October 2024 Latinx Releases

On Sale October 1

 

Alma at Home/Alma En Casa by Juana Martinez-Neal | PICTURE BOOK

Good morning! I am Alma. / ¡Buenos días! Yo soy Alma.
At home, I sleep in my bedroom. / En casa, duermo en mi dormitorio.

Follow little Alma as she washes up in the bathroom, puts on her striped outfit and bow, and eats breakfast with her family in the kitchen. There's just enough time for Alma's brother to sit on the couch and read her a book before school--then Alma can go outside to play with her feathered friend Pajarito! In a new entry in this joyful board-book series, award-winning author-illustrator Juana Martinez-Neal looks in on the adorable Alma and her loving family at home, with words and simple phrases in English and Spanish on every spread.

 

Not Far from Here by Nydia Armendia-Sánchez |Illustrated by Devon Holzwarth | PICTURE BOOK

Mamá tells her children a story that began when their papá was a niño, not far from here. Their abuelitas told stories of their antepasados, and their abuelo, a blacksmith, taught their papá how to make art from earth and fire. When abuelo died, papá took all those lessons to heart and crossed la frontera to el norte to follow his sueños. There, he worked and overcame barriers, known to many immigrants alike, to forge his own obra maestra: a familia and a future in which anything is possible. Debut author Nydia Armendia-Sánchez relays a story of immigration, creativity, and comunidad through a translanguage text that moves naturally from English to español and back in a manner that will be familiar to many second and third generations of Latine families--and evocative to immigrant families of any heritage. Brilliantly brought to life by Devon Holzwarth's rich, imaginative illustrations, this warm abrazo of a book features a glossary of Spanish words.

 

Wonderfully, Marvelously Brown by Xochitl Dixon | Illustrated by Sara Palacios | PICTURE BOOK

From new school desks to freckles and moles, from fresh pastries to cedar canoes, brown is everywhere around us. It's a color that describes the giant California redwoods and the Grand Canyon walls, busy beavers building dams and great horned owls hoo-hooing.

Illustrated by Pura Belpré Honor Award artist Sara Palacios, Wonderfully, Marvelously Brown takes kids on a tour of the U.S. to seek and find all the brilliant and beautiful shades of brown--from ivory to ebony--that God used in creation, including humans! Through the rhythmic text and repeating refrain, children of all races, ages, and abilities will be encouraged to love the skin they're in as they observe how it's reflected in their communities and the world around them.

 

The Only Sound Is the Wind by Pascha Sotolongo |SHORT STORIES

In the tradition of narrativa de lo inusual (narrative of the unusual), The Only Sound Is the Wind combines the fantastic with the everyday, weaving elements of magical realism and surrealist twists to sharpen our view of human (and animal) connection. In the title story, the arrival of a mail-order clone complicates a burgeoning romance; a lonely librarian longing for her homeland strikes up an unusual relationship in the award-winning "The Moth"; when humans start giving birth to puppies and kittens in "This New Turn," a realignment of the natural order ensues. With a playful tenderness and satirical bent, The Only Sound Is the Wind explores solitude and communion, opening strange new worlds where characters try to make their way toward love.

 

Bodega Bakes: Recipes for Sweets and Treats Inspired by My Corner Store by Paola Velez | COOKBOOK

Growing up in the Bronx, Paola Velez's happy place was the bodega, a unique world full of color and flavor where the shelves were stocked with everything from M&M's to Muenster cheese to majarete (Caribbean corn pudding)--and, of course, its own cat (IYKYK). Before she was the James Beard-nominated chef, Cherry Bombe cover girl, social media darling, and cofounder of the grassroots social action network, Bakers Against Racism, Paola was a bodega kid with a taste for Warheads, Hostess cupcakes, ice pops, and Malta soda.

Paola's debut cookbook, inspired by these treasures and other ingredients available at corner stores everywhere, is a love letter to both her Dominican heritage and her New York City roots; its more than 100 recipes burst with distinctive flavors, inviting you to enjoy new takes on her childhood favorites and yours. Paola's combination of classical training and self-taught pastry skills means her recipes are accessible no matter your skill level.

 

Jasmine Is Haunted by Mark Oshiro |MIDDLE GRADE

Jasmine Garza has a problem: a ghost has been following her for years, ever since her Papi died. Not that Mami will admit anything supernatural is going on. But even the ghost she won't acknowledge makes real trouble, so Jasmine and her mami are moving (again) to a new apartment in East Hollywood. This time Jasmine is committed to living a normal life with normal friends.

Enter: Bea Veracruz and Jorge Barrera. They're the only two members of Jasmine's middle school's Gay Straight Alliance and they're already obsessed with all things supernatural. Bea wants to prove herself to her paranormal investigator parents and Jorge is determined to overcome his fear of the beyond. And when Jasmine confesses she's been tormented by a ghost for years, they not only believe her, they're thrilled!

Together they set out to prove that Jasmine's not just acting out after her father's death-ghosts are real and Jasmine is haunted

 

If You Ever Need a Friend: An Alebrije Story by Nadine Fonseca | Illustrated by Lourdes Villagomez | PICTURE BOOK

Joaquin is having a hard day at school. He struggles to speak up in class even though he knows the answers, he doesn't feel included when trying to play soccer with his friends, and he ends up sitting alone during recess--feeling invisible.

But when he investigates a strange shimmery light by the playground slide, he is transported to a special forest filled with fantastical creatures known as alebrijes, or magic companion animals.

His friend, Imogen, introduces Joaquin to several alebrijes, and the special creatures share the ways they help people manage their emotions. One creature roars like a lion with Imogen when she feels angry and needs to let it out. Another one helps Noemi blend into the background like a chameleon when she is feeling nervous and needs a moment to herself. A third alebrije has big ears to hear all of Tío Andres's worries.

 

La Enchilada Completa / The Whole Enchilada by Glenda Galván-García| RECIPE BOOK

Recetas mexicanas llenas de historia y tradición!

Acompaña a la Chef Glenda a descubrir las delicias de la cocina mexicana! Este libro bilingüe que abarca desde aperitivos hasta platos fuertes, postres y bebidas, es la manera perfecta de que jóvenes chefs conecten con sus raíces.

Mexican recipes full of history and fun!

Join Chef Glenda as she shares the tasty wonders of Mexican cuisine! Covering everything from snacks to main dishes, desserts and drinks, this bilingual book is the perfect way for young chefs to connect with their roots.

 

The Great Zoo: A Bilingual Edition by Nicolás Guillén |Translated by Aaron Coleman |POETRY

Born in Cuba to parents of African and European ancestry, Nicolás Guillén worked in printing presses and studied law before moving into Havana's literary scene. A virtuosic maker and breaker of forms, Guillén rose to fame by transforming a popular form of Cuban music into poetry that called attention to the experience of Afro-Cuban people, and he continued to interweave his artistic and political commitments as he traveled the world.

Originally published in Spanish in 1967, The Great Zoo is a humorous and biting collection of poems that presents a fantastical bestiary of ideas, social concerns, landscapes, phenomena, and more. The "animals" on view in this menagerie include the Mississippi and Amazon Rivers, clouds from different countries, a singing guitar, a temperamental atomic bomb, blue-pelted police, a hurricane, the KKK, and the North Star, among many others.

 

In Praise of Mystery by Ada Limón Illustrated by Peter Sís | PICTURE BOOK/POETRY

As part of her tenure as U.S. poet laureate, Ada Limón has written "In Praise of Mystery," which will be engraved on the Europa Clipper spacecraft that launches to Jupiter and its moons in October 2024. Published here as Limón's debut picture book, this luminous poem is illustrated by celebrated and internationally renowned artist Peter Sís.

In Praise of Mystery celebrates humankind's endless curiosity, asks us what it means to explore beyond our known world, and shows how the unknown can reflect us back to ourselves.

Also available in Spanish

 

On Sale October 8

Tamales for Christmas by Stephen Briseño |Illustrated by Sonia Sánchez | PICTURE BOOK

When the weather changes, but way before the Christmas tree is decorated, Grandma begins her preparations. With so many children and grandchildren in her family, she finds a way to put gifts under the tree-- she sells as many tamales as she can! Masa in one hand, corn husks in the other, Grandma's just getting started. 15 dozen tamales. As Halloween passes, and Thanksgiving, Grandma is still toiling away in the kitchen: 150 dozen tamales, 700 dozen tamales, 850 dozen tamales. When it's time to string the lights for Christmas, she's inching closer to 1000 dozen tamales! Enough to give some to those in need and enough to sell to earn money for Christmas gifts.

Based on the author's own grandmother, who was the heart of the familia, here is a warm story about Christmas, generosity, and, yes, tamales.

Also available in Spanish

 

The Witches of El Paso by Luis Jaramillo | ADULT FICTION

If you call to the witches, they will come.

1943, El Paso, Texas: teenager Nena spends her days caring for the small children of her older sisters, while longing for a life of freedom and adventure. The premonitions and fainting spells she has endured since childhood are getting worse, and Nena worries she'll end up like the scary old curandera down the street. Nena prays for help, and when the mysterious Sister Benedicta arrives late one night, Nena follows her across the borders of space and time. In colonial Mexico, Nena grows into her power, finding love and learning that magic always comes with a price.

In the present day, Nena's grandniece, Marta, balances a struggling legal aid practice with motherhood and the care of the now ninety-three-year-old Nena. When Marta agrees to help search for a daughter Nena left in the past, the two forge a fierce connection. Marta's own supernatural powers emerge, awakening her to new possibilities that threaten the life she has constructed.

 

Childish Literature by Alejandro Zambra |Translated by Megan McDowell |SHORT STORIES, ESSAYS, POETRY

From the author of My Documents and Chilean Poet, a wise, humorous, and captivating literary exploration of the delights and absurdities of childhood, fatherhood, and family life

Childish Literature is a charming and wide-ranging collection of short stories, essays, and even a couple of poems produced under the influence of fatherhood, a transformative experience that reshapes and enlivens the author's relationship to aging, intimacy, and time. Written in Alejandro Zambra's brilliantly warm, playful, and philosophical voice, these pieces explore the lives of families and their stories through a wide variety of topics--from screen time and "soccer sadness" to personal libraries, fishing, and psychedelics. Throughout, Zambra captures the texture of daily life and deep truths about how we feel and live, with particular insight into the ways parents and children challenge, enrich, and entertain each other.

