deep dive into a dream that is super common, find out who’s behind it, and how we diffuse it. It’s one of the most common and strange dreams that we all have… and it’s all because of a greedy tooth fairy!


Susie Jaramillo is an artist, a storyteller, an entrepreneur and a mom. An eternal student of cultures from around the world, she was born in Venezuela and raised between Caracas and Florida. At the age of 17, she moved to New York to study art at Pratt Institute where she honed her crafts in painting and printmaking, and she now resides in Brooklyn with her husband and two children. As a kid, she had nightmares frequently until she discovered that she was in control of her dreams. She created Skeletina to empower children like her to take control of their fears and be brave.

Tiffany Gonzalez is the Marketing Manager at Astra House and the Communications Co-Director for Latinx In Publishing. She previously worked in Production at HarperCollins Publishers. She has worked on the Publicity and Marketing campaign for Dreaming of You by Melissa Lozada-Oliva and on the Marketing campaigns for Becoming Abolitionists by Derecka Purnell, The Sex Lives of African Women by Nana Darkoa Sekiyamah and The Town of Babylon by Alejandro Varela. She has earned her Bachelors and Master's degrees from Rutgers University - NB. She is Dominican-American and fluid in Spanish. She is a Publisher’s Weekly 2022 Star Watch Honoree. You can follow her on Instagram @wandering_tiff_ or visit her website at wanderingtiff.com

Spooky Books by Latinx Authors

Its spooky season! There is nothing like curling up with a good scary book this time of year. With Halloween just a few days away, get in the holiday spirit by picking up one of these spooky Latinx reads!


Goddess of Filth by V. Castro

One hot summer night, best friends Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. It's all fun and games at first, but their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors.

Over the next few weeks, shy, modest Fernanda starts acting strangely-smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes begins to suspect it's something else-something far more ancient and powerful.

As Father Moreno's obsession with Fernanda grows, Lourdes enlists the help of her "bruja Craft crew" and a professor, Dr. Camacho, to understand what is happening to her friend in this unholy tale of possession-gone-right.

 

Our Shadows Have Claws: 15 Latin American Monster Stories Edited by Yamile Saied Méndez and Amparo Ortiz

Fifteen original short stories from YA superstars, featuring Latine mythology's most memorable monsters.

From zombies to cannibals to death incarnate, this cross-genre anthology offers something for every monster lover. In Our Shadows Have Claws, bloodthirsty vampires are hunted by a quick-witted slayer; children are stolen from their beds by "el viejo de la bolsa" while a military dictatorship steals their parents; and anyone you love, absolutely anyone, might be a shapeshifter waiting to hunt.

The worlds of these stories are dark but also magical ones, where a ghost-witch can make your cheating boyfriend pay, bullies are brought to their knees by vicious wolf-gods, a jar of fireflies can protect you from the reality-warping magic of a bruja--and maybe you'll even live long enough to tell the tale. Set across Latin America and its diaspora, this collection offers bold, imaginative stories of oppression, grief, sisterhood, first love, and empowerment.

 

Coyote Songs by Gabino Iglesias

In this mosaic horror/crime novel, ghosts and old gods guide the hands of those caught up in a violent struggle to save the soul of the American southwest. A man tasked with shuttling children over the border believes the Virgin Mary is guiding him towards final justice. A woman offers colonizer blood to the Mother of Chaos. A boy joins corpse destroyers to seek vengeance for the death of his father.These stories intertwine with those of a vengeful spirit and a hungry creature to paint a timely, compelling, pulpy portrait of revenge, family, and hope.

 

Certain Dark Things by Silvia Moreno-Garcia

Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.

Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn't include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.

Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?

 

Five Midnights by Ann Dávila Cardinal

Five friends cursed. Five deadly fates. Five nights of retribución.

If Lupe Dávila and Javier Utierre can survive each other's company, together they can solve a series of grisly murders sweeping though Puerto Rico. But the clues lead them out of the real world and into the realm of myths and legends. And if they want to catch the killer, they'll have to step into the shadows to see what's lurking there--murderer, or monster?

