Books

October 2023 Latinx Releases

 

On Sale October 3

 

Up in Flames by Hailey Alcaraz | YOUNG ADULT

At eighteen, Ruby Ortega is an unapologetic flirt who balances her natural aptitude for economics with her skill in partying hard. But she couldn't care less about those messy college boys—it's her intense, brooding neighbor Ashton who she wants, and even followed to school. Even the fact that he has a girlfriend doesn't deter her . . . whatever Ruby wants, she eventually gets.

Her ruthless determination is tested when wildfires devastate her California hometown, destroying her parents' business and causing an unspeakable tragedy that shatters her to her core. Suddenly, Ruby is the head of the family and responsible for its survival, with no income or experience to rely on. Rebuilding seems hopeless, but with the help of unexpected allies—including a beguiling, dark-eyed boy who seems to understand her better than anyone—Ruby has to try. When she discovers that the fires also displaced many undocumented people in her town, it becomes even more imperative to help. And if she has to make hard choices along the way, can anyone blame her?

 

The Apple in the Dark by Clarice Lispector | Translated by Benjamin Moser | ADULT FICTION

Martim, fleeing from a murder he believes he committed, plunges into the dark nocturnal jungle: stumbling along, in a state of both fear and wonder, eventually he comes to a remote, quiet ranch and finds work with the two women who own it. The women are tranquil enough before his arrival, but are affected by his radical mystery. Soaked through with Martim’s inner night (his soul is in the darkness where everything is created), the novel vibrates with his perpetual searching state of vigil. Often he feels close to an epiphany: “for the first time he was present in the moment in which whatever is happening is happening.” Yet such flashes flicker out, so he’s ever on the watch for “life to take on the dimensions of a destiny.”

In an interview, Lispector once said: “I am Martim.” As she puts it in The Apple in the Dark: “All I’ve got is hunger. And that unstable way of grasping an apple in the dark―without letting it fall.”

 

The Sanctuary by Gustavo Eduardo Abrevaya | Translated by Andrea G. Labinger | ADULT FICTION

When their car breaks down outside of the small Argentinian village of Los Huemules, indie filmmaker Álvaro and his wife, muse, and lead actress Alicia consider it a minor inconvenience. Seeking shelter in the town's lone motel, they settle in for a night of decadent fun, but after Alicia disappears without a trace the following morning, Álvaro embarks on an increasingly desperate quest to find her. Armed only with a video camera and with a growing sense of dread, Álvaro begins gradually uncovering the town's many dark secrets, with each revelation being more horrific than the last.

 

Alebrijes by Donna Barba Higuera | MIDDLE GRADE

This is the story as it was told to me by Leandro the Mighty.

For 400 years, Earth has been a barren wasteland. The few humans that survive scrape together an existence in the cruel city of Pocatel – or go it alone in the wilderness beyond, filled with wandering spirits and wyrms. They don’t last long.

13 year-old pickpocket Leandro and his sister Gabi do what they can to forge a life in Pocatel. The city does not take kindly to Cascabel like them – the descendants of those who worked the San Joaquin Valley for generations.

When Gabi is caught stealing precious fruit from the Pocatelan elite, Leando takes the fall. But his exile proves more than he ever could have imagined -- far from a simple banishment, his consciousness is placed inside an ancient drone and left to fend on its own. But beyond the walls of Pocatel lie other alebrijes like Leandro who seek for a better world -- as well as mutant monsters, wasteland pirates, a hidden oasis, and the truth.

 

The Devil's Promise by Celso Hurtado | YOUNG ADULT

San Antonio is full of secrets, and seventeen-year-old Erasmo Cruz investigates the strangest of them. After gaining renown for surviving the city's legendary Ghost Tracks, he has set up shop as a paranormal investigator. But helping exorcize other people’s demons doesn’t seem to relieve his own; his best friend Rat has abandoned him, his grandmother is nearing death, and his own health has taken a sudden decline.

None of these hardships can prepare Erasmo for the story his newest client brings him. Two decades after a strange ritual at a rural ranch, Bradley Erickson is being hunted by the Devil. In exchange for the life of his dreams, Bradley must surrender the blood of his child. The case hurls Erasmo into a dark web of cults, bargains, and broken pasts. Only one thing is certain: the Devil keeps his promises.

 

Meet Me at Midnight (Bad Princesses #2) by Jennifer Torres | MIDDLE GRADE

Princesses don’t break the rules, but they may rewrite them…

Every girl dreams of going to the Fine and Ancient Institute for the Royal to learn how to be a princess. But Dalia and Dominga could not be any less enchanted. They are different…the same kind of different. Neither of them wants to be the fairest of them all. They want to join a secret society of villains at the Bewitched Academy of the Dreadful, and tonight they have another chance to prove they belong there. It's the night of the Starlight Search. It's as sickeningly sweet as it sounds. So, Dalia and Dominga scheme, and plot, and set out to stop the princesses in their tracks. Will it be enough to get them their invitations to the BAD?

 

Dreams of Green: A Three Kings' Day Story by Mariel Jungkunz | Illustrated by Mónica Paola Rodriguez | PICTURE BOOK

It's eleven days after Christmas and Lucía yearns to be in lush Puerto Rico celebrating Día de los Reyes with family and friends. But this year, instead of dancing and singing in the parrandas of her Puerto Rican neighborhood, she is surrounded by cold and silence in snow-blanketed Ohio. How will she ever be able to guide the Three Kings to her new home in the frosty Midwest? This picture book is a celebration of Puerto Rican culture, heartwarming family tradition, and a reminder that we all carry a piece of home with us wherever life may take us.

 

Mari and the Curse of El Cocodrilo by Adrianna Cuevas | MIDDLE GRADE

If Mari Feijoo could, she would turn her family’s Peak Cubanity down a notch, just enough so that her snooping neighbor and classmate Mykenzye wouldn’t have anything to tease her about. That’s why this year, there’s no way that Mari’s joining in on one of the big-gest Feijoo family traditions—burning the New Year’s Eve effigy her abuela makes.

Only Mari never suspects that failing to toss her effigy in the fire would bring something much worse than sneering words at school: a curse of bad luck from El Cocodrilo. At first, it’s just possessed violins and grade sabotaging pencils, but once El Cocodrilo learns that he becomes more powerful with each new misery, her luck goes from bad to nightmarish as the curse spreads to her friend Keisha.

Instead of focusing on Mari’s mariachi band tryout and Keisha’s fencing tournament, the pair, along with their friend Juan Carlos, are racing against the clock to break the curse. But when Mari discovers her family’s gift to call upon their ancestors, she and her friends will have to find a way to work with the unexpected help that arrives from the far corners of Mari’s family tree. Only will it be enough to defeat El Cocodrilo before he makes their last year of elementary school the worst ever and tears their friendship apart? 

 

The Broke Hearts by Matt Mendez | YOUNG ADULT

A year after losing their best friend, JD and Danny are still brokenhearted. JD’s impetuous decision to join the Air Force only makes him yearn for “before” more than ever. Danny, who’d rather paint murals than open a book and certainly never thought of himself as college material, makes the equally impulsive choice to do what Juan will never be able to and enrolls in a community college.

Danny’s father, The Sarge, is proud of him for the first time ever for living out Sarge’s own dream of being a first-generation college student, but Danny can’t shake the thought that it should be Juan, not him. And studying hasn’t gotten any easier for him despite his new academic goals. When Danny is on the verge of flunking out and JD gets notified of imminent deployment, the two are forced to confront their shared grief that led them to these paths. Can they learn to live lives that are their own in honor of Juan, rather than for him?

 

A Haunting in Hialeah Gardens by Raul Palma | ADULT FICTION

Hugo Contreras’s world in Miami has shrunk. Since his wife died, Hugo’s debt from her medical bills has become insurmountable. He shuffles between his efficiency apartment, La Carreta (his favorite place for a cafecito), and a botanica in a strip mall where he works as the resident babaláwo.

One day, Hugo’s nemesis calls. Alexi Ramirez is a debt collector who has been hounding Hugo for years, and Hugo assumes this call is just more of the same. Except this time Alexi is calling because he needs spiritual help. His house is haunted. Alexi proposes a deal: If Hugo can successfully cleanse his home before Noche Buena, Alexi will forgive Hugo’s debt. Hugo reluctantly accepts, but there’s one issue: Despite being a babaláwo, he doesn’t believe in spirits.

Hugo plans to do what he’s done with dozens of clients before: use sleight of hand and amateur psychology to convince Alexi the spirits have departed. But when the job turns out to be more than Hugo bargained for, Hugo’s old tricks don’t work. Memories of his past—his childhood in the Bolivian silver mines and a fraught crossing into the United States as a boy—collide with Alexi’s demons in an explosive climax.

 

Latinísimo: Home Recipes from the Twenty-One Countries of Latin America: A Cookbook by Sandra A. Gutierrez | ADULT NONFICTION

In this monumental work, culinary expert Sandra A. Gutierrez shares more than three hundred everyday dishes—plus countless variations—that home cooks everywhere will want to replicate. Divided by ingredient—Beans, Corn, Yuca, Quinoa, and almost two dozen more—and featuring an extensive pantry section that establishes the fundamentals of Latin American cooking, Latinísimo brings together real recipes from home cooks in Argentina, Brazil, Belize, Bolivia, Chile, Colombia, Costa Rica, Cuba, the Dominican Republic, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Puerto Rico, Uruguay, and Venezuela.

These are recipes that reflect the incredible breadth and richness of the culinary traditions of the region. Sweeping in its scope, and filled with history and stories, Latinísimo is an utterly essential resource for every kitchen.

 

El Rey of Gold Teeth by Reyes Ramirez | POETRY

In El Rey of Gold Teeth, Reyes Ramirez explores living in America as a first-generation American of Salvadoran and Mexican descent, living among conflicting histories. Through the voices of an astronaut, a tennis player, a drag queen, family members, an alternate version of the self, and even a turtle, these propulsive poems embody the many marginalized voices demanding to be remembered in a nation that requires erasure of histories.

Colonizing languages and subverting forms, rerouting histories, and finding the mundane made extraordinary, El Rey of Gold Teeth breaks open notions of destiny, in humorous and devastating ways, to reimagine the past and present a new future where lack transforms to abundance, where there will be many answers to every question. Reyes Ramirez's debut poetry collection plays in spaces of both elegy and joy, and introduces a vibrant new talent.

 

The Girl Who Cried Diamonds & Other Stories by Rebecca Hirsch Garcia | ADULT FICTION

A girl born in a small, unnamed pueblo is blessed--or cursed--with the ability to produce valuable gems from her bodily fluids. A tired wife and mother escapes the confines of her oppressive life and body by shapeshifting into a cloud. A girl reckons with the death of her father and her changing familial dynamics while slowly, mysteriously losing her physical senses.

Infused with keen insight and presented in startling prose, the stories in this dark, magnetic collection by newcomer Rebecca Hirsch Garcia invite the reader into an uncanny world out of step with reality while exploring the personal and interpersonal in a way that is undeniably, distinctly human.

 

On Sale October 10

 

The Fall of Whit Rivera by Crystal Maldonado | YOUNG ADULT

Frenemies Whit and Zay have been at odds for years (ever since he broke up with her in, like, the most embarrassing way imaginable), so when they’re forced to organize the fall formal together, it's a literal disaster. Sparks fly as Whitney—type-A, passionate, a perfectionist, and a certified sweater-weather fanatic—butts heads with Zay, a dry, relaxed skater boy who takes everything in stride. But not all of those sparks are bad. . . .