 

Solis by Paola Mendoza and Abby Sher | YOUNG ADULT

The year is 2033, and in this near-future America where undocumented people are forced into labor camps, life is bleak. Especially so for seventeen-year-old Rania, a Lebanese teenager from Chicago. When she and her mother were rounded up by the Deportation Force, they were given the brutal job of digging in the labor camp's mine in search of the destructive and toxic--but potentially world-changing--mineral aqualinium. With this mineral, the corrupt and xenophobic government of the New American Republic could actually control the weather--ending devastating droughts sweeping the planet due to climate change. If the government succeeds, other countries would be at their mercy. Solidifying this power comes at the expense of the undocumented immigrants forced to endure horrendous conditions to mine the mineral or used in cruel experiments to test it, leaving their bodies wracked in extreme pain to the point of death. As the experiments ramp up, things only get worse. Rania and her fellow prisoners decide to start a revolution; if they don't, they know they will die.

 

Amor Entre Aguaceros/Love Between Downpours by Jean-Pierre Rueda | POETRY

Amor entre aguaceros/Love between downpours is a bilingual poetry collection dedicated to all those who use their imagination to return to their countries of origin when migratory circumstances prohibit them from doing so.

 

Zones of Encuentro: Language and Identities in Northern New Mexico by Lillian Gorman | ADULT NONFICTION

Working at the intersection of Latina/o/x cultural studies, sociocultural linguistics, and Chicana feminist studies, Lillian Gorman's Zones of Encuentro takes an in-depth look at the cultural and linguistic interactions between two distinct Latina/o/x communities in the region: Nuevomexicanos (Hispanic people who trace their presence in the region to colonial times and whose families have historically spoken Traditional New Mexican Spanish, or TNMS) and first-generation Mexicano immigrants (who tend to speak Mexican Spanish). Gorman examines the everyday lived language experiences and ethnolinguistic identities of Mexicanos and Nuevomexicanos together, specifically through the case of mixed Mexicano-Nuevomexicano families. Through an interdisciplinary critical reading of ethnographic data, pláticas (informal conversations that gather family and community knowledge), interviews, articles, and historical memoirs, Gorman analyzes language ideologies, identity formations, and language practices by exploring complex spaces of encounter within Mexicano-Nuevomexicano families. Zones of Encuentro complicates homogeneous notions of language and identity and contemplates what a shared cultural and linguistic homeplace looks like for Mexicanos and Nuevomexicanos in northern New Mexico.

 

On Sale October 15

Blue Light Hours by Bruna Dantas Lobato | ADULT FICTION

In a small dorm room at a liberal arts college in Vermont, a young woman settles into the warm blue light of her desk lamp before calling the mother she left behind in northeastern Brazil. Four thousand miles apart and bound by the angular confines of a Skype window, they ask each other a simple question: what's the news?

Offscreen, little about their lives seems newsworthy. The daughter writes her papers in the library at midnight, eats in the dining hall with the other international students, and raises her hand in class to speak in a language the mother cannot understand. The mother meanwhile preoccupies herself with natural disasters, her increasingly poor health, and the heartbreaking possibility that her daughter might not return to the apartment where they have always lived together. Yet in the blue glow of their computers, the two women develop new rituals of intimacy and caretaking, from drinking whiskey together in the middle of the night to keeping watch as one slides into sleep. As the warm colors of New England autumn fade into an endless winter snow, each realizes that the promise of spring might mean difficult endings rather than hopeful beginnings.

 

Lightning in Her Hands by Raquel Vasquez Gilliland | ADULT FICTION

Teal Flores is desperate for two things--control over her gift of weather, and a date to her ex's wedding. The first isn't possible until she finds her long-lost mother, but the second has a very handsome last-ditch solution: Carter Velasquez.

Carter needs Teal too. His chance at receiving an inheritance is dependent on him being married by age thirty (blame his traditional Cuban grandmother), so who better to pose as his wife than Teal? But fake marriage and cohabitation prove tricky when mutual attraction charges the atmosphere--quite literally for Teal, whose volatile emotions cause lightning strikes.

Together, Teal and Carter embark on a quest to find her mother and the answers she's searching for. But along the way, they'll discover something even better: a love that can weather any storm.

 

The Life Audit: A Step-By-Step Guide to Discovering Your Goals and Building the Life You Want by Ximena Vengoechea | ADULT NONFICTION

A life-changing and empowering guide to discovering your personal and professional passions, goals, and dreams so you can create a life full of joy and purpose.

Welcome to the Life Audit, an exercise in self-reflection that helps you clear the cobwebs of noisy, external goals and distractions, and revisit or uncover the real themes and core values that drive and inspire you. Think of it as spring-cleaning for the soul.

For anyone looking to find fulfillment in every aspect of life--love, friendship, career, finances, and beyond--this encouraging handbook offers the tools to prioritize your goals and turn personal insights into action to create a beautiful, meaningful future.

 

The Plains by Federico Falco | Translated by Jennifer Croft | ADULT FICTION

'In the city the notion of the hours of the day, of the passage of time, is lost. In the countryside that is impossible, ' our narrator tells us. In this remote house and garden, time is almost palpable; it goes by without haste and brings into sharp relief even the tiniest details: insects, the sound of the rain, a falling leaf, the smell of damp earth. Past and present are equally weighted and visible here, revealing themselves slowly with every season and turn of the spade.So a year unfolds. A garden takes shape as his connection deepens to this place, becoming a shelter from everyone and everything, perhaps even from himself. We see the ants devouring the chard, we hear the tales his grandmother told, perhaps real, perhaps taken from a movie, and we learn about his great love, Ciro. The humid sheets in the country, the carefully renovated apartment in the city and the painful, inexplicable break-up that prompted him to take refuge in this patch of now-carefully tended land.

 

Clean by Alia Trabucco Zerán |Translated by Sophie Hughes | ADULT FICTION

A young girl has died and the family's maid is being interrogated. She must tell the whole story before arriving at the girl's death.

Estela came from the countryside, leaving her mother behind, to work for the señor and señora when their only child was born. They wanted a housemaid: "smart appearance, full time," their ad said. She wanted to make enough money to support her mother and return home. For seven years, Estela cleaned their laundry, wiped their floors, made their meals, kept their secrets, witnessed their fights and frictions, raised their daughter. She heard the rats scrabbling in the ceiling, saw the looks the señor gave the señora; she knew about the poison in the cabinet, the gun, the daughter's rebellion as she grew up, the mother's coldness, the father's distance. She saw it all.

After a series of shocking betrayals and revelations, Estela stops speaking, breaking her silence only now, to tell the story of how it all fell apart.

 

Mamá Didn't Raise a Pendeja: Anti-Affirmations Inspired by Tough-Love Abuelas by Carolina Acosta and Aralis Mejia | ADULT NONFICTION

Tired of the same old sugarcoated self-help advice? Mamá Didn't Raise a Pendeja serves up a bracing dose of truth straight from the mouths of Latin elders. With its wit, edge, and no-nonsense advice on everything from dating to careers, this compilation offers a tool kit of motivational mantras to tackle modern struggles--with plenty of humor and comedic smacks of perspective along the way.

Inspired by their own no-nonsense abuelitas, first-generation Latinas Carolina Acosta and Aralis Mejia share the tough love and bold wisdom passed down from generations of resilient women.

 

Brutal Companion by Ruben Quesada | POETRY

Ruben Quesada is the editor of the award-winning anthology Latinx Poetics: Essays on the Art of Poetry. His poetry and criticism appear in The New York Times Magazine, Best American Poetry, Lambda Literary Review, Harvard Review and elsewhere. His collection of poetry, Brutal Companion, is the winner of the Barrow Street Editors Prize.

On Sale October 22

 

Lupita's Brown Ballet Slippers by Steena Hernandez | Illustrated by Melissa Castillo | PICTURE BOOK

Everyone deserves to shine.

Lupita's big ballet recital is approaching. The music is perfect. Her ballet moves are strong. But her peachy pink ballet slippers don't match her skin tone. Lupita searches for the right pair only to discover it will take hard work--and messy measures--in order for her shoes to dance with her.

Inspired by the author's own experiences as a Latina dancer, Lupita's Brown Ballet Slippers is a charming story filled with determination. The final few spreads teach readers about the history of ballet slippers as well as the crucial changes the industry has seen for dancers of all races and ethnicities.

 

All Our Wars by Stephanie Vasquez | ADULT FICTION

Twelve years have passed since Sofia De Luna's mother was murdered. Sofia now leads a quiet life in Chicago, far from the cartel violence she was raised amidst. But when her narco father's retirement catapults her to head of the family, that peaceful existence is upended.

Unhappy with this changeover of power, Sofia's brothers and cousins are wary of her desire to legitimize the family and her insistent questions about her mother's mysterious death. Meanwhile, in Mexico's uncertain political climate, Andres Herrera, the ex-sicario accused of Sofia's mother's murder, sees the opportunity for his exit from the drug business. He just needs Sofia, his first love, to uphold the truce between the cartels before the war brewing at the border trickles down to Mexico City, marring the upcoming election.

After a chance meeting with a disenfranchised DEA agent reveals the true depths the Torres will go to keep their power, Sofia decides she must stop the war her cousins have put in motion. But if she sacrifices her family for the dream of peace, will she meet the same fate as her mother?

 

Impossible Possums by Justin Colón |Illustrated by James Rey Sanchez| PICTURE BOOK

Carl is bad. Bad to the bone. The only thing that would make being this bad even better would be someone to share it with. Cue the Possum Populator and a whole bunch of bad guys.

Perfect for fans of Despicable Me and Lilo & Stitch, this exceptionally goofy picture book stars aspiring villain Carl the possum, who is on a mission to create a like-minded conspirator.