 

Small Town Monsters by Diana Rodriguez Wallach

Vera Martinez wants nothing more than to escape Roaring Creek and her parents' reputation as demonologists. Not to mention she's the family outcast, lacking her parents' innate abilities, and is terrified of the occult things lurking in their basement.

Maxwell Oliver is supposed to be enjoying the summer before his senior year, spending his days thinking about parties and friends. Instead he's taking care of his little sister while his mom slowly becomes someone he doesn't recognize. Soon he suspects that what he thought was grief over his father's death might be something more...sinister.

When Maxwell and Vera join forces, they come face to face with deeply disturbing true stories of cults, death worship, and the very nature that drives people to evil.

 

Her Body & Other Parties by Carmen Maria Machado

In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism.

A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest.

Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.

 

Cemetery Boys by Aiden Thomas

Yadriel has summoned a ghost, and now he can't get rid of him.

When his traditional Latinx family has problems accepting his true gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free.

However, the ghost he summons is actually Julian Diaz, the school's resident bad boy, and Julian is not about to go quietly into death. He's determined to find out what happened and tie off some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave.

 

Dreaming of You by Melissa Lozada-Oliva

A macabre novel in verse of loss, longing, and identity crises following a poet who resurrects pop star Selena from the dead.

A young Latinx poet grappling with loneliness and heartache decides one day to bring Tejano pop star Selena Quintanilla back to life. The séance kicks off an uncanny trip narrated by a Greek chorus of gossiping spirits as she journeys through a dead celebrity prom, encounters her shadow self, and performs karaoke in hell.

In visceral poems embodying millennial angst, paragraph-long conversations overheard at her local coffeeshop, and unhinged Twitter rants, Lozada-Oliva reveals an eerie, sometimes gruesome, yet moving love story.

Playfully morbid and profoundly candid, an interrogation of Latinidad, womanhood, obsession, and disillusionment, Dreaming of You grapples with the cost of being seen for your truest self.

#SalaSundays with Lauren Ortiz

Lauren Ortiz hosted our Instagram on October 16th for our weekly #SalaSundays series. Below are a few questions that we asked Lauren.

Latinx in Pub (LxP): What do you do?

Lauren Ortiz (LO): I am a publicist at Little, Brown and Company, an imprint of Hachette Book Group, working specifically on the Voracious and Little, Brown Spark imprints.

LxP: How did you get started?

LO: I started my career in publishing in September of 2020. I was lucky to be connected to the publicity team at Little, Brown for an associate role and we hit it off right away!

LxP: What do you wish you knew before getting into the industry?

LO: Before getting into the industry, I had no idea how many incredible people were involved in creating a book, from managing editorial, to designers, to marketing, and more. It takes a village to publish great books!

LxP: What book are you currently working on or reading?

LO: I am currently working on the memoir for Outlander’s Sam Heughan, titled WAYPOINTS, and a fun interactive cocktail book called POUR ME ANOTHER by J.M. Hirsch.


Lauren Ortiz joined Little, Brown in 2020 as an Associate Publicist with Little, Brown Spark and Voracious imprints focusing on lifestyle, cooking, health and wellness, science, and psychology titles. Prior to joining Little, Brown, she worked at NBCUniversal as a Page in NBCU’s Page Program and later as a publicity coordinator with NBC Entertainment, where she assisted in publicity campaigns for late night and prime time television shows including Saturday Night Live, The Tonight Show Starring Jimmy Fallon, Law & Order: SVU, and The Blacklist. In her time at Little, Brown, she’s had the opportunities of working with talented authors such as Sam Heughan, Leah Thomas, Mamadou Ndiaye, Christopher Kimball, among others. A graduate of Rutgers Business School – New Brunswick, she earned her BS in Business Marketing.

It's Just a Plant: A Children's Story About Marijuana Written and illustrated by Ricardo Cortés

A beautifully illustrated picture book that gives parents a way to discuss marijuana with children without encouraging them to use it.

It’s Just a Plant is a children’s book that follows the journey of a young girl as she learns about the marijuana plant from a cast of characters including her parents, a local farmer, a doctor, and a police officer.