Has their feud been a big misunderstanding all along?

Blisteringly funny and profoundly well-observed, The Fall of Whit Rivera is a snug and cozy autumn romcom that also tackles weightier topics like PCOS, chronic illness, sexuality, fatphobia, Latine identity, and class. Funny, honest, insightful, romantic, and poignant, it is classic Crystal Maldonado—and it will have her legion of fans absolutely swooning.

 

Desire Museum by Danielle Cadena Deulen | POETRY

Divided into four sections and shaped by female-identified embodiment, Desire Museum touches on lost love and friendship, climate crisis, lesbian relationships, and the imprisonment of children at the U.S.-Mexico border. These poems trace the pleasures and pitfalls of sex, the anxieties of motherhood, and the ramifications of interpersonal, sociopolitical, and environmental trauma in women's lives. In these pages, Deulen holds up a candle to desire itself, questioning what it means to recognize and embrace one's desires, or what it might mean to let them go.

 

Hatchet Girls by Diana Rodriguez Wallach | YOUNG ADULT

When Mariella Morse accuses her boyfriend, Vik Gomez, of murdering her wealthy parents with an axe, the town is quick to believe her. It doesn’t help that Vik is caught standing over her parents’ bodies with blood on his hands, unable to remember anything about the night in question.

But Vik’s sister, Tessa, knows that Vik would never be capable of such a gruesome crime. Haunted by the mistakes she made that led her family to move to Fall River, MA in the first place, she sets out to prove her brother’s innocence.

Tessa’s search for answers will lead her into a sprawling, notoriously cursed forest, where she and Mariella must face a darkness that has lurked within their town since before the days of Lizzie Borden—the original axe murderess of Fall River.

 

The Prince & the Coyote by David Bowles | Illustrated by Amanda Mijangos | YOUNG ADULT

Mexico. 1418.

Meet Prince Acolmiztli. Puma of the Acolhua People. Heir to his father's throne. Half Acolhuan, half Mexica. Singer. Warrior. Poet. Sixteen years old.

And now, betrayed. A palace plot, placed by the deadly Tepaneca Empire, kills his mother and siblings, puts his father's army into retreat, and sends Prince Acolmiztli into a treacherous exile. Battling hunger, snow-swept mountains, and the machinations of the city-states all around him, Prince Acolmiztli vows revenge. It will take years, but he will return to seek justice. And he'll do it with a new name:

Nezahualcoyotl. Fasting Coyote. One of the most legendary figures in history.

 

The Young Teacher and the Great Serpent by Irene Vasco |Illustrated by Juan Palomino | Translated by Lawrence Schimel | PICTURE BOOK

A young teacher sets out for the Amazon rain forest, eager to share geography, science, and math with the remote community of Las Delicias. The town’s children love the books the young teacher brings, and yet they keep repeating legends about a great and dangerous serpent. The young teacher can’t believe her students still care about that nonsense. But as the river rises, those stories don’t seem so strange anymore. Maybe books aren’t the only way to discover the wisdom of past generations…

The Young Teacher and the Great Serpent is a poetic, thought-provoking exploration of how stories can protect and guide a community. Bold, dynamic art and lyrical writing will open unforgettable conversations about cross-cultural relationships, the importance of indigenous knowledge, and what it means to be a lifelong learner.

 

Dwell Time: A Memoir of Art, Exile, and Repair by Rosa Lowinger | ADULT NONFICTION

Dwell Time is a term that measures the amount of time something takes to happen - immigrants waiting at a border, human eyes on a website, the minutes people wait in an airport, and, in art conservation, the time it takes for a chemical to react with a material.

Renowned art conservator Rosa Lowinger spent a difficult childhood in Miami among people whose losses in the Cuban revolution, and earlier by the decimation of family in the Holocaust, clouded all family life.

After moving away to escape the "cloying exile's nostalgia," Lowinger discovered the unique field of art conservation, which led her to work in Tel Aviv, Philadelphia, Rome, Los Angeles, Honolulu, Charleston, Marfa, South Dakota, and Port-Au-Prince. Eventually returning to Havana for work, Lowinger suddenly finds herself embarking on a remarkable journey of family repair that begins, as it does in conservation, with an understanding of the origins of damage.

Inspired by and structured similarly to Primo Levi's The Periodic Table, this first memoir by a working art conservator is organized by chapters based on the materials Lowinger handles in her thriving private practice - Marble, Limestone, Bronze, Ceramics, Concrete, Silver, Wood, Mosaic, Paint, Aluminum, Terrazzo, Steel, Glass and Plastics. Lowinger offers insider accounts of conservation that form the backbone of her immigrant family's story of healing that beautifully juxtaposes repair of the material with repair of the personal. Through Lowinger's relentless clear-eyed efforts to be the best practitioner possible while squarely facing her fraught personal and work relationships, she comes to terms with her identity as Cuban and Jewish, American and Latinx.

 

A Delicate Marriage by Margarita Barresi | ADULT FICTION

Isabela, a wealthy woman, sacrifices her artistic aspirations to marry Marco, a penniless man dedicated to improving conditions on the island. As the island's insular government enacts pro-U.S. policies, Marco builds a real estate empire while struggling to maintain his populist principles. Meanwhile, Isabela feels unfulfilled in her traditional role as a wife and mother and becomes disillusioned with Marco's shifting moral compass. She begins to identify with anti-U.S. factions, leading a dangerous double life that puts her family in peril.

As political violence threatens their paradise, Isabela and Marco question whether their marriage, like the island's relationship with the U.S., should continue. Margarita Barresi's debut novel celebrates Puerto Rican culture while delving into themes of class, oppression, and the effects of colonialism through the lens of a marriage.

 

Blackouts by Justin Torres | ADULT FICTION

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book―Sex Variants: A Study of Homosexual Patterns―and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?

A book about storytelling―its legacies, dangers, delights, and potential for change―and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made―a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

 

On Sale October 17

 

Legitimate Kid: A Memoir By Aida Rodriguez | ADULT NONFCITION

Aida Rodriguez has, to put it mildly, lived a whirlwind life. Her rags to-riches story is mind-blowing: She was kidnapped as a child by her mother in the Dominican Republic and brought to the US. She was later kidnapped again by her grandmother and uncle, and moved from New York to Florida. As an adult, she ended a difficult marriage and endured homelessness with her children in Los Angeles. But through it all she never lost her sense of humor.

Born with a wonderful wit and an irrepressible spirit, Aida used her gifts and worked tirelessly, turning tragedy and pain into biting comedy that takes on everything from misogyny and racism to social media and news headlines. She eventually released a hit HBO Max special which led to multiple development deals—success that won her a nationwide audience, opened doors, and helped her expand the way Latinos are represented in comedy.

In this, her highly anticipated first book, Aida charts her many ups and downs. From personal setbacks to career highs and everything in between, Legitimate Kid is endearing, shocking, and ultimately life-affirming.

 

All That Rises by Alma García | ADULT FICTION

In the border city of El Paso, Texas, two guardedly neighboring families have plunged headlong into a harrowing week. Rose Marie DuPre, wife and mother, has abandoned her family. On the doorstep of the Gonzales home, long-lost rebel Inez appears. As Rose Marie’s husband, Huck (manager of a maquiladora), and Inez’s brother, Jerry (a college professor), struggle separately with the new shape of their worlds, Lourdes, the Mexican maid who works in both homes, finds herself entangled in the lives of her employers, even as she grapples with a teenage daughter who only has eyes for el otro lado—life, American style.

What follows is a story in which mysteries are unraveled, odd alliances are forged, and the boundaries between lives blur in destiny-changing ways—all in a place where the physical border between two countries is as palpable as it is porous, and the legacies of history are never far away. There are no easy solutions to the issues the characters face in this story, and their various realities—as undocumented workers, Border Patrol agents, the American supervisor of a Mexican factory employing an impoverished workforce—never play out against a black-and-white moral canvas. Instead, they are complex human beings with sometimes messy lives who struggle to create a place for themselves in a part of the world like no other, even as they are forced to confront the lives they have made.

 

On Sale October 24

 

Nefando by Mónica Ojeda |Translated by Sarah Booker | ADULT FICTION

Six young artists share an apartment in Barcelona: Kiki Ortega, a researcher writing a pornographic novel; Iván Herrera, a writer whose prose reveals a deeply conflicted relationship with his body; three siblings, Irene, Emilio, and Cecilia, who quietly search for ways to transcend their abuse as children; and El Cuco Martínez, a video-game designer whose creations push beneath the substrate of the digital world. All of them are connected in different ways to Nefando, a controversial cult video game whose purpose remains a mystery. In the parallel reality of the game, players found relief from the pain of past trauma and present shame, but also a frighteningly elastic sense of self and ethics. Is Nefando a game for horror enthusiasts, a challenge to players' morals, or a poetic exercise? What happens in a virtual world that admits every taboo?

 

I'll Be the Moon: A Migrant Child's Story by Phillip D. Cortez | Illustrated by Mafs Rodríguez Alpide | PICTURE BOOK

In her journey North, a child is shepherded by the moon as she aims to reunite with her father across the border. The moon inspires and shepherds the child and mother on their journey North to reunite with her father. It also reminds her of home and her abuela and her small town. Most importantly, the moon helps her dream and pushes her forward.

With vivid and picturesque words by Phillip D. Cortez and imaginative illustrations by Mafs Rodríguez Alpide, I'll Be the Moon shows how la luna brings light to the darkness and guides us to those we love.

 

Beautiful Monster: A Becoming by Miles Borrero | ADULT NONFICTION

Nearing the age of forty, with an entire life already lived as a woman—half in Colombia, half in the US—Miles Borrero comes face to face with his father’s impending death. Suddenly realizing that he has been stalling his transition for fear of losing his family’s love, this moment catalyzes Miles’s determination to be fully known as his father’s son before it is too late.

In Beautiful Monster, Miles chronicles his unusual childhood, by turns riveting and hilarious, in ’80s and ’90s Colombia during the Pablo Escobar years, as well as his move to Salt Lake City to pursue acting and the winding trajectory that eventually lands him in the New York City yoga scene. Within these very different cultures, the realities of being queer and trans echo poignantly through the triumphs, heartbreaks, family dynamics, spiritual pursuits, and relationships that propel Miles along his path.

Sublimely nuanced and written in ravishing prose that is as unique and irresistible as its subject, Beautiful Monster is one person’s story of navigating the pressures to perform femininity while becoming a gender outlaw. Brimming with wonder, humor, and mythos, entertaining and enlightening in equal measure, this book offers a compelling case for embracing one’s true nature.

 

Secrets We Tell the Sea by Martha Riva Palacio | Translated by Lourdes Heuer | MIDDLE GRADE

The only good thing about Sofia's mom sending her to live with her abuela is that finally Sofia and the sea will meet face-to-face.

The sea has always called to Sofia, even when she and her mom lived in a big city nowhere near its shore. That's how Sofia always knew she was a mermaid--that, and the fact that the sea and its creatures are much easier to understand than people. Like her mother, who is sending Sofia away instead of her barracuda of a boyfriend; that's a flying fish if Sofia's ever seen one, spending so much time reaching for the sky she can't see what's going on below the surface. When Sofia meets her abuela, she knows she's up against a sea dragon: fierce and guarded, but maybe not so bad when you're the one she's guarding. Still, Sofia longs to meet another mermaid, someone who understands her and the sea completely.