Life as an aspiring villain is lonely for Carl the possum, so he's on a mission to create a like-minded conspirator. But when his Possum Populator arrives, it requires assembly (and villains don't have time for that). So, Carl tosses the instructions, leading to a series of outlandish mishaps and mounting frustration as the contraption pops out all the wrong creations.

 

Ay Tú!: Critical Essays on the Life and Work of Sandra Cisneros Edited by Sonia Saldívar-Hull and Geneva M. Gano | ESSAYS

A comprehensive volume on the life and work of renowned Chicana author Sandra Cisneros. Sandra Cisneros (b. 1954), author of the acclaimed novel The House on Mango Street and a recipient of the National Medal of the Arts, a MacArthur "Genius Grant" and the PEN/Nabokov Award for International Literature, was the first Chicana to be published by a major publishing house. Ay Tú! is the first book to offer a comprehensive, critical examination of her life and work as a whole. Edited by scholars Sonia Saldívar-Hull and Geneva M. Gano, this volume addresses themes that pervade Cisneros's oeuvre, like romantic and erotic love, female friendship, sexual abuse and harassment, the exoticization of the racial and ethnic "other," and the role of visual arts in the lives of everyday people. Essays draw extensively on the newly opened Cisneros Papers, housed in the Wittliff Collections at Texas State University, and the volume concludes with a new long-form interview with Cisneros by the award-winning journalist Macarena Hernández.

 

On Sale October 29

Sleeping with the Frenemy by Natalie Caña | ADULT FICTION

Leo Vega's love life has been on life support since long before the gunshot wound that put him on leave from the fire department. Now, a year after his injury, he's hoping to both return to work and fix things with Sofi, the woman he's had a secret on-again, off-again relationship with for years.

Sofia Santana may be ready to mend fences with her best friend, Leo's sister, but she has no plans of letting Leo back into her bed or her heart. She's charting a new path for her future, and past mistakes have no place in it. Then circumstances push Sofi and Leo into a tense roommate situation. It's almost impossible to move on when Leo is there, reminding her what they had, every day.

With the help of Leo's mischievous grandfather, Sofi's equally devious grandmother and an adorably sweet rescue dog, Leo's determined to get the stubborn woman of his dreams to finally see that they belong together--for good this time.

 

Mother Archive: A Dominican Family Memoir by Erika Morillo | MEMOIR

A family murder kept secret, the mysterious disappearance of her father, the systematic erasing of family photographs, a turbulent relationship with her mother, layers of trauma and abuse. In Mother Archive, Erika Morillo reconciles these demons of her past by searching for and seeking out the roots of her family. Intertwining memories with archival family photographs, news clippings, film stills, and artistic images, Morillo revisits her childhood growing up in the Dominican Republic, a place and time riddled with a history of violence and a tradition of erasure.
Spanning three generations across three different countries, this memoir works as a map in which the author traces incidents in her family history to help her understand herself and her own experience as a mother.

 

Bindle Punk Jefe by Desideria Mesa | ADULT FICTION

Prohibition is in full swing, and the glamorous life of upper-class Kansas City is everything Rose (Luna) Lane ever hoped it would be. Being married to her best friend isn't so bad either, considering their agreement to keep their real love lives out of the public eye. However, try as she might to continue her life of anonymity, her popularity as a land developer's wife--and as a successful club owner--draws even more attention to her personal endeavors. Soon, the balancing act between the life of Luna and Rose becomes a full-time job itself, making visiting home harder than ever before.

However, her haven, which once offered a place of acceptance, is growing more hostile. Her community of brujas criticizes her methods of using magic for economic and social gain while consorting with nefarious witches of the North. Meanwhile, the Pendergast Machine is running at full force, pushing his will and money all over the city. Keeping her true identity and powers a secret while posing for the society papers gets all the more dangerous as new enemies start to question her origins...and old ones creep up from dark realms.

 

My Mexican Kitchen: 100 Recipes Rich with Tradition, Flavor, and Spice by Eva Longoria | COOKBOOK

While hosting Searching for Mexico on CNN, Eva Longoria reconnected with her Mexican roots and tasted iconic Mexican dishes like meat-stuffed Chiles en Nogada draped in a creamy walnut sauce and the Yucatán classic Pollo Asado, made with an aromatic garlic-citrus-achiote paste. In My Mexican Kitchen, she embraces the techniques and flavors she discovered and brings them home to her Southern California kitchen. From dishes based on long-heeded Aztec traditions like Chicken Enchiladas with Salsa Verde to her Tia Elsa's Pork and Red Chile Tamales and Conchas that remind her of Mexico City, each recipe offers a delicious tribute to Mexican food and flavors.

 

On Sale October 31

 

El Empacho de Isabel / Isabel's Tummy Ache by Julio Molinete | Illustrated by Claudia Navarro |Translated by Gabriela Baeza Ventura | PICTURE BOOK

"I went to Cuba to meet my grandma Macurí," Isabel tells her classmates when asked about her summer. It was a long trip that involved two planes, a guagua--or bus, a train that carried everything from sugarcane to calves, and even a horse-drawn cart. Finally hugging her Abuelita was the most beautiful moment of her life! Grandma made a cake to celebrate her birthday--and all the others she had missed--and Isabel ate three pieces! The party continued the next day with lots of delicious food, including a mango, oranges, watermelon and an entire pineapple! No wonder that by nightfall, Isabel's tummy hurt! But her grandmother's special jar of hugs and kisses, combined with a gentle massage, healed the girl's aching belly. Drawing on his own memories, Julio Molinete writes about traveling to a rural village in the mountains of Cuba and the natural healing methods practiced there. Lively illustrations by Claudia Navarro depict the joy of reuniting with far-flung family. This bilingual book for children ages 5-9 will surely encourage them to write about their own summer adventures and time spent with family--while also serving as a cautionary tale against overeating!

 

¡Celebremos El Día de Las Brujas Y El Día de Los Muertos! / Let's Celebrate Halloween and the Day of the Dead! by Gustavo Ruffino |Illustrated by Olga Barinova | PICTURE BOOK

Two best friends enjoy dressing up for their Halloween party at school; Mía is a monarch butterfly and Camila is a leaping frog! The girls live in the same building so Camila goes home with Mía after school and eats dinner with her family. But when they invite Camila to help set up their Day of the Dead altar, she is afraid of the skulls. Mía teaches her friend that the altar is a way to remember and honor loved ones who have passed. "It's like a party," she says. Decorated with flowers, photos and the departed person's favorite things, it's full of beautiful memories. Camila wonders if she can prepare one for her mother--whom she misses terribly--even though she is Colombian and not Mexican. Camila's father likes the idea and helps his daughter make her mom's favorite food, arepas with lots of cheese, to put on the altar and share with Mía's family at dinner the next night.

 

Una Nueva Ciudad, Un Nuevo Hogar / A New City, a New Home by Elías David | Illustrated by Claudia Delgadillo | PICTURE BOOK

ELÍAS DAVID, a native of Reynosa, Mexico, is the author of a picture book, Mis días con Papá / Spending Time with Dad (Piñata Books, 2023), and two for adults, Instantes (Alja, 2017) and Una lucidez aturdida (UANL, 2022). He is the associate editor of Suburbano Ediciones (SED), a magazine on culture. He lives with his family in Houston, where he is pursuing a PhD in Creative Writing in Spanish at the University of Houston. CLAUDIA DELGADILLO was born in Mexico City and graduated from UNAM with a degree in graphic communication. She is the illustrator of Mis días con Papá / Spending Time with Dad (Piñata Books, 2023) and she wrote and illustrated Biodiversidad (UNAM, 2011).

 

Racing at Devil's Bridge and Other Stories / Carreras En El Puente del Diablo Y Otros Cuentos by Xavier Garza | Translated by Alaíde Ventura Medina | MIDDLE GRADE

In the title story, a boy breaks his mom's rule against staying out after dark because he is intent on training for the big state track meet. When his younger sister turns up and challenges him to a race across Devil's Bridge, he taunts her--but is ultimately stunned when she beats him. But more shocking is the sudden appearance of a terrifying figure sporting a goat's head and wielding a rusty ax! The stories in Xavier Garza's new collection feature creepy creatures from Latin American lore, but with a contemporary twist!

 

Trini's Magic Kitchen by Patricia Santos Marcantonio | MIDDLE GRADE

Trini has just started seventh grade when her mom loses her job. She finds another one working nights in Denver but must sleep on her cousin's couch until she saves enough money for a new apartment. Since there's no room for Trini, the girl is forced to go live with her grandparents in Alamosa. She has always considered her grandparents' house a second home, but the day her mom leaves her there she feels homeless. Grandma Lydia and Grandpa Frank, who ride motorcycles and listen to rock, are the best, but Trini misses her mom and dreads being the new kid at school, especially since she is now two weeks behind. Gradually she adjusts to her new life, making another best friend and setting her sights on a cute boy. And when her grandmother discovers Trini can't cook, she begins teaching her granddaughter how to make traditional Mexican dishes. Through the cooking lessons, the girl begins to learn more about her family, including her dad, who died when she was young, and why her mom doesn't cook. This warmhearted and entertaining novel about overcoming challenges will resonate with tweens facing their own problems with family and friends.

 

Ghost Brother by Sylvia Sánchez Garza | YOUNG ADULT

Carlos and his twin brother Cris were looking forward to their school dance, but an encounter with a pair of bullies on a slick road during a terrible thunderstorm leads to a horrific auto accident and the deaths of two people--including Carlos. Cris, who was driving the car, is overcome with guilt, and their mom is devastated at the loss of her son. The hazy details of the crash and its fallout are narrated in the alternating voices of the brothers, one a survivor and the other a ghost. No one can see or hear Carlos despite his efforts to let them know he is still there, so he is able to listen in on numerous conversations. One of the bullies that died in the crash was the son of the local sheriff, and the ghost learns the lawman intends to place the blame for the accident on his brother! As Cris navigates his sorrow, he is intent on getting to know his father, who has been absent all their lives. To complicate matters, he meets and falls head-over-heels in love with Selena, who has secrets of her own, including knowing more about the crash than she lets on. Exploring death and grief from a young person's perspective, this absorbing novel for teens set in South Texas brims with the cultural traditions and beliefs of the Mexican-American community.