Marijuana can be hard to talk about. Many parents have tried it, millions use it, and most feel awkward about disclosing such histories (often ducking the question), for fear that telling kids the truth might encourage them to experiment too. Meanwhile, the “drug facts” children learn in school can be more frightening than educational, blaming pot for everything from teenage pregnancy to terrorism. A child’s first awareness of drugs should come from a better source.

It’s Just a Plant is a story for parents who want to discuss the complexities of pot with their kids in a thoughtful, fact-oriented manner. The book also features an afterword by Marsha Rosenbaum, PhD, founder of the Safety First Project for drug education and director emerita of the San Francisco office of the Drug Policy Alliance, the nation’s leading organization working to end the war on drugs.

ItsJustAPlantUpdated.jpg
IJAP-1.jpg
IJAP-2.jpg

RICARDO CORTÉS is the #1 New York Times best-selling illustrator of Go the F**k to Sleep by Adam Mansbach, and Party: A Mystery, by the acclaimed author Jamaica Kincaid. Cortés has written and illustrated books including Sea Creatures from the Sky and A Secret History of Coffee, Coca & Cola. His work has been featured in the New York TimesVanity FairNew York Magazine, and on CNN, Fox News, and the Late Show with David Letterman. You can see his work at Rmcortes.com, or on Twitter and Instagram at @Rmcortes.

Review: The Storyteller’s Death by Ann Dávila Cardinal

The Storyteller’s Death by Ann Dávila Cardinal, her debut into adult fiction, follows the life Isla Larsen Sanchez and her family. When Isla’s father passes away, she finds herself spending the summers in Puerto Rico with her great aunt, while her mother stays home. Set against the ever-shifting background of New Jersey and Puerto Rico, Isla struggles with her family, both immediate and extended, on top of her own questions of self and her cultural identity.

Isla lives a dual life: one with her mother in New Jersey and one with her great-aunt and other extended family in Puerto Rico. The two lives almost never intersect, as Isla’s mother hasn’t joined her since her father past. As Isla grows up, she feels like an outsider no matter where she is, until she turns eighteen when her grandmother passes away. Isla’s Is visited by her grandmother, a gifted storyteller, through a vision of the last story her grandmother told her.

As Isla experiences more deaths of her extended family, she continues to be visited by the ghosts of past Sanchez cuentistas, her family’s storytellers. Isla believes the stories are a gift that connects her to her family in a way that she had never been before. But when someone close to Isla passes away, they leave her with a vision of an old murder mystery, one that could kill Isla if she is not careful. What were once harmless stories giving Isla a look into the lives of her family suddenly force Isla to investigate her family’s past in ways that have been buried for years.

The Storyteller’s Death, a historical mystery, takes the reader on the lifelong journey of Isla. Through Isla, the reader can see the way generational trauma, rooted prejudice, and family secrets can taint even the most well-meaning families. Cardinal tackles many difficult themes throughout this novel, including but not limited to classism and personal identification within a cultural, in breathtaking prose that truly allow the reader to reflect on their own life and family history.

Throughout this book, despite the troubles and secrets that the Sanchez family faced there was a deep sense of love and understanding. Through small acts like buying ice cream together or larger displays of love like taking your great-niece in ever summer, the Sanchez loves each other to a fault. This story reminds us that to love intensely most be vulnerable as it is protective. Family must challenge the generational missteps to continue to heal and grow for the better. This book was a beautiful reading experience from its elegant prose to its display of mystery and magical realism, down to its beautiful depiction of familial growth from a place of love and care. For readers who want something different this book has truly earned its spot on Buzzfeed’s Most-Anticipated Mysteries & Thrillers of 2022.


Ann Dávila Cardinal is a novelist and Director of Recruitment for Vermont College of Fine Arts where she also earned her MFA in Writing. She comes from a long line of Puerto Rican writers, including father and son poets Virgilio and José Antonio Dávila, and her cousin, award-winning fiction writer Tere Dávila. Ann's first novel, Sister Chicas, was co-written with Jane Alberdeston Coralin and Lisa Alvarado, and was released from New American Library. Her next novel, a horror young adult work titled Five Midnights, was released by Tor Teen on June 4, 2019. The story continues in Category Five, also from Tor Teen, released on June 2, 2020. Ann lives in Vermont where she cycles, knits, and prepares for the zombie apocalypse.