When Sofia meets Louisa, it seems like she's found just that--until the sea betrays them both in one irreversible moment. Soon their town is overtaken by hurricanes and floods and emotions and questions so big Sofia doesn't know what to do with them. Like, how do you catch a flying fish? How do you make friends with the sea again? And how do you calm the rough waters within yourself?

 

The Bronx Is My Home by Alyssa Reynoso-Morris | Illustrated by Kim Holt | PICTURE BOOK

Welcome to The Bronx, New York! A picture book celebration of hometown pride including the history, landscape, cuisines, cultures, and activities unique to this vibrant community.

There's only one place where you can see bodegas and businesses bustling on every street, taste the most delicious empanadas in the world, smell the salty sea air of Pelham Bay, and pet horses at the Bronx Equestrian Center. From sunrise to sunset, Santiago and Mami have many treasures to enjoy in their neighborhood on a beautiful Saturday, including colorful birds on the Siwanoy Trail and fresh cannolis on Arthur Avenue.

This energetic and joyful family story offers both a journey through and a love letter to this special borough.

 

On Sale October 31

 

Sinner's Isle by Angela Montoya | YOUNG ADULT

Rosalinda is trapped on Sinner’s Isle, an island filled with young women like her—Majestics, beautiful witches loathed by society for their dangerous magic yet revered by powerful men who want to use them. 

For years, she has been kept under the watchful, calculating eye of Doña Lucia. Now eighteen, Rosa will be the prized commodity at this year’s Offering, a fiesta for the wealthy to engage in drink, damsels, and debauchery. That is why she must flee—before someone forces the vicious phantoms within her to destroy everything she touches. 

Handsome, swashbuckling Mariano has long sailed the high seas as the Prince of Pirates. Then the king’s fleet attacks his father’s infamous ship, leaving him marooned on Sinner’s Isle with only an enchanted chain meant to lead him to his heart’s desire. Instead, he falls into the hands of a brazen (although) bewitching headache—Rosa.

Together they must outwit each other and their enemies before the Offering ends and it’s too late to escape the perils of Sinner’s Isle.

 

What the River Knows by Isabel Ibañez | YOUNG ADULT

Bolivian-Argentinian Inez Olivera belongs to the glittering upper society of nineteenth century Buenos Aires, and like the rest of the world, the town is steeped in old world magic that’s been largely left behind or forgotten. Inez has everything a girl might want, except for the one thing she yearns the most: her globetrotting parents—who frequently leave her behind.

When she receives word of their tragic deaths, Inez inherits their massive fortune and a mysterious guardian, an archeologist in partnership with his Egyptian brother-in-law. Yearning for answers, Inez sails to Cairo, bringing her sketch pads and a golden ring her father sent to her for safekeeping before he died. But upon her arrival, the old world magic tethered to the ring pulls her down a path where she soon discovers there’s more to her parent’s disappearance than what her guardian led her to believe.

With her guardian’s infuriatingly handsome assistant thwarting her at every turn, Inez must rely on ancient magic to uncover the truth about her parent’s disappearance—or risk becoming a pawn in a larger game that will kill her.

 

Motherland: A Memoir by Paula Ramón| Translated by Julia Sanches & Jennifer Shyue | ADULT NONFICTION

In the span of a generation, oil-rich Venezuela spiraled into a dire state of economic collapse. Reporter Paula Ramón experienced the crisis firsthand as her middle-class family saw their quality of life deteriorate.

Public services no longer functioned. Money lost its value. Her mother couldn’t afford to buy food, which was increasingly scarce. The once-prosperous country fell into ruin. Like many others, Ramón’s family struggled to survive each day in their beloved city, Maracaibo―until, one by one, they each made the unbearable choice to leave the home they love.

In the end, it was Ramón’s mother, a widow, who stayed behind, loyal to the only home she’d ever known. In this heartbreaking mix of lived experience, family chronicle, and journalistic essay, Paula Ramón explores the anguish of her own relationships set against the staggering collapse of a country.

Motherland is a uniquely human account about the ties that bind―and the fragile concept of home.

 

Eventually, Inevitably/ Tarde o temprano era inevitable: My Writing Life in Verse/ Mi vida de escritor en verso by René Saldaña Jr. | YOUNG ADULT

When students ask author René Saldaña, Jr. how one becomes a writer, he says, “It’s complicated.” In this memoir written in verse for young adults, the author remembers his boyhood and the path that led to his becoming a reader, writer and scholar. He begins with “The Deets: My Parents as Kids,” and recounts “’Apá was born a long time ago / ‘Amá a few years after him.” His father finished elementary school in Mier, Tamaulipas, and then went to Nuevo Laredo to study machines. His parents married in Chihuahua, Texas: “It’s got one street / called Charco, or mud-puddle.”

René’s childhood along the Texas-Mexico border was filled with lots of family—cousins, aunts, uncles, grandparents; his abuelo told countless stories that helped define the boy. He read magazines at the grocery store, watched his mother read Selecciones, the Spanish-language version of Reader’s Digest, and realized writing poetry was the way to get a girlfriend. But he remembers junior high school as “those blasted years” and the teachers “who made me fall / out of love with reading a book.” Later he found a book in the library in which he saw himself for the first time; there were kids that spoke Spanish, had brown skin and names like his.

This touching portrait depicts the development of a writer and the impact his rural, Mexican-American community had on his growth into a published author and university scholar. Written in an accessible style and available in a bilingual format, this moving and often humorous memoir in narrative verse will appeal to all teens. Young people of color and reluctant male readers will find it of particular interest.

 

Huizache Women by Estella Gonzalez | ADULT FICTION

Merced is as strong and determined as the huizache tree her father tried to chop down, but that kept growing back every year, even after he burned its roots. Her aunt marries her off to the most eligible man in their small Mexican town to protect her from her own father, who believes the girl’s developing body is his to use. In chapters spanning early twentieth century El Sauz, Mexico, mid-century El Paso and contemporary Los Angeles, this engrossing novel chronicles the harrowing yet darkly funny trials of three generations of resilient women. Merced is a young wife and mother in a loveless marriage when she meets the handsome but faithless Leandro in Ciudad Juárez. Her first taste of passion drives Merced to uproot her three daughters and embark on a daunting journey to the United States to reunite with her lover. Can her daughters and granddaughter break Leandro’s hold on Merced so they can finally put down their own roots? Or will they also have to break away and run? The women struggle with love, loss and survival against the expectations of patriarchal, misogynist societies on both sides of the border. This saga offers a spellbinding look at love conquered and lost, love freely given and purchased, working-class Mexican and Chicano communities and their love-hate relationship with American assimilation—all set to the popular music of both countries.

 

Tepozteco's Belly by José Agustín | YOUNG ADULT

Alaín’s parents have a home in Tepoztlán, outside of Mexico City, and he invites a group of friends to spend the long Mexican Independence weekend there. They can’t wait to hang out, play video games and climb up to the Toltec pyramid that’s in the town! 

Once there, the city kids meet some of the locals, including Pancho, who’s about their age, and his mother, a curandera who does cleansings. The young people are thrilled to be able to watch the indigenous ceremony that involves copal incense, candles and rubbing an egg along the body. But more exciting is Pancho’s invitation to explore a large cave he has recently discovered. 

They set out early the next day and find the cave entrance without too much trouble, but soon things get weird. In the huge, dark cavern, they encounter an assortment of odd people. Before long, the friends realize they’ve accidentally entered Tepozteco’s belly, where the ancient Aztec gods live. Mother figure and the goddess of sustenance, Tonantzín, and Xiutecutli, the lord of fire, want to help the kids escape, but others, including the fearsome earth mother goddess Coatlicue, want to subject the intruders to a bloody sacrifice! Soon the gods agree to a test to decide whether they will live or die. Introducing teens to Mexico’s pre-Hispanic culture and religion, this adventure novel blending fantasy and myth races to an exciting conclusion sure to satisfy young readers.  

 

Testimony of a Shifter by Emma Pérez | ADULT FICTION

Imprisoned by the totalitarian government, Dr. Benito Espinoza practices for his weekly interrogations by recounting his story to his thirteen-year-old daughter. He tells her about turning his back on his ability to shift his gender from male to female—to Alejandra—to become a scholar in the Grand Library. Most academics are Residents who inherited their seats and believe Descendants like Ben don't have the intellectual ability to be a person of letters. Ben conforms to the laws against transmuting, so he manages to secure a place in the library. His life's purpose is to prove Descendants are as capable as Residents. But an encounter with a clever, beautiful Descendant leads to his unwitting participation in the rebellion against the Impresario and his White Guards. Soon the shifter is involved with the Rebels, trying to save a younger generation of Descendants and shifters from the horrific experiments and violence perpetrated against them. In a non-linear narrative in which "time is false," author and scholar Emma Pérez offers a fascinating speculative novel about alternate histories, while pondering race, discrimination and transgender people.

 

Grandma, Where Will Your Love Go? / Abuela, ¿adónde irá tu amor? by Adriana Camacho-Church | Illustrated by Gastón Hauviller | PICTURE BOOK

“Grandma and I dance together, / sew together, / bake together / and go to the market together.” This engaging picture book depicts the loving relationship between a young girl and her grandmother and the girl’s growing realization that her grandmother will not always be physically present. Her beloved abuela “walks slower, sits longer and takes more medicine.” Abuela comforts her granddaughter by using nature’s beauty, power and mystery to reassure her that life continues—and so does love. The child will feel her touch in the sun’s warmth and her kiss in each raindrop. When the wind lifts her hair, she will know her grandmother is there. The beauty of sunlit dragonflies and the smell of baked bread will be reminders of her love. “Feel my love in the power of waterfalls,” Grandma says. “Feel it in a moonlit darkness and in the sprout from a seed.” The love they share will surround her always. With beautiful illustrations by Gastón Hauviller depicting a child enjoying activities with a special adult, this bilingual book about loss, healing and a unique bond will connect children to the idea that we come from and return to nature. Kids will eagerly recount—or even write about—their favorite memories of time spent with a beloved family member or friend.

 

Mariano’s First Glove / El primer guante de Mariano by Robert Casilla | PICTURE BOOK

Mariano Rivera, a record-breaking major league baseball player, grew up in a small fishing village in Panama. His father had his own boat and wanted his son to follow in his footsteps, but Mariano didn’t want to be a fisherman. He loved baseball! Without money for equipment, the boy and his friends had to be creative. They improvised a mango tree limb for a bat, made gloves out of cardboard and wrapped a rock in shredded fishing nets and tape to create a ball! Even though Mariano was the smallest, he was quick and athletic, and he constantly practiced hitting, catching and throwing to improve his game. After high school, he worked with his father, but when their boat sank, he was more convinced than ever that fishing was not for him! He started his baseball career as a shortstop for a local team, which made it to the national championship two years in a row. A New York Yankees scout invited Mariano to a tryout, and soon after he was hired to play for a minor league team in Tampa, Florida. He joined the New York Yankees in 1995 and went on to become a great relief pitcher and top closer, helping his team to win five World Series. He broke the record in 2011 for the most games saved as a closer, and in 2019 became the first major league player to be voted into the Baseball Hall of Fame with 100% of the votes. With engaging text and lively illustrations by acclaimed artist Robert Casilla, this book is sure to win many young fans.

 

Author Q & A: Vlad, the Fabulous Vampire by Flavia Z. Drago

Deep in the Dark Woods lives a vampire named Vlad. He loves fashion, but wears only black outfits like his friends. Black is an all-time classic in their world.

