“From deep in the copper canyons of Mexico, her swift footsteps echo. Clip clap, clip clap.”
That’s the vivid opening of Daughter of the Light-Footed People, a forthcoming nonfiction picture book about Lorena Ramírez, a runner from Mexico’s Rarámuri Indigenous people (also known as Tarahumara). The clip-clap sounds come from the athlete’s well-worn huaraches cut from rubber tires. Ramírez, now 29, is internationally known for running in sandals and in a brightly colored skirt.
Written by Belen Medina and illustrated by Natalia Rojas Castro, Daughter of the Light-Footed People takes readers on a sixty-mile run with Ramírez. We learn that her strength comes from kicking balls across miles with her siblings, and that her patience is built from walking for hours. “Over hot, cracked earth and rocks, through cold, hard rain, she runs,” Medina beautifully writes. Castro’s illustrations are equally gorgeous, infusing rich colors and textures to the page. In one spread, Ramírez’s long, dark ponytail morphs into a memory bubble of her as a child, herding goats and cattle for her family.
Out on June 11 from Atheneum Books for Young Readers, Daughter of the Light-Footed People is not just centered around this one Mexican athlete, but offers a real-life lesson that you can persevere and achieve so much even if you don’t have as many resources as others.
Ahead of the book’s release, Medina spoke with Latinx in Publishing about the inspiration behind her debut picture book, what sets Ramírez from other runners, and more.
This interview has been edited for clarity and brevity.
Amaris Castillo (AC): Congratulations on Daughter of the Light-Footed People. This book is about María Lorena Ramírez, an Indigenous long-distance runner belonging to Mexico’s Rarámuri ethnic group. What inspired you to write this story?
Belen Medina (BM): I have two kids, and during COVID I was home with them a lot. I found a Netflix documentary about her and we watched it. And I was just completely awestruck. We were all just dumbfounded by this woman who was running with just her huaraches and her Indigenous clothes. I was so profoundly moved by her grit and endurance, and her story. And so were my kids. And I just thought, Gosh, I feel every kid should know about her. Every person. And as a Mexican American, I just felt especially proud.
I’ve written other books that haven’t come out yet, but I started to look to see if there had been any books about her. I wanted to know more, and realized that there hadn’t been. So that’s how that journey started for me. But mostly, I was just so incredibly inspired by her story and I thought: What an amazing person, and what a great example of just having so little and doing so much. I thought this is a great message for kids and for adults.
AC: Your story beautifully follows María Lorena on a run and also touches on her background, such as her strength coming from herding goats and patience built from walking for hours to buy food. Can you describe your research process to be able to include these details?
BM: I basically scoured every available information I could find. I read some books about long-distance running and Tarahumara people. There wasn’t a lot, but as much as I could watch every interview she did, read every interview she did. I just did a lot of research that way. Then I synthesized the information, because in picture books you have very few words that you can use. And then the process was just whittling it down and trying to make it concise and moving for kids to be inspired by her in as few words as I could.
As you know with editing, I have editors ask me where everything came from – and I had to go back. I have a bibliography of things, but it was fun. I really do like research. I love learning about the Tarahumara people. I didn’t know about them – from where they come from, which is this area that’s bigger than the Grand Canyon… I was blown away by so much that I didn’t know about Mexico.
AC: In your author’s note you write that María Lorena made international headlines when she won the Ultra Trail Cerro Rojo in 2017 – not just for her victory, but because she was wearing huaraches and a brightly colored skirt. There’s one part of the book where you write that she weaves to the front of the pack of runners without fancy gear or gadgets. It made me think about what distinguishes her from other runners. In telling this story, is there anything else you took away from what makes her unique in the running world?
BM: What stands out for me – and not so much in terms of Lorena, but Lorena and her family and her people – is that they don’t just run for themselves. She’s running for her family and to make a better life for other people. I sometimes find that – and I’m generalizing – in America, in our culture, we tend to be very individualistic-minded. We do it for our own selves, or maybe for our ego or whatever we’re proving to ourselves. But we’re not running, or whatever we’re trying to do, because we’re bringing up everyone around us. And that’s what I felt like I learned from her: What she was doing wasn’t just for her. It was for her family. It was for her people. She’s running as a community, which I felt was really moving and powerful. That just gives her that extra motivation.
AC: Your prose is beautiful, and so are the illustrations by Natalia Rojas Castro. What do you think her illustrations add to your text?
BM: Oh my gosh. It brought the words to life. And it’s funny because I thought to myself, Maybe I could illustrate this [Laughs]. Because I do portrait illustration. I was laughing at myself because of the things that I tried to draw. And then I gave up pretty quickly. What she did just elevated the story – the movement, the color. I fell in love with the colors. They reminded me of the colors I think of, of Mexico: just a real richness and deepness and vibrancy to the colors, and the movement. I think she really made the book. I had really little feedback. I think she nailed it. And I’m so happy that she decided to take a chance on my words, and made it her own thing. I was so amazed by some of those spreads that incorporate and then add to my words. I was so thrilled.
AC: What are you hoping readers take away from Daughter of the Light-Footed People?
BM: As I alluded before, I want people to be aware of Lorena and her community. A lot of people say you can do hard things, and you can. You don’t have to have all these resources to put limitations on yourself. Kids can see that you don’t need all the stuff to be successful and that, with grit and perseverance, you can accomplish amazing things. I think that’s a great message – not to make excuses for ourselves… But seeing a woman who is from a modest background able to achieve these amazing things against people with so many more resources – now they can also accomplish whatever it is that they want to do, even if they don’t have all the things that they think they need.
Belen Medina, the daughter of Mexican immigrants, was born and raised in California’s Central Valley. She spent her childhood summers in Mexico with her grandparents and has been navigating two cultures her entire life. Still a Californian at heart, she now lives in the Pacific Northwest with her husband and two sons. Daughter of the Light-Footed People is her debut picture book.
Amaris Castillo is an award-winning journalist, writer, and the creator of Bodega Stories, a series featuring real stories from the corner store. Her writing has appeared in La Galería Magazine, Aster(ix) Journal, Spanglish Voces, PALABRITAS, Dominican Moms Be Like… (part of the Dominican Writers Association’s #DWACuenticos chapbook series), and most recently Quislaona: A Dominican Fantasy Anthology and Sana, Sana: Latinx Pain and Radical Visions for Healing and Justice. Her short story, “El Don,” was a prize finalist for the 2022 Elizabeth Nunez Caribbean-American Writers’ Prize by the Brooklyn Caribbean Literary Festival. She is a proud member of Latinx in Publishing’s Writers Mentorship Class of 2023 and lives in Florida with her family.