Author Q&A: 'Tamales for Christmas' by Stephen Briseño and Illustrated by Sonia Sánchez

In the forthcoming picture book, Tamales For Christmas, a grandmother begins preparing long before the Christmas tree is decorated. She stands before her kitchen sink – her gray hair pulled back into a bun, her blue apron on. She’s ready to begin her labor of love.

“Her kitchen is the heartbeat of our familia, loud and cramped and perfumed with delicious smells,” writes author Stephen Briseño. “With so many children and grandchildren, she finds a way to fill the space underneath the tree: sell as many tamales as she can before Christmas.”

Based on the true story of Briseño’s late grandmother, Tamales For Christmas is a beautiful picture book that recognizes a grandmother’s boundless heart for not only her family, but those in need. With masa in one hand, corn husks in the other, Grandma works tirelessly to make tamales. The number of her delicious tamales grows from 15 dozen, to 60 dozen and beyond. As the holiday season marches on, Grandma continues making tamales – enlisting the help of others in her family to help with preparing and selling them. 

Briseño, whose debut picture book The Notebook Keeper won a Pura Belpré Author Honor Award, brings us another memorable story with tender and artfully-placed refrains that young readers will love. The illustrations from award-winning illustrator Sonia Sánchez, rendered digitally with handmade brushes and textures, add a deep warmth to Briseño’s text. Grandma’s kitchen itself is its own world, with a tiled backsplash and colorful plates – and crowded with energetic grandchildren. Readers are also brought into the visual joy that are parts of the tamale-making process.

Briseño spoke with Latinx in Publishing about the inspiration behind Tamales For Christmas (out on Oct. 8 from Random House Studio), the communal effort behind making tamales, and more. Tamales for Navidad, a Spanish version translated by Maria Correa, will also be released simultaneously. 

This interview has been edited for clarity and brevity.

Amaris Castillo: Congratulations on your new picture book, Tamales For Christmas. I understand it is based on a true story, of your own grandmother. Can you tell us more about her?

Stephen Briseño (SB): My grandma, Rebecca Cano, was such a force of a woman. She didn’t finish middle school and worked really hard in every regard. She had nine children, and so she knew how to make a meal and stretch a dollar. She was always looking for ways to bless people. She was just a kind-hearted soul.

What stands out to me the most is she was a gifted storyteller. She would just have people leaning in around the kitchen table at all of our family events. Everyone would just be enraptured by her story, whether it was something serious, or chisme. She would have us rolling in laughter. I also remember her laugh. It was just this loud, full-bellied, unbridled laugh that you could hear down the street. She was just an amazing woman.

AC: You dedicated the book to her. What was it like to work on this book with your grandma in mind?

SB: She passed away years ago. Everyone still talks about her as if she was still here – like she’s never really gone. When the idea first came up [for Tamales for Christmas], it was going to be about a kid learning to make tamales from his grandma. A very generic story, but honoring that tradition in my family. I included her in the author’s note, and my agent sent it to my editor. And my editor was like, ‘This is a good story. It’s fine, but I want this story about your grandma making 1,000 tamales.’

It was wonderful, because I called my mom, several of my aunts and uncles, and was like, ‘Tell me about her… What was it like from your perspective? What do you miss about her?’... I got to hear stories that I hadn’t heard before about my grandma, that made her an even fuller person in my mind. It was a unique, fulfilling process to write this story.

AC: In your book, the main character’s grandma is a true hustler – making tamales so that she would be able to get her family gifts. The number of tamales she makes throughout the story grows and grows. It’s truly remarkable. It made me think about how much one person’s hands and hard work can produce, and the joy one person can spread. Is that something you thought of as you were piecing together this story?

SB: Yes. I remember this year that she made them, because I was a part of the process. I think I was 12 or 13, and I remember thinking even at that time, Man, this is a lot. I would see the number of tamales in her freezer just grow and grow and grow. And then every now and then the freezer would be cleared out, and then refilled back up again. Because people would buy them, and then she’d make more. 

As I was writing it, part of the craziness of this story is just the sheer number [of tamales]. And so I thought that the device of seeing that number grow and grow, and having that refrain of it, is just fun.

It was wonderful, because I called my mom, several of my aunts and uncles, and was like, ‘Tell me about her… What was it like from your perspective? What do you miss about her?’... I got to hear stories that I hadn’t heard before about my grandma, that made her an even fuller person in my mind. It was a unique, fulfilling process to write this story.

AC: Something I loved about this story is that Grandma’s labor of making tamales is really a family endeavor. The main character watches as Dad loads up the cooler with tamales and sells them to coworkers and friends. At Halloween, Grandpa helps give out candy while she works on the tamales. And when winter arrives, the other women in the family help by seasoning the meat, melting the lard, and more. Why was it important for you to place the hands of others into this story, on the page?

SB: That’s who my grandmother was. It was never like, I’m going to take this burden on, on my own. She was so welcoming and warm, and her house was always open. Her kitchen was always open. She was a member of a community, and because of that, she was open-handed. 

I remember so vividly seeing people make tamales with her, whether they were her own sisters or my mom and tías. It was this community effort. I feel like in Mexican American society, at least, and others in Latinx society, it’s not about the individual. It’s about the family. It’s about the community that you’re surrounded by. That’s what makes life so exciting and so rich. That’s who she was, and so I really wanted to highlight that process. 

My dad was a postal worker, and so he would get up early. I remember being in the car with him, sleepy-eyed and barely awake, before he dropped me off at school. He’d pull up to my grandma’s house and fill up his cooler [with tamales], just like in the book. She would have steamed them, so they would still be hot. I remember opening the cooler and watching all the steam pour out. He would go to his co-workers and set up in the front, and they’d all come by him. And then he’d take me to school. Yes, it was my grandma’s work, but she involved so many of us in it. It’s part of what makes the memory so rich in my mind.

AC: What are you hoping readers take away from Tamales for Christmas?

SB: A part of it is kind of a selfish reason. I want readers to know about my grandma. On paper, she was a mom, a grandma… She was so much more than that. She was such a powerful, wonderful, amazing woman. And the fact that readers will get to know her, and she’ll get to live on beyond my family, is such a thrill for me. 

I also hope readers see and think about: Who in my family or in my life is doing this type of work? Whether it’s food making or not. And how can I be a part of it? Can I find someone like Grandma Cano, who can show me the ropes and show me the ways to be a positive force in the community?


Stephen Briseño is the author of The Notebook Keeper, which received the Pura Belpre Author Honor Award. He has taught middle school English for 15 years, and writes, reads, and drinks a ton of coffee with his wife and daughter in San Antonio, TX.

 

Sonia Sánchez paints with both traditional and digital brushes using layers of texture in her work to evoke emotion and movement. Her debut picture book, Here I Am, received two starred reviews and was nominated for the Eisner Award in the category of Best Painter interior art. She is also the illustrator of Evelyn Del Rey is Moving Away by Meg Medina, the 2020 Jumpstart Read for the Record Selection. Sonia’s art has been selected for the prestigious Society of Illustrators Original Art Show three times. She lives with her husband, son, and a sleepyhead cat in a blue house near the Mediterranean Sea.

 

Amaris Castillo is an award-winning journalist, writer, and the creator of Bodega Stories, a series featuring real stories from the corner store. Her writing has appeared in La Galería Magazine, Aster(ix) Journal, Spanglish Voces, PALABRITAS, Dominican Moms Be Like… (part of the Dominican Writers Association’s #DWACuenticos chapbook series), and most recently Quislaona: A Dominican Fantasy Anthology and Sana, Sana: Latinx Pain and Radical Visions for Healing and Justice. Her short story, “El Don,” was a prize finalist for the 2022 Elizabeth Nunez Caribbean-American Writers’ Prize by the Brooklyn Caribbean Literary Festival. She is a proud member of Latinx in Publishing’s Writers Mentorship Class of 2023 and lives in Florida with her family.

Exclusive Excerpt: 'All Mixed Up' by Raj Tawney

Latinx in Publishing is very excited to partner with Paw Prints Publishing to bring you an exclusive excerpt from Raj Tawney’s middle grade novel, All Mixed Up (on sale October 28, 2024, National Immigrants Day). Keep reading below for an exclusive sneak peak!


A half-hour after the school day ends, Jaz and I are already rushing off the bus and toward my house. It’s an Indian summer; the sun beats down on us and sweat trickles down our necks and arms, which are covered by fall jackets. Mine, a fleece my grandma got me. His, a black I Heart NY windbreaker. 

“Hey Jaz, let’s go round back,” I tell him. 

He raises both thumbs into the air, then sprints across our lawn ahead of me. 

I meet him in the backyard where our freshly mowed, half-acre of grass sits before the untamed woods that stretch for a good while. During the day, the woods are always exciting to enter. I imagine I’m in a jungle and exploring unknown land. But during the night, I get totally freaked out by the pitch blackness. One time during the summer, I had been roaming back there for way too long, and the sun began to set. It got dark while I was still in deep, and I got lost clawing my way out. I ended up tripping over a big, dead tree trunk and fell into a wild thorn bush. By the time I finally found my way to our back door, I was scraped up pretty bad. Mom screamed. She thought I had gotten into a fight with a raccoon and wanted to rush me to the emergency room to check for rabies. I told her what actually happened and she took me into the bathroom to dab me a hundred times with rubbing alcohol. It was my turn to scream then. The rubbing alcohol felt like a thousand bees were stinging my body. That was the first, and last time, mom let me wander in the woods without her knowing. Well, until today. 

It was a good lesson for a city kid. My family had only moved from Queens when I was eight; that’s where I first learned to explore. Where there’s concrete everywhere: buildings, sidewalks, playgrounds. We didn’t have much nature in our old neighborhood. Our apartment building was part of a row of buildings that looked just like ours. When I played outside, it was mostly on a hard surface. I tripped and fell plenty on the cracks in pavement, scraping my knees too. Thorns are painful in a different way. A bigger way even.