But Vlad has a big secret beneath his cape: He has pink cheeks—so bright that they make him look horribly alive. The stout vampire worries his friends would stop liking him if they found out. So he devises a plan. Vlad turns his fashion obsession to good use by designing clothes that can hide his rosiness.

Soon after, Vlad discovers that his friend, Shelley, also has a secret of her own. Could they figure out how to be comfortable in their own skin, together?

Vlad, the Fabulous Vampire is a charming and uplifting book about the journey to self-acceptance by acclaimed author-illustrator Flavia Z. Drago. Out now from Candlewick Press, the picture book is the latest installment in Drago’s World of Gustavo series—a delightfully monstrous world that began with her 2020 New York Times #1 bestseller, Gustavo, the Shy Ghost. The book’s Spanish version—Vlad, el vampirito fabuloso—was released simultaneously.

Drago, who was born in Mexico City and now lives in the UK, spoke with me on behalf of Latinx in Publishing about the creation of Vlad the vampire, what keeps her drawn to this world of monsters, and more.

Monsters are misfits. Monsters are just reflections of ourselves, in a way. But in making monsters fearful, we have kind of detached ourselves from the things that we fear about ourselves as well, so to speak. So I just think it’s good to look back at them. 
— Flavia Z. Drago

This interview has been edited for clarity and brevity.

Amaris Castillo (AC): Congratulations on Vlad, the Fabulous Vampire! What inspired this story?

Flavia Z. Drago (FZD): That’s a good question. I did Gustavo, the Shy Ghost, which is a book about a ghost. After I finished that book, I started working on Leila, the Perfect Witch, a book about a witch. I had this little vampire character who appeared as I was doing sketches for another book actually, called Monsters Play… Peekaboo! It’s monsters playing hide and seek, and I basically drew sheets with different shapes and you need to guess which monster is hiding underneath each sheet. The sketches for the book had different monsters, and one of them was a vampire.

As I was working on Leila, I was allowing myself to do a bit of play with the pencil on the sketchbook. And I drew the vampire wearing pink clothes. I thought it could be fun to have a gothic-looking character wearing something that would feel very opposite to what a gothic world is. I didn’t do anything with him. I just knew I liked him and I showed it to my publishers, and they also liked him. We knew we wanted to make a book, so as I was working on Leila, I had the idea that the next book was going to be about a vampire. But then I didn’t know what his problem was going to be. I knew that he was a vampire who liked wearing pink, but I didn’t know what his story was.

It was actually my partner who suggested, “Well, maybe he has rosy cheeks and that’s his problem. And he wants to hide his cheeks [by] wearing clothes.” So he’s a vampire who likes pink. He feels very self-conscious about having rosy cheeks that make him look very much alive, which is not what a vampire is supposed to look like. I thought it could be fun to play with that and make it a book about learning how to love yourself—which is an everyday task, and which we all struggle with in very different ways.

AC: Your main character, Vlad, has a passion for fashion, but dresses only in black like all of his vampire friends. He’s been keeping a secret—that he has rosy cheeks. He feels a need to hide this from others. How did you decide on this particular struggle for your vampire protagonist?

FZD: I thought it was fitting. It was a black-and-white world, and Vlad is going to be very happy to live in that world. He’s very creative and he loves fashion. There’s nothing he loves more than fashion. But because he has this problem with his rosy pink cheeks, he feels like he can’t wear fun clothes because he has to cover his cheeks with the same boring black outfit all over again. So he can’t be himself. He can’t be who he really wants to be.

And so one day, he has this idea: Maybe I can actually use fashion to cover my cheeks. But that’s a bit futile because, in the end, that’s not who he really is. He is a vampire who has pink rosy cheeks, and he needs to learn how to love it. The thing I didn’t know was that he was going to have this friend who ends up being a key character in this story.

AC: I love his friend because she had a secret as well. I don’t want to give out a spoiler, but that was really cute.

FZD: I think it’s something that happens to all of us. We feel ashamed of something about ourselves, and the only way of getting through it is [by] recognizing it and maybe sharing it with others. So that’s what the characters in my book need to do. They just don’t know how to, and then they find out.

AC: This story is set in the same world as your best-selling picture book, Gustavo, the Shy Ghost. And by now, you’ve had several books on monsters and witches. You bring your signature flair to the other characters—bats, witches, ghosts. What about this world keeps drawing you back in?

FZD: It all just started with Gustavo. When I made Gustavo, I wasn’t aware that I was going to end up developing a whole world of monsters. After I finished Gustavo, I baked a unicorn cake with my family and I posted the pictures on Instagram. When I was having a chat with my agent, Claire Cartey, she was like, “Why don’t you make a book about baking?” I was like, “No, that’s just boring.” And then I was like: Hang on a minute. I have a witch. Witches bake gingerbread houses. And that’s just a really fun and good excuse to draw witches [Laughs]. I’ve always loved horror films and folk tales, so I thought it could be a really fun opportunity to draw some of the things that I enjoy the most.

As I was working on Leila, the Perfect Witch, I ended up thinking about Vlad. And at the same time, I started doing this PhD and researching horror as a genre in the children’s picture book format or medium. I guess it just coincided. I started making books about monsters and then I decided to become a researcher. That just prompted me to think more deeply about monsters and how I could use them in my picture books—and that’s what I’ve started to do.

AC: There’s a big lesson here in being yourself, and how sometimes you need a friend to help you get there. How did you work to bring that onto the page?

FZD: That was really, really hard, because I didn’t want it to be preachy. So I wrote and rewrote the words many times. I wanted to keep it as open as possible because I didn’t want to say, ‘This is how you should feel about yourself.’ I wanted to keep it open, so that whoever is reading it could identify with what Vlad is going through. So I had to think very carefully about the words on the page.

My publishers and I went back and forth, and back and forth. We had many, many proofs. I think there’s at least maybe 13, 15 different proofs with different writing. Up until the last minute I was still thinking of changing the ending. But it just ended up being what it is now.

AC: What are you hoping readers take away from Vlad the Fabulous Vampire?

FZD: I want them to enjoy the world that I’ve created and enjoy all of the details. I want them to feel the love for monsters that I feel. Monsters are misfits. Monsters are just reflections of ourselves, in a way. But in making monsters fearful, we have kind of detached ourselves from the things that we fear about ourselves as well, so to speak. So I just think it’s good to look back at them. 

On the other hand, I would like for people to see the book. Hopefully they’ll identify with Vlad in one way or another—whether it’s because they feel self-conscious about their physical appearance, about their identity, about their nationality—about anything. This is why I think vampires and monsters also work, because they don’t point out to a single thing you’re afraid of. You can be anything. So it’s very versatile in that sense.


Flavia Z. Drago was born and raised in Mexico City. As a child, she wanted to be a mermaid. When that didn’t happen, she began her career as a graphic designer and a children’s book illustrator. Her debut, Gustavo, the Shy Ghost, was a smashing success and #1 New York Times bestseller. She is also the author-illustrator of Leila, the Perfect Witch and two monster-themed board books, Monsters Play… Counting! and Monsters Play… Peekaboo! She loves colors, textures, and shapes and enjoys creating them with different materials and a bit of digital sorcery. Flavia Z. Drago divides her time between the UK and Mexico.

Amaris Castillo is an award-winning journalist, writer, and the creator of Bodega Stories, a series featuring real stories from the corner store. Her writing has appeared in La Galería Magazine, Aster(ix) Journal, Spanglish Voces, PALABRITAS, Dominican Moms Be Like… (part of the Dominican Writers Association’s #DWACuenticos chapbook series), and most recently Quislaona: A Dominican Fantasy Anthology and Sana, Sana: Latinx Pain and Radical Visions for Healing and Justice. Her short story, “El Don,” was a prize finalist for the 2022 Elizabeth Nunez Caribbean-American Writers’ Prize by the Brooklyn Caribbean Literary Festival. She is a proud member of Latinx in Publishing’s Writers Mentorship Class of 2023 and lives in Florida with her family and dog, Brooklyn.

Latine Authors Longlisted For The National Book Awards

Latinx In Publishing would like to congratulate the Latine authors longlisted for the
2023 National Book Awards!

POETRY

José Olivarez, Promises of Gold
Henry Holt and Company / Macmillan Publishers

José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the Chicago Review of Books Award for poetry. It was named a top book of 2018 by the Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology The BreakBeat Poets Vol. 4: LatiNext. He co-hosts the poetry podcast The Poetry Gods.

NONFICTION

Cristina Rivera Garza, Liliana’s Invincible Summer: A Sister’s Search for Justice
Hogarth / Penguin Random House    

Cristina Rivera Garza is the award-winning author of The Taiga Syndrome and The Iliac Crest, among many other books. A recipient of a MacArthur Fellowship and the Sor Juana Inés de la Cruz Prize, Rivera Garza is the M.D. Anderson Distinguished Professor in Hispanic Studies, and director of the PhD program in creative writing in Spanish at the University of Houston.

FICTION

Justin Torres, Blackouts
Farrar, Straus and Giroux / Macmillan Publishers

Justin Torres is the author of We the Animals, which won the VCU Cabell First Novelist Award, was translated into 15 languages, and was adapted into a feature film. He was named a National Book Foundation 5 Under 35 honoree, a Stegner Fellow at Stanford University, a Radcliffe Fellow at Harvard University, and a Cullman Center Fellow at the New York Public Library. His short fiction has appeared in The New Yorker, Harper’s, Granta, Tin House, and The Washington Post. He lives in Los Angeles, and teaches at the University of California, Los Angeles.

TRANSLATED LITERATURE

Stênio Gardel, The Words That Remain
Translator, Bruna Dantas Lobato
New Vessel Press

Stênio Gardel was born in 1980 in the rural northeast of Brazil. The Words That Remain is his first novel.

Juan Cárdenas, The Devil of the Provinces
Translator, Davis
Coffee House Press

Juan Cárdenas is a Colombian art critic, curator, translator, and author of seven works of fiction, including his novel Los estratos, which received the Otras Voces Otros Ámbitos Prize. He has translated the works of such writers as William Faulkner, Thomas Wolfe, Gordon Lish, David Ohle, J.M. Machado de Assis, and Eça de Queirós. Cárdenas currently coordinates the masters program in creative writing at the Instituto Caro y Cuervo in Bogotá, where he works as a professor and researcher.

Pilar Quintana, Abyss Translator, Lisa Dillman
World Editions

Pilar Quintana is a Colombian author. In 2007, Hay Festival selected her as one of the most promising young authors of Latin America. Her previous novel, The Bitch, won an English PEN Translates award and was a Finalist for the 2020 National Book Award for Translated Literature. It also won the Colombian Biblioteca de Narrativa Prize, and was chosen as one of the most valuable objects to preserve for future generations in a marble time capsule in Bogotá. Abyss, her latest novel, was awarded the Alfaguara de Novela Prize.

Fernanda Melchor, This Is Not Miami Translator, Sophie Hughes
New Directions Publishing Corporation

Born in Veracruz, Mexico, in 1982, Fernanda Melchor’s novel Hurricane Season was shortlisted for the International Booker Prize, Longlisted for the National Book Award for Translated Literature, and was a New York Times Notable Book.

Book Review: Yaqui Delgado Wants to Kick Your Ass by Meg Medina, illustrated by Mel Valentine Vargas

If you’re reading this review, you probably know just how petrifying high school can be. Not fitting in, not feeling good enough, getting good grades, romance, friendships, body image. High school is a lot, on top of the struggles with family and identity that are often prevalent as you make the transition into a young adult. Add social media and cyber-bullying into the mix and high school? Yeah, it’s hell.