Tereza Lopez (she/her) is a recent graduate from Clark University with a double major in English and history. She attended Clark University again in Fall 2021 and obtained a Master’s in communication. When she is not studying, you can find her obsessively reading or taking care of her new kitten.

Poetry Foundation Honors Diverse Group of Poets with Pegasus Awards

On September 8, 2022, The Poetry Foundation announced the winners of the 2022 Pegasus Awards that will be honored at an award ceremony in Chicago this October.

The Pegasus Awards include the Ruth Lily Poetry Prize, the Young People’s Poet Laureate, and the Pegasus Award for Poetry Criticism.

In honor of the 110th anniversary of Poetry magazine, the Foundation decided to award 11 Lilly Prizes—one for each decade of the magazine.

The 2022 Ruth Lilly Poetry Prize winners include two Latinx poets; Sandra Cisneros and Juan Felipe Herrera!

Elizabeth Acevedo is the 2022 Young People’s Poet Laureate.

October 2022 Latinx Releases

on sale October 4, 2022

Mariana and Her Familia by Monica Mancillas | Picture Book

Mariana is visiting her abuelita and extended family in Mexico for the first time. Her tummy does a flip as she and Mami cross the frontera.

There are all new sights, smells, and sounds. And at Abuelita's house, Mariana is overwhelmed by new faces and Spanish phrases she doesn't understand.

But with a story, some kindness, and a few new words from Abuelita, Mariana discovers that the love of family knows no cultural divide.

 

On This Airplane by Lourdes Heuer | Picture Book

On this airplane . . .

Someone travels solo,
two travel as one,
three return
and four set out.

In this simple and moving book, a young family takes a plane to their new home. While onboard, they encounter all the people you meet on a plane: a bookworm, a businessperson, tourists, crying babies, and daydreamers . . . all with their own stories and all heading somewhere special.

 

The First to Die at the End by Adam Silvera | Young Adult

It's the night before Death-Cast goes live, and there's one question on everyone's mind: Can Death-Cast actually predict when someone will die, or is it just an elaborate hoax?

Orion Pagan has waited years for someone to tell him that he's going to die. He has a serious heart condition, and he signed up for Death-Cast so he could know what's coming.

Valentino Prince is restarting his life in New York. He has a long and promising future ahead and he only registered for Death-Cast after his twin sister nearly died in a car accident.

Orion and Valentino cross paths in Times Square and immediately feel a deep connection. But when the first round of End Day calls goes out, their lives are changed forever--one of them receives a call, and the other doesn't. Though neither boy is certain how the day will end, they know they want to spend it together...even if that means their goodbye will be heartbreaking.

Told with acclaimed author Adam Silvera's signature bittersweet touch, this story celebrates the lasting impact that people have on each other and proves that life is always worth living to the fullest.

The Lords of Night (a Shadow Bruja Novel) by J. C. Cervantes | Middle Grade

Fourteen-year-old Renata Santiago is the most powerful godborn of them all, a bruja with a unique combination of DNA. The Mexica blood from her dad's side gives her the ability to manipulate shadows. Her mom Pacific, a Maya goddess, gifted her a magical rope that controls time, and Ren recently used it to save a few gods from getting stuck forever in 1987. She brought them back to the present, but her BFF Ah Puch, the once fearsome god of death, darkness, and destruction, is now a teenager with no divine powers.

Ren is also a girl with ordinary hopes and dreams. She wishes, for example, that her blog about alien sightings would garner more respect. She's always been absolutely convinced that there's a connection between aliens and the Maya civilization. Plenty of online haters feel differently, and they call her a fake, a liar, and a loser.