Still, I don’t miss the city at all. Even though there were more kids with darker skin in my last school, I found it hard to make friends there, too. I learned to have my own fun without friends, camping out in my bedroom under the covers, pretending I was in the middle of a forest. It’s almost like my imagination wished for a new home because when dad got a new job, we packed up and moved to the middle of Long Island, into a house at the base of a gigantic forest. Dad tries to tell me it’s only some brush that hasn’t been built on yet but to me, it’s another world. A happy world.

When I approach him, Jaz is gazing at it all, amazed. And it makes me smile. “This is all yours?” he asks me.

“Yep,” I say proudly. “Wild, isn’t it?”

“Yes!”

Jaz and I cross over the lawn and enter the woods. We pick up twigs and sticks of all sizes, feeling each one for their weight and length. After about ten minutes, we run back to the grassy clearing, just outside of the thicket. We dump armfuls of broken branches on the ground in front of us. His pile looks a lot bigger.

“Whoa! That’s impressive.” I say excitedly.

“Thank you! I helped my father build an entire tent using what we found in the fields outside of the city. Right after we left our home.”

“You mean you lived in it, too?”

“After he lost his job, my parents couldn’t afford our old home anymore. So, we traveled a lot.” He sees I am sad for him, and he waves it away. “It is okay, Kamal. Being hungry sometimes stunk but I got used to the rumble down there.”

My dad recently lost his job too but we’re still in our house somehow, and our refrigerator remains full of food. I can’t help but wonder if we may end up like Jaz and his family, homeless and hungry. I try to put my own fears out of my mind. It’s not the right time to tell him about my family’s problems. I want him to have a place to unload—his sticks and his feelings.

“What about school?”

“I missed a few months. After that, we ended up here.”

“How?”

“On a boat and stuff. . .” He is no longer looking at me. I’m afraid I’ve upset him. But then, he grabs for a particularly long, gnarly twig. “Hey, look! This stick is also a wand! Ta-da! I’m Harry Potter and you are Ron Weasley!”

Jaz separates his feet into a wide stance, holding out the stick as if he has some incredible power. For a second, I almost believe he is about to perform real magic in front of me, this kid who has known what it’s like to wander, to go hungry, to make fire. I’m also impressed that he knows who Harry Potter is. I quickly grab a stick too and mirror his stance. We raise our wands high, and hoot and holler until we collapse to the ground, laughing so hard our stomachs hurt.

We’re lying down, gazing at the clouds and trees. Then, we’re sitting up, staring into the woods.

“Lions and bears! Oh my!” He’s gotten the quote from the Wizard of Oz wrong but it’s okay. We just laugh and laugh. Lions and bears. Really, our woods are full of squirrels and raccoons that like to pick through our garbage cans for leftovers. Still, I love nature. I keep the TV on Animal Planet when I’m home because I’m just so curious about different creatures. From lions to wolves to elephants, they all seem to do similar things: hunt, play, clean, sleep, and look out for their family. And the ones who eat other animals never kill more than what they need. Humans don’t seem to do that. “They all live in harmony,” Mom likes to remind me whenever she sees me glued to the screen, watching something about the rainforest or the ocean. “They’re all mixed up,” I agree.

Excerpted from All Mixed Up, copyright © 2024 by Raj Tawney, provided by Paw Prints Publishing.


Raj Tawney is a writer and journalist whose work largely reflects his multiracial American upbringing. Born to an Indian, Puerto Rican, and Italian American family, Tawney has explored his identity and family history through personal essays published in The New York Times, The Washington Post, USA Today, and other outlets throughout the country. His debut memoir Colorful Palate: A Flavorful Journey Through a Mixed American Experience (Empire State Editions/Fordham University Press) has received critical acclaim and was recently awarded the Bronze Medal at the 2024 Living Now Book Award for Inspirational Memoir. His Middle Grade novel All Mixed Up (Paw Prints Publishing/Baker & Taylor) is already receiving praise before its pub date on October 28, 2024, National Immigrants Day.



Exclusive Excerpt from Lilliam Rivera's 'Tiny Threads'

Fashion-obsessed Samara finally has the life she’s always dreamed of: A high-powered job with legendary designer Antonio Mota. A new home in sunny California, far away from those drab Jersey winters. And an intriguing love interest, Brandon, a wealthy investor in Mota’s fashion line. But it’s not long before Samara’s dream life begins to turn into a living nightmare as Mota’s big fashion show approaches and the pressure on her turns crushing. Perhaps that’s why she begins hearing voices in her room at night—and seeing strange things that can’t be explained away by stress or anxiety or the number of drinks she’s been consuming...


Samara loves to work in the archives. The room has become her second office, a place she can take a temporary breather from work drama. No Antonio screaming her name with urgency, every small thing a catastrophe to be fixed by her.

Alone, she can write and be inspired by the clothes themselves.

And play.

She pulls out a beaded sleeveless garment with a fringed skirt. The gown is meant to depict the horrors of war, to make the wearer appear to be bleeding. She undresses, locates the zipper, and climbs in. As Samara adjusts the skirt, something pokes her. A needle perhaps, or a clothing tag documenting its placement in Antonio’s timeline. She tugs at the fabric and tries to find the culprit.

“Ouch.”

Samara quickly takes the dress off to find a long scratch on her right hip. A bubble of blood emerges. Samara presses down on the injury with her thumb. In her underwear, she flips the garment inside out, looking for any loose pins. Goose bumps cover her bare legs. Samara walks under the ceiling’s light fixture to take a closer look.

There it is. A lone pin sticks out, but there’s something else. Inside the gown Samara finds a black thread sewn along a seam. A word is stitched with a letter P prominent. She starts to decipher the other letters, trying to guess what word they form.

“Piedad,” she says loudly. The letters are uneven and child-like, stitched by someone with little skill. The thread on the stitches is definitely not the same one used on the rest of the gown. She repeats the name again. “Piedad.”

Antonio has never mentioned a Piedad when he talks about his family history. It’s only ever been about Ramona and the fierce warrior figure she was. Samara pulls another dress from the same period. It takes her a while but finally, she locates the name again. Piedad. She pulls out another blouse and there it is, the name hidden under a pocket. And in a pair of slacks. And a skirt. Antonio is going to have a fit when he finds out how his archives are being ruined. Who did this?

“Someone’s getting fucked,” she says.

As she puts her clothes back on, she remembers how she was the last person to visit the archives last night. She’d examined some of the same pieces and found nothing wrong with the clothes then. Thinking it through, the only workers who would have had the opportunity to slip into the archive and do this without being seen would be the seamstresses.

Samara opens the red door and stares out to the women hunched over their sewing machines. Half of them are working on fulfilling current orders. Others concentrate on samples Antonio wants made for the February show. There’s no way Samara will take the blame for destroying the archives. No, this will not land in her lap, but she must proceed delicately. She can’t just start accusing her co-workers.

Samara leaves the Library and returns to her office to think through her options. While answering emails, she considers what course of action to take. Should she go straight to Antonio or confront the seamstresses first? Samara takes her chances on the latter.

 

Excerpt from Tiny Threads by Lilliam Rivera, copyright © 2024. Used by permission of Del Rey, an imprint of Random House Group, a division of Penguin Random House, LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.


Photo credit: JJ Geiger

Lilliam Rivera is a MacDowell fellow, a screenwriter, and an award-winning author of nine works of fiction: a forthcoming horror book, four young adult novels, three middle grade books, and a graphic novel for DC Comics. Her books have been awarded a Pura Belpré Honor, been featured on NPR, New Yorker, Los Angeles Times, NY Times, and multiple “best of” lists. Her novel Never Look Back is slated for an Amazon movie adaptation.

Her writing has appeared in the Washington Post, the New York Times, and Elle, to name a few. Lilliam has also written for the episodic podcast series Love in Gravity, which was recently nominated for a GLAAD.

Her short fiction and personal essays have appeared in various literary journals and publications including Tin House, New York Times, Buzzfeed Books, and The Washington Post. She has been a featured speaker in countless schools and book festivals throughout the United States and is on faculty at Hamline University and University of Nevada, Reno.

A Bronx, New York native, Lilliam currently lives in Los Angeles.

Meet Brenda Miller, Writers Mentorship Program 2020 Mentee

Brenda S. Miller was one of our Writers Mentorship Program’s very first mentees! In 2020, she joined the class under the mentorship of Christina Diaz Gonzalez, focusing on a picture book project, TOO MANY TORTILLAS. She shared with us that the “mentorship with the amazing Christina Diaz Gonzalez came at a pivotal time in my life and in my writing career.” Since the WMP, Brenda has continued to work on this evolving project and is now represented by Michelle Hauck of Storm Literary Agency. Read on to learn more about TOO MANY TORTILLAS and her life as a writer!


TOO MANY TORTILLAS: Marigold and her mother couldn’t be more different; Marigold likes pastels and quiet activities like reading and drawing and Mama likes bright colors and loud, loud, loud. And when Mama gets together with her extended family, she becomes a different person. That’s why Marigold dreads the upcoming Thanksgiving trip to visit the Figueroa clan for three whole days. Some many tías and tíos, not to mention primos, she can’t remember all their names or find a way to fit in. But when her school assignment is to interview three family members—and Mama won’t butt out—Marigold knows this will be the worst trip of her life.


What inspires you to write?

I think we all have something to offer the world. For me, I’ve always felt a little different, like I could never find my place. I aim to write books that I hope will help kids know they’re not alone if they think differently or don’t fit neatly into society’s boxes.

Do you have a writing ritual?

I generally write out first drafts in a notebook. I’m definitely a pantser, and writing by hand (with one of my favorite special pens) keeps my ideas flowing better. When I’m working on edits, I like to have some tea or coffee to sip. I often have a live concert or Zelda soundscapes playing on another screen to keep my energy up.

How or when did you realize you wanted to write middle grade and picture books?