Meg Medina’s award-winning novel, Yaqui Delgado Wants to Kick Your Ass, is expertly transformed by Mel Valentine Vargas into a graphic novel that is pertinent to teens of today. It takes elements that were strongest in Medina’s 2013 prose and brings them to life in a revitalizing way. We still feel the yearning, loneliness, and vulnerability that Medina crafted for us through Piddy Sanchez’s story, but Vargas expertly gets us to know Piddy through their contemporary art.

Meg Medina’s award-winning novel, “Yaqui Delgado Wants to Kick Your Ass”, is expertly transformed by Mel Valentine Vargas into a graphic novel that is pertinent to teens of today. It takes elements that were strongest in Medina’s 2013 prose and brings them to life in a revitalizing way.

Piddy Sanchez feels herself slipping, and she feels alone.

Her mom Clara works late, and is doing the best she can to raise Piddy as a single mom. And despite her mom doing everything she can for Piddy, Piddy still feels like a piece of her is missing. Her father is no longer in the picture, choosing instead to live with a second family in the Dominican Republic. Her best friend Mitzi is actually fitting in at her school, and forgetting about Piddy. Her grades are falling, she's skipping class, she’s had to move, and oh yeah, Yaqui Delgado wants to kick her ass.

Though the title is centered around Yaqui, we actually get to know her very little, except that she hates Piddy for being the new girl at school. She can’t stand the way that Piddy shakes her hips when she walks. Piddy isn’t the stereotypical Latina, but she’s just as Latina as the rest of the girls at school. Still, she knows she doesn’t fit in because of her accentless Spanish, her light skin, and her adeptness in the classroom. And Yaqui blames Piddy for talking to Alfredo, a boy that Yaqui has her eyes on.

So, after weeks of bullying, Yaqui finally kicks Piddy’s ass. And posts the fight online for the whole school to see.

We know today just as we did back in 2013 (when Meg Medina’s prose novel was first published) about the intensity of cyberbullying. The fact is, social media has become even more of a staple in young teens’ lives than it was ten years ago. It is proof that young readers, young Latine readers, need Piddy’s story now more than ever.

Yes, Piddy Sanchez is going through it. Kids her age can suck, and the pressure to succeed and fit in threatens to make her head explode. But, the most important thing that Piddy learns through all of this is that she is never alone. She learned how to play piano from her mom, how to dance and shake her hips from Lila, and how to make new friends and try new things from her best friend Mitzi. She has friends and family who love her and will stick up for her no matter what she is going through. With a strong community around her, Piddy learns to stick up for herself and gathers the strength to not give up, even when it feels like the entire world is against her.


 
 

Meg Medina is the current National Ambassador for Young People’s Literature. She is the author of the Newbery Medal–winning book Merci Suárez Changes Gears, which was also a 2018 Kirkus Prize finalist, and which was followed by two more acclaimed books about the Suárez family: Merci Suárez Can’t Dance and Merci Suárez Plays It Cool. Her young adult novels include Yaqui Delgado Wants to Kick Your Ass, which won the 2014 Pura Belpré Author Award, and which will be published in 2023 as a graphic novel illustrated by Mel Valentine Vargas; Burn Baby Burn, which was long-listed for the National Book Award; and The Girl Who Could Silence the Wind. She is also the author of picture books Evelyn Del Rey Is Moving Away, illustrated by Sonia Sánchez, Jumpstart’s 2020 Read for the Record selection; Mango, Abuela, and Me, illustrated by Angela Dominguez, which was a Pura Belpré Author Award Honor Book; and Tía Isa Wants a Car, illustrated by Claudio Muñoz, which won the Ezra Jack Keats New Writer Award; and the biography for young readers She Persisted: Sonia Sotomayor. The daughter of Cuban immigrants, she grew up in Queens, New York, and now lives in Richmond, Virginia.

Mel Valentine Vargas is a Queer Cuban-American graphic novelist based in Chicago. They hope to draw the kind of illustrations that their younger self, and others like them, could have seen to feel less alone. Mel Valentine Vargas loves singing in Spanish, playing farming video games, and eating lots of gyoza with their friends.

 

Illianna Gonzalez-Soto lives in San Diego, CA with her dog Fluffers and her ever-growing #tbr pile. She currently works with ReedPop as a Marketing Coordinator. Follow her on Twitter & Instagram @iliannagsoto.

 

Review and Author/Illustrator Q & A: Cool Green: Amazing, Remarkable Trees by Lulu Delacre

Cool Green: Amazing, Remarkable Trees begins with a question.

“¿Por qué, abuelo? Why?”

A young girl asks her grandfather why he’s in awe of trees. He’s a landscaper who believes trees are astounding. He begins to share why.

There’s the General Sherman, considered the “world’s biggest clean air machine,” and the monkey puzzle—“a living fossil and cousin of trees from long ago.” And there’s the coconut palm, which author-illustrator Lulu Delacre wanted to include because it was a big part of her upbringing in Puerto Rico.

Out now by Candlewick Press, Cool Green: Amazing, Remarkable Trees is a tender and lyrical ode to the trees of the world, with a strong backbone in research. With each page, the Latino landscaper guides readers through the wonders of a select group of trees. We learn about the umbrella thorn acacia, which “dresses its branches with needles and hooks,” and we take in the baobab—“an upside-down tree with a trunk like a sponge.”

Delacre’s illustrations, like the trees she features, brim with life. For this particular book, she opted for a mixed media—embedding live specimens like seeds, fronds, and leaves, into the art. Once she was done with the pages, the publisher photographed it in such a way that readers can see shadows on the page from the specimens. The art as a whole will likely nurture greater curiosity about the world’s trees.

By the end of the book, readers are left with more knowledge about trees and the uniqueness each brings. It’s also humbling to learn that more than seventy-three thousand species of trees inhabit Earth. Cool Green: Amazing, Remarkable Trees only scratches the surface, but it’s a quality introduction for both readers of all ages.

The root of this book is a love for nature and learning. Delacre, a big nature lover herself, dedicated it to the young stewards of the Earth.

On behalf of Latinx In Publishing, I spoke with Delacre recently about the inspiration behind Cool Green, her research and illustration processes, and more.

By the end of the book, readers are left with more knowledge about trees and the uniqueness each brings. It’s also humbling to learn that more than seventy-three thousand species of trees inhabit Earth.

This interview has been edited for clarity and brevity.

Amaris Castillo (AC): Congratulations on the publication of Cool Green: Amazing, Remarkable Trees. What inspired you to write and illustrate this story?

Lulu Delacre (LD): It goes back to 2019, when I first saw an exhibit on trees, and specifically on the symbiotic nature between fungi and trees. That, paired with the fact that I’ve loved trees all my life. It’s a place of peace for me—walking in the woods and working in the garden.

So all the love of nature, paired with that exhibit and a love of learning—because I absolutely adore to learn—gave way to what happened next. I saw this exhibit in 2019, and then in 2020 we were on lockdown. My safe place again became walking the woods of national parks, gardening, and research. I also noticed how essential workers were thanked and how, all of a sudden, they became visible. I noticed that some people who worked in essential jobs know much more than what you think they do. That’s what made me appear the Latino landscaper who knows a lot more than what you would expect somebody that comes in and does work in your lawn might know. I wanted to share with children my awe of trees, through the voice of this landscaper.

AC: In your book, this Latino landscaper teaches his granddaughter about the different kinds of trees all over the world. Can you talk about your decision to make him a landscaper? Why was that important?

LD: For me it was important that the grandfather is a landscaper, because I have always admired the work of Latinos that come (here). . . When I had this home that I needed to take care of, I did have the help of someone who worked for me. He did the basic lawn care for many years. Talking to him, I realized that he knew so much more than what was apparent. I wanted to showcase that to children, because sometimes a reader might dismiss these essential workers. They might dismiss these people, and I feel that, that is an incorrect way of seeing life, because all of us have something to contribute to society.

A landscaper may not have the degree that a professor may have, but at the same time his knowledge is in the knowledge of the land, in the knowledge of plants, in the knowledge that perhaps came in ways that are not taught in the classroom—that are taught by nature itself. And that is valid knowledge, too.

AC: Your text in Cool Green is both poetic and informative. What was it like to balance both in order to tell a compelling ode to trees?

LD: That’s a great question. First and foremost is research, which I adore. And I did tons of it. Because I wanted the young reader to fall in love with these trees, I searched for what I call the “cool facts.” I literally made a list. If I were looking at these as a young reader, what facts would I find really interesting? What is it that I find cool about this tree? And that’s what I wrote.

After I had all my facts, then I went back and tried to weave these facts in a way that was lyrical. For me, it’s a succinct way of saying a very important thing in very few words that perhaps has more of a chance to stay in the young brain because it’s short. Perhaps it has a way of telling him, or her, or they, just enough that they feel compelled to turn the pages and find more about this specific tree.

AC: In your notes at the end of the book, you write that there are more than seventy-three thousand species of trees that inhabit the Earth. How did you decide which ones you wanted to feature in Cool Green, like the monkey puzzle or the coconut palm?

LD: I’m sorry, but I found out about the coconut palm as soon as I could because I wanted to somehow feature it. It was so much part of my upbringing, and knowing that it was the second largest seed, I said ‘OK, this is the fact. I’m not going to go with the largest seed. It’s going to be the second one, because I want to feature the coconut palm.’ Besides, it has a lot of uses.

For some young children, it’s about the champion tree—the tallest tree, or the tree with the largest girth, like the Ahuehuete from Mexico. This is a champion tree that takes literally 17 adults holding hands to go around its girth. So I wanted to have the champion trees, as well as some amazing trees that I didn’t know about until I started doing the research. Like the Eucalyptus deglupta—the rainbow gum—which literally seems that it couldn’t exist. I do sessions about this book to kids and, when I show them the illustration of the rainbow gum, I ask them, “Do you think that this tree is real, or do you think I made up those colors?” Of course, many of them think that it’s all made up. So I show them photos, and the kids are amazed.

My vision was not only to showcase trees that kids could relate to, but also to do it in a global fashion. I wanted to show readers that you have these amazing trees all around the globe. You have to be in awe. You may have one that is right in your backyard, and you don’t know that it’s there.

AC: I understand that, as part of creating the illustrations, you searched for live specimens of trees. Can you share more about your process?

LD: It’s a mixed media. You can go to my site and see some of the pictures of the process. I used soft acrylics for flat colors. I decided to blend graphic shapes with accurate height and girth of specimens. I represented the surrounding animal life to hint of tree size scale. In an echo of scientific observation I collected on my own, or sought from arboretums, leaves, twigs, cones, bark, and flowers of each species. I used some of the collected specimens to create textured hand printed papers. Finally, I selected a few chosen specimens to adhere to the art. It’s my own way of modeling for readers to do the same with trees they particularly like.

Then after everything was done, the publisher did a very good job of photographing it in such a way that you can see those shadows. So when I show the book to young people, I ask them, “Where is the specimen—the dry leaf that I collaged?” They can pinpoint it. That part was very well done by the publisher. It’s a whole process. Art for a book like this takes me about six months.

AC: What are you hoping young readers take away from Cool Green?