When Ren receives an email about an alien sighting in Kansas, she thinks it may support her theory. She also suspects that the cinco--five renegade godborns--are up to no good. Soon she finds herself embroiled in a quest to prevent the troublemakers from awakening the nine Aztec Lords of Night. Problem is, none of Ren's friends are available to help her hunt down the cinco and the dangerous gods they are resurrecting. Ren has no choice but to team up with two strangers recruited by Ah Puch: Edison, a teen hybrid demon, and Montero, an eleven-year-old Aztec hunter. Succeeding in this quest will prove that Ren is no fake, liar, or loser. But it isn't just another challenge. It could well be an impossible one that leaves Ren questioning her very existence.

on sale October 11, 2022

Undercover Latina by Aya De Leon | Middle Grade

A Latina teen spy goes undercover as a white girl to stop a white supremacist terrorist plot in a fast-paced middle-grade debut from a seasoned author of contemporary crime fiction.

In her debut for younger readers, Aya de León pits a teen spy against the ominous workings of a white nationalist. Fourteen-year-old Andréa Hernández-Baldoquín hails from a family of spies working for the Factory, an international organization dedicated to protecting people of color. For her first solo mission, Andréa straightens her hair and goes undercover as Andrea Burke, a white girl, to befriend the estranged son of a dangerous white supremacist. In addition to her Factory training, the assignment calls for a deep dive into the son's interests--comic books and gaming--all while taking care not to speak Spanish and blow her family's cover. But it's hard to hide who you really are, especially when you develop a crush on your target's Latino best friend. Can Andréa keep her head, her geek cred, and her code-switching on track to trap a terrorist? Smart, entertaining, and politically astute, this is fast-paced upper-middle-grade fare from an established author of heist and espionage novels for adults.

 

What the Jaguar Told Her by Alexandra V. Mendez | Middle Grade

Jade is starting eighth grade in a new city--Atlanta. She just wants to go back to Chicago, where her friends are. Where her Abuela lives.

But Jade does like walking to her new school on the trail that winds through the woods behind her house, where lush flowers bloom and soft leaves rustle beneath her feet. In the forest, Jade feels protected. Sometimes, it's as if it's listening to her.

There, Jade meets Itztli, an elderly storyteller who exists between dreams and reality. In the golden afternoons when Itztli appears, he steps out of the forest as a lithe, agile jaguar. But when he speaks to Jade, he is a wise old man who makes intricate works of art and tells her ancestral stories of Mexico. At first, Itztli's stories feel far removed from Jade's life. But as her Abuela suddenly falls ill, two towers come crashing down in New York City, and Jade becomes someone or something she doesn't yet understand, Itztli's stories take on new meaning. Jade must learn to have patience and strength to become who she was always meant to be, as the stirrings of an ancient power awaken within her.

What the Jaguar Told Her is a lyrical debut about growing up in the midst of change, and a magical cultural homecoming.

 

Someday Mija, You’ll Learn the Difference Between a Whore and a Working Woman by Yvonne Martinez | Non Fiction

At eighteen, Yvonne Martinez flees brutal domestic violence and is taken in by her dying grandmother . . . who used to be a sex worker. Before she dies, her grandmother reveals family secrets and shares her uncommon wisdom. “Someday, Mija,” she tells Yvonne, “you’ll learn the difference between a whore and a working woman.” She also shares disturbing facts about their family’s history—eventually leading Yvonne to discover that her grandmother was trafficked as a child in Depression-era Utah by her own mother, Yvonne’s great-grandmother, and that she was blamed for her own rape.

In the years that follow her grandmother’s passing, Yvonne gets an education and starts a family. As she heals from her own abuse by her mother and stepfather, she becomes an advocate/labor activist. Grounded in her grandmother’s dictum not to whore herself out, she learns to fight for herself and teaches others to do the same—exposing sexual harassment in the labor unions where she works and fighting corruption. Intense but ultimately uplifting, Someday Mija, You’ll Learn the Difference Between a Whore and a Working Woman is a compelling memoir in essays of transforming transgenerational trauma into resilience and post-traumatic growth.

Brown Enough by Christopher Rivas | Non Fiction

At a time when disinformation, hate crimes, inequality, racial injustice, and white supremacy are on the rise, Brown Enough, part memoir and part social commentary, emerges, asking readers to proudly put their bodies, their identities, into the conversations of race. Brown Enough is a roller coaster of finding one's true self while simultaneously having a racial awakening amidst the struggle to be "perfectly" Latinx, woke, and as Brown as possible to make it in today's America.