I’ve been drawn to children’s books since I was a kid, naturally. But it was when I began having children of my own that I revisited old favorites and discovered new favorites. I love picture books because they can tell stories in such innovative and engaging ways. But my sweet spot is middle grade—maybe because I’ll forever be an awkward 12-year-old! Fun fact: My first middle grade novel, the one I worked on during my Latinx in Publishing mentorship, actually started out as a picture book, but the story kept whispering in my ear that it had more to say.

What are your favorite genres to read? Do you have any literary heroes?

I read so many things—from writing craft books to poetry to literary to non-fiction to novels. I especially love contemporary, sci-fi, adventure, books where kids have to work together to solve something or fight The Big Bad. Literary heroes? Ursula K. Le Guin, Margaret Atwood, Donna Barba Higuera (to name just a few), and my fellow #MGPies who are the best middle grade writing group around.


Brenda S. Miller writes middle grade and picture books. She grew up in New Mexico, a state that still has a strong pull on her considering she set her first middle grade novel there. In Iowa, she studied English and philosophy and in California, she honed her skills as a professional writer. She has written two full-length books of poetry—ABC* and At the Intersection of Scripture and Normal—and has had poems published in Mid-America Poetry Review and Phoebe, among others.

She is a 2023 Las Musas Hermana with Madrina Kim Baker and a previous mentee in the Latinx in Publishing program with mentor Christina Diaz Gonzalez. She is an active member of the #MGPies writing group and SCBWI and volunteers for WriteGirl. She currently works as a writer at the University of Southern California. One of her favorite things to do is to find typos in the wild. She lives in Los Angeles with her spouse, three book-loving kids, an adventurous cat, a huge dog, and two frogs.

WMP Showcase Vanessa Micale

Vanessa Micale was our Writers Mentorship Program's 2023 Adult Non-Fiction Mentee.

The Latinx in Publishing Writers Mentorship Showcase series features excerpts by our Class of 2023 mentees from the projects they’ve developed with the guidance of their mentors.

The LxP Writers Mentorship Program is an annual volunteer-based initiative that offers the opportunity for unpublished and/or unagented writers who identify as Latinx (mentees) to strengthen their craft, gain first-hand industry knowledge, and expand their professional connections through work with experienced published authors (mentors).

Below is an excerpt from one of our 2023 mentees, Vanessa Micale:

Mateo swept up to Sol’s side. She caught her breath. The seal winked and dove out of sight. Mateo asked if Sol would like to sit on his shoulders. She nodded yes. He lifted her up. The wet seaweed slapped the back of his knees as they walked. The sky was fire red, bruise purple, pink.

Back at home, they ate spaghetti quietly. It was a dark night, with a sliver of moon, a spray of stars.

“How do you say seal in Spanish?”

Foca or lobo marino.” Mateo scraped their plates into the trash, his back to his daughter as the suds cleansed the plate of oil, as the water, too hot, scalded his skin.

“Did you notice the foca’s eyes?” Sol stared into her father’s back.

At first, he heard “Did you notice the fucker’s eyes?” and so he smiled at her Spanglish before he reoriented to her question.

“They were abuela’s ojos.” Sol closed her eyes and felt the presence of her abuela. Mateo remembered his mother’s eyes, how brown they were, the color of mud and coffee.

He tucked Sol into bed. He stared into the blackness of his room for hours.

Their two weeks together passed too quickly. Each day was very much like the last. The sand, the waves, Sol. His skin toasted to warm almond under the sun. He covered Sol in sun block. She ran to the shore. Now she knew to stay close by or her father would become wild eyed and sad.

When he took her to the airport, he felt a giant ball in this throat. She cried and draped her thin little arms around his neck and said “I miss you too much Daddy. Can you come with me?”

“Not now, mi amor. I’ll come visit soon.” The flight attendant came and took Sol’s hand.

Sol wiped her tears with her sleeve and walked onto the plane and turned around three times. Airports would forever be a place to be brave in, to pretend you felt nothing, to go numb and just get on the plane. Airports were for going away or coming back and always meant leaving someone on the other end.


Vanessa Micale is a multidisciplinary artist based in Portland, Oregon. She is a mixed Uruguayan American who creates across monikers and mediums as a poet, writer, singer-songwriter and performer. Their Pushcart nominated work appears in The Hopper, Roxane Gay’s The Audacity and more. Vanessa holds an MFA in Creative Writing from Randolph College as a Blackburn Fellow. She has received support from Latinx in Publishing, Anaphora Arts and VONA. Vanessa is a somatic practitioner, facilitator and founder of Poderosa Voz.

website: https://www.vanessamicale.com

IG: @elle_bosque

Author Q&A: 'The Beautiful Game' by Yamile Saied Méndez

Yamile Saied Méndez thrusts readers into action from the very start of her forthcoming middle grade novel, The Beautiful Game. Valeria “Magic” Salomón – star player of the Overlords – is playing in a State Cup game. 

And the 13-year-old is determined to win. So Valeria decides to sidestep a play her coach (and Argentine grandfather) planned and try things her way. “I stomped my foot, pulverizing Coach’s order under the spikes of my pink cleats.”

One of Valeria’s teammates whispers, “You got it, Magic.” 

She nods. The same teammate moves out of the way at the last minute for her to take the shot. And Valeria does. GOOOOALLLLL!!!!!!!

“I ran and ran and ran, fighting the impulse to take my jersey off and swing it in the air like the boys did,” she narrates. “The ref would card me if I showed my sports bra, even if it was mainly for decoration right now.”

Valeria is the only girl on her all-boys team, which isn’t really an issue until something happens to her later at the State Cup semifinal. She gets her first period, during that game. The following day, Valeria overhears her grandfather-coach and members of her team discussing moving forward without her. If she stays, the Overlords wouldn’t be able to play in a tournament. Girl players have their own tournament.

The news shakes Valeria to her core, and angers her. She soon finds herself without a team, and at increasing odds with her grandfather. Her home is also struggling with a recent death in the family. 

But with the support of her grandmother and best friend, Valeria rises up and decides to try to join a team she’s long ignored: an all-girls team known as The Amazons. Can Valeria find her place on her new team and learn to play like a girl?

For Méndez – author of the Pura Belpré Award-winning FuriaThe Beautiful Game is a heartfelt novel that interweaves many themes of family, perseverance, and second chances.

Writers Mentorship Program mentee Amaris Castillo sat down with Méndez, her 2023 middle grade mentor, to discuss The Beautiful Game – out now from Algonquin Young Readers.

This interview has been edited for clarity and brevity.

Amaris Castillo (AC): Congratulations on The Beautiful Game. I know you’re a lifelong lover of fútbol. What inspired you to write this story?

Yamile Saied Méndez (YSM): It was a very long and winded way to The Beautiful Game. When I was starting to learn how to become a writer, I took an SCBWI intensive with a very famous editor who had edited some of my favorite books. For an in-class assignment I had the image of this girl who was swinging a baseball bat. But she wasn’t a baseball player. I knew that. She was swinging the bat, and she just had this attitude. I remember sharing that piece of writing during that class, and everybody liked it very much. Nothing came of it. 

But the following summer, I was already doing my master’s and I was in the first group that went to a residency in Bath, England. It was also a generative workshop, so I had been excited that I didn’t have to plan anything beforehand. But I knew we were going to have to be writing on the spot. And I remembered this girl with a bat. 

The teachers were Martine Leavitt and Tim Wynne-Jones, who were incredible and gave us guidelines for something on the spot. And I remembered this character, and I had Valeria swinging the bat at a birthday party, to bust the piñata. Her character was just fully formed. I remember during the week of the workshop, we had to expand that scene. And Martine and Tim were telling us we had to put our character in the worst situation we could imagine. And I knew Valeria was an athlete, and so what is the worst thing that could happen to her? And then one thought went to the other, and I’m like, Oh, if she’s playing in an all-boy team, the worst thing could be for her to get her period in the middle of the game. The story just unfolded from that. The Beautiful Game was my creative thesis for my master’s. So during the semester, I worked under Jane Kurtz, who was my advisor. She was so in love with the character that it made me excited every month to submit more pages to her. And that’s how I wrote the whole first draft that year.

AC: Your main character, Valeria “Magic” Salomón, is the star of the Overlords, the top boys’ team in Utah. There’s a reason she’s called Magic. You begin the book by placing her in a boys’ team, which can bring interesting dynamics. What made you want to do that?

YSM: I’m very involved in children’s sports. All my children have played – boys and girls. Up until the teenage years, it’s not uncommon to see co-ed teams. As children get older, you see fewer and fewer girls. My son is 12 and, in his very last game last year, there was a girl on the rival team. So up until that age, you will still see a girl or two. It never is a problem until the teenage years when, if there is not a girls team available, they have to quit. That’s what happens in a lot of small schools or small towns that don’t have girls sports available. If they’re lucky, they can switch to an all-girl team. But then there are other complications, where some of the other girl teams have been playing together for a few years already, and then the newcomer has to make her place and earn her spot. That’s what happens to Valeria. So my inspiration was real life, and things that I see two or three times a week on the soccer pitch.

AC: Valeria’s abuelo is her coach. He’s raising Magic with his wife – Valeria’s abuela, Lita. Abuelo is super rough around the edges. The relationship between Magic and her grandfather can be difficult at times. What was it like depicting this kind of relationship on the page?

YSM: It was fun [Laughs]. I loved it. They are the same person. They’re both stubborn and opinionated, but they love each other so much. It’s just that they show love in different ways. 

The grandpa is an old-style coach. Many readers, or older readers, will recognize this character because that tough love from coaches wasn’t uncommon. Even during the Olympics, there was this huge talk about how the gymnastics program in the U.S. used to be super strict. Yes, they won a lot of medals, but to the detriment of the mental health of the girls. Now that the style of coaching has changed, we still have beautiful results with the cherry on top of having Olympic gold medalists who have good mental health. 