LD: My hope is that, by reading one of these poems, they feel compelled to know more about the specific tree that spoke to them. That it instills in them a little bit of awe for trees, and for what they do for us, humans and the Earth. Maybe they can also become collectors of specific leaves of their favorite trees. They might also be compelled to write their own poem based on facts about the tree that they particularly love.

Doing these books, for me, is like sowing seeds. You don’t know what is going to speak to a child and young minds are really where you want to sow these seeds. If you want to create stewards of the Earth, you must start with the youngest of children. Sometimes it’s just by picking up a book like Cool Green or Verde Fresco, reading a couple of pages and just telling your kid, “You know what? Let’s go out to the park nearby. Let’s go check the trees out there. Let’s see if we can find those leaves, and then let’s see if we can find oak leaves. And what kind of oak leaves do you see?” It’s a bridge to asking questions. And kids are just so curious. It’s really when they are young that you can, like I say, sow seeds that later on grow into amazing people.

AC: You have a new book titled Veo Veo, I See You. What can you share about this story?

LD: I am very excited about Veo Veo, I See You. It celebrates essential workers, but it does it for the youngest of children—to the point that the children that might be playing the veo veo game may not remember what the world went through in 2020. It’s a very joyful book. It’s told in the voice of Marisol, a young girl who discovers the true meaning of the word “essential” on an outing with her mother and her younger brother as they go on errands in the city. She’s playing veo veo and learns who is essential in her surrounding community.


Three-time Pura Belpré Award honoree Lulu Delacre has been writing and illustrating children's books since 1980. The New York Times Bestselling artist was born and raised in Puerto Rico to Argentinean parents. Delacre says her Latino heritage and her life experiences inform her work. Her many titles include Arroz con Leche: Popular Songs and Rhymes from Latin America, a Horn Book Fanfare Book in print for over 30 years. Her bilingual picture book ¡Olinguito, de la A a la Z! Descubriendo el bosque nublado; Olinguito, from A to Z! Unveiling the Cloud Forest and her story collection Us, in Progress: Short Stories About Young Latinos have received multiple starred reviews and awards. Among her latest works are the art of Turning Pages by Supreme Court Justice Sonia Sotomayor and Cool Green: Amazing, Remarkable Trees. Delacre has lectured internationally and served as a juror for the National Book Awards. She has exhibited at The Eric Carle Museum of Picture Book Art, The Original Art Show at the Society of Illustrators in New York, the Museum of Art of Puerto Rico, and the Zimmerli Art Museum among other venues. Reading is Fundamental honored her with a Champion of Children’s Literacy Award. For more visit her at www.luludelacre.com.

Amaris Castillo is an award-winning journalist, writer, and the creator of Bodega Stories, a series featuring real stories from the corner store. Her writing has appeared in La Galería Magazine, Aster(ix) Journal, Spanglish Voces, PALABRITAS, Dominican Moms Be Like… (part of the Dominican Writers Association’s #DWACuenticos chapbook series), and most recently Quislaona: A Dominican Fantasy Anthology and Sana, Sana: Latinx Pain and Radical Visions for Healing and Justice. Her short story, “El Don,” was a prize finalist for the 2022 Elizabeth Nunez Caribbean-American Writers’ Prize by the Brooklyn Caribbean Literary Festival. She is a proud member of Latinx in Publishing’s Writers Mentorship Class of 2023 and lives in Florida with her family and dog, Brooklyn.

Most Anticipated September 2023 Releases

September brought us some exciting book releases! Between picture books, fun and heartfelt romances, or a memoir that redefines the American Dream, there is something for everyone. Scroll below for a list of my most anticipated reads for September.

 

¡1,2,3 Baila! Series by Delia Ruiz | Illustrated by Graziela Andrade | On Sale September 5

Ever since I caught a glimpse of this series at the LA Times Festival of Books, I’ve been so excited for the official release! The ¡1,2,3 Baila! Series is a trio of bilingual books that teach children primary concepts through Latin music and dance. Merengue introduces Latin instruments and the sounds they make, Salsa teaches to count to 10, and Cumbia explores common manners like consent. 

I might not be a child, but the series features adorable illustrations and is such a creative and refreshing way to teach these concepts, and also introduce diverse settings and characters to kids.

 

First Gen: A Memoir by Alejandra Campoverdi | On Sale September 12

Sometimes I’m drawn to memoirs because the story seems so different from my own, other times it's the similarities in someone else’s tale that lure me in. With First Gen, it's a bit of both—it’s the familiar themes that draw me in to read about a story so unlike my own. In the same lifetime, Alejandra Campoverdi has been a child on welfare, a White House aide, a Harvard graduate, a gang member's girlfriend, and a candidate for U.S. Congress. Sharing her experience as a first generation Latina navigating social mobility, Campoverdi lays out a personal and intimate story of her journey though a life of contradictions. Always the trailblazer, Camporverdi redefines the narrative of the American Dream and brings to light the struggles of what it means to be a “First and Only.”

 

As Long as You Love Me by Marianna Leal |On Sale September 12

Long-term school nemesis, Catalina Diaz Solis and Gabriel Cabrera, find themselves in the biggest competition yet: the battle for a full-time job offer. Cata is desperate for the job, hoping it will guarantee her visa renewal; meanwhile, Gabriel finds himself preoccupied elsewhere, desperate for a date to his brother’s wedding. The solution? Gabe offers to step aside from consideration of the full-time job if Cata will be his plus-one. As Catalina grows closer to Gabe, she discovers there is more to him than she ever imagined. When things become complicated, she must decide what she is willing to do to make her dreams come true. 

Academic rivals? Enemies to lovers? Fake dating? Marianna Leal has got it all in this fun and emotional romance.

 

A British Girl's Guide to Hurricanes and Heartbreak by Laura Taylor Namey | On Sale September 26

The beauty of a good YA book is that it can carry so much depth and maturity while still maintaining a fun and accessible read. Laura Taylor Namey’s newest novel seems to be on this exact path. 

After losing her mother, Flora finds herself struggling with her grief, unable to control the inner chaos. While her family expects her to apply to university and take on more responsibility at their tea-shop business, Flora decides to head to Miami without telling anyone. There she finds a safe space in her surroundings, the Cuban-American culture of the city, and Baz Marín, a Miami Cuban who shares her love for photography. When her best friend, Gordon also finds his way to Florida, Flora realizes she must confront the “hurricane” of emotions, unable to hide in a city full of them. 

Book Review: Chupacarter and the Haunted Piñata by George Lopez and Ryan Calejo, illustrated by Santy Gutierrez

Chupacarter and the Haunted Piñata by George Lopez and Ryan Calejo, illustrated by Santy Gutierrez is the second book in the ChupaCarter series. Chupacarter and the Haunted Piñata focuses around Carter, the chupacabra, and his unlikely friendship with Jorge.

The reader finds Jorge in the midst of a town mystery that is decades old and seems to have come to life claiming many of the towns businesses through fires. The fires come every six years, caused by what most in the town believe is a haunted piñata. The piñata is part of a curse that was put on the small town, decades ago, by a rich boy who could no longer stand the cruel treatment that he received from his classmates. They had humiliated him for the last time and Boca Falls will forever know the day that they spoiled his birthday party.

Lopez, Calejo and Gutierrez weaved together a story full of small town folklores, fires, suspects, a talking chupacabra, and a haunted piñata with colorful illustrations and witty banter to keep the reader and the listener engaged.

As the story moves forward, Jorge is pleasantly surprised that Carter has returned, from what was supposed to be a more permanent vacation, just in time to help him solve the mystery of the fires that threaten to doom Boca Falls. Liza and Ernie, friends of Jorge, retell the story of the Miguel Valdez Blackbriar, the rich boy who started the curse, to catch Jorge up to speed on just why Boca Falls is experiencing visits from a haunted piñata.

Along the way, we meet many peculiar characters that become main suspects as the mystery behind the fires start to unfold. The story will keep you guessing and rooting for Jorge, Liza, Ernie and ChupaCarter.

Though Chupacarter and the Haunted Piñata can be read as a stand alone story, if you are interested on more context, I do recommend getting your hands on the first book of the ChupaCarter series, where you are introduced to Carter and how he meets Jorge.

There’s a strong comedic tone throughout the story and not only are the authors able to reach the young reader but parents/guardians as well. Lopez, Calejo and Gutierrez weaved together a story full of small town folklores, fires, suspects, a talking chupacabra, and a haunted piñata with colorful illustrations and witty banter to keep the reader and the listener engaged.


George Lopez's multifaceted career encompasses television, film, stand-up comedy, and late-night programs. He currently stars in and executive produces the NBC sitcom Lopez vs. Lopez, and he can also be seen in his Netflix original comedy special, We'll Do It for Half. His autobiography Why You Crying? was a New York Times bestseller. He has received a star on the Hollywood Walk of Fame and was named one of the 25 Most Influential Hispanics in America by TIME magazine and one of the Top Ten Favorite Television Personalities by Harris Poll. ChupaCarter is his first series for children. Visit him online at GeorgeLopez.com.

Ryan Calejo is an award-winning author born and raised in South Florida. His critically acclaimed Charlie Hernández series has been featured on half a dozen state reading lists and is a two-time gold medal winner of the Florida Book Awards. Follow him on Twitter and Instagram @RyanCalejo.

Santy Gutiérrez grew up in Vigo and now lives in Corunna (La Coruña), both seaside cities in Spain. In his career, he has won acclaim as the Best Spanish Young Editorial Cartoonist and Best Galician Caricaturist, and he founded BAOBAB Studio Artists' Collective. His wife and son are his personal inspirations. Follow him on Instagram @SantyGutierrez_Art.

Angela “Angie” Ybarra is a senior student enrolled in the Nontraditional Degree Program (NDP) at Northeastern Illinois University. She hopes to work as a grant writer to assist local nonprofit organizations that address the issues of gentrification within Chicago's NorthWest side and help them find funding for their work. Angie loves to give her audience the opportunity to formulate their own views by presenting the facts or points of interest with the hope to move her audience into action.

“Journalism is what maintains democracy. It’s the force for progressive social change.” —Andrew Vachss, Author

Erika Meza Confronts Fear in ‘As Brave as a Lion’

As Brave as a Lion opens to a beaming little girl with wild dark hair. She rides a bicycle, chases birds, and jumps on a bed. By her side is a lion about five times her size, with a fiery orange-red mane.

“No matter how fast I go or where I end up,” the girl narrates, “my brave lion sticks with me—my lion’s always there!”

The girl believes the lion helps her find her voice when she’s too shy or too nervous. He helps her feel brave. He’s on her team.

Then one day, the duo set out to try a new “rocket-fast” slide at the playground. The giant cat follows the girl up the ladder. But once atop the slide, she learns that lions, too, can be afraid. Can she find her own bravery to become her lion’s lion this time?

Erika Meza, the author and illustrator of As Brave as a Lion (out now by Candlewick Press), brings readers a touching picture book about fear, friendship, courage, and how to show up for others. Meza’s expressive artwork and color choice add tremendous warmth. Valiente como un León, the Spanish edition, is also available.

“For me, the book was all about fear, and how you face fear when you’re that little—and even when you’re a grown-up,” said Meza, who was born in Mexico and now resides in North London. “It’s all about how, anytime that you’re afraid, you basically have to hold your fear by the hand and go, ‘You know what, fear? I know you’re there, and it’s OK. We’re going to do this, and we’re going to do this together.’”

Erika Meza, the author and illustrator of “As Brave as a Lion” brings readers a touching picture book about fear, friendship, courage, and how to show up for others. Meza’s expressive artwork and color choice add tremendous warmth.