Its pages are full of honest explorations of love, sex, fake-it-till-you-make-it ambition, bad Spanish, color, code-switching, white-washing, scandal, Hollywood, and more. This memoir navigates these necessary and often revealing topics through fourteen chapters, each a distinct moment where Rivas explores his Brownness and how to own it.

Brown Enough opens with a moment that forever changed Christopher Rivas's life, the night Ta-Nehisi Coates shared, in an intimate gathering in downtown L.A., the Brown man's role in the race conversation.

"All I hear is black and white. As a Brown man, a Latin man, where does that leave me?" Coates took a short breath and responded, "Not in it."

Like a reprimanded child, Rivas took his seat and remained silent for much of the event. But the effects didn't end there. This conversation pushed Rivas to contemplate and rethink how whiteness and Blackness had impacted his sense of self and worth.

"Why is Brown not in it?" became the unspoken question for the rest of his life and a thread moving through this collection. Eventually, in every conversation, during every date, at every job, Rivas began to ask, "What are the consequences of not being in the conversation?" "What does it take to be in it?"

Brown Enough is the quest to find an answer.

on sale October 18, 2022

Frizzy by Claribel A. Ortega | Graphic Novel

A middle grade graphic novel about Marlene, a young girl who stops straightening her hair and embraces her natural curls.

Marlene loves three things: books, her cool Tía Ruby and hanging out with her best friend Camila. But according to her mother, Paola, the only thing she needs to focus on is school and growing up. That means straightening her hair every weekend so she could have presentable, good hair.

But Marlene hates being in the salon and doesn't understand why her curls are not considered pretty by those around her. With a few hiccups, a dash of embarrassment, and the much-needed help of Camila and Tia Ruby--she slowly starts a journey to learn to appreciate and proudly wear her curly hair.

 

on sale October 25, 2022

A Touch of Moonlight by Yaffa S. Santos | Fiction

Larimar Cintrón works hard at three things: her job as brand manager for Beacon Café, a New York based corporate bakery chain; taking care of her parents and her abuela; and hiding that she's a ciguapa--a mythical creature of Dominican folklore with long, straight hair and backwards-facing feet. Larimar may only be a ciguapa on full moons, but she feels like an outsider in her family the rest of the month too. Her love of '90s punk rock music and style further sets her apart. But when her best friend introduces her to Ray, a bakery owner and fellow punk rock lover, Larimar thinks she may have finally found someone with whom she can be her true self.

As Beacon's brand manager, Larimar oversees all new location openings, including its newest store in New Jersey, which could be the project that finally lands her a coveted promotion. But when she discovers the location is right across from Ray's bakery, Borrachitos, Larimar is torn between impressing her boss and saving Ray's business.

As Larimar continues to grow closer to Ray and the new store's opening looms, she struggles to hide the truth about herself and her job. But embracing her magical nature may be the only way Larimar can have everything she wants. Witty and poignant, A Touch of Moonlight is a celebration of heritage, culture, and identity--of embracing yourself and finding your place in the world.

 

A Seed in the Sun by Aida Salazar | Middle Grade

Lula Viramontes aches to one day become someone whom no one can ignore: a daring ringleader in a Mexican traveling circus. But between working the grape harvest in Delano, California, with her older siblings under dangerous conditions; taking care of her younger siblings and Mamá, who has mysteriously fallen ill; and doing everything she can to avoid Papá's volatile temper, it's hard to hold on to those dreams.

Then she meets Dolores Huerta, Larry Itliong, and other labor rights activists and realizes she may need to raise her voice sooner rather than later: Farmworkers are striking for better treatment and wages, and whether Lula's family joins them or not will determine their future.

 

On Sale October 27, 2022

Santiago's Dinosaurios by Mariana Rios Ramirez | Picture Book

Santiago finds a way to connect to his classmates--through dinosaurios!

Santiago is new to the United States, and he doesn't speak English. On his first day of school, how will he connect with his peers? Santiago learns that even when you don't speak the same language, some interests--like dinosaurs--are universal.