I wanted to show how her grandpa was one of the remnants of that old style of coaching, and how other generations would have taken it. But not Valeria, who is Gen Alpha. She’s not going to put up with her grandpa’s behavior, so she’s going to talk back. I saw some criticism about that, and I’m happy that it created some conversation on how young people are not going to put up with the treatment that older generations put up with.

AC: During the State Cup semifinal, Valeria gets her period for the first time. It is a big moment, literally on the field. This is not the first time you’ve written about periods. Can you talk about what it was like to set up this pivotal scene in the book? Because Valeria’s period also sets off a sequence of events.

YSM: There are some clues of what’s going to happen beforehand, and I’m hoping my readers – who will hopefully be a little more savvy – will catch the clues that everybody can get except for Valeria. Because she is in denial that she’s going to get her period. Some people in earlier reviews were like, Oh, it was a little dramatic. How could she not know? But this was very intentional. I wanted to show that Valeria was just not paying attention to her body, not paying attention to the clues. Of course the period caught her by surprise, but because she hadn’t been in touch with herself and aware of what was happening… 

I also wanted to put a little bit of emphasis on how the first period experience doesn’t have to be dramatic, or traumatic. The experience is way better when there is information, when children know what a period is all about. Because when we have knowledge, we have the power. Even if we cannot stop it, we can control the situation… I wanted to show how having knowledge is a way for young people to have power over their experience. It doesn’t have to be horrible. It doesn’t have to be super terrible.

AC: In your book there’s also a theme about a kind of estrangement between a daughter and her father. Valeria’s dad is a bit absent from her life. As a reader, it was heartbreaking to read from Valeria’s perspective. What message were you hoping to send by including this in The Beautiful Game?

YSM: I wanted to show how different families can be, because Valeria is being raised by her grandparents. Her biological dad was a teenage dad and he is part of her life, but he’s still learning how to be a dad. But he lives out of state, so it’s complicated. And although Valeria has this very sometimes even toxic relationship with her grandpa, he is the present father in her life. 

I wanted to show that families are complicated, but that doesn’t mean that there isn’t love. And as long as there’s love and there’s a desire by all parties to form a relationship, that’s a good start. It doesn’t mean that all has to happen at once.

The experience is way better when there is information, when children know what a period is all about. Because when we have knowledge, we have the power. Even if we cannot stop it, we can control the situation… I wanted to show how having knowledge is a way for young people to have power over their experience.

AC: I want to talk about Valeria joining a girls’ team. Her love of the game thrusts her into this completely new environment, where she’s one of many girls – and not the only girl. What were you intentional about in piecing together Valeria’s experience on a girls’ team? Were there aspects of being on a girls’ team that you wanted to show?

YSM: I wanted to show that camaraderie and that funniness and all the emotions that exist in a girls team. Boys are emotional. I have seen this in my own kids’ teams. But they hold their emotions together, like their tears. Girls laugh and cry when they miss a goal, and they cry when they score, and they’re happy. It’s so beautiful to see them show the full spectrum of emotions, and I wanted to show that. I wanted to give Valeria the space to be able to show her emotions. 

In the boy’s team, she’s the best player. And it’s not because she is the girl, or in detriment of being a girl; she’s just the most talented player in that team. When she goes to the girls team, she sees and admires the other girls who play as well. I wanted her to be a little bit insecure, not because of her gender, again, but because of her skills. I wanted her to learn how to play in a team – not to be the individual star. To learn that soccer is a team sport, after all. And so I wanted to show that sometimes girls are pitted against each other. They compete for everything in the world. I feel like society also pits girls and women against each other, and I wanted my character to learn that she’s stronger not when she’s competing with her peers, but when she is collaborating with them. When she is part of the team. So I hope that shows.

AC: It does. What are you hoping readers take away from The Beautiful Game?

YSM: I hope that they have space to talk about uncomfortable topics, like getting your period, growing up, and the other things that come along with growing up. It’s all (about) the social drama. It’s how we change as human beings. 

I hope that, when they close the book, they have the feeling that playing a sport is fun. That’s the main reason human beings play sports: because it’s fun. That’s why I watch them, because I have fun. They give people the opportunity to stretch themselves and achieve things that seem impossible. I think that’s something that we saw at the Olympics, how the world loves to come together to cheer for people who are achieving their dreams. 

And I also hope that they are inspired. Again, it sounds like a cliche and maybe a little cheesy, but I hope that when they close the book, they’re inspired to go and fight for their own dreams… At the end of the day, The Beautiful Game is life itself, more than the sport. And I hope that they’re just excited to live their lives.


Yamile Saied Méndez is the author of many books for young readers and adults, including Furia, a Reese’s YA Book Club selection and the 2021 Inaugural Pura Belpré Young Adult Gold Medalist, Where Are You From?, Shaking Up the House, and the Horse Country series, among others. She was born and raised in Rosario, Argentina, but has lived most of her life in a lovely valley surrounded by mountains in Utah. She’s a graduate of Voices of Our Nations (VONA) and the Vermont College of Fine Arts MFA Writing for Children and Young Adults program, and a founding member of Las Musas, a marketing collective of Latine writers. Connect with her at yamilesmendez.com or on Instagram @yamilesmendez.

 

Amaris Castillo is an award-winning journalist, writer, and the creator of Bodega Stories, a series featuring real stories from the corner store. Her writing has appeared in La Galería Magazine, Aster(ix) Journal, Spanglish Voces, PALABRITAS, Dominican Moms Be Like… (part of the Dominican Writers Association’s #DWACuenticos chapbook series), and most recently Quislaona: A Dominican Fantasy Anthology and Sana, Sana: Latinx Pain and Radical Visions for Healing and Justice. Her short story, “El Don,” was a prize finalist for the 2022 Elizabeth Nunez Caribbean-American Writers’ Prize by the Brooklyn Caribbean Literary Festival. She is a proud member of Latinx in Publishing’s Writers Mentorship Class of 2023 and lives in Florida with her family.

Author Q&A: ‘In the Groves’ by Andrea Cruz Floren

Orange groves have long been a part of Clara’s family ever since her Abuelo came to this country. Her relatives in California are full of stories about it. During her yearly summer stay there with her parents, Clara hears tales of magic, mischief, and monstruos among the groves.

But Abuelo says the groves are no place for their visitor. Clara wouldn’t know, because she’s never been there. And she doesn’t want to be considered a visitor. “A visitor is a tourist, a stranger,” she thinks to herself. “I’m familia!”

So one day while everyone packs for a trip to the beach, Clara decides to sneak into Abuelo’s pickup truck. Soon she’s finally where she’s always wanted to be: the groves. What she finds before her is a magical citrus kingdom.

In the Groves centers on the adventure that awaits for Clara and her grandfather. Out now from Penguin Workshop, this tenderhearted debut picture book by Andrea Cruz Floren is largely inspired by the author’s own family history. Cruz Floren grew up in South Dakota, far from her family in California. Her grandfather tended to orange groves.

“I just remember the groves being this place that everybody in the family would talk about,” she told Latinx in Publishing. “It had this air of mystery around it. Tall tales of these big things that happened there. And as a little girl, it sounded like this fantastic place to be.”

Cruz Floren spoke with Latinx in Publishing about her family history, what it was like to write In the Groves, and more.

This interview has been edited for clarity and brevity.

Amaris Castillo: Congratulations on your debut book, In the Groves. I understand your story was inspired by your own family’s history with orange groves. Can you tell us more about that?

Andrea Cruz Floren (ACF): My mother’s side of the family is originally from Mexico. My great-grandparents came over in the 20s. My grandmother actually was migratory; she went back and forth for a while until she finally stayed in California. And it was her father – my great-grandfather – who started working in the orange groves way back in the 20s. Later on when her and my grandfather got together, my grandfather learned the trade and then he started working in the orange groves. Over the decades, many of my family members either worked in the groves, worked in the packing houses, and worked as pickers. Because at that time in California, the groves were a booming industry. That’s what a lot of migrant and immigrant workers could do in California for work. 

My grandfather continued (working) all the way up until the late 80s, early 90s. So he was still doing it when I was a little girl. I just remember the groves being this place that everybody in the family would talk about. It had this air of mystery around it. Tall tales of these big things that happened there. And as a little girl, it sounded like this fantastic place to be. We grew up in the Midwest so, as a visitor, they would want to show us what they thought were the really interesting things in California. That was like the beach or, if we saved up money, Disneyland. And I always just really wanted to see these orange groves, and I never got to. I lost my grandfather several years back, and he and the groves have always stuck with me. He was such a vibrant, joyful person. His outlook on life was a big impression on me, and I just felt like it was a story that needed to be told.

AC: Your main character, Clara, visits her extended family in California. Everyone lives there but her, and when she is with them, her abuelo always wants to take him to all the places he thinks she wants to see. It made me think about how children find joy in places adults may not think. And this is definitely a theme that runs through the whole story. What was it like to try to depict this on the page?

ACF: For me it was really emotional, because I never did get to see them. I actually interviewed a lot of family members that had been to the groves and it was so interesting because, in their child’s mind, it was this place. There’s my grandfather doing manual labor, and then he would stop and make the kids a sword out of a stick, or make them some other little fun things. And they would be running around, capturing snakes, dodging cougars – doing pretty dangerous things. [Laughs] But in their minds, it was always like the best day ever. It was really emotional that I didn’t get that experience. 

When I was a little girl, we were the only family that lived out in the Midwest. Everybody else was in California. Because of that, it was really emotional to be able to combine all these family stories and think about what my child’s mind would have seen, had I been able to go to the groves. I wish I could have told my grandfather what an important and special place that actually is to our family.

I just remember the groves being this place that everybody in the family would talk about. It had this air of mystery around it. Tall tales of these big things that happened there. And as a little girl, it sounded like this fantastic place to be.

AC: When Clara sneaks into her abuelo’s truck and ends up in the orange groves with him, her first impression is that it’s a “magical citrus kingdom.” The orange groves obviously carry its own meaning and weight in the story and for her family. As you wrote this book, what meaning did the orange groves carry for you? And did that meaning change?