Meza explained that, in a way, this is what happens with her main character and the girl’s furry companion. “Throughout the book, the lion is kind of this embodiment of bravery,” she said. “But once they’re on top of this slide, it is actually the lion that is completely afraid.”

As an example, the artist brought up the magic feather in Dumbo, the 1941 Disney animated fantasy film about a circus elephant with far-oversized ears. In the film, Dumbo believes that a feather will allow him to fly.

“He thought it was the thing that made him fly, but actually the feather was a feather all along. And he had it in him,” Meza said. “It’s kind of the same (in As Brave as a Lion). At first, you think that the lion is the thing that is making her brave, or making her able to pretend that she’s brave. But actually she’s been brave all along.”

As Brave as a Lion is Meza’s first book as an author-illustrator. But at one point, there wasn’t a story—not even a lion. Initially, Meza’s watercolor pencil illustration was of a little girl and a huge bear. The artist thought it would be a nice game of contrast. According to Meza, her agent suggested making the bear a lion instead.

So Meza started over.

“And funnily enough, a lot of the stuff that had felt like it was good in the first one, came out better. I think it was because I had already done it once, and I knew what had worked and what hadn’t,” she said. “Then when I repainted it, it kind of became a little bit more free and a little bit more expressive. And I love that.”

Earlier this year, Meza offered a behind-the-scenes look into the making of As Brave as a Lion on Instagram. It took her several years and hurdles to create the book, including when Storm Eunice damaged her original artwork when water flooded her London studio.

“But at the end of the day, if you don’t move and do something about it, then it’s not going to happen because you’re not actually taking action. You’re standing still...”

One of the most intriguing elements to this story is the lion itself. It’s unclear whether the lion is real to others, or if it’s derived from the girl’s imagination. Growing up, Meza said she read a lot of Gabriel García Márquez, and recalled a story by the Colombian author about an angel who appears in a town and is caged. People come from all over to see him. Meza said there was never any kind of explanation by García Márquez of how the angel appeared.

“You never really have to explain the rules of the magic,” she said. “It just is.”

So when it came time to discuss with her editor whether the lion in her picture book was real or not, Meza came to a realization.

“Putting an explanation behind it kind of confined the imagination of the reader, and so I quite like the idea of: ‘It just is.’ The lion just is,” Meza said. “Why should we question that? Why should we put an explanation? And if you want to give it an explanation, then why not make your own? Why not have your own take of how this lion came to be? On that part, I quite like the idea of ambiguity, just to give the reader—both the adult and the child—the space of interpretation.”

Meza said it’s taken her about 30 years to learn what she hopes young readers will take away from As Brave as a Lion.

“We see people and we think, ‘They’re so impressive. How did they manage to do that? How have they gotten to where they are?’” she said.

The author-illustrator said it can be anything from overcoming shyness, to moving to another country, or daring to do something you’re passionate about. And in the case of her character in As Brave as a Lion, it can look like pushing through fear to go down a very tall slide.

“But at the end of the day, if you don’t move and do something about it, then it’s not going to happen because you’re not actually taking action. You’re standing still,” she said. “If you dare, maybe sometimes it’ll backfire and you’ll know that it was a horrible idea. But more often than not, the one thing that you can get is a ‘yes’ or a positive result. So, for me, it would be a matter of just not letting fear control your life, and keep it still and stationary.”


Erika Meza was born in Mexico, fell in love with animation on the border with California, and developed a taste for eclairs in Paris before moving to the UK to teach at Nottingham Trent University. She is the illustrator of My Two Border Towns by David Bowles, Salsa Lullaby by Jen Arena, and Arthur Wants a Balloon by Elizabeth Gilbert Bedia. She lives in north London.

Amaris Castillo is an award-winning journalist, writer, and the creator of Bodega Stories, a series featuring real stories from the corner store. Her writing has appeared in La Galería Magazine, Aster(ix) Journal, Spanglish Voces, PALABRITAS, Dominican Moms Be Like… (part of the Dominican Writers Association’s #DWACuenticos chapbook series), and most recently Quislaona: A Dominican Fantasy Anthology and Sana, Sana: Latinx Pain and Radical Visions for Healing and Justice. Her short story, “El Don,” was a prize finalist for the 2022 Elizabeth Nunez Caribbean-American Writers’ Prize by the Brooklyn Caribbean Literary Festival. She is a proud member of Latinx in Publishing’s Writers Mentorship Class of 2023 and lives in Florida with her family and dog, Brooklyn.

Book Review: Borderless by Jennifer DeLeon

Borderless, by Jennifer De Leon is a young adult book that explores life in the writer’s South American homeland of Guatemala. The book follows the day-to-day life of Maya, our main character. Maya, a young woman of seventeen, is an inspiring fashion designer who creates unusual fashion out of the unexpected. Maya uses her talent to make her dreams a reality.

Having come from immigrant parents myself, I felt that I was quickly going to relate to the story. However, I was unprepared for the twists and turns that Maya and her mother experienced. The mix of characters within Maya’s retelling of the book’s events gives the overall story interesting layers. The major points in the story are alluded to, but are only revealed when necessary; leaving the reader wishing to know more.

The school that Maya is attending is a very prestigious design school. Maya is entered into a contest, sponsored by the school, that could change her life forever. To complicate matters, her best friend doesn’t make it into the contest. She then meets a boy, and though this should be an exciting time for Maya, it is anything but that. So much happens in this story in such a short span of time, that the reader is left wondering what comes next with each turn of a page. Borderless will have you running alongside Maya and her mother, both whom are just trying to find a home away from gang violence in Guatemala.

Those who read “Borderless” will find solace and create an intimate connection to Maya and her journey.

De Leon has Maya and her supporting characters share some very authentic moments, which build the story up to its climatic events. The reader watches Maya’s life turn upside down. She is no longer able to hide behind her youth or naïveté and is forced to grow up quickly. From her first crush, to her first kiss, and ultimately, her first time witnessing a murder. We see Maya flee from her home with nothing but the clothes on her back, and cross the Rio Grande, which leads her to a detention center and finally to the realization that there are many challenges that she will have to overcome.

As I read Borderless, I started to understand why so many people seek asylum in the United States. The events of the book, at times, only give us a glimpse of the treatment that many people experience when entering the U.S.; enduring dehumanizing situations. These scenes are heart-wrenching. They heavily resemble events that are taking place in today's world; events that are not receiving the attention that they deserve in the media.

Those who read Borderless will find solace and create an intimate connection to Maya and her journey.


Jennifer De Leon is an author, editor, speaker, and creative writing professor who lives outside of Boston. She is the editor of Wise Latinas: Writers on Higher Education, the 2015-2016 Writer-in-Residence at the Boston Public Library, and a 2016-2017 City of Boston Artist-in-Residence. She is also the second recipient of the We Need Diverse Books grant. She is the author of Don't Ask Me Where I'm From and Borderless.

Angela “Angie” Ybarra is a senior student enrolled in the Nontraditional Degree Program (NDP) at Northeastern Illinois University. She hopes to work as a grant writer to assist local nonprofit organizations that address the issues of gentrification within Chicago's NorthWest side and help them find funding for their work. Angie loves to give her audience the opportunity to formulate their own views by presenting the facts or points of interest with the hope to move her audience into action.

“Journalism is what maintains democracy. It’s the force for progressive social change.” —Andrew Vachss, Author

September 2023 Latinx Releases

 

ON SALE SEPTEMBER 5

 

Warrior Girl by Carmen Tafolla | MIDDLE GRADE

Celina and her family are bilingual and follow both Mexican and American traditions. Celina revels in her Mexican heritage, but once she starts school it feels like the world wants her to erase that part of her identity. Fortunately, she’s got an army of family and three fabulous new friends behind her to fight the ignorance. But it’s her Gramma who’s her biggest inspiration, encouraging Celina to build a shield of joy around herself. Because when you’re celebrating, when you find a reason to sing or dance or paint or play or laugh or write, they haven’t taken everything away from you. Of course, it’s not possible to stay in celebration mode when things get dire—like when her dad’s deported and a pandemic hits—but if there is anything Celina’s sure of, it’s that she’ll always live up to her last name: Guerrera—woman warrior—and that she will use her voice and writing talents to show the world it’s a more beautiful place because people like her are in it.

 

Yaqui Delgado Wants to Kick Your Ass: The Graphic Novel by Meg Medina | Illustrated by Mel Valentine Vargas | GRAPHIC NOVEL

It’s the beginning of sophomore year, and Piedad “Piddy” Sanchez is having a hard time adjusting to her new high school. Things don’t get any easier when Piddy learns that Yaqui Delgado hates her and wants to kick her ass. Piddy doesn’t even know who Yaqui is, never mind what she’s done to piss her off. Rumor has it that Yaqui thinks Piddy is stuck-up, shakes her stuff when she walks, and isn’t Latina enough with her white skin, good grades, and no accent. And Yaqui isn’t kidding around, so Piddy better watch her back. At first, Piddy is more concerned with learning about the father she’s never met, navigating her rocky relationship with her mom, and staying in touch with her best friend, Mitzi. But when the harassment escalates, avoiding Yaqui and her gang takes over Piddy’s life. Is there any way for Piddy to survive without closing herself off from those who care about her—or running away? More relevant than ever a decade after its initial publication, Mel Valentine Vargas’s graphic novel adaptation of Meg Medina’s ultimately empowering story is poised to be discovered by a new generation of readers.

 

I Love You Mucho Mucho by Rachel Más Davidson | PICTURE BOOK

Rosie is so excited to see her abuela and tell her everything that's been going on—but Abuela doesn't speak English, and Rosie doesn't speak Spanish. They quickly learn over lunch, though, that hunger has no language—and neither does love!

 

Veo, Veo, I See You by Lulu Delacre | PICTURE BOOK

Marisol’s mami is the best cook at Rosita’s Cafe! But now, the restaurant is closed. A bad virus—too easy to catch in small, crowded places—is going around.

Marisol, Pepito, and Mami still need to go out to bring Mami’s arroz con pollo to housebound Tía Olga and Cousin Johnny. As Marisol and Pepito watch the people working around the neighborhood, who their mother explains have essential work, Marisol thinks of the perfect game to play:

Veo, veo...
¿Qué ves, Marisol?
I spy...a trash collector. Essential work. Those bins were full!

By the time they get home, Marisol has another idea: a way to show the people in her neighborhood that she sees them!

 

Alma and Her Family/Alma Y Su Familia by Juana Martinez-Neal | PICTURE BOOK

I play with my cousins. / Juego con mis primas.
I sing to Pajarito. / Le canto a Pajarito.

How much does little Alma love her family? She kisses her daddy, squeezes her mommy, laughs with her grandma, and . . . paints on her artist grandpa (such a good sport!). Juana Martinez-Neal’s bilingual board book brings back familiar characters and introduces new ones in a conversational narration (shown in both languages on every spread) as well as gentle illustrations exuding whimsy and warmth.

 

Alma, Head to Toe /Alma, de Pies a Cabeza by Juana Martinez-Neal | PICTURE BOOK

I have two eyes, one nose, and a mouth. / Tengo dos ojos, una nariz y una boca.
I see you, Pajarito! / ¡Te veo, Pajarito!

Alma is known for her iconic stripes—but there’s more she’d like to show you! She has arms, hands, and fingers for patting a pet bird—as well as legs, feet, toes, and one adorable belly, below her ever-present heart. Juana Martinez-Neal’s bilingual board book teaches body parts while sharing moments in a little girl’s world, in a conversational narration (shown in both languages on every spread) combined with gentle, inviting illustrations.