ACF: I think maybe it didn’t necessarily change, but it became deeper. For me, it’s a layered meaning. On the one hand, for a child, these places that – like you said – adults think are workaday or boring, are really imaginative places in the child’s mind. And I just wanted to honor that. 

And as I wrote the book, it just became so clear to me what a privilege it was to share this story in the world. It’s something that my grandfather did every day because he had to, because it’s what put food on the table, it’s what gave opportunities. It wasn’t easy work and now, all these years later, here I am with a college degree – getting to write a picture book about it. And there’s something really bittersweet about that.

AC: This is your debut picture book, but you have experience in commercial and editorial illustration work. How did you decide how to approach the illustrations for your book?

ACF: A lot of people in my family are self-taught, kind of scrappy people. I am actually pretty self-taught. I worked in design and advertising for over 20 years, but I don’t have a Master of Fine Art. A lot of that is things I’ve picked up along the way. And when I knew I wanted to transition towards children’s books, I was really nervous about putting myself out there on the page. 

I would love to explore more traditional media in the future, but because of my background, I’m very comfortable with digital media. So I did a combination, where I did a lot of exploration on the side: I did a lot of painting and sketching and colored pencil work – just painting textures and shapes. Then I got experimental and combined it with digital media and tried to make it a blend of the two worlds, which I realized is pretty fitting to who I am. I’m a blend of so many things, and it’s fitting that my art kind of matches myself. I’ve always felt like I’ve been in between cultures, in between worlds, in between writing and drawing.

AC: What are you hoping readers take away from In the Groves?

ACF: It’s one of those stories I talked about with my editor. It works on multiple levels, and I really hope readers are able to grasp a little bit of each of those levels. I think on the surface, it’s definitely some magical realism and an adventure. Is it true? Is it not? What happened? What didn’t? There’s that kind of fun and adventure side of it.

And then running underneath it is definitely a story about belonging. For kids who are either not from this country, or maybe of a mixed background, or maybe they live far from where their cultural roots are – I think there’s a story in there about you do have a place in your lineage. And you do belong. 

There’s another line running through there about honoring your family stories, and honoring the idea of oral storytelling. That is an important historical tool for many cultures. I wanted to honor that, and honor the hard work of my family and so many other marginalized communities that do this kind of work and don’t get to have that be seen on the page as an honorable and beautiful job.



Andrea Floren grew up in South Dakota, far from her California family. Her grandfather, who tended the orange groves, had a gift for storytelling. He encouraged Andrea to keep writing; she hopes to honor his memory with this debut book. Andrea currently lives in Colorado with her family. Visit her at quietlyfiery.com.

 

Amaris Castillo is an award-winning journalist, writer, and the creator of Bodega Stories, a series featuring real stories from the corner store. Her writing has appeared in La Galería Magazine, Aster(ix) Journal, Spanglish Voces, PALABRITAS, Dominican Moms Be Like… (part of the Dominican Writers Association’s #DWACuenticos chapbook series), and most recently Quislaona: A Dominican Fantasy Anthology and Sana, Sana: Latinx Pain and Radical Visions for Healing and Justice. Her short story, “El Don,” was a prize finalist for the 2022 Elizabeth Nunez Caribbean-American Writers’ Prize by the Brooklyn Caribbean Literary Festival. She is a proud member of Latinx in Publishing’s Writers Mentorship Class of 2023 and lives in Florida with her family.

Most Anticipated September 2024 Releases

Summer is almost coming to a close and it’s about that time to start thinking of Fall activities. We are looking forward to heading to our local bookstores and libraries to add these highly anticipated titles to our reading lists!

 

The Chainbreakers by Julian Randall | On Sale September 3

All Violet Moon has ever wanted is to be a Reaper captain like her father. Born on the Tides of the Lost, a magical world beneath the waves of the Atlantic Ocean, Violet has spent her life at her father's side rescuing souls lost in the water.

But when a rescue mission turns to disaster after the arrival of the dreaded Children of the Shark, weaponized ghost-sharks who steal the souls for themselves, her father is seized and pulled down into the darkness of the Depths. With no choice for Violet but to inherit the captain's powers and helm the ship as the next in line, it'll be up to her to save her father--if he even still lives--and stop the Children of the Shark before they devour the world.

 

Tías and Primas: On Knowing and Loving the Women Who Raise Us by Prisca Dorcas Mojica Rodríguez | Illustrated by Josie del Castillo | On Sale September 10

Born into a large, close-knit family in Nicaragua, Prisca Dorcas Mojica Rodríguez grew up surrounded by strong, kind, funny, sensitive, resilient, judgmental, messy, beautiful women. Whether blood relatives or chosen family, these tías and primas fundamentally shaped her view of the world--and so did the labels that were used to talk about them. The tía loca who is shunned for defying gender roles. The pretty prima put on a pedestal for her European features. The matriarch who is the core of her community but hides all her pain.

In Tías and Primas, the follow-up to her acclaimed debut For Brown Girls with Sharp Edges and Tender Hearts, Mojica Rodríguez explores these archetypes. Fearlessly grappling with the effects of intergenerational trauma, centuries of colonization, and sexism, she attempts to heal the pain that is so often embodied in female family lines.

 

First in the Family: A Story of Survival, Recovery, and the American Dream by Jessica Hoppe | On Sale September 10

In this deeply moving and lyrical memoir, Hoppe shares an intimate, courageous account of what it means to truly interrupt cycles of harm. During the first year of quarantine, drug overdoses spiked, the highest ever recorded. And Hoppe's cousin was one of them. "I never learned the true history of substance use disorder in my family," Hoppe writes. "People just disappeared." At the time of her cousin's death, she'd been in recovery for nearly four years, but she hadn't told anyone.

In First in the Family, Hoppe shares her journey, the first in her family to do so, and takes the reader on a remarkable investigation of her family's history, the American Dream, and the erasure of BIPOC from recovery institutions and narratives, leaving the reader with an urgent message of hope.

 

A Sunny Place for Shady People: Stories by Mariana Enriquez | Translated by Megan McDowell | On Sale September 17

On the shores of this river, all the birds that fly, drink, perch on branches, and disturb siestas with the demonic squawking of the possessed--all those birds were once women.

Welcome to Argentina and the fascinating, frightening, fantastical imagination of Mariana Enriquez. In twelve spellbinding new stories, Enriquez writes about ordinary people, especially women, whose lives turn inside out when they encounter terror, the surreal, and the supernatural. A neighborhood nuisanced by ghosts, a family whose faces melt away, a faded hotel haunted by a girl who dissolved in the water tank on the roof, a riverbank populated by birds that used to be women--these and other tales illuminate the shadows of contemporary life, where the line between good and evil no longer exists.

Book Review: 'The Curse of the Flores Women' by Angélica Lopes

In the pages of The Curse of The Flores Women by Angelica Lopes, the reader becomes drawn into a tale as old as time. A tale of women fighting to break the limitations of society. Steeped in tradition of their homeland and the pressure of being a woman in a man’s world, we are captivated by the beauty of the story of the Flores women. As the story opens we meet Alicia, who may seem to most as an angst-filled young woman. It is soon revealed that there is something she must fight to overcome. Tradition, self sacrifice, classism, and even the binds of her own female family members’ subordination to men. All of this binds her to a life she does not wish to live. All of the restrictions seem an insurmountable task for Alicia to undertake. Her story would be interesting all on its own, however Lopes crafts it into one that seems to transcend time and space to give us the story of generations of Flores women. One woman starts the story off and it falls into the hands of our current character Alicia, who unbeknownst to her, she now holds in her hands what may seem like an ordinary veil, it is in fact so much more than that. In her hands she now holds the key to what her ancestry withstood so she could become who she is meant to be. 

What starts as the tale of one young woman’s fight to be a nonconformist to society and its patriarchal stances, every facet of this young woman’s life turns into one of discovery, of what the women of her ancestral lineage have coursing through their veins. Courage, strength, and perseverance, which are only some of the wondrous qualities of these women, and that help to fuel their lives. Starting as a way to secretly share her story with others through the folds of some unassuming hand-sewn lace, a generational tale unravels before our eyes. The reader can empathize with these characters as it seems as if many females of today's society are still fighting for basic human rights. Today we are fighting for bodily autonomy and the right to privacy between ourselves and our doctors without fear of breaking a law or facing criminal offense charges. Gone are many traditions of old, and rightfully so because they would not be acceptable in today's society, yet some still rear their ugly and old-fashioned tentacles, making it seem as if we have made little to no progress for the feminist cause.

The Curse of the Flores Women takes the reader through some heart-wrenching moments, but there are still some other joyous times to share as well. The novel will allow you to see some of the trials and tribulations that have plagued women since the beginning of time. This book, even though it is a work of fiction, seems very much able to capture what life as a woman is like, from the past to the present day. The challenges from one era to another may be different, however the struggle is very much the same. Like learning the act of lace-making, its fragile threading, to its intricate and detailed designs, so are the lives of these characters. Women, not just Flores women, faced and continue to face societal pressures, as well as familial boundaries that try to limit the growth of womankind. It is with a whole heart and resounding “yes” that I recommend this book. I feel that as you read the last sentence of the last chapter you will be glad to have read this wonderful work of words. Regardless of your gender, you will walk a way with a better understanding of just what has plagued women and how to be an ally to women. Happy reading.


Angela “Angie” Ybarra- Soria is a book reviewer, activist, mixed media artist, writer and entrepreneur. An obstacle that may have stood in her way happened in 2013, she suffered 4 brain bleeds and emergency brain surgery, Angela however likes to think of herself as a TBI THRIVER. Angie is a recent graduate of Northeastern Illinois University where she studied Latinx American Studies and Urban Development. Angela has been an advocate for stopping gentrification within brown and Black communities of Chicago. Angela enjoys spending her down time with her grandchildren and introducing them to the sights of the city where she was born and raised. Being of Mexican descent has prompted her to research much about the rich culture of her ancestral heritage. Angela plans to continue her education by pursuing her Masters Degree in Urban Studies to further allow her to better assist communities that have for generations been, or worse, still marginalized.