 

¡1, 2, 3 Merengue!: English-Spanish Instruments & Sounds Book by Delia Ruiz | Illustrated by Graziela Andrade | PICTURE BOOK

This bilingual English-Spanish book explores merengue instruments and the fun and sometimes silly sounds that they make. The musicians also practice their lefts and rights while marching in the band with friends. Vamonos! Learn about merengue instruments and their sounds in English and Spanish.

Children, caretakers, and educators will love the rhythmic text paired with bright and colorful illustrations showcasing characters of diverse backgrounds and abilities.

 

¡1, 2, 3 Cumbia!: English-Spanish Manners Book by Delia Ruiz | Illustrated by Graziela Andrade | PICTURE BOOK

This bilingual English-Spanish book teaches common manners through a dance class setting. The dancers also practice consent, learning how to say no and set boundaries with others. ¡Vamonos! Learn to use manners with cumbia in English and Spanish.

Children, caretakers, and educators will love the rhythmic text paired with bright and colorful illustrations showcasing characters of diverse backgrounds and abilities.

 

¡1, 2, 3 Salsa!: English-Spanish Counting Book Book by Delia Ruiz | Illustrated by Graziela Andrade | PICTURE BOOK

This bilingual English-Spanish book teaches how to count to 10 using salsa. ¡Vamonos! Learn to count with salsa in English and Spanish.

Children, caretakers, and educators will love the rhythmic text paired with bright and colorful illustrations showcasing characters of diverse backgrounds and abilities.

 

Creep: Accusations and Confessions by Myriam Gurba | ADULT NONFICTION

A creep can be a singular figure, a villain who makes things go bump in the night. Yet creep is also what the fog does—it lurks into place to do its dirty work, muffling screams, obscuring the truth, and providing cover for those prowling within it.

Creep is Myriam Gurba’s informal sociology of creeps, a deep dive into the dark recesses of the toxic traditions that plague the United States and create the abusers who haunt our books, schools, and homes. Through cultural criticism disguised as personal essay, Gurba studies the ways in which oppression is collectively enacted, sustaining ecosystems that unfairly distribute suffering and premature death to our most vulnerable. Yet identifying individual creeps, creepy social groups, and creepy cultures is only half of this book’s project—the other half is examining how we as individuals, communities, and institutions can challenge creeps and rid ourselves of the fog that seeks to blind us.

With her ruthless mind, wry humor, and adventurous style, Gurba implicates everyone from Joan Didion to her former abuser, everything from Mexican stereotypes to the carceral state. Braiding her own history and identity throughout, she argues for a new way of conceptualizing oppression, and she does it with her signature blend of bravado and humility.

 

ON SALE SEPTEMBER 12

 

First Gen: A Memoir by Alejandra Campoverdi | ADULT NONFICTION

Alejandra Campoverdi has been a child on welfare, a White House aide to President Obama, a Harvard graduate, a gang member’s girlfriend, and a candidate for U.S. Congress. She’s ridden on Air Force One and in G-rides. She’s been featured in Maxim magazine and had a double mastectomy. Living a life of contradictory extremes often comes with the territory when you’re a “First and Only.” It also comes at a price.

With candor and heart, Alejandra retraces her trajectory as a Mexican American woman raised by an immigrant single mother in Los Angeles. Foregoing the tidy bullet points of her resume and instead shining a light on the spaces between them, what emerges is a powerful testimony that shatters the one-dimensional glossy narrative we are often sold of what it takes to achieve the American Dream. In this timely and revealing reflection, Alejandra draws from her own experiences to name and frame the challenges First and Onlys often face, illuminating a road to truth, healing, and change in the process.

Part memoir, part manifesto, FIRST GEN is a story of generational inheritance, aspiration, and the true meaning of belonging—a gripping journey to “reclaim the parts of ourselves we sacrificed in order to survive.”

 

fox woman get out! by India Lena González | Foreword by Aracelis Girmay | POETRY

Traveling from the corporeal to the cosmic, from life to death and back again, fox woman get out! is a full-throated performance of humanity in search of truth, ancestry, and artistic authenticity. Moving through themes of lineage, twinship, femininity and masculinity, reclamation of Indigeneity, dance, gender roles, and longing, González’s poems are a crescendo on the page. Part ecstatic elegy, part spell, this is a betwixt poetics, a kaleidoscopic, disruptive, and meditative work.

 

The Devil of the Provinces by Juan Cárdenas | Translated by Lizzie Davis | ADULT FICTION

When a biologist returns to Colombia after fifteen years abroad, he quickly becomes entangled in the trappings of his past and his increasingly bizarre present: the unsolved murder of his brother, a boarding school where girls give birth to strange creatures, a chance encounter with his irrevocably changed first love. A brush with a well-connected acquaintance leads to a biotechnology job offer, and he’s gradually drawn into a web of conspiracy. Ultimately, he may be destined to remain in the city he’d hoped never to see again―in The Devil of the Provinces, nothing is as it seems.

 

As Long as You Love Me by Marianna Leal | ADULT FICTION

Catalina Diaz Solis needs just a few things to achieve her dream: her student visa, a full-time job, and to get Gabriel Cabrera out of her head. Since leaving Venezuela after her brother was killed in a political protest, Cata has been working to finish her Engineering degree, and now she’s in line for a full-time job that will allow her to stay in the United States. A major wrinkle in her plans is Gabe, the campus babe. He’s always in Cata’s way, competing for top grades and poised to take the job at their internship.

Gabe seems to have it all; he succeeds without trying and is extremely good-looking. It makes hard-working Cata endlessly frustrated. But when Gabe needs a plus-one for his brother’s wedding, he strikes a deal: Cata will be his fake date, and he’ll step out of the running for the job she desperately needs. As they attend events together, Cata discovers there’s more to her nemesis than she ever imagined. It’s all fun and games until Cata’s visa renewal is rejected, and Gabe complicates things with a new proposal that might either solve all her problems or destroy her dreams. Cata will have to put everything on the line to follow her heart.

 

ON SALE SEPTEMBER 19

 

Colorful Mondays: A Bookmobile Spreads Hope in Honduras by Nelson Rodríguez and Leonardo Agustín Montes | Illustrated by Rosana Faría and Carla Tabora | Translated by Lawrence Schimel | PICTURE BOOK

A beautiful, empowering story about the impact of literacy in underprivileged communities, based on a real bookmobile program in Tegucigalpa, Honduras.

Luis’s favorite day of the week is Monday, the day the bookmobile comes to his neighborhood. In Villa Nueva, sad stories can gather like dark, stormy clouds. But at the bookmobile, Luis hears stories that burst with life, laughter, and color. Maybe today will bring a song or a puppet show! He might even get to pick a book to read on his own. Every new Monday fills Luis and his neighbors with a joy they can’t help but bring back home.

 

Candelaria by Melissa Lozada-Oliva | ADULT FICTION

Your granddaughters are lost, Candelaria. Bianca, the brainy archaeologist, had to forfeit her life's work in Guatemala after her advisor seduced and deserted her. Paola, missing for over a decade, resurfaces in Boston as a brainwashed wellness cultist named Zoe. And Candy, the youngest, is a recovering addict who finds herself pregnant by a man she's not even sure ever existed. None of this concerns you of course, until a cataclysmic earthquake hits Boston. Now you must traverse the crumbling city to reach the Watertown Mall Old Country Buffet—for a reason you still cannot disclose—battling strange entities and your own strange past to save your granddaughters and possibly the world.

A sweeping, mystical novel following three generations of women as they grapple with muddled pasts and predetermined futures, Candelaria is a story of love that eats us alive.

 

ON SALE SEPTEMBER 26

 

Undiscovered by Gabriela Wiener | Translated by Julia Sanches | ADULT FICTION

Alone in a museum in Paris, Gabriela Wiener finds herself confronted by her complicated family heritage. Visiting an exhibition of pre-Columbian artifacts, she peers at countless sculptures of Indigenous faces each nearly identical to her own and recognizes herself in them – but the man responsible for pillaging them was her own great-great-grandfather, Austrian colonial explorer Charles Wiener. Wiener’s “grand” contribution to history: the near rediscovery of Machu Picchu, nearly 4,000 plundered artifacts, a book about Peru, and a bastard child.

In the wake of her father's death, Gabriela begins to unpack the legacy that is her birthright. From the brutal racism she encounters in her ancestor Charles's book to her father's infidelity, she traces a cycle of abandonment, jealousy and colonial violence, in turn reframing her own personal struggles with desire, love, and race. As she explores the history of two continents, her investigation brings her closer and closer to the more intimate realm where both colonizer and colonized ultimately converge– the body– and her own desire to free it. Guided by a penetrating eye and fearsome wit, Undiscovered embarks the reader on a quest to pick up the pieces of something shattered long ago in the hopes of making it whole once again.

 

A British Girl's Guide to Hurricanes and Heartbreak by Laura Taylor Namey | YOUNG ADULT

Winchester, England, has always been home for Flora, but when her mother dies after a long illness, Flora feels untethered. Her family expects her to apply to university and take a larger role in their tea-shop business, but Flora isn’t so sure. More than ever, she’s the chaotic “hurricane” in her household, and she doesn’t always know how to manage her stormy emotions.

So she decides to escape to Miami without telling anyone—especially her longtime friend Gordon Wallace.

But Flora’s tropical change of scenery doesn’t cast away her self-doubt. When it comes to university, she has no idea which passions she should follow. That’s also true in romance. Flora’s summer abroad lands her in the flashbulb world of teen influencer Baz Marín, a Miami Cuban who shares her love for photography. But Flora’s more conflicted than ever when she begins to see future architect Gordon in a new light.

 

Skyscraper Babies by April Pulley Sayre and Jeff Sayre | Illustrated by Juliet Menéndez | PICTURE BOOK

This perfectly poetic story is an ode to family and nature in the big city. Squirrels and humans alike rush to get from place to place, all returning to their nooks and nests at the end of the day atop skyscrapers, amidst the stars. This gentle text is sure to lull little ones to sleep as well as instill the importance of coexisting with the natural world.

 

Salsa Magic by Letisha Marrero | MIDDLE GRADE

Thirteen-year-old Maya Beatriz Montenegro Calderon has vivid recurring dreams where she hears the ocean calling her. Mami’s side of the family is known as “Los Locos,” so maybe she actually is going crazy. But no time for that; the family business is where it’s at. Whenever Maya, her sister Salma, and her three cousins, Ini, Mini, and Mo, aren’t at school, you can usually find three generations of Calderones at CaféTaza, serving up sandwiches de pernil, mofongo, and the best cafés con leche in all of Brooklyn.

One day, an unexpected visit from the estranged Titi Yaya from Puerto Rico changes everything. Because Yaya practices santeria, Abuela tells Maya and the other Calderon children are told to stay away from her. But If la viejita is indeed estranged from the family, why does Maya feel so connected to this woman she has never met before? And who is this orisha named Yemaya? On top of figuring all this out, Maya has a budding soccer career to consider, while fending off the local bully, and dealing with nascent feelings toward her teammate. But through it all, there’s that alluring connection to a forbidden ancient practice–filled with a pantheon of Yoruban gods and goddesses–that keeps tugging at her, offering her a new perspective in life, tying her past to her present and future. Which path will Maya choose to fulfill her destiny?